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George Tzanetakis
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- affiliation: University of Victoria, Canada
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2020 – today
- 2024
- [i7]Yichun Zhao, George Tzanetakis:
Interactive Sonification for Health and Energy using ChucK and Unity. CoRR abs/2404.08813 (2024) - 2023
- [c115]Colin Malloy, George Tzanetakis:
Steelpan-specific pitch detection: a dataset and deep learning model. NIME 2023 - 2022
- [i6]Joseph Turian, Jordie Shier, Humair Raj Khan, Bhiksha Raj, Björn W. Schuller, Christian J. Steinmetz, Colin Malloy, George Tzanetakis, Gissel Velarde, Kirk McNally
, Max Henry, Nicolas Pinto, Camille Noufi, Christian Clough, Dorien Herremans, Eduardo Fonseca, Jesse H. Engel, Justin Salamon, Philippe Esling, Pranay Manocha, Shinji Watanabe
, Zeyu Jin, Yonatan Bisk:
HEAR 2021: Holistic Evaluation of Audio Representations. CoRR abs/2203.03022 (2022) - 2021
- [j30]Isabelle Dufour
, George Tzanetakis
:
Using Circular Models to Improve Music Emotion Recognition. IEEE Trans. Affect. Comput. 12(3): 666-681 (2021) - [c114]Tom Arjannikov
, George Tzanetakis:
Cold-Start Hospital Length of Stay Prediction Using Positive-Unlabeled Learning. BHI 2021: 1-4 - [c113]Joseph Turian, Jordie Shier, George Tzanetakis, Kirk McNally
, Max Henry:
One Billion Audio Sounds from GPU-Enabled Modular Synthesis. DAFx 2021: 222-229 - [c112]Tom Arjannikov
, George Tzanetakis:
An Empirical Investigation of PU Learning for Predicting Length of Stay. ICHI 2021: 41-47 - [c111]Christian Bergler, Manuel Schmitt, Andreas K. Maier, Helena Symonds, Paul Spong, Steven R. Ness, George Tzanetakis, Elmar Nöth:
ORCA-SLANG: An Automatic Multi-Stage Semi-Supervised Deep Learning Framework for Large-Scale Killer Whale Call Type Identification. Interspeech 2021: 2396-2400 - [c110]Luke O. Rowe, George Tzanetakis:
Curriculum Learning for Imbalanced Classification in Large Vocabulary Automatic Chord Recognition. ISMIR 2021: 586-593 - [c109]Joseph Turian, Jordie Shier, Humair Raj Khan, Bhiksha Raj, Björn W. Schuller, Christian J. Steinmetz, Colin Malloy, George Tzanetakis, Gissel Velarde, Kirk McNally, Max Henry, Nicolas Pinto, Camille Noufi, Christian Clough, Dorien Herremans, Eduardo Fonseca, Jesse H. Engel, Justin Salamon, Philippe Esling, Pranay Manocha, Shinji Watanabe, Zeyu Jin, Yonatan Bisk:
HEAR: Holistic Evaluation of Audio Representations. NeurIPS (Competition and Demos) 2021: 125-145 - [i5]Joseph Turian, Jordie Shier, George Tzanetakis, Kirk McNally, Max Henry:
One Billion Audio Sounds from GPU-enabled Modular Synthesis. CoRR abs/2104.12922 (2021) - 2020
- [j29]Jingrong Wang
, Kaiyang Liu, George Tzanetakis, Jianping Pan:
Cooperative abnormal sound event detection in end-edge-cloud orchestrated systems. CCF Trans. Netw. 3(3-4): 158-170 (2020) - [j28]David Johnson
, Daniela E. Damian, George Tzanetakis:
Evaluating the effectiveness of mixed reality music instrument learning with the theremin. Virtual Real. 24(2): 303-317 (2020) - [c108]Roya Lotfi, George Tzanetakis, M. Rasit Eskicioglu, Pourang Irani:
A comparison between audio and IMU data to detect chewing events based on an earable device. AH 2020: 11:1-11:8 - [c107]Sanna Wager, George Tzanetakis, Cheng-i Wang, Minje Kim:
Deep Autotuner: A Pitch Correcting Network for Singing Performances. ICASSP 2020: 246-250 - [c106]Fabrizio Pedersoli, George Tzanetakis, Kwang Moo Yi:
Improving Music Transcription by Pre-Stacking A U-Net. ICASSP 2020: 506-510 - [i4]Sanna Wager, George Tzanetakis, Cheng-i Wang, Minje Kim:
Deep Autotuner: a Pitch Correcting Network for Singing Performances. CoRR abs/2002.05511 (2020)
2010 – 2019
- 2019
- [j27]David Johnson, Daniela E. Damian, George Tzanetakis
:
Detecting Hand Posture in Piano Playing Using Depth Data. Comput. Music. J. 43(1): 59-78 (2019) - [j26]Jakob Leben
, George Tzanetakis
:
Polyhedral Compilation for Multi-dimensional Stream Processing. ACM Trans. Archit. Code Optim. 16(3): 27:1-27:26 (2019) - [c105]Sanna Wager, George Tzanetakis
, Stefan Sullivan, Cheng-i Wang, John Shimmin, Minje Kim, Perry Cook:
Intonation: A Dataset of Quality Vocal Performances Refined by Spectral Clustering on Pitch Congruence. ICASSP 2019: 476-480 - [i3]Sanna Wager, George Tzanetakis, Cheng-i Wang, Lijiang Guo, Aswin Sivaraman, Minje Kim:
Deep Autotuner: A Data-Driven Approach to Natural-Sounding Pitch Correction for Singing Voice in Karaoke Performances. CoRR abs/1902.00956 (2019) - 2018
- [j25]Leandro Collares
, Tiago Fernandes Tavares
, Amy Gooch, George Tzanetakis
:
Personalizing self-organizing music spaces with anchors: design and evaluation. Multim. Tools Appl. 77(5): 5525-5545 (2018) - [j24]Isabel Barbancho
, George Tzanetakis
, Ana M. Barbancho
, Lorenzo J. Tardón
:
Discrimination Between Ascending/Descending Pitch Arpeggios. IEEE ACM Trans. Audio Speech Lang. Process. 26(11): 2194-2203 (2018) - [c104]Cheng-i Wang, George Tzanetakis
:
Singing Style Investigation by Residual Siamese Convolutional Neural Networks. ICASSP 2018: 116-120 - [c103]Fabrizio Pedersoli, George Tzanetakis, Andrea Tagliasacchi:
Espresso: Efficient Forward Propagation for Binary Deep Neural Networks. ICLR (Poster) 2018 - [c102]Jingrong Wang, Kaiyang Liu, George Tzanetakis
, Jianping Pan
:
Learning-based Cooperative Sound Event Detection with Edge Computing. IPCCC 2018: 1-8 - [c101]Chris Foster, Dhanush Dharmaretnam, Haoyan Xu, Alona Fyshe
, George Tzanetakis:
Decoding Music in the Human Brain Using EEG Data. MMSP 2018: 1-6 - [c100]Fabrizio Pedersoli, George Tzanetakis:
SPmat: A Framework and Data Representation for Binary Image Processing. MMSP 2018: 1-6 - 2017
- [j23]Cynthia C. S. Liem
, Emilia Gómez, George Tzanetakis
:
Multimedia Technologies for Enriched Music Performance, Production, and Consumption. IEEE Multim. 24(1): 20-23 (2017) - [j22]Hélène Papadopoulos, George Tzanetakis
:
Models for Music Analysis From a Markov Logic Networks Perspective. IEEE ACM Trans. Audio Speech Lang. Process. 25(1): 15-30 (2017) - [c99]Tom Arjannikov, George Tzanetakis
:
Histogram-Based Asymmetric Relabeling for Learning from Only Positive and Unlabeled Data. ICMLA 2017: 1065-1070 - [c98]Robert Van Rooyen, Andrew Schloss, George Tzanetakis:
Voice coil actuators for percussion robotics. NIME 2017: 1-6 - [c97]David Johnson, George Tzanetakis:
Vrmin: using mixed reality to augment the theremin for musical tutoring. NIME 2017: 151-156 - [i2]Fabrizio Pedersoli, George Tzanetakis, Andrea Tagliasacchi:
Espresso: Efficient Forward Propagation for BCNNs. CoRR abs/1705.07175 (2017) - 2016
- [j21]Fabrizio Pedersoli, George Tzanetakis
:
Document segmentation and classification into musical scores and text. Int. J. Document Anal. Recognit. 19(4): 289-304 (2016) - [c96]David Johnson, Isabelle Dufour, Daniela E. Damian, George Tzanetakis:
Detecting Pianist Hand Posture Mistakes for Virtual Piano Tutoring. ICMC 2016 - [e4]Michael I. Mandel, Johanna Devaney, Douglas Turnbull, George Tzanetakis:
Proceedings of the 17th International Society for Music Information Retrieval Conference, ISMIR 2016, New York City, United States, August 7-11, 2016. 2016, ISBN 978-0-692-75506-8 [contents] - 2015
- [c95]Kimberlee Graham-Knight, George Tzanetakis:
Adaptive Music Technology: History and Future Perspectives. ICMC 2015 - [c94]Robert Van Rooyen, Andrew Schloss, George Tzanetakis:
Snare drum motion capture dataset. NIME 2015: 329-330 - [c93]Robert Van Rooyen, George Tzanetakis:
Pragmatic drum motion capture system. NIME 2015: 339-342 - [c92]David Johnson, George Tzanetakis
:
Guitar model recognition from single instrument audio recordings. PACRIM 2015: 370-375 - [c91]Abdulbaset El Hadi Saad, Hannan Lohrasbipeydeh, Zuomin Dong
, George Tzanetakis
, T. Aaron Gulliver:
A comparison of conventional and meta-model based global optimization methods. PACRIM 2015: 422-427 - [c90]Kimberlee Graham-Knight, George Tzanetakis:
Adaptive music technology using the Kinect. PETRA 2015: 32:1-32:4 - 2014
- [j20]Graham Percival, George Tzanetakis
:
Streamlined tempo estimation based on autocorrelation and cross-correlation with pulses. IEEE ACM Trans. Audio Speech Lang. Process. 22(12): 1765-1776 (2014) - [j19]Tao Li, Mitsunori Ogihara
, George Tzanetakis
:
Guest Editorial: Special Section on Music Data Mining. IEEE Trans. Multim. 16(5): 1185-1187 (2014) - [c89]Steven R. Ness, George Tzanetakis
:
Human and machine annotation in the Orchive, a large scale bioacoustic archive. GlobalSIP 2014: 1136-1140 - [c88]Jakob Leben, George Tzanetakis:
Declarative Composition and Reactive Control in Marsyas. ICMC 2014 - [c87]George Tzanetakis:
Computational ethnomusicology: a music information retrieval perspective. ICMC 2014 - [c86]Isabel Barbancho, George Tzanetakis, Lorenzo J. Tardón, Peter F. Driessen, Ana M. Barbancho:
Estimation of the Direction of Strokes and Arpeggios. ISMIR 2014: 41-46 - [c85]Shawn Trail, Duncan MacConnell, Leonardo Jenkins, Jeff Snyder, George Tzanetakis, Peter F. Driessen:
El-Lamellophone A Low-cost, DIY, Open Framework for Acoustic Lemellophone Based Hyperinstruments. NIME 2014: 537-540 - 2013
- [c84]Hélène Papadopoulos, George Tzanetakis
:
Exploiting structural relationships in audio music signals using Markov Logic Networks. ICASSP 2013: 1-5 - [c83]George Tzanetakis
, Graham Percival:
An effective, simple tempo estimation method based on self-similarity and regularity. ICASSP 2013: 241-245 - [c82]Thor Kell, George Tzanetakis:
Empirical Analysis of Track Selection and Ordering in Electronic Dance Music using Audio Feature Extraction. ISMIR 2013: 505-510 - [c81]Graham Percival, Nicholas Bailey, George Tzanetakis:
Physical modelling and supervised training of a virtual string quartet. ACM Multimedia 2013: 103-112 - [c80]George Tzanetakis, Sidney S. Fels
, Michael J. Lyons
:
Blending the physical and the virtual in music technology: from interface design to multi-modal signal processing. ACM Multimedia 2013: 1119-1120 - [c79]Tiago Fernandes Tavares, George Tzanetakis, Peter F. Driessen:
Factors in factorization: Does better audio source separation imply better polyphonic music transcription? MMSP 2013: 424-428 - [c78]Leonardo Jenkins, Shawn Trail, George Tzanetakis, Peter F. Driessen, Wyatt Page:
An Easily Removable, wireless Optical Sensing System (EROSS) for the Trumpet. NIME 2013: 352-357 - [i1]Steven R. Ness, Helena Symonds, Paul Spong, George Tzanetakis:
The Orchive : Data mining a massive bioacoustic archive. CoRR abs/1307.0589 (2013) - 2012
- [j18]Steven R. Ness, Paul Reimer, Justin Love, W. Andrew Schloss, George Tzanetakis
:
Sonophenology. J. Multimodal User Interfaces 5(3-4): 123-129 (2012) - [c77]Mathieu Lagrange, Luis Gustavo Martins
, George Tzanetakis
:
Cluster aware normalization for enhancing audio similarity. ICASSP 2012: 1969-1972 - [c76]Gabrielle Odowichuk, George Tzanetakis:
Browsing Music and sound using gestures in a Self-Organized 3D Space. ICMC 2012 - [c75]Hélène Papadopoulos, George Tzanetakis:
Modeling Chord and Key Structure with Markov Logic. ISMIR 2012: 127-132 - [c74]Cynthia C. S. Liem
, Meinard Müller, Steven K. Tjoa, George Tzanetakis:
2nd international ACM workshop on music information retrieval with user-centered and multimodal strategies (MIRUM). ACM Multimedia 2012: 1509-1510 - [c73]Tiago Fernandes Tavares
, Gabrielle Odowichuck, Sonmaz Zehtabi, George Tzanetakis
:
Audio-visual vibraphone transcription in real time. MMSP 2012: 215-220 - [c72]Shawn Trail, Michael Dean, Gabrielle Odowichuk, Tiago Fernandes Tavares, Peter F. Driessen, W. Andrew Schloss, George Tzanetakis:
Non-invasive sensing and gesture control for pitched percussion hyper-instruments using the Kinect. NIME 2012 - [c71]Shawn Trail, Tiago Fernandes Tavares, Dan Godlovitch, George Tzanetakis:
Direct and surrogate sensing for the Gyil african xylophone. NIME 2012 - [e3]Cynthia C. S. Liem, Meinard Müller, Steven K. Tjoa, George Tzanetakis:
Proceedings of the second international ACM workshop on Music information retrieval with user-centered and multimodal strategies, MIRUM '12, Nara, Japan, October 29 - November 02, 2012. 2012, ISBN 978-1-4503-1591-3 [contents] - 2011
- [j17]Jayme G. A. Barbedo
, George Tzanetakis
:
Musical Instrument Classification Using Individual Partials. IEEE Trans. Speech Audio Process. 19(1): 111-122 (2011) - [j16]Emiru Tsunoo, George Tzanetakis
, Nobutaka Ono
, Shigeki Sagayama:
Beyond Timbral Statistics: Improving Music Classification Using Percussive Patterns and Bass Lines. IEEE ACM Trans. Audio Speech Lang. Process. 19(4): 1003-1014 (2011) - [j15]Adam R. Tindale
, Ajay Kapur, George Tzanetakis
:
Training Surrogate Sensors in Musical Gesture Acquisition Systems. IEEE Trans. Multim. 13(1): 50-59 (2011) - [c70]Justin Love, Philippe Pasquier
, B. Wyvill, Steve Gibson
, George Tzanetakis:
Aesthetic Agents: Swarm-based Non-photorealistic Rendering using Multiple Images. CAe 2011: 47-54 - [c69]Mathieu Lagrange, George Tzanetakis
:
Adaptive N-normalization for enhancing music similarity. ICASSP 2011: 389-392 - [c68]Farook Sattar
, Peter F. Driessen, George Tzanetakis
:
A New Image-Based Method for Event Detection and Extraction of Noisy Hydrophone Data. ICIAR (2) 2011: 328-337 - [c67]Steven R. Ness, Sonmez Methabi, Gabrielle Odowichuk, George Tzanetakis, W. Andrew Schloss:
Gesture Analysis of radiodrum data. ICMC 2011 - [c66]Steven R. Ness, Gabrielle Odowichuk, Peter F. Driessen, George Tzanetakis:
Controlling Real Time Sound Spatialization Using The Radiodrum. ICMC 2011 - [c65]Anthony Theocharis, Matt Pierce, George Tzanetakis:
An Empirical Investigation of Stacking for Music Tag Annotation. ICMLA (1) 2011: 90-95 - [c64]Peter van Kranenburg, Dániel Péter Biró, Steven R. Ness, George Tzanetakis:
A Computational Investigation of Melodic Contour Stability in Jewish Torah Trope Performance Traditions. ISMIR 2011: 163-168 - [c63]Steven R. Ness, Shawn Trail, Peter F. Driessen, W. Andrew Schloss, George Tzanetakis:
Music Information Robotics: Coping Strategies for Musically Challenged Robots. ISMIR 2011: 567-572 - [c62]Paul Reimer, Alexandra Branzan Albu, George Tzanetakis:
Raydiance: A Tangible Interface for Teaching Computer Vision. ISVC (2) 2011: 259-269 - [c61]Cynthia C. S. Liem
, Meinard Müller
, Douglas Eck, George Tzanetakis, Alan Hanjalic
:
The need for music information retrieval with user-centered and multimodal strategies. MIRUM 2011: 1-6 - [c60]Cynthia C. S. Liem
, Meinard Müller
, Douglas Eck, George Tzanetakis:
1st international ACM workshop on music information retrieval with user-centered and multimodal strategies (MIRUM). ACM Multimedia 2011: 603-604 - [c59]Steven R. Ness, Alex Lerch
, George Tzanetakis
:
Strategies for orca call retrieval to support collaborative annotation of a large archive. MMSP 2011: 1-6 - [e2]Cynthia C. S. Liem, Meinard Müller, Douglas Eck, George Tzanetakis:
Proceedings of the 1st international ACM workshop on Music information retrieval with user-centered and multimodal strategies, Scottsdale, AZ, USA, November 28 - December 01, 2011. ACM 2011, ISBN 978-1-4503-0986-8 [contents] - 2010
- [j14]Jayme Garcia Arnal Barbedo
, George Tzanetakis
:
Correlation-Based Amplitude Estimation of Coincident Partials in Monaural Musical Signals. EURASIP J. Audio Speech Music. Process. 2010 (2010) - [j13]Steven R. Ness, Dániel Péter Biró, George Tzanetakis
:
Computer-assisted cantillation and chant research using content-aware web visualization tools. Multim. Tools Appl. 48(1): 207-224 (2010) - [c58]Samuel Rossoff, George Tzanetakis, Bruce Gooch:
Adapting personal music for synesthetic game play. FDG 2010: 163-170 - [c57]Jayme G. A. Barbedo
, George Tzanetakis
:
Instrument identification in polyphonic music signals based on individual partials. ICASSP 2010: 401-404 - [c56]Scott Miller, Paul Reimer, Steven R. Ness, George Tzanetakis:
Geoshuffle: Location-Aware, Content-based Music Browsing Using Self-organizing Tag Clouds. ISMIR 2010: 237-242
2000 – 2009
- 2009
- [c55]Steven R. Ness, George Tzanetakis
, Dániel Péter Biró:
Content-Aware Web Browsing and Visualization Tools for Cantillation and Chant Research. CBMI 2009: 81-86 - [c54]Steven R. Ness, George Tzanetakis:
Audioscapes: Exploring Surface Interfaces for Music Exploration. ICMC 2009 - [c53]Steven R. Ness, George Tzanetakis:
SOMba: Multiuser Music Creation Using Self-Organizing Maps and Motion Tracking. ICMC 2009 - [c52]Emiru Tsunoo, George Tzanetakis
, Nobutaka Ono
, Shigeki Sagayama:
Audio genre classification using percussive pattern clustering combined with timbral features. ICME 2009: 382-385 - [c51]Steven R. Ness, Anthony Theocharis, George Tzanetakis, Luis Gustavo Martins
:
Improving automatic music tag annotation using stacked generalization of probabilistic SVM outputs. ACM Multimedia 2009: 705-708 - [c50]George Tzanetakis:
Music information retrieval: theory and applications. ACM Multimedia 2009: 915-916 - [c49]George Tzanetakis:
Music analysis, retrieval and synthesis of audio signals MARSYAS. ACM Multimedia 2009: 931-932 - [c48]Randy Jones, Peter F. Driessen, W. Andrew Schloss, George Tzanetakis:
A Force-Sensitive Surface for Intimate Control. NIME 2009: 236-241 - [c47]George Tzanetakis, Manjinder Singh Benning, Steven R. Ness, Darren Minifie, Nigel Livingston:
Assistive music browsing using self-organizing maps. PETRA 2009 - [e1]Keiji Hirata, George Tzanetakis, Kazuyoshi Yoshii:
Proceedings of the 10th International Society for Music Information Retrieval Conference, ISMIR 2009, Kobe International Conference Center, Kobe, Japan, October 26-30, 2009. International Society for Music Information Retrieval 2009, ISBN 978-0-9813537-0-8 [contents] - 2008
- [j12]George Tzanetakis:
Anssi Klapuri, Manuel Davy, Eds: Signal Processing Methods for Music Transcription. Comput. Music. J. 32(4): 86-88 (2008) - [j11]Mathieu Lagrange, Luis Gustavo Martins
, Jennifer Murdoch, George Tzanetakis
:
Normalized Cuts for Predominant Melodic Source Separation. IEEE Trans. Speech Audio Process. 16(2): 278-290 (2008) - [j10]K. I. Nordstrom, George Tzanetakis
, Peter F. Driessen:
Transforming Perceived Vocal Effort and Breathiness Using Adaptive Pre-Emphasis Linear Prediction. IEEE Trans. Speech Audio Process. 16(6): 1087-1096 (2008) - [c46]Mathieu Lagrange, Luis Gustavo Martins
, George Tzanetakis
:
A Computationally Efficient Scheme for Dominant Harmonic Source Separation. ICASSP 2008: 165-168 - [c45]George Tzanetakis, Randy Jones, Carlos Castillo, Luis Gustavo Martins, Luís Filipe Teixeira, Mathieu Lagrange:
Interoperability and the MARSYAS 0.2 Runtime. ICMC 2008 - [c44]Matthew Wright, W. Andrew Schloss, George Tzanetakis:
Visualization Tools for Musical Timing Applied to Afro-Cuban Percussion. ICMC 2008 - [c43]Matthew Wright, W. Andrew Schloss, George Tzanetakis:
Analyzing Afro-Cuban Rhythms using Rotation-Aware Clave Template Matching with Dynamic Programming. ISMIR 2008: 647-652 - [c42]Steven R. Ness, Matthew Wright, Luis Gustavo Martins, George Tzanetakis:
Chants and Orcas: semi-automatic tools for audio annotation and analysis in niche domains. MS 2008: 9-16 - [c41]Luís Filipe Teixeira, Luis Gustavo Martins
, Mathieu Lagrange, George Tzanetakis:
MarsyasX: multimedia dataflow processing with implicit patching. ACM Multimedia 2008: 873-876 - 2007
- [j9]Ichiro Fujinaga, Masataka Goto
, George Tzanetakis
:
Music Information Retrieval Based on Signal Processing. EURASIP J. Adv. Signal Process. 2007 (2007) - [j8]Roger B. Dannenberg, William P. Birmingham, Bryan Pardo, Ning Hu, Colin Meek, George Tzanetakis
:
A comparative evaluation of search techniques for query-by-humming using the MUSART testbed. J. Assoc. Inf. Sci. Technol. 58(5): 687-701 (2007) - [c40]Mathieu Lagrange, Luis Gustavo Martins
, Luís Filipe Teixeira, George Tzanetakis
:
Speaker Segmentation of Interviews Using Integrated Video and Audio Change Detectors. CBMI 2007: 219-226 - [c39]Mathieu Lagrange, George Tzanetakis
:
Sound Source Tracking and Formation using Normalized Cuts. ICASSP (1) 2007: 61-64 - [c38]Ajay Kapur, Eric Trimpin, Afzal Singer, George Suleman, George Tzanetakis:
A Comparison of Solenoid-Based Strategies for robotic drumming. ICMC 2007 - [c37]Adam R. Tindale, David W. Sprague, George Tzanetakis:
Strike-A-Tune: Fuzzy Music Navigation Using a Drum Interface. ISMIR 2007: 171-172 - [c36]Stephen Hitchner, Jennifer Murdoch, George Tzanetakis:
Music Browsing Using a Tabletop Display. ISMIR 2007: 175-176 - [c35]Luis Gustavo Martins, Juan José Burred, George Tzanetakis, Mathieu Lagrange:
Polyphonic Instrument Recognition Using Spectral Clustering. ISMIR 2007: 213-218 - [c34]Ajay Kapur, Graham Percival, Mathieu Lagrange, George Tzanetakis:
Pedagogical Transcription for Multimodal Sitar Performance. ISMIR 2007: 351-352 - [c33]