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ORCID10th ISMIR 2009: Vienna, Austria
- Keiji Hirata, George Tzanetakis, Kazuyoshi Yoshii:
Proceedings of the 10th International Society for Music Information Retrieval Conference, ISMIR 2009, Kobe International Conference Center, Kobe, Japan, October 26-30, 2009. International Society for Music Information Retrieval 2009, ISBN 978-0-9813537-0-8 - J. Stephen Downie, Donald Byrd, Tim Crawford:
Ten Years of ISMIR: Reflections on Challenges and Opportunities. 13-18 - David Bretherton, Daniel A. Smith, Monica M. C. Schraefel, Richard Polfreman, Mark Everist, Jeanice Brooks, Joe Lambert:
Integrating Musicology's Heterogeneous Data Sources for Better Exploration. 27-32 - Kurt Jacobson, Yves Raimond, Mark B. Sandler:
An Ecosystem for Transparent Music Similarity in an Open World. 33-38 - Andrew Hankinson, Laurent Pugin, Ichiro Fujinaga:
Interfaces for Document Representation in Digital Music Libraries. 39-44 - Rolf Inge Godøy, Alexander Refsum Jensenius:
Body Movement in Music Information Retrieval. 45-50 - Maarten Grachten, Gerhard Widmer:
Who Is Who in the End? Recognizing Pianists by Their Final Ritardandi. 51-56 - Jin Ha Lee, M. Cameron Jones, J. Stephen Downie:
An Analysis of ISMIR Proceedings: Patterns of Authorship, Topic, and Citation. 57-62 - Maarten Grachten, Markus Schedl, Tim Pohle, Gerhard Widmer:
The ISMIR Cloud: A Decade of ISMIR Conferences at Your Fingertips. 63-68 - Meinard Müller, Verena Konz, Andi Scharfstein, Sebastian Ewert, Michael Clausen:
Towards Automated Extraction of Tempo Parameters from Expressive Music Recordings. 69-74 - Matija Marolt:
Probabilistic Segmentation and Labeling of Ethnomusicological Field Recordings. 75-80 - Thibault Langlois, Gonçalo Marques:
A Music Classification Method based on Timbral Features. 81-86 - Frieder Stolzenburg:
A Periodicity-based Theory for Harmony Perception and Scales. 87-92 - Yoshiyuki Kobayashi:
Automatic Generation of Musical Instrument Detector by Using Evolutionary Learning Method. 93-98 - Andre Holzapfel, Yannis Stylianou:
Rhythmic Similarity in Traditional Turkish Music. 99-104 - Emmanouil Benetos, Andre Holzapfel, Yannis Stylianou:
Pitched Instrument Onset Detection based on Auditory Spectra. 105-110 - Dominikus Baur, Tim Langer, Andreas Butz:
Shades of Music: Letting Users Discover Sub-Song Similarities. 111-116 - Norberto Degara-Quintela, Antonio S. Pena, Soledad Torres-Guijarro:
A Comparison of Score-Level Fusion Rules for Onset Detection in Music Signals. 117-122 - Yajie Hu, Xiaoou Chen, Deshun Yang:
Lyric-based Song Emotion Detection with Affective Lexicon and Fuzzy Clustering Method. 123-128 - Klaus Seyerlehner, Peter Knees, Dominik Schnitzer, Gerhard Widmer:
Browsing Music Recommendation Networks. 129-134 - Hiromi Ishizaki, Keiichiro Hoashi, Yasuhiro Takishima:
Full-Automatic DJ Mixing System with Optimal Tempo Adjustment based on Measurement Function of User Discomfort. 135-140 - David Gross-Amblard, Philippe Rigaux, Lylia Abrouk, Nadine Cullot:
Fingering Watermarking in Symbolic Digital Scores. 141-146 - Yi-Hsuan Yang, Yu-Ching Lin, Ann Lee, Homer H. Chen:
Improving Musical Concept Detection by Ordinal Regression and Context Fusion. 147-152 - Laurent Oudre, Yves Grenier, Cédric Févotte:
Template-based Chord Recognition : Influence of the Chord Types. 153-158 - Ioannis Karydis, Alexandros Nanopoulos, Hans-Henning Gabriel, Myra Spiliopoulou:
Tag-Aware Spectral Clustering of Music Items. 159-164 - Christopher Santoro, Corey Cheng:
Multiple F0 Estimation in the Transform Domain. 165-170 - Zoltán Juhász:
Motive Identification in 22 Folksong Corpora Using Dynamic Time Warping and Self Organizing Maps. 171-176 - Matthias Gruhne, Christian Dittmar, Daniel Gärtner:
Improving Rhythmic Similarity Computation by Beat Histogram Transformations. 177-182 - Parag Chordia, Alex Rae:
Using Source Separation to Improve Tempo Detection. 183-188 - Peter Grosche, Meinard Müller:
A Mid-Level Representation for Capturing Dominant Tempo and Pulse Information in Music Recordings. 189-194 - Dominik Lübbers, Matthias Jarke:
Adaptive Multimodal Exploration of Music Collections. 195-200 - Chao-Ling Hsu, Liang-Yu Chen, Jyh-Shing Roger Jang, Hsing-Ji Li:
Singing Pitch Extraction from Monaural Polyphonic Songs by Contextual Audio Modeling and Singing Harmonic Enhancement. 201-206 - Keiichiro Hoashi, Shuhei Hamawaki, Hiromi Ishizaki, Yasuhiro Takishima, Jiro Katto:
Usability Evaluation of Visualization Interfaces for Content-based Music Retrieval Systems. 207-212 - Heng-Yi Lin, Yin-Tzu Lin, Min-Chun Tien, Ja-Ling Wu:
Music Paste: Concatenating Music Clips based on Chroma and Rhythm Features. 213-218 - Emiru Tsunoo, Nobutaka Ono, Shigeki Sagayama:
Musical Bass-Line Pattern Clustering and Its Application to Audio Genre Classification. 219-224 - Joan Serrà, Massimiliano Zanin, Cyril Laurier, Mohamed Sordo:
Unsupervised Detection of Cover Song Sets: Accuracy Improvement and Original Identification. 225-230 - Matthias Mauch, Katy C. Noland, Simon Dixon:
Using Musical Structure to Enhance Automatic Chord Transcription. 231-236 - Jennifer MacRitchie, Bryony Buck, Nicholas J. Bailey:
Visualising Musical Structure Through Performance Gesture. 237-242 - Martín Haro, Perfecto Herrera:
From Low-Level to Song-Level Percussion Descriptors of Polyphonic Music. 243-248 - Yannis Panagakis, Constantine Kotropoulos, Gonzalo R. Arce:
Music Genre Classification Using Locality Preserving Non-Negative Tensor Factorization and Sparse Representations. 249-254 - Justin Salamon, Martin Rohrmeier:
A Quantitative Evaluation of a Two Stage Retrieval Approach for a Melodic Query by Example System. 255-260 - Sten Govaerts, Erik Duval:
A Web-based Approach to Determine the Origin of an Artist.. 261-266 - Wijnand Schepens:
Chronicle: Representation of Complex Time Structures. 267-272 - Erik M. Schmidt, Kris West, Youngmoo E. Kim:
Efficient Acoustic Feature Extraction for Music Information Retrieval Using Programmable Gate Arrays. 273-278 - Pascal Ferraro, Pierre Hanna, Laurent Imbert, Thomas Izard:
Accelerating Query-by-Humming on GPU. 279-284 - Zafar Rafii, Bryan Pardo:
Learning to Control a Reverberator Using Subjective Perceptual Descriptors. 285-290 - Masatoshi Hamanaka, Satoshi Tojo:
Interactive Gttm Analyzer. 291-296 - Roger B. Dannenberg, Larry A. Wasserman:
Estimating the Error Distribution of a Single Tap Sequence without Ground Truth. 297-302 - Cory McKay, John Ashley Burgoyne, Jessica Thompson, Ichiro Fujinaga:
Using ACE XML 2.0 to Store and Share Feature, Instance and Class Data for Musical Classification. 303-308 - Pablo Cancela, Martín Rocamora, Ernesto López:
An Efficient Multi-Resolution Spectral Transform for Music Analysis. 309-314 - Mert Bay, Andreas F. Ehmann, J. Stephen Downie:
Evaluation of Multiple-F0 Estimation and Tracking Systems. 315-320 - Ferdinand Fuhrmann, Martín Haro, Perfecto Herrera:
Scalability, Generality and Temporal Aspects in Automatic Recognition of Predominant Musical Instruments in Polyphonic Music. 321-326 - Toni Heittola, Anssi Klapuri, Tuomas Virtanen:
Musical Instrument Recognition in Polyphonic Audio Using Source-Filter Model for Sound Separation. 327-332 - Zhiyao Duan, Jinyu Han, Bryan Pardo:
Harmonically Informed Multi-Pitch Tracking. 333-338 - Kazuyoshi Yoshii, Masataka Goto:
Continuous pLSI and Smoothing Techniques for Hybrid Music Recommendation. 339-344 - François Maillet, Douglas Eck, Guillaume Desjardins, Paul Lamere:
Steerable Playlist Generation by Learning Song Similarity from Radio Station Playlists. 345-350 - Klaas Bosteels, Elias Pampalk, Etienne E. Kerre:
Evaluating and Analysing Dynamic Playlist Generation Heuristics Using Radio Logs and Fuzzy Set Theory. 351-356 - Luke Barrington, Reid Oda, Gert R. G. Lanckriet:
Smarter than Genius? Human Evaluation of Music Recommender Systems. 357-362 - Fei Wang, Xin Wang, Bo Shao, Tao Li, Mitsunori Ogihara:
Tag Integrated Multi-Label Music Style Classification with Hypergraph. 363-368 - Matthew D. Hoffman, David M. Blei, Perry R. Cook:
Easy As CBA: A Simple Probabilistic Model for Tagging Music. 369-374 - Joon Hee Kim, Brian Tomasik, Douglas Turnbull:
Using Artist Similarity to Propagate Semantic Information. 375-380 - Cyril Laurier, Mohamed Sordo, Joan Serrà, Perfecto Herrera:
Music Mood Representations from Social Tags. 381-386 - Edith Law, Kris West, Michael I. Mandel, Mert Bay, J. Stephen Downie:
Evaluation of Algorithms Using Games: The Case of Music Tagging. 387-392 - Tatsuya Kako, Yasunori Ohishi, Hirokazu Kameoka, Kunio Kashino, Kazuya Takeda:
Automatic Identification for Singing Style based on Sung Melodic Contour Characterized in Phase Plane. 393-398 - Philippe Hamel, Sean Wood, Douglas Eck:
Automatic Identification of Instrument Classes in Polyphonic and Poly-Instrument Audio. 399-404 - Brian Tomasik, Joon Hee Kim, Margaret Ladlow, Malcolm Augat, Derek Tingle, Rich Wicentowski, Douglas Turnbull:
Using Regression to Combine Data Sources for Semantic Music Discovery. 405-410 - Xiao Hu, J. Stephen Downie, Andreas F. Ehmann:
Lyric Text Mining in Music Mood Classification. 411-416 - Xin Xu, Masaki Naito, Tsuneo Kato, Hisashi Kawai:
Robust and Fast Lyric Search based on Phonetic Confusion Matrix. 417-422 - Phillip B. Kirlin:
Using Harmonic and Melodic Analyses to Automate the Initial Stages of Schenkerian Analysis. 423-428 - James B. Maxwell, Philippe Pasquier, Arne Eigenfeldt:
Hierarchical Sequential Memory for Music: A Cognitive Model. 429-434 - Jessica Thompson, Cory McKay, John Ashley Burgoyne, Ichiro Fujinaga:
Additions and Improvements in the ACE 2.0 Music Classifier. 435-440 - Diane Hu, Lawrence K. Saul:
A Probabilistic Topic Model for Unsupervised Learning of Musical Key-Profiles. 441-446 - Dan Tidhar, György Fazekas, Sefki Kolozali, Mark B. Sandler:
Publishing Music Similarity Features on the Semantic Web. 447-452 - Jakob Abeßer, Hanna M. Lukashevich, Christian Dittmar, Gerald Schuller:
Genre Classification Using Bass-Related High-Level Features and Playing Styles. 453-458 - Hanna M. Lukashevich, Jakob Abeßer, Christian Dittmar, Holger Großmann:
From Multi-Labeling to Multi-Domain-Labeling: A Novel Two-Dimensional Approach to Music Genre Classification. 459-464 - Dimitri Diakopoulos, Owen Vallis, Jordan Hochenbaum, Jim W. Murphy, Ajay Kapur:
21st Century Electronica: MIR Techniques for Classification and Performance. 465-470 - Eric Nichols, Dan Morris, Sumit Basu, Christopher Raphael:
Relationships Between Lyrics and Melody in Popular Music. 471-476 - Makoto P. Kato:
RhythMiXearch: Searching for Unknown Music by Mixing Known Music. 477-482 - Benjamin Martin, Matthias Robine, Pierre Hanna:
Musical Structure Retrieval by Aligning Self-Similarity Matrices. 483-488 - Dirk Moelants, Olmo Cornelis, Marc Leman:
Exploring African Tone Scales. 489-494 - Nicola Montecchio, Nicola Orio:
A Discrete Filter Bank Approach to Audio to Score Matching for Polyphonic Music. 495-500 - Eric Battenberg, David Wessel:
Accelerating Non-Negative Matrix Factorization for Audio Source Separation on Multi-Core and Many-Core Architectures. 501-506 - Peter van Kranenburg, Anja Volk, Frans Wiering, Remco C. Veltkamp:
Musical Models for Melody Alignment. 507-512 - Brian McFee, Gert R. G. Lanckriet:
Heterogeneous Embedding for Subjective Artist Similarity. 513-518 - Masahiro Niitsuma, Tsutomu Fujinami, Yo Tomita:
The Intersection of Computational Analysis and Music Manuscripts: A New Model for Bach Source Studies of the 21st Century. 519-524 - Tim Pohle, Dominik Schnitzer, Markus Schedl, Peter Knees, Gerhard Widmer:
On Rhythm and General Music Similarity. 525-530 - Juan Pablo Bello
:
Grouping Recorded Music by Structural Similarity. 531-536 - Dominik Schnitzer, Arthur Flexer, Gerhard Widmer:
A Filter-and-Refine Indexing Method for Fast Similarity Search in Millions of Music Tracks. 537-542 - Nicola Orio, Antonio Rodà:
A Measure of Melodic Similarity based on a Graph Representation of the Music Structure. 543-548 - W. Bas de Haas, Martin Rohrmeier, Remco C. Veltkamp, Frans Wiering:
Modeling Harmonic Similarity Using a Generative Grammar of Tonal Harmony. 549-554 - Christopher Raphael:
Symbolic and Structural Representation of Melodic Expression. 555-560 - Maksim Khadkevich, Maurizio Omologo:
Use of Hidden Markov Models and Factored Language Models for Automatic Chord Recognition. 561-566 - Sam Ferguson, Densil Cabrera:
Auditory Spectral Summarisation for Audio Signals with Musical Applications. 567-572 - Cynthia C. S. Liem, Alan Hanjalic:
Cover Song Retrieval: A Comparative Study of System Component Choices. 573-578 - Peter Knees, Tim Pohle, Markus Schedl, Dominik Schnitzer, Klaus Seyerlehner, Gerhard Widmer:
Augmenting Text-based Music Retrieval with Audio Similarity: Advantages and Limitations. 579-584 - Bernhard Niedermayer:
Improving Accuracy of Polyphonic Music-to-Score Alignment. 585-590 - Kjell Lemström, Geraint A. Wiggins:
Formalizing Invariances for Content-based Music Retrieval. 591-596 - Ciril Bohak, Matija Marolt:
Calculating Similarity of Folk Song Variants with Melody-based Features. 597-602 - Jan Weil, Thomas Sikora, Jean-Louis Durrieu, Gaël Richard:
Automatic Generation of Lead Sheets from Polyphonic Music Signals. 603-608 - Jeremy Reed, Yushi Ueda, Sabato Marco Siniscalchi, Yuuki Uchiyama, Shigeki Sagayama, Chin-Hui Lee:
Minimum Classification Error Training to Improve Isolated Chord Recognition. 609-614 - Anssi Klapuri:
A Method for Visualizing the Pitch Content of Polyphonic Music Signals. 615-620 - Tuomas Eerola, Olivier Lartillot, Petri Toiviainen:
Prediction of Multidimensional Emotional Ratings in Music from Audio Using Multivariate Regression Models. 621-626 - Beinan Li, Jordan B. L. Smith, Ichiro Fujinaga:
Optical Audio Reconstruction for Stereo Phonograph Records Using White Light Interferometry. 627-632 - Noam Koenigstein, Yuval Shavitt:
Song Ranking based on Piracy in Peer-to-Peer Networks. 633-638 - Matthias Robine, Pierre Hanna, Mathieu Lagrange:
Meter Class Profiles for Music Similarity and Retrieval. 639-644 - Christian Fremerey, Michael Clausen, Sebastian Ewert, Meinard Müller:
Sheet Music-Audio Identification. 645-650 - Byeong-jun Han, Seungmin Rho, Roger B. Dannenberg, Eenjun Hwang:
SMERS: Music Emotion Recognition Using Support Vector Regression. 651-656 - Kerstin Bischoff, Claudiu S. Firan, Raluca Paiu, Wolfgang Nejdl, Cyril Laurier, Mohamed Sordo:
Music Mood and Theme Classification - a Hybrid Approach. 657-662 - Joachim Ganseman, Paul Scheunders, Wim D'haes:
Using XML-Formatted Scores in Real-Time Applications. 663-668 - Amelie Anglade, Rafael Ramírez, Simon Dixon:
Genre Classification Using Harmony Rules Induced from Automatic Chord Transcriptions. 669-674 - Carles Fernandes Julià, Sergi Jordà:
SongExplorer: A Tabletop Application for Exploring Large Collections of Songs. 675-680 - Woojay Jeon, Changxue Ma, Yan Ming Cheng:
An Efficient Signal-Matching Approach to Melody Indexing and Search Using Continuous Pitch Contours and Wavelets. 681-686 - Özgür Izmirli:
Tonal-Atonal Classification of Music Audio Using Diffusion Maps. 687-692 - Tae Hong Park, Zhiye Li, Wen Wu:
Easy Does It: The Electro-Acoustic Music Analysis Toolbox. 693-698 - Mika Kuuskankare, Mikael Laurson:
MIR in ENP - Rule-based Music Information Retrieval from Symbolic Music Notation. 699-704 - Min-Yian Su, Yi-Hsuan Yang, Yu-Ching Lin, Homer H. Chen:
An Integrated Approach to Music Boundary Detection. 705-710 - Hussein Hirjee, Daniel G. Brown:
Automatic Detection of Internal and Imperfect Rhymes in Rap Lyrics. 711-716 - Verena Thomas, Christian Fremerey, David Damm, Michael Clausen:
Slave: A Score-Lyrics-Audio-Video-Explorer. 717-722 - Eric Nichols, Donald Byrd:
Lyric Extraction and Recognition on Digital Images of Early Music Sources. 723-728 - Ruben Hillewaere, Bernard Manderick, Darrell Conklin:
Global Feature Versus Event Models for Folk Song Classification. 729-734 - Meinard Müller, Peter Grosche, Frans Wiering:
Robust Segmentation and Annotation of Folk Song Recordings. 735-740 - Korinna Bade, Andreas Nürnberger, Sebastian Stober, Jörg Garbers, Frans Wiering:
Supporting Folk-Song Research by Automatic Metric Learning and Ranking. 741-746 - Sally Jo Cunningham, David M. Nichols:
Exploring Social Music Behavior: An Investigation of Music Selection at Parties. 747-752 - Emilia Gómez, Martín Haro, Perfecto Herrera:
Music and Geography: Content Description of Musical Audio from Different Parts of the World. 753-758 - Polina Proutskova, Michael A. Casey:
You Call That Singing? Ensemble Classification for Multi-Cultural Collections of Music Recordings. 759-764
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