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Philippe Pasquier
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- affiliation: Simon Fraser University, School of Interactive Arts and Technology, British Columbia, Canada
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2020 – today
- 2023
- [c114]Dimiter Zlatkov, Jeff Ens, Philippe Pasquier:
Searching for Human Bias Against AI-Composed Music. EvoMUSART@EvoStar 2023: 308-323 - [c113]Renaud Bougueng Tchemeube, Jeffrey Ens, Cale Plut, Philippe Pasquier, Maryam Safi, Yvan Grabit, Jean-Baptiste Rolland:
Evaluating Human-AI Interaction via Usability, User Experience and Acceptance Measures for MMM-C: A Creative AI System for Music Composition. IJCAI 2023: 5769-5778 - [i9]Weina Jin, Jianyu Fan, Diane Gromala, Philippe Pasquier, Ghassan Hamarneh:
Invisible Users: Uncovering End-Users' Requirements for Explainable AI via Explanation Forms and Goals. CoRR abs/2302.06609 (2023) - 2022
- [j21]Cale Plut
, Philippe Pasquier
, Jeff Ens
, Renaud Bougueng Tchemeube:
The IsoVAT Corpus: Parameterization of Musical Features for Affective Composition. Trans. Int. Soc. Music. Inf. Retr. 5(1): 173-189 (2022) - [c112]Renaud Bougueng Tchemeube, Jeffrey John Ens, Philippe Pasquier:
Calliope: A Co-creative Interface for Multi-Track Music Generation. Creativity & Cognition 2022: 608-611 - [c111]Cale Plut
, Philippe Pasquier
, Jeff Ens
, Renaud Bougueng Tchemeube:
PreGLAM-MMM: Application and evaluation of affective adaptive generative music in video games. FDG 2022: 1:1-1:11 - [c110]Renaud Bougueng Tchemeube, Jeff Ens, Philippe Pasquier:
Calliope: An Online Generative Music System for Symbolic MultiTrack Composition. ICCC 2022: 251-255 - [i8]Weina Jin, Jianyu Fan, Diane Gromala, Philippe Pasquier, Xiaoxiao Li, Ghassan Hamarneh:
Transcending XAI Algorithm Boundaries through End-User-Inspired Design. CoRR abs/2208.08739 (2022) - 2021
- [j20]Kivanç Tatar
, Daniel Bisig, Philippe Pasquier
:
Latent Timbre Synthesis. Neural Comput. Appl. 33(1): 67-84 (2021) - [c109]Jeffrey Ens, Philippe Pasquier:
Building the MetaMIDI Dataset: Linking Symbolic and Audio Musical Data. ISMIR 2021: 182-188 - [c108]Notto J. W. Thelle, Philippe Pasquier:
Spire Muse: A Virtual Musical Partner for Creative Brainstorming. NIME 2021 - [c107]Mahsoo Salimi, Philippe Pasquier
:
Liminal Tones: Swarm Aesthetics and Materiality in Sound Art. ICSI (1) 2021: 46-57 - [i7]Weina Jin, Jianyu Fan, Diane Gromala, Philippe Pasquier, Ghassan Hamarneh:
EUCA: A Practical Prototyping Framework towards End-User-Centered Explainable Artificial Intelligence. CoRR abs/2102.02437 (2021) - 2020
- [j19]Cale Plut
, Philippe Pasquier
:
Generative music in video games: State of the art, challenges, and prospects. Entertain. Comput. 33: 100337 (2020) - [c106]Ekaterina R. Stepanova, John Desnoyers-Stewart, Philippe Pasquier
, Bernhard E. Riecke:
JeL: Breathing Together to Connect with Others and Nature. Conference on Designing Interactive Systems 2020: 641-654 - [c105]Victor Cheung, Alissa Nicole Antle, Shubhra Sarker, Min Fan
, Jianyu Fan, Philippe Pasquier
:
Techniques for augmented-tangibles on mobile devices for early childhood learning. IDC 2020: 589-601 - [c104]Mirjana Prpa
, Sarah Fdili Alaoui, Thecla Schiphorst, Philippe Pasquier
:
Articulating Experience: Reflections from Experts Applying Micro-Phenomenology to Design Research in HCI. CHI 2020: 1-14 - [c103]Mirjana Prpa
, Ekaterina R. Stepanova, Thecla Schiphorst, Bernhard E. Riecke, Philippe Pasquier
:
Inhaling and Exhaling: How Technologies Can Perceptually Extend our Breath Awareness. CHI 2020: 1-15 - [c102]Jianyu Fan, Yi-Hsuan Yang, Kui Dong, Philippe Pasquier
:
A Comparative Study of Western and Chinese Classical Music Based on Soundscape Models. ICASSP 2020: 521-525 - [c101]Jianyu Fan, Eric Nichols, Daniel Tompkins, Ana Elisa Méndez Méndez, Benjamin Elizalde, Philippe Pasquier
:
Multi-Label Sound Event Retrieval Using A Deep Learning-Based Siamese Structure With A Pairwise Presence Matrix. ICASSP 2020: 3482-3486 - [i6]Jianyu Fan, Yi-Hsuan Yang, Kui Dong, Philippe Pasquier:
A Comparative Study of Western and Chinese Classical Music based on Soundscape Models. CoRR abs/2002.09021 (2020) - [i5]Jianyu Fan, Eric Nichols, Daniel Tompkins, Ana Elisa Méndez Méndez, Benjamin Elizalde, Philippe Pasquier:
Multi-label Sound Event Retrieval Using a Deep Learning-based Siamese Structure with a Pairwise Presence Matrix. CoRR abs/2002.09026 (2020) - [i4]Jeffrey Ens, Philippe Pasquier:
Quantifying Musical Style: Ranking Symbolic Music based on Similarity to a Style. CoRR abs/2003.06226 (2020) - [i3]Kivanç Tatar
, Daniel Bisig, Philippe Pasquier:
Introducing Latent Timbre Synthesis. CoRR abs/2006.00408 (2020) - [i2]Jeffrey Ens, Philippe Pasquier:
MMM : Exploring Conditional Multi-Track Music Generation with the Transformer. CoRR abs/2008.06048 (2020)
2010 – 2019
- 2019
- [c100]John Desnoyers-Stewart, Ekaterina R. Stepanova, Philippe Pasquier
, Bernhard E. Riecke:
JeL: Connecting Through Breath in Virtual Reality. CHI Extended Abstracts 2019 - [c99]Min Fan
, Jianyu Fan, Alissa Nicole Antle, Sheng Jin, Dongxu Yin, Philippe Pasquier
:
Character Alive: A Tangible Reading and Writing System for Chinese Children At-risk for Dyslexia. CHI Extended Abstracts 2019 - [c98]Ahmed M. Abuzuraiq, Aaron Ferguson, Philippe Pasquier
:
Taksim: A Constrained Graph Partitioning Framework for Procedural Content Generation. CoG 2019: 1-8 - [c97]Cale Plut
, Philippe Pasquier
:
Music Matters: An empirical study on the effects of adaptive music on experienced and perceived player affect. CoG 2019: 1-8 - [c96]Jeffrey Ens, Philippe Pasquier:
Quantifying Musical Style: Ranking Symbolic Music based on Similarity to a Style. ISMIR 2019: 870-877 - [c95]Jeffrey Ens, Mika Hämäläinen, Jack Rueter, Philippe Pasquier:
Morphosyntactic Disambiguation in an Endangered Language Setting. NODALIDA 2019: 345-349 - [p1]Mirjana Prpa
, Philippe Pasquier:
Brain-Computer Interfaces in Contemporary Art: A State of the Art and Taxonomy. Brain Art 2019: 65-115 - [i1]Omid Alemi, Philippe Pasquier:
Machine Learning for Data-Driven Movement Generation: a Review of the State of the Art. CoRR abs/1903.08356 (2019) - 2018
- [c94]Mirjana Prpa
, Kivanç Tatar
, Jules Françoise, Bernhard E. Riecke, Thecla Schiphorst, Philippe Pasquier
:
Attending to Breath: Exploring How the Cues in a Virtual Environment Guide the Attention to Breath and Shape the Quality of Experience to Support Mindfulness. Conference on Designing Interactive Systems 2018: 71-84 - [c93]Min Fan
, Jianyu Fan, Sheng Jin, Alissa Nicole Antle, Philippe Pasquier
:
EmoStory: A Game-based System Supporting Children's Emotional Development. CHI Extended Abstracts 2018 - [c92]Mirjana Prpa, Thecla Schiphorst, Kivanç Tatar
, Philippe Pasquier
:
Respire: a Breath Away from the Experience in Virtual Environment. CHI Extended Abstracts 2018 - [c91]Kivanç Tatar
, Philippe Pasquier
, Remy Siu:
REVIVE: An Audio-visual Performance with Musical and Visual AI Agents. CHI Extended Abstracts 2018 - [c90]Weina Jin
, Jianyu Fan, Diane Gromala, Philippe Pasquier
:
Automatic Prediction of Cybersickness for Virtual Reality Games. GEM 2018: 1-9 - [c89]Jeffrey Ens, Philippe Pasquier:
CAEMSI : A Cross-Domain Analytic Evaluation Methodology for Style Imitation. ICCC 2018: 64-71 - [c88]Jeffrey Ens, Philippe Pasquier:
MIDI Database and Representation Manager for Deep Learning. ICCC 2018: 304 - [c87]Ewelina Bakala
, Yaying Zhang, Philippe Pasquier
:
MAVi: A Movement Aesthetic Visualization Tool for dance video making and prototyping. MOCO 2018: 11:1-11:5 - [c86]William Li, Omid Alemi, Jianyu Fan, Philippe Pasquier
:
Ranking-Based Affect Estimation of Motion Capture Data in the Valence-Arousal Space. MOCO 2018: 18:1-18:8 - 2017
- [c85]Jianyu Fan, Miles Thorogood, Philippe Pasquier
:
Emo-soundscapes: A dataset for soundscape emotion recognition. ACII 2017: 196-201 - [c84]Mathew Gingold, Thecla Schiphorst, Philippe Pasquier
:
Never Alone: A Video Agents Based Generative Audio-Visual Installation. CHI Extended Abstracts 2017: 1425-1430 - [c83]Jim Bizzocchi, Arne Eigenfeldt, Philippe Pasquier, Jianyu Fan, Le Fang:
Berlin Remix. EVA 2017 - [c82]Jianyu Fan, Philippe Pasquier
, Luciane Maria Fadel
, Jim Bizzocchi:
ViVid: A Video Feature Visualization Engine. HCI (20) 2017: 42-53 - [c81]Mirjana Prpa
, Kivanç Tatar
, Bernhard E. Riecke
, Philippe Pasquier
:
The Pulse Breath Water System: Exploring Breathing as an Embodied Interaction for Enhancing the Affective Potential of Virtual Reality. HCI (10) 2017: 153-172 - [c80]Jeffrey Ens, Bernhard E. Riecke, Philippe Pasquier:
The Significance of the Low Complexity Dimension in Music Similarity Judgements. ISMIR 2017: 31-38 - [c79]Jianyu Fan, Kivanç Tatar, Miles Thorogood, Philippe Pasquier:
Ranking-Based Emotion Recognition for Experimental Music. ISMIR 2017: 368-375 - [c78]Omid Alemi, Philippe Pasquier
:
WalkNet: A Neural-Network-Based Interactive Walking Controller. IVA 2017: 15-24 - 2016
- [j18]Oliver Bown, Arne Eigenfeldt, Philippe Pasquier
, Shlomo Dubnov
:
Special Issue on Musical Metacreation, Part I. Comput. Entertain. 14(2): 1:1-1:2 (2016) - [j17]Philippe Pasquier
, Arne Eigenfeldt, Oliver Bown, Shlomo Dubnov
:
An Introduction to Musical Metacreation. Comput. Entertain. 14(2): 2:1-2:14 (2016) - [j16]Oliver Bown, Arne Eigenfeldt, Philippe Pasquier
, Shlomo Dubnov
:
Special Issue on Musical Metacreation, Part II. Comput. Entertain. 14(3): 1:1-1:3 (2016) - [j15]Uros Krcadinac
, Jelena Jovanovic, Vladan Devedzic
, Philippe Pasquier
:
Textual Affect Communication and Evocation Using Abstract Generative Visuals. IEEE Trans. Hum. Mach. Syst. 46(3): 370-379 (2016) - [c77]Jianyu Fan, William Li, Jim Bizzocchi, Justine Bizzocchi, Philippe Pasquier
:
DJ-MVP: An Automatic Music Video Producer. ACE 2016: 14:1-14:8 - [c76]Philippe Pasquier, Adam Burnett, James B. Maxwell:
Investigating Listener Bias Against Musical Metacreativity. ICCC 2016: 42-51 - [c75]Kristin Carlson, Philippe Pasquier, Herbert H. Tsang, Jordon Phillips, Thecla Schiphorst, Tom Calvert:
CoChoreo: A Generative Feature in iDanceForms for Creating Novel Keyframe Animation for Choreography. ICCC 2016: 380-387 - [c74]Carl Malmstrom, Yaying Zhang, Philippe Pasquier
, Thecla Schiphorst, Lyn Bartram
:
MoComp: A Tool for Comparative Visualization between Takes of Motion Capture Data. MOCO 2016: 11:1-11:8 - [c73]William Li, Lyn Bartram
, Philippe Pasquier
:
Techniques and Approaches in Static Visualization of Motion Capture Data. MOCO 2016: 14:1-14:8 - [c72]William Li, Philippe Pasquier
:
Automatic Affect Classification of Human Motion Capture Sequences in the Valence-Arousal Model. MOCO 2016: 15:1-15:8 - [c71]Ulysses Bernardet
, Dhruv Adhia, Norman Jaffe, Johnty Wang, Michael Nixon, Omid Alemi, Jordon Phillips, Steve DiPaola, Philippe Pasquier
, Thecla Schiphorst:
m+m: A novel Middleware for Distributed, Movement based Interactive Multimedia Systems. MOCO 2016: 21:1-21:9 - 2015
- [j14]Tiffany Barnes, Oliver Bown, Michael Buro, Michael Cook, Arne Eigenfeldt, Héctor Muñoz-Avila, Santiago Ontañón, Philippe Pasquier
, Noriko Tomuro, Robert Michael Young, Alexander Zook:
Reports of the Workshops Held at the Tenth AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment. AI Mag. 36(1): 99-102 (2015) - [j13]Laura Lee Coles, Philippe Pasquier
:
Digital eco-art: transformative possibilities. Digit. Creativity 26(1): 3-15 (2015) - [j12]Philippe Pasquier
:
Stochastic interpretation of thermal response test with TRT-SInterp. Comput. Geosci. 75: 73-87 (2015) - [j11]Thecla Schiphorst, Philippe Pasquier:
movingstories, Simon Fraser University. Interactions 22(1): 16-19 (2015) - [c70]Omid Alemi, William Li, Philippe Pasquier
:
Affect-expressive movement generation with factored conditional Restricted Boltzmann Machines. ACII 2015: 442-448 - [c69]Jianyu Fan, Miles Thorogood, Bernhard E. Riecke
, Philippe Pasquier
:
Automatic Recognition of Eventfulness and Pleasantness of Soundscape. Audio Mostly Conference 2015: 12:1-12:6 - [c68]Miles Thorogood, Jianyu Fan, Philippe Pasquier
:
BF-Classifier: Background/Foreground Classification and Segmentation of Soundscape Recordings. Audio Mostly Conference 2015: 32:1-32:6 - [c67]Shannon Cuykendall
, Michael J. Junokas, Mohammad Amanzadeh, David K. Tcheng, Yawen Wang, Thecla Schiphorst, Guy E. Garnett, Philippe Pasquier
:
Hearing movement: how taiko can inform automatic recognition of expressive movement qualities. MOCO 2015: 140-147 - [e5]Sarah Fdili Alaoui, Philippe Pasquier, Thecla Schiphorst, Jules Françoise, Frédéric Bevilacqua:
Proceedings of the 2nd International Workshop on Movement and Computing, MOCO 2015, Vancouver, British Columbia, Canada, August 14-15, 2015. ACM 2015, ISBN 978-1-4503-3457-0 [contents] - 2014
- [j10]Antonios Liapis, Michael Cook, Adam M. Smith, Gillian Smith
, Alexander Zook, Mei Si
, Marc Cavazza, Philippe Pasquier
:
Workshops Held at the Ninth Annual AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment (AIIDE): A Report. AI Mag. 35(2): 65-68 (2014) - [c66]Philippe Pasquier:
Organizers. MUME@AIIDE 2014 - [c65]Philippe Pasquier, Arne Eigenfeldt, Oliver Roland Bown:
Preface. MUME@AIIDE 2014 - [c64]Diego Silang Maranan, Sarah Fdili Alaoui, Thecla Schiphorst, Philippe Pasquier
, Pattarawut Subyen, Lyn Bartram
:
Designing for movement: evaluating computational models using LMA effort qualities. CHI 2014: 991-1000 - [c63]Matthieu Macret, Philippe Pasquier
:
Automatic design of sound synthesizers as pure data patches using coevolutionary mixed-typed cartesian genetic programming. GECCO 2014: 309-316 - [c62]Omid Alemi, Philippe Pasquier
, Chris Shaw:
Mova: Interactive Movement Analytics Platform. MOCO 2014: 37 - [e4]Philippe Pasquier, Arne Eigenfeldt, Oliver Bown:
Musical Metacreation, Papers from the 2014 AIIDE Workshop, October 4, 2014, Raleigh, NC, USA. AAAI Technical Report WS-14-18, AAAI Press 2014 [contents] - [e3]Frédéric Bevilacqua, Sarah Fdili Alaoui, Jules Françoise, Philippe Pasquier, Thecla Schiphorst:
International Workshop on Movement and Computing, MOCO '14, Paris, France, June 16-17, 2014. ACM 2014, ISBN 978-1-4503-2814-2 [contents] - 2013
- [j9]Oliver Bown, Arne Eigenfeldt, Rania A. Hodhod, Philippe Pasquier, Reid Swanson, Stephen G. Ware, Jichen Zhu:
Reports on the 2012 AIIDE Workshops. AI Mag. 34(1): 90-92 (2013) - [j8]Uros Krcadinac, Philippe Pasquier
, Jelena Jovanovic, Vladan Devedzic
:
Synesketch: An Open Source Library for Sentence-Based Emotion Recognition. IEEE Trans. Affect. Comput. 4(3): 312-325 (2013) - [c61]Christopher Anderson, Arne Eigenfeldt, Philippe Pasquier:
The Generative Electronic Dance Music Algorithmic System (GEDMAS). MUME@AIIDE 2013 - [c60]Oliver Roland Bown, Arne Eigenfeldt, Aengus Martin, Benjamin Carey, Philippe Pasquier:
The Musical Metacreation Weekend: Challenges Arising from the Live Presentation of Musically Metacreative Systems. MUME@AIIDE 2013 - [c59]Arne Eigenfeldt, Oliver Bown, Philippe Pasquier, Aengus Martin:
Towards a Taxonomy of Musical Metacreation: Reflections on the First Musical Metacreation Weekend. MUME@AIIDE 2013 - [c58]Philippe Pasquier:
Organizers. MUME@AIIDE 2013 - [c57]Benjamin D. R. Bogart, Philippe Pasquier, Steven J. Barnes:
An integrative theory of visual mentation and spontaneous creativity. Creativity & Cognition 2013: 264-273 - [c56]Benjamin David Robert Bogart, Philippe Pasquier:
Dreaming machine #3 (prototype 2). Creativity & Cognition 2013: 408-409 - [c55]Pattarawut Subyen, Thecla Schiphorst, Philippe Pasquier:
EMVIZ (flow): An Artistic Tool for Visualising Movement Quality. EVA 2013 - [c54]Arne Eigenfeldt, Philippe Pasquier
:
Evolving structures for electronic dance music. GECCO 2013: 319-326 - [c53]Miles Thorogood, Philippe Pasquier:
Computationally Created Soundscapes with Audio Metaphor. ICCC 2013: 1-7 - [c52]Arne Eigenfeldt, Philippe Pasquier:
Considering Vertical and Horizontal Context in Corpus-based Generative Electronic Dance Music. ICCC 2013: 72-78 - [c51]Nicolas Gonzalez Thomas, Philippe Pasquier, Arne Eigenfeldt, James B. Maxwell:
A Methodology for the Comparison of Melodic Generation Models Using Meta-Melo. ISMIR 2013: 561-566 - [c50]Miles Thorogood, Philippe Pasquier:
Impress: A Machine Learning Approach to Soundscape Affect Classification for a Music Performance Environment. NIME 2013: 256-260 - [e2]Philippe Pasquier, Arne Eigenfeldt, Oliver Bown, Graeme McCaig:
Musical Metacreation, Papers from the 2013 AIIDE Workshop, October 14-15, 2013, Boston, Massachusetts, USA. AAAI Technical Report WS-13-22, AAAI Press 2013 [contents] - 2012
- [c49]Philippe Pasquier:
Organizing Committee. MUME@AIIDE 2012 - [c48]Philippe Pasquier, Arne Eigenfeldt, Oliver Bown:
Preface. MUME@AIIDE 2012 - [c47]Arne Eigenfeldt, Philippe Pasquier
:
Populations of Populations: Composing with Multiple Evolutionary Algorithms. EvoMUSART 2012: 72-83 - [c46]Adam Burnett, Evon Khor, Philippe Pasquier, Arne Eigenfeldt:
Validation of Harmonic Progression Generator Using Classical Music. ICCC 2012: 126-133 - [c45]Arne Eigenfeldt, Philippe Pasquier, Adam Burnett:
Evaluating Musical Metacreation. ICCC 2012: 140-144 - [c44]James B. Maxwell, Arne Eigenfeldt, Philippe Pasquier:
Manuscore: Music Notation-Based Computer Assisted Composition. ICMC 2012 - [c43]Matthieu Macret, Alissa Nicole Antle, Philippe Pasquier
:
Can a paper-based sketching interface improve the gamer experience in strategy computer games? IHCI 2012: 1-6 - [e1]Philippe Pasquier, Arne Eigenfeldt, Oliver Bown:
Musical Metacreation, Papers from the 2012 AIIDE Workshop, October 9, 2012, Stanford University, Palo Alto, California, USA. AAAI Technical Report WS-12-16, AAAI Press 2012 [contents] - 2011
- [j7]Philippe Pasquier
, Ramon Hollands, Iyad Rahwan
, Frank Dignum, Liz Sonenberg:
An empirical study of interest-based negotiation. Auton. Agents Multi Agent Syst. 22(2): 249-288 (2011) - [j6]Nathan Sorenson, Philippe Pasquier
, Steve DiPaola:
A Generic Approach to Challenge Modeling for the Procedural Creation of Video Game Levels. IEEE Trans. Comput. Intell. AI Games 3(3): 229-244 (2011) - [j5]Noor Shaker, Julian Togelius
, Georgios N. Yannakakis
, Ben George Weber, Tomoyuki Shimizu, Tomonori Hashiyama, Nathan Sorenson, Philippe Pasquier
, Peter A. Mawhorter
, Glen Takahashi, Gillian Smith
, Robin Baumgarten:
The 2010 Mario AI Championship: Level Generation Track. IEEE Trans. Comput. Intell. AI Games 3(4): 332-347 (2011) - [c42]Justin Love, Philippe Pasquier
, B. Wyvill, Steve Gibson
, George Tzanetakis:
Aesthetic Agents: Swarm-based Non-photorealistic Rendering using Multiple Images. CAe 2011: 47-54 - [c41]Pattarawut Subyen, Diego S. Maranan, Thecla Schiphorst, Philippe Pasquier
, Lyn Bartram
:
EMVIZ: The Poetics of Movement Quality Visualization. CAe 2011: 121-128 - [c40]Arne Eigenfeldt, Philippe Pasquier
:
A Sonic Eco-System of Self-Organising Musical Agents. EvoApplications (2) 2011: 283-292 - [c39]Arne Eigenfeldt, Philippe Pasquier:
Negotiated Content: Generative Soundscape Composition by Autonomous Musical Agents in Coming Together: Freesound. ICCC 2011: 27-32 - [c38]Kristin Carlson, Thecla Schiphorst, Philippe Pasquier:
Scuddle: Generating Movement Catalysts for Computer-Aided Choreography. ICCC 2011: 123-128 - [c37]Stephen Makonin
, Philippe Pasquier
, Lyn Bartram
:
Elements of Consumption: An Abstract Visualization of Household Consumption. Smart Graphics 2011: 194-198 - 2010
- [c36]Erick Martínez, Ivan Kwiatkowski, Philippe Pasquier
:
Towards a Model of Social Coherence in Multi-agent Organizations. COIN@AAMAS&MALLOW 2010: 114-131 - [c35]Pooyan Fazli, Alireza Davoodi, Philippe Pasquier, Alan K. Mackworth:
Multi-robot area coverage with limited visibility. AAMAS 2010: 1501-1502 - [c34]Nathan Sorenson, Philippe Pasquier
:
Towards a Generic Framework for Automated Video Game Level Creation. EvoApplications (1) 2010: 131-140 - [c33]Arne Eigenfeldt, Philippe Pasquier:
Realtime Generation of Harmonic Progressions Using Constrained Markov Selection. ICCC 2010: 16-25 - [c32]