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ORCID17th ISMIR 2016: New York City, USA
- Michael I. Mandel, Johanna Devaney, Douglas Turnbull, George Tzanetakis:
Proceedings of the 17th International Society for Music Information Retrieval Conference, ISMIR 2016, New York City, United States, August 7-11, 2016. 2016, ISBN 978-0-692-75506-8
Papers
- Diego Furtado Silva, Chin-Chia Michael Yeh, Gustavo E. A. P. A. Batista, Eamonn J. Keogh:
SiMPle: Assessing Music Similarity Using Subsequences Joins. 23-29 - Sebastian Ewert, Siying Wang, Meinard Müller, Mark B. Sandler:
Score-Informed Identification of Missing and Extra Notes in Piano Recordings. 30-36 - Filip Korzeniowski, Gerhard Widmer:
Feature Learning for Chord Recognition: The Deep Chroma Extractor. 37-43 - Jan Schlüter:
Learning to Pinpoint Singing Voice from Weakly Labeled Examples. 44-50 - Pierre Beauguitte, Bryan Duggan, John D. Kelleher:
A Corpus of Annotated Irish Traditional Dance Music Recordings: Design and Benchmark Evaluations. 53-59 - Andrew John Lambert, Tillman Weyde, Newton Armstrong:
Adaptive Frequency Neural Networks for Dynamic Pulse and Metre Perception. 60-66 - Cárthach Ó Nuanáin, Perfecto Herrera, Sergi Jordà:
An Evaluation Framework and Case Study for Rhythmic Concatenative Synthesis. 67-72 - Alo Allik, György Fazekas, Mark B. Sandler:
An Ontology for Audio Features. 73-79 - Daniel Stoller, Simon Dixon:
Analysis and Classification of Phonation Modes In Singing. 80-86 - Jiajie Dai, Simon Dixon:
Analysis of Vocal Imitations of Pitch Trajectories. 87-93 - Gabriel Vigliensoni, Ichiro Fujinaga:
Automatic Music Recommendation Systems: Do Demographic, Profiling, and Contextual Features Improve Their Performance?. 94-100 - Yen-Cheng Lu, Chih-Wei Wu, Alexander Lerch, Chang-Tien Lu:
Automatic Outlier Detection in Music Genre Datasets. 101-107 - Luwei Yang, Khalid Z. Rajab, Elaine Chew:
AVA: An Interactive System for Visual and Quantitative Analyses of Vibrato and Portamento Performance Styles. 108-114 - Gissel Velarde, Tillman Weyde, Carlos Eduardo Cancino-Chacón, David Meredith, Maarten Grachten:
Composer Recognition Based on 2D-Filtered Piano-Rolls. 115-121 - Kristina Andersen, Peter Knees:
Conversations with Expert Users in Music Retrieval and Research Challenges for Creative MIR. 122-128 - Florian Krebs, Sebastian Böck, Matthias Dorfer, Gerhard Widmer:
Downbeat Tracking Using Beat Synchronous Features with Recurrent Neural Networks. 129-135 - Julien Osmalskyj, Marc Van Droogenbroeck, Jean-Jacques Embrechts:
Enhancing Cover Song Identification with Hierarchical Rank Aggregation. 136-142 - Tim Tse, Justin Salamon, Alex C. Williams, Helga Jiang, Edith Law:
Ensemble: A Hybrid Human-Machine System for Generating Melody Scores from Audio. 143-149 - Sergio Oramas, Luis Espinosa Anke, Aonghus Lawlor, Xavier Serra, Horacio Saggion:
Exploring Customer Reviews for Music Genre Classification and Evolutionary Studies. 150-156 - Jan Hajic jr., Jiri Novotný, Pavel Pecina, Jaroslav Pokorný:
Further Steps Towards a Standard Testbed for Optical Music Recognition. 157-163 - Nicolas Guiomard-Kagan, Mathieu Giraud, Richard Groult, Florence Levé:
Improving Voice Separation by Better Connecting Contigs. 164-170 - Tsubasa Tanaka, Brian Bemman, David Meredith:
Integer Programming Formulation of the Problem of Generating Milton Babbitt's All-Partition Arrays. 171-177 - Hendrik Vincent Koops, W. Bas de Haas, Dimitrios Bountouridis, Anja Volk:
Integration and Quality Assessment of Heterogeneous Chord Sequences Using Data Fusion. 178-184 - Reinhard Sonnleitner, Andreas Arzt, Gerhard Widmer:
Landmark-Based Audio Fingerprinting for DJ Mix Monitoring. 185-191 - Rafael Valle, Daniel J. Fremont, Ilge Akkaya, Alexandre Donzé, Adrian Freed, Sanjit A. Seshia:
Learning and Visualizing Music Specifications Using Pattern Graphs. 192-198 - Ben Fields, Christophe Rhodes:
Listen To Me - Don't Listen To Me: What Communities of Critics Tell Us About Music. 199-205 - Romain Hennequin, François Rigaud:
Long-Term Reverberation Modeling for Under-Determined Audio Source Separation with Application to Vocal Melody Extraction. 206-210 - Elliot Creager, Noah D. Stein, Roland Badeau, Philippe Depalle:
Nonnegative Tensor Factorization with Frequency Modulation Cues for Blind Audio Source Separation. 211-217 - Chih-Wei Wu, Alexander Lerch:
On Drum Playing Technique Detection in Polyphonic Mixtures. 218-224 - I-Ting Liu, Richard Randall:
Predicting Missing Music Components with Bidirectional Long Short-Term Memory Neural Networks. 225-231 - Vinutha T. P., Suryanarayana Sankagiri, Kaustuv Kanti Ganguli, Preeti Rao:
Structural Segmentation and Visualization of Sitar and Sarod Concert Audio. 232-238 - Jonathan Driedger, Stefan Balke, Sebastian Ewert, Meinard Müller:
Template-Based Vibrato Analysis in Complex Music Signals. 239-245 - Stefan Balke, Jonathan Driedger, Jakob Abeßer, Christian Dittmar, Meinard Müller:
Towards Evaluating Multiple Predominant Melody Annotations in Jazz Recordings. 246-252 - Sebastian Böck, Florian Krebs, Gerhard Widmer:
Joint Beat and Downbeat Tracking with Recurrent Neural Networks. 255-261 - Andre Holzapfel, Thomas Grill:
Bayesian Meter Tracking on Learned Signal Representations. 262-268 - Frederic Font, Xavier Serra:
Tempo Estimation for Music Loops and a Simple Confidence Measure. 269-275 - Sebastian Stober, Thomas Prätzlich, Meinard Müller:
Brain Beats: Tempo Extraction from EEG Data. 276-282 - Brian McFee, Eric J. Humphrey, Julián Urbano:
A Plan for Sustainable MIR Evaluation. 285-291 - Andrew M. Demetriou, Martha A. Larson, Cynthia C. S. Liem:
Go with the Flow: When Listeners Use Music as Technology. 292-298 - Jin Ha Lee, Yea-Seul Kim, Chris Hubbles:
A Look at the Cloud from Both Sides Now: An Analysis of Cloud Music Service Usage. 299-305 - Yuta Ojima, Eita Nakamura, Katsutoshi Itoyama, Kazuyoshi Yoshii:
A Hierarchical Bayesian Model of Chords, Pitches, and Spectrograms for Multipitch Analysis. 309-315 - Michele Buccoli, Massimiliano Zanoni, György Fazekas, Augusto Sarti, Mark B. Sandler:
A Higher-Dimensional Expansion of Affective Norms for English Terms for Music Tagging. 316-322 - Chia-Hao Chung, Jing-Kai Lou, Homer H. Chen:
A Latent Representation of Users, Sessions, and Songs for Listening Behavior Analysis. 323-329 - Vincent Besson, Marco Gurrieri, Philippe Rigaux, Alice Tacaille, Virginie Thion:
A Methodology for Quality Assessment in Collaborative Score Libraries. 330-336 - Katherine M. Kinnaird:
Aligned Hierarchies: A Multi-Scale Structure-Based Representation for Music-Based Data Streams. 337-343 - Francisco Rodríguez-Algarra, Bob L. T. Sturm, Hugo Maruri-Aguilar:
Analysing Scattering-Based Music Content Analysis Systems: Where's the Music?. 344-350 - Anders Elowsson:
Beat Tracking with a Cepstroid Invariant Neural Network. 351-357 - Anna M. Kruspe:
Bootstrapping a System for Phoneme Recognition and Keyword Spotting in Unaccompanied Singing. 358-364 - Eva Zangerle, Martin Pichl, Benedikt Hupfauf, Günther Specht:
Can Microblogs Predict Music Charts? An Analysis of the Relationship Between #Nowplaying Tweets and Music Charts. 365-371 - Ricardo E. P. Scholz, Geber L. Ramalho, Giordano Cabral:
Cross Task Study on MIREX Recent Results: An Index for Evolution Measurement and Some Stagnation Hypotheses. 372-378 - Dmitry Bogdanov, Alastair Porter, Perfecto Herrera, Xavier Serra:
Cross-Collection Evaluation for Music Classification Tasks. 379-385 - Simon Durand, Slim Essid:
Downbeat Detection with Conditional Random Fields and Deep Learned Features. 386-392 - Li Su, Tsung-Ying Chuang, Yi-Hsuan Yang:
Exploiting Frequency, Periodicity and Harmonicity Using Advanced Time-Frequency Concentration Techniques for Multipitch Estimation of Choir and Symphony. 393-399 - Hendrik Schreiber:
Genre Ontology Learning: Comparing Curated with Crowd-Sourced Ontologies. 400-406 - Clement Laroche, Hélène Papadopoulos, Matthieu Kowalski, Gaël Richard:
Genre Specific Dictionaries for Harmonic/Percussive Source Separation. 407-413 - Giuseppe Bandiera, Oriol Romani Picas, Hiroshi Tokuda, Wataru Hariya, Koji Oishi, Xavier Serra:
Good-sounds.org: A Framework to Explore Goodness in Instrumental Sounds. 414-419 - Thomas Hedges, Geraint A. Wiggins:
Improving Predictions of Derived Viewpoints in Multiple Viewpoints Systems. 420-426 - T. J. Tsai, Thomas Prätzlich, Meinard Müller:
Known Artist Live Song ID: A Hashprint Approach. 427-433 - Il-Young Jeong, Kyogu Lee:
Learning Temporal Features Using a Deep Neural Network and its Application to Music Genre Classification. 434-440 - W. Bas de Haas, Anja Volk:
Meter Detection in Symbolic Music Using Inner Metric Analysis. 441-447 - Gen Hori, Shigeki Sagayama:
Minimax Viterbi Algorithm for HMM-Based Guitar Fingering Decision. 448-453 - João Paulo V. Cardoso, Luciana Fujii Pontello, Pedro H. F. Holanda, Bruno Guilherme, Olga Goussevskaia, Ana Paula Couto da Silva:
Mixtape: Direction-Based Navigation in Large Media Collections. 454-460 - Ryo Nishikimi, Eita Nakamura, Katsutoshi Itoyama, Kazuyoshi Yoshii:
Musical Note Estimation for F0 Trajectories of Singing Voices Based on a Bayesian Semi-Beat-Synchronous HMM. 461-467 - Maria Panteli, Simon Dixon:
On the Evaluation of Rhythmic and Melodic Descriptors for Music Similarity. 468-474 - Rainer Kelz, Matthias Dorfer, Filip Korzeniowski, Sebastian Böck, Andreas Arzt, Gerhard Widmer:
On the Potential of Simple Framewise Approaches to Piano Transcription. 475-481 - Jeff Gregorio, Youngmoo E. Kim:
Phrase-Level Audio Segmentation of Jazz Improvisations Informed by Symbolic Data. 482-487 - Bob L. T. Sturm:
Revisiting Priorities: Improving MIR Evaluation Practices. 488-494 - Prem Seetharaman, Bryan Pardo:
Simultaneous Separation and Segmentation in Layered Music. 495-501 - Patricio López-Serrano, Christian Dittmar, Jonathan Driedger, Meinard Müller:
Towards Modeling and Decomposing Loop-Based Electronic Music. 502-508 - Jorge Calvo-Zaragoza, David Rizo, José Manuel Iñesta Quereda:
Two (Note) Heads Are Better Than One: Pen-Based Multimodal Interaction with Music Scores. 509-514 - Christof Weiß, Vlora Arifi-Müller, Thomas Prätzlich, Rainer Kleinertz, Meinard Müller:
Analyzing Measure Annotations for Western Classical Music Recordings. 517-523 - David Lewis, Tim Crawford, Daniel Müllensiefen:
Instrumental Idiom in the 16th Century: Embellishment Patterns in Arrangements of Vocal Music. 524-530 - Andre Holzapfel, Emmanouil Benetos:
The Sousta Corpus: Beat-Informed Automatic Transcription of Traditional Dance Tunes. 531-537 - Maria Panteli, Emmanouil Benetos, Simon Dixon:
Learning a Feature Space for Similarity in World Music. 538-544 - Oriol Nieto, Juan Pablo Bello:
Systematic Exploration of Computational Music Structure Research. 547-553 - Jordan B. L. Smith, Masataka Goto:
Using Priors to Improve Estimates of Music Structure. 554-560 - Mi Tian, Mark B. Sandler:
Music Structural Segmentation Across Genres with Gammatone Features. 561-567 - Juan J. Bosch, Rachel M. Bittner, Justin Salamon, Emilia Gómez:
A Comparison of Melody Extraction Methods Based on Source-Filter Modelling. 571-577 - Markus Schedl, Hamid Eghbal-Zadeh, Emilia Gómez, Marko Tkalcic:
An Analysis of Agreement in Classical Music Perception and its Relationship to Listener Characteristics. 578-583 - Tian Cheng, Matthias Mauch, Emmanouil Benetos, Simon Dixon:
An Attack/Decay Model for Piano Transcription. 584-590 - Carl Southall, Ryan Stables, Jason Hockman:
Automatic Drum Transcription Using Bi-Directional Recurrent Neural Networks. 591-597 - R. Michael Winters, Siddharth Gururani, Alexander Lerch:
Automatic Practice Logging: Introduction, Dataset & Preliminary Study. 598-604 - Kaustuv Kanti Ganguli, Sankalp Gulati, Xavier Serra, Preeti Rao:
Data-Driven Exploration of Melodic Structure in Hindustani Music. 605-611 - Vincent Lostanlen, Carmine-Emanuele Cella:
Deep Convolutional Networks on the Pitch Spiral For Music Instrument Recognition. 612-618 - Bartlomiej Stasiak:
DTV-Based Melody Cutting for DTW-Based Melody Search and Indexing in QbH Systems. 619-625 - John Fuller, Lauren Hubener, Yea-Seul Kim, Jin Ha Lee:
Elucidating User Behavior in Music Services Through Persona and Gender. 626-632 - Nazareno Andrade, Flavio Figueiredo:
Exploring the Latent Structure of Collaborations in Music Recordings: A Case Study in Jazz. 633-639 - Phillip B. Kirlin:
Global Properties of Expert and Algorithmic Hierarchical Music Analyses. 640-646 - Liang Chen, Erik Stolterman, Christopher Raphael:
Human-Interactive Optical Music Recognition. 647-653 - Jack Atherton, Blair Kaneshiro:
I Said it First: Topological Analysis of Lyrical Influence Networks. 654-660 - Elad Liebman, Peter Stone, Corey N. White:
Impact of Music on Decision Making in Quantitative Tasks. 661-667 - Simon Waloschek, Axel Berndt, Benjamin W. Bohl, Aristotelis Hadjakos:
Interactive Scores in Classical Music Production. 668-673 - Helena Bantulà, Sergio I. Giraldo, Rafael Ramírez:
Jazz Ensemble Expressive Performance Modeling. 674-680 - Daniel Shanahan, Kerstin Neubarth, Darrell Conklin:
Mining Musical Traits of Social Functions in Native American Music. 681-687 - Flavio Figueiredo, Bruno Ribeiro, Christos Faloutsos, Nazareno Andrade, Jussara M. Almeida:
Mining Online Music Listening Trajectories. 688-694 - Tomoyasu Nakano, Daichi Mochihashi, Kazuyoshi Yoshii, Masataka Goto:
Musical Typicality: How Many Similar Songs Exist?. 695-701 - Jeremy Hyrkas, Bill Howe:
MusicDB: A Platform for Longitudinal Music Analytics. 702-708 - Hamid Eghbal-zadeh, Gerhard Widmer:
Noise Robust Music Artist Recognition Using I-Vector Features. 709-715 - Georgi Dzhambazov, Ajay Srinivasamurthy, Sertan Sentürk, Xavier Serra:
On the Use of Note Onsets for Improved Lyrics-To-Audio Alignment in Turkish Makam Music. 716-722 - Raphaël Fournier-S'niehotta, Philippe Rigaux, Nicolas Travers:
Querying XML Score Databases: XQuery is not Enough!. 723-729 - Richard Vogl, Matthias Dorfer, Peter Knees:
Recurrent Neural Networks for Drum Transcription. 730-736 - François Rigaud, Mathieu Radenen:
Singing Voice Melody Transcription Using Deep Neural Networks. 737-743 - Kai-Chun Hsu, Chih-Shan Lin, Tai-Shih Chi:
Sparse Coding Based Music Genre Classification Using Spectro-Temporal Modulations. 744-750 - Sankalp Gulati, Joan Serrà, Kaustuv Kanti Ganguli, Sertan Sentürk, Xavier Serra:
Time-Delayed Melody Surfaces for Rāga Recognition. 751-757 - Andrea Cogliati, David Temperley, Zhiyao Duan:
Transcribing Human Piano Performances into Music Notation. 758-764 - Xiao Hu, Kahyun Choi, Jin Ha Lee, Audrey Laplante, Yun Hao, Sally Jo Cunningham, J. Stephen Downie:
WiMIR: An Informetric Study On Women Authors In ISMIR. 765-771 - Ryan Groves:
Automatic Melodic Reduction Using a Supervised Probabilistic Context-Free Grammar. 775-781 - Patrick Gray, Razvan C. Bunescu:
A Neural Greedy Model for Voice Separation in Symbolic Music. 782-788 - Matthias Dorfer, Andreas Arzt, Gerhard Widmer:
Towards Score Following In Sheet Music Images. 789-795 - Colin Raffel, Daniel P. W. Ellis:
Extracting Ground-Truth Information from MIDI Files: A MIDIfesto. 796-802 - Keunwoo Choi, György Fazekas, Mark B. Sandler:
Automatic Tagging Using Deep Convolutional Neural Networks. 805-811 - Jun-qi Deng, Yu-Kwong Kwok:
A Hybrid Gaussian-HMM-Deep Learning Approach for Automatic Chord Estimation with Very Large Vocabulary. 812-818 - Sangeun Kum, Changheun Oh, Juhan Nam:
Melody Extraction on Vocal Segments Using Multi-Column Deep Neural Networks. 819-825
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