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ORCID13th ISMIR 2012: Mosteiro S.Bento Da Vitória, Porto, Portugal
- Fabien Gouyon, Perfecto Herrera, Luis Gustavo Martins, Meinard Müller:
Proceedings of the 13th International Society for Music Information Retrieval Conference, ISMIR 2012, Mosteiro S.Bento Da Vitória, Porto, Portugal, October 8-12, 2012. FEUP Edições 2012, ISBN 978-972-752-144-9
Papers
- Nick Collins:
Influence in Early Electronic Dance Music: An Audio Content Analysis Investigation. 1-6 - Kerstin Neubarth, Izaro Goienetxea, Colin Johnson, Darrell Conklin:
Association Mining of Folk Music Genres and Toponyms. 7-12 - Tan Hakan Özaslan, Xavier Serra, Josep Lluís Arcos:
Characterization of Embellishments in Ney Performances of Makam Music in Turkey. 13-18 - Yi-Hsuan Yang, Xiao Hu:
Cross-cultural Music Mood Classification: A Comparison on English and Chinese Songs. 19-24 - Geoffroy Peeters, Karën Fort:
Towards a (Better) Definition of the Description of Annotated MIR Corpora. 25-30 - Diane Watson, Regan L. Mandryk:
Modeling Musical Mood From Audio Features and Listening Context on an In-Situ Data Set. 31-36 - Eric Battenberg, David Wessel:
Analyzing Drum Patterns Using Conditional Deep Belief Networks. 37-42 - Erdem Ünal, Baris Bozkurt, Mustafa Kemal Karaosmanoglu:
N-gram Based Statistical Makam Detection on Makam Music in Turkey Using Symbolic Data. 43-48 - Sebastian Böck, Florian Krebs, Markus Schedl:
Evaluating the Online Capabilities of Onset Detection Methods. 49-54 - Peter Grosche, Joan Serrà, Meinard Müller, Josep Lluís Arcos:
Structure-Based Audio Fingerprinting for Music Retrieval. 55-60 - Özgür Izmirli, Gyanendra Sharma:
Bridging Printed Music and Audio Through Alignment Using a Mid-level Score Representation. 61-66 - Pablo Sprechmann, Alexander M. Bronstein, Guillermo Sapiro:
Real-time Online Singing Voice Separation from Monaural Recordings Using Robust Low-rank Modeling. 67-72 - Frederic Font, Joan Serrà, Xavier Serra:
Folksonomy-based Tag Recommendation for Online Audio Clip Sharing. 73-78 - Kazuyoshi Yoshii, Masataka Goto:
Infinite Composite Autoregressive Models for Music Signal Analysis. 79-84 - Timothée Gerber, Martin Dutasta, Laurent Girin, Cédric Févotte:
Professionally-produced Music Separation Guided by Covers. 85-90 - Daichi Sakaue, Takuma Otsuka, Katsutoshi Itoyama, Hiroshi G. Okuno:
Bayesian Nonnegative Harmonic-Temporal Factorization and Its Application to Multipitch Analysis. 91-96 - Meinard Müller, Nanzhu Jiang:
A Scape Plot Representation for Visualizing Repetitive Structures of Music Recordings. 97-102 - Daniel Wolff, Sebastian Stober, Andreas Nürnberger, Tillman Weyde:
A Systematic Comparison of Music Similarity Adaptation Approaches. 103-108 - Yizhao Ni, Matt McVicar, Raúl Santos-Rodriguez, Tijl De Bie:
Using Hyper-genre Training to Explore Genre Information for Automatic Chord Estimation. 109-114 - Augustin Lefèvre, Francis R. Bach, Cédric Févotte:
Semi-supervised NMF with Time-frequency Annotations for Single-channel Source Separation. 115-120 - Gregory Burlet, Alastair Porter, Andrew Hankinson, Ichiro Fujinaga:
Neon.js: Neume Editor Online. 121-126 - Hélène Papadopoulos, George Tzanetakis:
Modeling Chord and Key Structure with Markov Logic. 127-132 - David Meredith:
A Geometric Language for Representing Structure in Polyphonic Music. 133-138 - Jan Wülfing, Martin A. Riedmiller:
Unsupervised Learning of Local Features for Music Classification. 139-144 - Yupeng Gu, Christopher Raphael:
Modeling Piano Interpretation Using Switching Kalman Filter. 145-150 - Rong Jin, Christopher Raphael:
Interpreting Rhythm in Optical Music Recognition. 151-156 - José Ricardo Zapata, Andre Holzapfel, Matthew E. P. Davies, João Lobato Oliveira, Fabien Gouyon:
Assigning a Confidence Threshold on Automatic Beat Annotation in Large Datasets. 157-162 - Matthias Mauch, Simon Dixon:
A Corpus-based Study of Rhythm Patterns. 163-168 - Jason Hockman, Matthew E. P. Davies, Ichiro Fujinaga:
One in the Jungle: Downbeat Detection in Hardcore, Jungle, and Drum and Bass. 169-174 - Arthur Flexer, Dominik Schnitzer, Jan Schlueter:
A MIREX Meta-analysis of Hubness in Audio Music Similarity. 175-180 - Julián Urbano, J. Stephen Downie, Brian McFee, Markus Schedl:
How Significant is Statistically Significant? The case of Audio Music Similarity and Retrieval. 181-186 - Justin Salamon, Geoffroy Peeters, Axel Röbel:
Statistical Characterisation of Melodic Pitch Contours and its Application for Melody Extraction. 187-192 - Joe Cheri Ross, Vinutha T. P., Preeti Rao:
Detecting Melodic Motifs from Audio for Hindustani Classical Music. 193-198 - Gopala K. Koduri, Joan Serrà, Xavier Serra:
Characterization of Intonation in Carnatic Music by Parametrizing Pitch Histograms. 199-204 - Nicolas Boulanger-Lewandowski, Yoshua Bengio, Pascal Vincent:
Discriminative Non-negative Matrix Factorization for Multiple Pitch Estimation. 205-210 - Wolfgang Fohl, Andreas Meisel, Ivan Turkalj:
A Feature Relevance Study for Guitar Tone Classification. 211-216 - Ruben Hillewaere, Bernard Manderick, Darrell Conklin:
String Methods for Folk Tune Genre Classification. 217-222 - Mustafa Kemal Karaosmanoglu:
A Turkish Makam Music Symbolic Database for Music Information Retrieval: SymbTr. 223-228 - Yoko Anan, Kohei Hatano, Hideo Bannai, Masayuki Takeda, Ken Satoh:
Polyphonic Music Classification on Symbolic Data Using Dissimilarity Functions. 229-234 - Frédéric Bimbot, Emmanuel Deruty, Gabriel Sargent, Emmanuel Vincent:
Semiotic Structure Labeling of Music Pieces: Concepts, Methods and Annotation Conventions. 235-240 - Thierry Bertin-Mahieux, Daniel P. W. Ellis:
Large-Scale Cover Song Recognition Using the 2D Fourier Transform Magnitude. 241-246 - Ching-Hua Chuan, Elaine Chew:
Creating Ground Truth for Audio Key Finding: When the Title Key May Not Be the Key. 247-252 - Jin Ha Lee, Nichole Maiman Waterman:
Understanding User Requirements for Music Information Services. 253-258 - Sally Jo Cunningham, David Bainbridge, J. Stephen Downie:
The Impact of MIREX on Scholarly Research (2005 - 2010). 259-264 - Rafael Cabredo, Roberto S. Legaspi, Paul Salvador Inventado, Masayuki Numao:
An Emotion Model for Music Using Brain Waves. 265-270 - Yannis Panagakis, Constantine Kotropoulos:
Music Structure Analysis by Ridge Regression of Beat-synchronous Audio Features. 271-276 - Cyril Joder, Björn W. Schuller:
Score-Informed Leading Voice Separation from Monaural Audio. 277-282 - George Sioros, Andre Holzapfel, Carlos Guedes:
On Measuring Syncopation to Drive an Interactive Music System. 283-288 - Justin Salamon, Julián Urbano:
Current Challenges in the Evaluation of Predominant Melody Extraction Algorithms. 289-294 - W. Bas de Haas, José Pedro Magalhães, Frans Wiering:
Improving Audio Chord Transcription by Exploiting Harmonic and Metric Knowledge. 295-300 - Aggelos Gkiokas, Vassilis Katsouros, George Carayannis:
Reducing Tempo Octave Errors by Periodicity Vector Coding And SVM Learning. 301-306 - Hirokazu Kameoka, Kazuki Ochiai, Masahiro Nakano, Masato Tsuchiya, Shigeki Sagayama:
Context-free 2D Tree Structure Model of Musical Notes for Bayesian Modeling of Polyphonic Spectrograms. 307-312 - Oriol Nieto, Eric J. Humphrey, Juan Pablo Bello:
Compressing Music Recordings into Audio Summaries. 313-318 - Mert Bay, Andreas F. Ehmann, James W. Beauchamp, Paris Smaragdis, J. Stephen Downie:
Second Fiddle is Important Too: Pitch Tracking Individual Voices in Polyphonic Music. 319-324 - Erik M. Schmidt, Jeffrey J. Scott, Youngmoo E. Kim:
Feature Learning in Dynamic Environments: Modeling the Acoustic Structure of Musical Emotion. 325-330 - Xiao Hu, Noriko Kando:
User-centered Measures vs. System Effectiveness in Finding Similar Songs. 331-336 - Rudolf Mayer, Andreas Rauber:
Towards Time-resilient MIR Processes. 337-342 - Brian McFee, Gert R. G. Lanckriet:
Hypergraph Models of Playlist Dialects. 343-348 - Joshua L. Moore, Shuo Chen, Thorsten Joachims, Douglas Turnbull:
Learning to Embed Songs and Tags for Playlist Prediction. 349-354 - Mohamed Sordo, Joan Serrà, Gopala K. Koduri, Xavier Serra:
Extracting Semantic Information from an Online Carnatic Music Forum. 355-360 - Robert Macrae, Simon Dixon:
Ranking Lyrics for Online Search. 361-366 - Jill Palzkill Woelfer, Jin Ha Lee:
The Role Of Music in the Lives of Homeless Young People: A Preliminary Report. 367-372 - Mohsen Kamalzadeh, Dominikus Baur, Torsten Möller:
A Survey on Music Listening and Management Behaviours. 373-378 - Emmanouil Benetos, Simon Dixon, Dimitrios Giannoulis, Holger Kirchhoff, Anssi Klapuri:
Automatic Music Transcription: Breaking the Glass Ceiling. 379-384 - Markus Schedl, Arthur Flexer:
Putting the User in the Center of Music Information Retrieval. 385-390 - Jin Ha Lee, Sally Jo Cunningham:
The Impact (or Non-impact) of User Studies in Music Information Retrieval. 391-396 - Jean-Julien Aucouturier, Emmanuel Bigand:
Mel Cepstrum & Ann Ova: The Difficult Dialog Between MIR and Music Cognition. 397-402 - Eric J. Humphrey, Juan Pablo Bello, Yann LeCun:
Moving Beyond Feature Design: Deep Architectures and Automatic Feature Learning in Music Informatics. 403-408 - Kevin R. Page, Benjamin Fields, David De Roure, Tim Crawford, J. Stephen Downie:
Reuse, Remix, Repeat: the Workflows of MIR. 409-414 - Holger Kirchhoff, Simon Dixon, Anssi Klapuri:
Multi-Template Shift-Variant Non-Negative Matrix Deconvolution for Semi-Automatic Music Transcription. 415-420 - Aggelos Pikrakis, Francisco Gómez, Sergio Oramas, José Miguel Díaz-Báñez, Joaquín Mora, Francisco Escobar-Borrego, Emilia Gómez, Justin Salamon:
Tracking Melodic Patterns in Flamenco Singing by Analyzing Polyphonic Music Recordings. 421-426 - Meinard Müller, Thomas Prätzlich, Jonathan Driedger:
A Cross-version Approach for Stabilizing Tempo-based Novelty Detection. 427-432 - Andreas Arzt, Sebastian Böck, Gerhard Widmer:
Fast Identification of Piece and Score Position via Symbolic Fingerprinting. 433-438 - Geoffroy Peeters, Frédéric Cornu, Christophe Charbuillet, Damien Tardieu, Juan José Burred, Marie Vian, Valérie Botherel, Jean-Bernard Rault, Jean-Philippe Cabanal:
A Multimedia Search and Navigation Prototype, Including Music and Video-clips. 439-444 - Ruofeng Chen, Weibin Shen, Ajay Srinivasamurthy, Parag Chordia:
Chord Recognition Using Duration-explicit Hidden Markov Models. 445-450 - Ciril Bohak, Matija Marolt:
Finding Repeating Stanzas in Folk Songs. 451-456 - Mathieu Giraud, Richard Groult, Florence Levé:
Detecting Episodes with Harmonic Sequences for Fugue Analysis. 457-462 - Tom O'Hara, Nico Schüler, Yijuan Lu, Dan Tamir:
Inferring Chord Sequence Meanings via Lyrics: Process and Evaluation. 463-468 - Alexander Schindler, Rudolf Mayer, Andreas Rauber:
Facilitating Comprehensive Benchmarking Experiments on the Million Song Dataset. 469-474 - Andrew Robertson:
Decoding Tempo and Timing Variations in Music Recordings from Beat Annotations. 475-480 - Katerina Kosta, Marco Marchini, Hendrik Purwins:
Unsupervised Chord-Sequence Generation from an Audio Example. 481-486 - Michael Terrell, György Fazekas, Andrew Simpson, Jordan B. L. Smith, Simon Dixon:
Listening Level Changes Music Similarity. 487-492 - Luis Jure, Ernesto López, Martín Rocamora, Pablo Cancela, Haldo Sponton, Ignacio Irigaray:
Pitch Content Visualization Tools for Music Performance Analysis. 493-498 - Justin Salamon, Sankalp Gulati, Xavier Serra:
A Multipitch Approach to Tonic Identification in Indian Classical Music. 499-504 - Laurent Pugin, Johannes Kepper, Perry Roland, Maja Hartwig, Andrew Hankinson:
Separating Presentation and Content in MEI. 505-510 - Johanna Devaney, Michael I. Mandel, Ichiro Fujinaga:
A Study of Intonation in Three-Part Singing using the Automatic Music Performance Analysis and Comparison Toolkit (AMPACT). 511-516 - Carlos Rosão, Ricardo Ribeiro, David Martins de Matos:
Influence of Peak Selection Methods on Onset Detection. 517-522 - Yading Song, Simon Dixon, Marcus T. Pearce:
Evaluation of Musical Features for Emotion Classification. 523-528 - Benjamin Martin, Daniel G. Brown, Pierre Hanna, Pascal Ferraro:
BLAST for Audio Sequences Alignment: A Fast Scalable Cover Identification Tool. 529-534 - Xiao Hu, Jin Ha Lee:
A Cross-cultural Study of Music Mood Perception between American and Chinese Listeners. 535-540 - Brandon Mechtley, Andreas Spanias, Perry Cook:
Shortest Path Techniques for Annotation and Retrieval of Environmental Sounds. 541-546 - Emanuele Coviello, Yonatan Vaizman, Antoni B. Chan, Gert R. G. Lanckriet:
Multivariate Autoregressive Mixture Models for Music Auto-Tagging. 547-552 - Philippe Hamel, Yoshua Bengio, Douglas Eck:
Building Musically-relevant Audio Features through Multiple Timescale Representations. 553-558 - Juan J. Bosch, Jordi Janer, Ferdinand Fuhrmann, Perfecto Herrera:
A Comparison of Sound Segregation Techniques for Predominant Instrument Recognition in Musical Audio Signals. 559-564 - Juhan Nam, Jorge Herrera, Malcolm Slaney, Julius O. Smith III:
Learning Sparse Feature Representations for Music Annotation and Retrieval. 565-570 - Véronique Sébastien, Henri Ralambondrainy, Olivier Sébastien, Noël Conruyt:
Score Analyzer: Automatically Determining Scores Difficulty Level for Instrumental e-Learning. 571-576 - Andrew Hankinson, John Ashley Burgoyne, Gabriel Vigliensoni, Alastair Porter, Jessica Thompson, Wendy Liu, Remi Chiu, Ichiro Fujinaga:
Digital Document Image Retrieval Using Optical Music Recognition. 577-582 - Zafar Rafii, Bryan Pardo:
Music/Voice Separation Using the Similarity Matrix. 583-588 - Polina Proutskova, Christophe Rhodes, Geraint A. Wiggins, Tim Crawford:
Breathy or Resonant - A Controlled and Curated Dataset for Phonation Mode Detection in Singing. 589-594 - Mathieu Lagrange, Alexey Ozerov, Emmanuel Vincent:
Robust Singer Identification in Polyphonic Music using Melody Enhancement and Uncertainty-based Learning. 595-600 - Emilia Gómez, Francisco J. Cañadas-Quesada, Justin Salamon, Jordi Bonada, Pedro Vera-Candeas, Pablo Cabañas Molero:
Predominant Fundamental Frequency Estimation vs Singing Voice Separation for the Automatic Transcription of Accompanied Flamenco Singing. 601-606
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