default search action
Google
Google Scholar
Semantic Scholar
Internet Archive Scholar
CiteSeerX
ORCID33rd ICMC 2007: Copenhagen, Denmark
- Proceedings of the 2007 International Computer Music Conference, ICMC 2007, Copenhagen, Denmark, August 27-31, 2007. Michigan Publishing 2007
- Charles W. Fox, Iead Rezek, Stephen J. Roberts:
Drum'n'Bayes: on-Line variational Inference for beat tracking and rhythm Recognition. - Arne Eigenfeldt:
Drum Circle: Intelligent Agents in Max/MSP. - Shunichi Kasahara, Tomoyuki Yamaguchi, Ryo Saegusa, Shuji Hashimoto:
Rhythm Interaction System Based on rhythm Association. - Jan C. Schacher, Martin Neukom:
Where's the beat? Tools for Dynamic Tempo calculations. - Jacques Lemordant, Agnès Guerraz:
Mobile Immersive Music. - G. Douglas Barrett, Michael Winter, Harris Wulfson:
Automatic Notation Generators. - Roger B. Dannenberg:
Abstract Behaviors for Structured Music Programming. - Ge Wang, Rebecca Fiebrink, Perry R. Cook:
Combining Analysis and synthesis in the Chuck Programming Language. - Jamie Bullock, Henrik Frisk:
Libintegra: a System for Software-Independent Multimedia Module Description and Storage. - Diemo Schwarz, Sam Britton, Roland Cahen, Thomas Göpfert:
Musical Applications of Real-Time Corpus-Based concatenative synthesis. - Mika Kuuskankare, Marcus Castrén, Mikael Laurson:
Macset: a Free Visual Cross-Platform pitch-class Set Theoretical Application. - Vesa Norilo, Mikael Laurson:
Development Tools for Pwglsynth. - Mathieu Barthet, Philippe Depalle, Richard Kronland-Martinet, Sølvi Ystad:
The effect of Timbre in Clarinet Interpretation. - Gary S. Kendall:
The Artistic Play of Spatial Organization: Spatial Attributes, Scene Analysis and auditory Spatial Schemata. - Adrien Merer, Sølvi Ystad, Richard Kronland-Martinet, Mitsuko Aramaki, Mireille Besson, Jean-Luc Velay:
Perceptual Categorization of Moving sounds for synthesis Applications. - John Ashley Burgoyne, Stephen McAdams:
Non-linear Scaling Techniques for uncovering the perceptual Dimensions of Timbre. - Anthony Lewis Brooks, Barry Eaglestone, Phil Ellis, Rolf Gehlhaar, Luís Miguel Girão, Wendy Magee, Eduardo Miranda, Eva Petersson, Paulo Maria Rodrigues:
Artabilitation Icmc Panel Paper Denmark 2007: non-Formal rehabilitation via Immersive Interactive Music Environments. - Charles W. Fox, John Quinn:
How to be lost: Principled Priming and Pruning with particles in Score following. - Dimitrios Tzimeas, Eleni E. Mangina:
A GA Tool for Computer Assisted Music Composition. - Yoichi Nagashima:
Ghi Project : New Approach for Musical Instruments. - Tuukka Ilomäki:
The Usability of Music Theory Software: the Analysis of twelve-tone Music as a Case Study. - Adriano Baratè, Goffredo Haus, Luca A. Ludovico:
Petri Nets Applicability to Music Analysis and Composition. - Francisco Gómez, Eric Thul, Godfried Toussaint:
An Experimental Comparison of Formal Measures of rhythmic Syncopation. - Steve Mann, Ryan E. Janzen, Raymond Chun Hing Lo, Chris Aimone:
Inventing New Instruments Based on a Computational "Hack" to Make an out-of-tune or unpitched Instrument Play in Perfect Harmony. - Min-Joon Yoo, In-Kwon Lee:
Interactive Music Summarization Based on Interval Distance Profile. - David Yanagisawa:
The Toncolarium - Immersive Color-Music Instrument. - Heinrich Taube:
Sal: a Simple Algorithmic Language in Common Music. - Per Bloland:
The Electromagnetically-prepared Piano and its Compositional Implications. - Joshua Parmenter:
Dynamic Large-Scale gestural control in Supercollider Server. - Franziska Schroeder, Alain Renaud, Pedro Rebelo, Fernando Gualda:
Addressing the Network: performative Strategies for Playing apart. - Leigh Landy:
The Electroacoustic Resource Site (Ears) Approaches its Next phase: Going Global and Addressing the Young. - Ole Kühl:
An Introduction to Musical Semantics: the Gesture in Modelization. - Peter Batchelor:
Fabricating Aural Landscapes: some Compositional Implications of Trompe L'oreille. - Masatoshi Hamanaka, Keiji Hirata, Satoshi Tojo:
Fatta: Full Automatic Time-Span Tree Analyzer. - Nicola Orio, Laura Zattra:
Audio Matching for the Philological Analysis of Electroacoustic Music. - Kevin Dahan:
Reconstructing Stria. - Nicola Bernardini:
Recovering Giacinto Scelsi's Tapes. - Arun Chandra:
Creating von Foerster's non-Trivial Machine in Digital audio. - Michael Chinen, Naotoshi Osaka:
Genesynth: noise band-Based Genetic Algorithm Analysis/synthesis Framework. - Jean-Baptiste Thiebaut, Juan Pablo Bello
, Diemo Schwarz:
How Musical are Images? From sound Representation to Image Sonification: an Eco Systemic Approach. - Damien Tardieu, Grégoire Carpentier, Xavier Rodet:
Computer-Aided Orchestration Based on Probabilistic Instruments Models and Genetic Exploration. - Edwin Vane, William Cowan:
A Computer-Aided soundtrack Composition System designed for Humans. - David Plans, Davide Morelli:
Remembering the Future : an Overview of Co-Evolution in Musical Improvisation. - Julien Junod, Guerino Mazzola:
From Fux to Ragas-Morphing Contrapuntal Worlds. - Jenny Ren, Phil Winsor, Chih-Fang Huang:
Developing Chinese Style Algorithmic Composition using Markov Chains - from the Classical Chinese-Poetry Perspective. - John Huddleston, Jianna Zhang:
Effects of Musically Meaningful operators in Evolutionary Composition. - Peter Castine, John Dekron:
Realitv. - Claudio Baccigalupo, Enric Plaza:
Sharing and Combining listening Experience: a Social Approach to Web Radio. - Andrew Johnston, Benjamin Marks, Linda Candy:
Sound Controlled Musical Instruments Based on Physical Models. - Patricio de la Cuadra, Rodrigo F. Cádiz, Benoît Fabre, Nicolas Montgermont:
Performance control of a Flute Physical Model using fuzzy Logic. - François Poyer, Claude Cadoz:
Production of Immersive Musical Architectures by Physical Modelling of Self Sustained oscillating Structures. - Tamara Smyth, Jonathan S. Abel:
Extending the generalized Reed Model with measured Reflection Functions. - Stephen Travis Pope, Roger B. Dannenberg:
Models and APIs for audio synthesis and Processing a Panel Discussion. - John Chow Seymour:
Computer Assisted Composition in equal tunings: tonal Cognition and the Thirteen tone March. - Corey Kereliuk, Bertrand Scherrer, Vincent Verfaille, Philippe Depalle, Marcelo M. Wanderley:
Indirect Acquisition of Fingerings of harmonic Notes on the Flute. - Arne Eigenfeldt:
The Creation of Evolutionary rhythms within a Multi-Agent Networked Drum Ensemble. - Oliver Larkin:
Int.Lib - a Graphical Preset interpolator for Max MSP. - Christopher Ariza:
Serial RSS sound Installation as Open Work: the Babelcast. - Kia Ng, Tran Vu Pham, Bee Ong, Jérôme Barthélemy, Alain Bonardi, David Giaretta:
Digital Preservation of Interactive Multimedia performances. - Risto Holopainen:
Nonlinear filters. - Miller S. Puckette:
On timbre stamps and other frequency-domain filters. - Federico Fontana:
Preserving the Structure of the Moog VCF in the Digital Domain. - Johannes Zmölnig, Gerhard Eckel:
Live coding: an Overview. - David T. Yeh, John Nolting, Julius O. Smith III:
Physical and Behavioral Circuit Modeling of the SP-12 sampler. - Javier Alejandro Garavaglia:
Sound&media Studios @ Londonmet, Commercial RD. London Metropolitan University. - Carlos Guedes, Rui Dias:
Studio Report: the Program in Electronic Music Composition and Musical production at the School of the arts of the Polytechnic Institute of Castelo Branco. - Christopher Burns, Kevin Schlei, Jon Welstead:
The electro-acoustic Music Center at the University of Wisconsin-Milwaukee. - Mara Helmuth, Jennifer Bernard Merkowitz, Brian McKinney, Kazuaki Shiota, Christopher Stark:
Cincinnati's Center for Computer Music in 2007: (CCM)2. - Myriam Desainte-Catherine, Sylvain Marchand, Pierre Hanna, Mathieu Lagrange, Matthias Robine, Martin Raspaud, Robert Strandh, Antoine Allombert, Guillaume Meurisse, Joan Mouba, Jean Louis Di Santo, Gyorgy Kurtag:
Scrime Studio Report. - Cathy Lane:
Studio Report: sound arts and Design at London College of Communication. - Andrew Schmeder, Matthew Wright, Adrian Freed, Edmund Campion, David Wessel:
Cnmat Information Infrastructure. - Fernando Lopez-Lezcano, Carr Wilkerson:
Ccrma Studio Report. - Andrew May, Jon Christopher Nelson:
Studio Report: Center for Experimental Music and Intermedia. - Jongwoo Yim, Richard Dudas:
New Media Music at Hanyang University: Studio Report. - Graham Wakefield, Wesley Smith:
Using Lua for audiovisual Compostion. - Woon Seung Yeo, Ji Won Yoon, Hee Young Cho:
The Stringball: a ball Interface with Strings for Collaborative Performance. - Ivica Ico Bukvic, Ji-Sun Kim, Dan Trueman, Thomas Grill:
Munger1~: towards a Cross-Platform Swissarmy Knife of Real-Time Granular synthesis. - Kazuaki Shiota:
{TranSpell}. - Naoya Takahashi, Mitsuharu Matsumoto, Shuji Hashimoto:
Electric Koto by vibrating Body. - Edgar Berdahl, Bill Verplank, Julius O. Smith III, Günter Niemeyer:
A Physically Intuitive Haptic Drumstick. - Woon Seung Yeo, Jonathan Berger:
Rasterpiece: a Cross-Modal Framework for Real-Time Image Sonification, sound synthesis, and Multimedia Art. - Amalia de Götzen, Luca Mion, Federico Avanzini, Stefania Serafin:
Learning Sounding gestures. - Randy Jones, Mathieu Lagrange, W. Andrew Schloss:
A hand drumming Dataset for Physical Modeling. - Tapio Takala:
A Playable synthesis Model and controller for Bowed String Instruments. - Esteban Maestre, Jordi Bonada, Merlijn Blaauw, Alfonso Pérez, Enric Guaus:
Acquisition of Violin instrumental gestures using a Commercial EMF tracking Device. - Diana Young, Stefania Serafin:
Investigating the Performance of a Violin Physical Model: Recent Real Player studies. - Bret Battey:
Editing Strategies for Bézier-modeled continuous expression Curves. - Jonathan Owen Clark:
Sound spatialisation and coupled cell Networks. - Gérard Assayag, Georges Bloch:
Navigating the Oracle: a Heuristic Approach. - David Litke, Keith Hamel:
A Score-Based Interface for Interactive Computer Music. - John ffitch, James Mitchell, Julian A. Padget:
Composition with sound Web Services Andworkflows. - Mick Grierson:
Noisescape: an Interactive 3D audiovisual Multi-User Composition Environment. - José Fornari, Adolfo Maia, Jônatas Manzolli:
Interactive Soundscape Design with Evolutionary sound Processing. - Jaska Uimonen:
Sped - a sound File Editor. - Stephen Travis Pope:
Scripting and Tools for Analysis/resynthesis of audio. - Philippe Guillemain, Vincent Verfaille:
Combining Physical Modeling and additive synthesis as a Mapping Strategy for Realtime control. - Nelson Lee, Zhiyao Duan, Julius O. Smith III:
Excitation signal Extraction for Guitar tones. - Balázs Bank:
Direct Design of Parallel second-order filters for Instrument Body Modeling. - Barry Eaglestone, Nigel Ford, Peter G. Holdridge, Jenny Carter:
Are Cognitive Styles an Important factor in the Design of Electroacoustic Music Software? - Miguel Angel Ortiz Pérez, R. Benjamin Knapp:
Biotools: Introducing a Hardware and Software Toolkit for Fast Implementation of Biosignals for Musical Applications. - Tim Sayer:
Using Technology to Ride the reflex/volitional continuum in Improvised Musical Performance. - Swe Zin Kalayar Khine, Tin Lay Nwe, Haizhou Li:
On Timbre Based perceptual Feature for Singer identification. - David Litke:
Fractured Sounds, Fractured Meanings: A Glove-Controlled Spectral Instrument. - Juan Pampin, Joel S. Kollin, Eunsu Kang:
Applications of ultrasonic sound beams in Performance and sound Art. - William D. Haines, Jesse R. Vernon, Roger B. Dannenberg, Peter F. Driessen:
Placement of sound Sources in the Stereo Field using measured Room impulse responses. - Nils Peters, Megan Evans, Eliot Britton:
Trakhue - Intuitive gestural control of Live Electronics. - J. Milo Taylor:
Immersion: An immersive digital application for creative interaction with sound art archives. - Michael Young:
Nn Music: improvising with a 'Living' Computer. - Kathleya Afanador, Todd Ingalls, Ellen Campana:
Effects of Tempo on the Perceived Speed of Human movement. - Sofia Dahl, David Huron:
The Influence of Body Morphology on Preferred Dance Tempos. - Sonia Wilkie, Catherine J. Stevens, Roger Dean:
Psychoacoustic manipulation of the sound induced Illusory Flash. - Adam Lockhart:
Cognitive Implications of Musical Perception. - Alexander Refsum Jensenius, Antonio Camurri, Nicolas Castagné, Esteban Maestre, Joseph W. Malloch, Douglas McGilvray, Diemo Schwarz, Matthew Wright:
Panel: the Need of Formats for Streaming and Storing Music-Related movement and Gesture Data. - Manuel Rocha Iturbide:
The sound Installation. - Marco Fabiani, Anders Friberg:
Expressive modifications of Musical audio recordings: Preliminary Results. - Jamie Bullock:
Libxtract: a Lightweight Library for audio Feature Extraction. - Alex Norman, Xavier Amatriain:
Data jockey, a Tool for Meta-Data Enhanced Digital DJing and Active listening. - Niels Böttcher, Steven Gelineck, Stefania Serafin:
Physmism: Re-Introducing Physical Modelling for Electronic Musical Exploration. - Juraj Kojs, Stefania Serafin:
Stirring, Shaking, and mixing: Musicalizing everyday Actions. - Stefano Delle Monache, Pietro Polotti, Stefano Papetti, Davide Rocchesso:
Gamelunch: a Physics-Based Sonic Dining Table. - Kjetil Falkenberg Hansen, Marcos Alonso, Smilen Dimitrov:
Combining DJ Scratching, tangible Interfaces and a Physics-Based Model of friction sounds. - Stephen Travis Pope:
Teaching Digital audio Programming: Notes on a two-Year Course sequence at UCSB. - Kia Ng, Oliver Larkin, Thijs Koerselman, Bee Ong, Diemo Schwarz, Frédéric Bevilacqua:
The 3D Augmented mirror: motion Analysis for String Practice Training. - Michael Zbyszynski, Matthew Wright, Edmund Campion:
Design and Implementation of CNMAT's Pedagogical Software. - John Fariselli Young, Lorenzo Picinali, Dimitris Moraitis:
A Practice-Based Approach to using Acoustics and Technology in Musicianship Training. - Joseph W. Malloch, Stephen Sinclair, Marcelo M. Wanderley:
From controller to sound: Tools for Collaborative Development of Digital Musical Instruments. - Eric Lee, Thorsten Karrer, Jan O. Borchers:
An Analysis of Startup and Dynamic Latency in phase vocoder-Based Time-stretching Algorithms. - Alexandros Kontogeorgakopoulos, Claude Cadoz:
Physical Modelling as a Proposed Framework for the conception, the Design and the Implementation of sound Transformations. - Roger B. Dannenberg:
An Intelligent Multi-Track audio Editor. - Peter Castine:
Litter Mutators: Moving Morphological Mutation inside Time. - Nicolas Juillerat, Stefan Müller Arisona, Simon Schubiger-Banz:
Real-Time, low Latency audio Processing in Java. - Joshua S. Auerbach, David F. Bacon, Florian Bömers, Perry Cheng:
Real-Time Music synthesis in Java using the Metronome Garbage Collector. - Morwaread Mary Farbood, Henry Kaufman, Kevin Jennings:
Composing with Hyperscore: an Intuitive Interface for Visualizing Musical Structure. - Yuta Uozumi, Masato Takahashi, Ryoho Kobayashi:
A Musical Framework with Swarming robots.