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Jon McCormack
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- affiliation: Monash University, Sensilab, Australia
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2020 – today
- 2024
- [j18]Jon McCormack
, Francesca Samsel
:
Jon McCormack: Art Infused With [Artificial] Intelligence. IEEE Computer Graphics and Applications 44(2): 46-54 (2024) - [c50]Nina Rajcic
, Maria Teresa Llano Rodriguez
, Jon McCormack
:
Towards a Diffractive Analysis of Prompt-Based Generative AI. CHI 2024: 844:1-844:15 - [c49]Jon McCormack
, Maria Teresa Llano
, Stephen James Krol
, Nina Rajcic
:
No Longer Trending on Artstation: Prompt Analysis of Generative AI Art. EvoMUSART 2024: 279-295 - [c48]Sam Trolland
, Melinda Smith
, Alon Ilsar
, Jon McCormack
:
Visual instrument co-design embracing the unique movement capabilities of a dancer with physical disability. MOCO 2024: 17 - [i31]Jon McCormack, Maria Teresa Llano, Stephen James Krol, Nina Rajcic:
No Longer Trending on Artstation: Prompt Analysis of Generative AI Art. CoRR abs/2401.14425 (2024) - [i30]Nina Rajcic, Maria Teresa Llano, Jon McCormack:
Towards A Diffractive Analysis of Prompt-Based Generative AI. CoRR abs/2403.01783 (2024) - [i29]Jon McCormack, Elliott Wilson:
Holon: a cybernetic interface for bio-semiotics. CoRR abs/2404.03894 (2024) - [i28]Lucija Ivsic, Jon McCormack, Vince Dziekan:
Transhuman Ansambl - Voice Beyond Language. CoRR abs/2405.03134 (2024) - [i27]Sam Trolland, Melinda Smith, Alon Ilsar, Jon McCormack:
Visual instrument co-design embracing the unique movement capabilities of a dancer with physical disability. CoRR abs/2406.07874 (2024) - [i26]Meng Yang, Maria Teresa Llano, Jon McCormack:
Exploring Real-Time Music-to-Image Systems for Creative Inspiration in Music Creation. CoRR abs/2407.05584 (2024) - [i25]Jon McCormack, Elliott Wilson, Nina Rajcic, Maria Teresa Llano:
Mimetic Poet. CoRR abs/2407.11984 (2024) - 2023
- [c47]Nina Rajcic
, Jon McCormack
:
Message Ritual: A Posthuman Account of Living with Lamp. CHI 2023: 634:1-634:16 - [c46]Jon McCormack
, Camilo Cruz Gambardella
, Nina Rajcic
, Stephen James Krol
, Maria Teresa Llano
, Meng Yang
:
Is Writing Prompts Really Making Art? EvoMUSART@EvoStar 2023: 196-211 - [c45]Jon McCormack
, Camilo Cruz Gambardella
, Stephen James Krol
:
Creative Discovery using Qality-Diversity Search. GECCO Companion 2023: 747-750 - [i24]Nina Rajcic, Jon McCormack:
Message Ritual: A Posthuman Account of Living with Lamp. CoRR abs/2301.10947 (2023) - [i23]Jon McCormack, Camilo Cruz Gambardella, Nina Rajcic, Stephen James Krol, Maria Teresa Llano, Meng Yang:
Is Writing Prompts Really Making Art? CoRR abs/2301.13049 (2023) - [i22]Jon McCormack, Camilo Cruz Gambardella, Stephen James Krol:
Creative Discovery using QD Search. CoRR abs/2305.04462 (2023) - 2022
- [j17]Jon McCormack
, Camilo Cruz Gambardella:
Complexity and aesthetics in generative and evolutionary art. Genet. Program. Evolvable Mach. 23(4): 535-556 (2022) - [j16]Natalie Alima
, Roland Snooks
, Jon McCormack:
Bio Scaffolds: the orchestration of biological growth through robotic intervention. Int. J. Intell. Robotics Appl. 6(3): 522-529 (2022) - [j15]Jon McCormack
, Camilo Cruz Gambardella
:
Growing and Evolving 3-D Prints. IEEE Trans. Evol. Comput. 26(1): 88-99 (2022) - [c44]Stephen James Krol, Maria Teresa Llano, Jon McCormack:
Towards the Generation of Musical Explanations with GPT-3. EvoMUSART 2022: 131-147 - [c43]Jon McCormack
, Camilo Cruz Gambardella
:
Quality-Diversity for Aesthetic Evolution. EvoMUSART 2022: 369-384 - [c42]Sam Trolland
, Alon Ilsar, Ciaran Frame, Jon McCormack, Elliott Wilson:
AirSticks 2.0: Instrument Design for Expressive Gestural Interaction. NIME 2022 - [i21]Jon McCormack, Camilo Cruz Gambardella:
Complexity and Aesthetics in Generative and Evolutionary Art. CoRR abs/2201.01470 (2022) - [i20]Jon McCormack, Camilo Cruz Gambardella:
Quality-diversity for aesthetic evolution. CoRR abs/2202.01961 (2022) - [i19]Maria Teresa Llano, Mark d'Inverno, Matthew Yee-King, Jon McCormack, Alon Ilsar, Alison Pease, Simon Colton:
Explainable Computational Creativity. CoRR abs/2205.05682 (2022) - [i18]Stephen James Krol, Maria Teresa Llano, Jon McCormack:
Towards the Generation of Musical Explanations with GPT-3. CoRR abs/2206.08264 (2022) - 2021
- [j14]Naomi Kakoschke
, Rowan Page
, Barbora de Courten, Antonio Verdejo-García
, Jon McCormack
:
Brain training with the body in mind: Towards gamified approach-avoidance training using virtual reality. Int. J. Hum. Comput. Stud. 151: 102626 (2021) - [j13]Jon McCormack
, Andy Lomas:
Deep learning of individual aesthetics. Neural Comput. Appl. 33(1): 3-17 (2021) - [c41]Lucija Ivsic, Nina Rajcic, Jon McCormack, Vince Dziekan:
The Art of Point Clouds: 3D LiDAR Scanning and Photogrammetry in Science & Art. ARTECH 2021: 55:1-55:8 - [c40]Jon McCormack
, Camilo Cruz Gambardella
, Andy Lomas
:
The Enigma of Complexity. EvoMUSART 2021: 203-217 - [i17]Jon McCormack, Camilo Cruz Gambardella, Andy Lomas:
The Enigma of Complexity. CoRR abs/2102.02332 (2021) - [i16]Camilo Cruz Gambardella, Jon McCormack:
Searching for Designs in-between. CoRR abs/2102.05864 (2021) - [i15]Jon McCormack, Camilo Cruz Gambardella:
Growing and Evolving 3D Prints. CoRR abs/2107.02976 (2021) - 2020
- [j12]Patrick Hutchings
, Jon McCormack
:
Adaptive Music Composition for Games. IEEE Trans. Games 12(3): 270-280 (2020) - [c39]Sojung Bahng, Ryan M. Kelly
, Jon McCormack:
Reflexive VR Storytelling Design Beyond Immersion: Facilitating Self-Reflection on Death and Loneliness. CHI 2020: 1-13 - [c38]Nina Rajcic, Jon McCormack:
Mirror Ritual: An Affective Interface for Emotional Self-Reflection. CHI 2020: 1-13 - [c37]Simon Colton, Jon McCormack, Sebastian Berns, Elena Petrovskaya, Michael Cook:
Adapting and Enhancing Evolutionary Art for Casual Creation. EvoMUSART 2020: 17-34 - [c36]Jon McCormack
, Andy Lomas
:
Understanding Aesthetic Evaluation Using Deep Learning. EvoMUSART 2020: 118-133 - [c35]Simon Colton, Jon McCormack, Michael Cook, Sebastian Berns:
Creativity Theatre for Demonstrable Computational Creativity. ICCC 2020: 288-291 - [c34]Maria Teresa Llano, Mark d'Inverno, Matthew Yee-King, Jon McCormack, Alon Ilsar, Alison Pease, Simon Colton:
Explainable Computational Creativity. ICCC 2020: 334-341 - [c33]Simon Colton, Alison Pease, Christian Guckelsberger, Jon McCormack, Maria Teresa Llano:
On the Machine Condition and its Creative Expression. ICCC 2020: 342-349 - [c32]Sojung Bahng, Nina Rajcic, Jon McCormack, Sungeun Lee:
Sleeping Eyes: Experiencing Narcolepsy Through the Duality of Virtual Embodiment. TEI 2020: 639-645 - [c31]Nina Rajcic, Jon McCormack:
Mirror Ritual: Human-Machine Co-Construction of Emotion. TEI 2020: 697-702 - [i14]Jon McCormack, Andy Lomas:
Understanding Aesthetic Evaluation using Deep Learning. CoRR abs/2004.06874 (2020) - [i13]Nina Rajcic, Jon McCormack:
Mirror Ritual: Human-Machine Co-Construction of Emotion. CoRR abs/2004.06883 (2020) - [i12]Nina Rajcic, Jon McCormack:
Mirror Ritual: An Affective Interface for Emotional Self-Reflection. CoRR abs/2004.09685 (2020) - [i11]Jon McCormack, Benjamin Porter, James Wetter:
A scriptable, generative modelling system for dynamic 3D meshes. CoRR abs/2004.10354 (2020) - [i10]Jon McCormack, Andy Lomas:
Deep Learning of Individual Aesthetics. CoRR abs/2009.12216 (2020)
2010 – 2019
- 2019
- [j11]Colin G. Johnson
, Jon McCormack
, Iria Santos
, Juan J. Romero Cardalda:
Understanding Aesthetics and Fitness Measures in Evolutionary Art Systems. Complex. 2019: 3495962:1-3495962:14 (2019) - [j10]Juan Romero
, Colin G. Johnson
, Jon McCormack
:
Complex Systems in Aesthetics and Arts. Complex. 2019: 9836102:1-9836102:2 (2019) - [c30]Jon McCormack, Toby Gifford
, Patrick Hutchings, Maria Teresa Llano Rodriguez, Matthew Yee-King, Mark d'Inverno:
In a Silent Way: Communication Between AI and Improvising Musicians Beyond Sound. CHI 2019: 38 - [c29]Jon McCormack
, Toby Gifford
, Patrick Hutchings
:
Autonomy, Authenticity, Authorship and Intention in Computer Generated Art. EvoMUSART 2019: 35-50 - [c28]Dilpreet Singh, Nina Rajcic, Simon Colton, Jon McCormack
:
Camera Obscurer: Generative Art for Design Inspiration. EvoMUSART 2019: 51-68 - [p2]Jon McCormack:
Creative Systems: A Biological Perspective. Computational Creativity 2019: 327-352 - [i9]Jon McCormack, Toby Gifford, Patrick Hutchings, Maria Teresa Llano Rodriguez, Matthew Yee-King, Mark d'Inverno:
In a Silent Way: Communication Between AI and Improvising Musicians Beyond Sound. CoRR abs/1902.06442 (2019) - [i8]Dilpreet Singh, Nina Rajcic, Simon Colton, Jon McCormack:
Camera Obscurer: Generative Art for Design Inspiration. CoRR abs/1903.02165 (2019) - [i7]Jon McCormack, Toby Gifford, Patrick Hutchings:
Autonomy, Authenticity, Authorship and Intention in computer generated art. CoRR abs/1903.02166 (2019) - [i6]Patrick Hutchings, Jon McCormack:
Adaptive Music Composition for Games. CoRR abs/1907.01154 (2019) - 2018
- [j9]Jon McCormack
:
Improvisational creativity. Digit. Creativity 29(1): 1-4 (2018) - [j8]Toby Gifford
, Shelly Knotts, Jon McCormack
, Stefano Kalonaris
, Matthew Yee-King, Mark d'Inverno:
Computational systems for music improvisation. Digit. Creativity 29(1): 19-36 (2018) - [c27]Lachlan Smith, Jon McCormack, Zixiang Xiong:
Augmented Reality Sandpit Simulating Ant Colonies. ICME Workshops 2018: 1 - [c26]Lachlan Smith, Jon McCormack, Zixiang Xiong:
Augmented Reality Sandpit Simulating Ant Colonies. ICME Workshops 2018: 1-6 - [c25]Andrew R. Brown, Matthew Horrigan, Arne Eigenfeldt, Toby Gifford, Daniel Field, Jon McCormack:
Interacting with Musebots. NIME 2018: 19-24 - [p1]Jon McCormack, Jonathan C. Roberts, Benjamin Bach, Carla Maria Dal Sasso Freitas, Takayuki Itoh, Christophe Hurter, Kim Marriott:
Multisensory Immersive Analytics. Immersive Analytics 2018: 57-94 - 2017
- [c24]Monika M. Schwarz, Kim Marriott, Jon McCormack:
The Mitchell Library WordCloud: Beyond Boolean Search. DocEng 2017: 39-48 - [c23]Björn Sommer, David G. Barnes, Sarah E. Boyd, Tom Chandler, Maxime Cordeil, Tobias Czauderna
, Matthias Klapperstück, Karsten Klein, Toàn D. Nguyên, Hieu T. Nim, Kingsley Stephens, Dany Vohl, Stephen Jia Wang, Elliott Wilson, Yan Zhu, Jian Li, Jon McCormack, Kim Marriott, Falk Schreiber:
3D-Stereoscopic Immersive Analytics Projects at Monash University and University of Konstanz. SD&A 2017: 179-187 - [c22]Jon McCormack:
Working with Generative Systems: An Artistic Perspective. EVA 2017 - [c21]Patrick Hutchings, Jon McCormack:
Using Autonomous Agents to Improvise Music Compositions in Real-Time. EvoMUSART 2017: 114-127 - [c20]Jon McCormack:
Niche Constructing Drawing Robots. EvoMUSART 2017: 201-216 - 2016
- [j7]Stanislav Roudavski
, Jon McCormack:
Post-anthropocentric creativity. Digit. Creativity 27(1): 3-6 (2016) - [c19]Jon McCormack, Mark d'Inverno:
Designing Improvisational Interfaces. ICCC 2016: 98-106 - 2015
- [c18]Mark d'Inverno, Jon McCormack:
Heroic versus Collaborative AI for the Arts. IJCAI 2015: 2138-2444 - 2014
- [c17]Jon McCormack:
Balancing Act: Variation and Utility in Evolutionary Art. EvoMUSART 2014: 26-37 - 2013
- [c16]Jon McCormack:
Aesthetics, Art, Evolution. EvoMUSART 2013: 1-12 - 2012
- [j6]Alan Dorin
, Jonathan McCabe, Jon McCormack, Gordon Monro, Mitchell Whitelaw
:
A framework for understanding generative art. Digit. Creativity 23(3-4): 239-259 (2012) - [j5]Taras Kowaliw, Alan Dorin
, Jon McCormack:
Promoting Creative Design in Interactive Evolutionary Computation. IEEE Trans. Evol. Comput. 16(4): 523-536 (2012) - [c15]Abbas Pirnia, Jon McCormack:
Compressed Multidimensional Trees for Evolutionary Music Representation. ICMC 2012 - 2011
- [c14]Oliver Bown, Jon McCormack, Taras Kowaliw:
Ecosystemic methods for creative domains: Niche construction and boundary formation. ALIFE 2011: 132-139 - [c13]Taras Kowaliw, Jon McCormack, Alan Dorin
:
An interactive electronic art system based on artificial ecosystemics. ALIFE 2011: 162-169 - 2010
- [j4]Benjamin Porter, Jon McCormack:
Developmental modelling with SDS. Comput. Graph. 34(4): 294-303 (2010) - [j3]Oliver Bown, Jon McCormack:
Taming nature: tapping the creative potential of ecosystem models in the arts. Digit. Creativity 21(4): 215-231 (2010) - [c12]Jon McCormack:
Enhancing Creativity with Niche Construction. ALIFE 2010: 525-532 - [c11]Taras Kowaliw, Jon McCormack, Alan Dorin
:
Evolutionary automated recognition and characterization of an individual's artistic style. IEEE Congress on Evolutionary Computation 2010: 1-8
2000 – 2009
- 2009
- [c10]Taras Kowaliw, Alan Dorin
, Jon McCormack:
An Empirical Exploration of a Definition of Creative Novelty for Generative Art. ACAL 2009: 1-10 - [c9]Oliver Bown, Jon McCormack:
Creative Agency: A Clearer Goal for Artificial Life in the Arts. ECAL (2) 2009: 254-261 - [c8]Jon McCormack, Oliver Bown:
Life's What You Make: Niche Construction and Evolutionary Art. EvoWorkshops 2009: 528-537 - [e4]Margaret A. Boden, Mark d'Inverno, Jon McCormack:
Computational Creativity: An Interdisciplinary Approach, 12.07. - 17.07.2009. Dagstuhl Seminar Proceedings 09291, Schloss Dagstuhl - Leibniz-Zentrum für Informatik, Germany 2009 [contents] - [e3]Mario Giacobini, Anthony Brabazon, Stefano Cagnoni, Gianni A. Di Caro, Anikó Ekárt
, Anna Esparcia-Alcázar, Muddassar Farooq, Andreas Fink, Penousal Machado, Jon McCormack, Michael O'Neill, Ferrante Neri, Mike Preuss, Franz Rothlauf, Ernesto Tarantino, Shengxiang Yang:
Applications of Evolutionary Computing, EvoWorkshops 2009: EvoCOMNET, EvoENVIRONMENT, EvoFIN, EvoGAMES, EvoHOT, EvoIASP, EvoINTERACTION, EvoMUSART, EvoNUM, EvoSTOC, EvoTRANSLOG, Tübingen, Germany, April 15-17, 2009. Proceedings. Lecture Notes in Computer Science 5484, Springer 2009, ISBN 978-3-642-01128-3 [contents] - [i5]Margaret A. Boden, Mark d'Inverno, Jon McCormack:
09291 Abstracts Collection - Computational Creativity: an interdisciplinary approach. Computational Creativity: An Interdisciplinary Approach 2009 - [i4]Oliver Bown, Jon McCormack:
Creative Agency: A Clearer Goal for Artificial Life in the Arts. Computational Creativity: An Interdisciplinary Approach 2009 - [i3]Daniel Jones, Oliver Bown, Jon McCormack, François Pachet, Robert Michael Young, Rodney Berry, Iris Asaf, Benjamin Porter:
Stimulating creative flow through computational feedback. Computational Creativity: An Interdisciplinary Approach 2009 - [i2]Jon McCormack:
Creative Ecosystems. Computational Creativity: An Interdisciplinary Approach 2009 - [i1]Jon McCormack, Margaret A. Boden, Mark d'Inverno:
09291 Summary - Computational Creativity: an interdisciplinary approach. Computational Creativity: An Interdisciplinary Approach 2009 - 2008
- [c7]Alice C. Eldridge
, Alan Dorin
, Jon McCormack:
Manipulating Artificial Ecosystems. EvoWorkshops 2008: 392-401 - [c6]Jon McCormack:
Facing the Future: Evolutionary Possibilities forHuman-Machine Creativity. The Art of Artificial Evolution 2008: 417-451 - [e2]Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack:
4th International Symposium on Computational Aesthetics in Graphics, Visualization, and Imaging, CAe 2008, Lisbon, Portugal, June 18-20, 2008, Proceedings. Eurographics Association 2008, ISBN 978-3-905674-08-8 [contents] - [e1]Mario Giacobini, Anthony Brabazon, Stefano Cagnoni, Gianni Di Caro, Rolf Drechsler, Anikó Ekárt, Anna Esparcia-Alcázar, Muddassar Farooq, Andreas Fink, Jon McCormack, Michael O'Neill, Juan Romero, Franz Rothlauf, Giovanni Squillero
, Sima Uyar, Shengxiang Yang:
Applications of Evolutionary Computing, EvoWorkshops 2008: EvoCOMNET, EvoFIN, EvoHOT, EvoIASP, EvoMUSART, EvoNUM, EvoSTOC, and EvoTransLog, Naples, Italy, March 26-28, 2008. Proceedings. Lecture Notes in Computer Science 4974, Springer 2008, ISBN 978-3-540-78760-0 [contents] - 2007
- [c5]Jon McCormack:
Artificial ecosystems for creative discovery. GECCO 2007: 301-307 - 2005
- [c4]Jon McCormack:
A Developmental Model for Generative Media. ECAL 2005: 88-97 - [c3]Jon McCormack:
Open Problems in Evolutionary Music and Art. EvoWorkshops 2005: 428-436 - 2004
- [c2]Jon McCormack:
Aesthetic Evolution of L-Systems Revisited. EvoWorkshops 2004: 477-488 - 2003
- [j2]Jon McCormack:
Art and the mirror of nature. Digit. Creativity 14(1): 3-22 (2003) - 2001
- [c1]Jon McCormack:
Eden: An Evolutionary Sonic Ecosystem. ECAL 2001: 133-142
1990 – 1999
- 1998
- [j1]Jon McCormack, Andrei Sherstyuk:
Creating and Rendering Convolution Surfaces. Comput. Graph. Forum 17(2): 113-120 (1998)
Coauthor Index
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last updated on 2024-08-25 20:05 CEST by the dblp team
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