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ORCIDARTECH 2021: Aveiro, Portugal
- Adérito Fernandes Marcos, Paulo Bernardino Bastos, Maria Manuela Lopes, António Bandeira Araújo, Lucas Fabián Olivero:
ARTECH 2021: 10th International Conference on Digital and Interactive Arts, Aveiro, Portugal, October 13 - 15, 2021. ACM 2021, ISBN 978-1-4503-8420-9
Long Papers
- Inês Regina Barbosa de Argôlo
, Bruno Mendes da Silva, Gabriela Borges:
"Rejeitorio": An interactive video installation focusing on human impact on the São Francisco River: Rejeitorio: Uma videoinstalação interativa enfocando o impacto humano sobre o rio São Francisco. 1:1-1:5 - Ray LC, Maurice Benayoun, PerMagnus Lindborg, Hongshen Xu, Hin Chung Chan, Ka Man Yip, Tianyi Zhang:
Power Chess: Robot-to-Robot Nonverbal Emotional Expression Applied to Competitive Play. 2:1-2:11 - Manuel Flores, António Bandeira Araújo:
Applications of anamorphosis and mixed reality in a classroom setting. 3:1-3:10 - Aya Shabbar:
Convolution Neural Networks: Intersection of Deep Learning and Image Processing in Computational Art. 4:1-4:5 - Karla Brunet:
Arte e ciência na Antártica: Práticas artísticas de divulgação científica: Art & Science in Antarctica: Artistic practices of science outreach. 5:1-5:5 - Mei-Kei Lai, Siu Wing Chung:
TranScent in Stillness: Exploring the Feasibility of Using Incense Art with Virtual Reality for Meditation. 6:1-6:7 - Verena Kael:
Incorporeal: introspection and memories of a creative process: Incorpórea: introspeções e memórias de um processo criativo. 7:1-7:7 - Ray LC:
Imitations of Immortality: Learning from Human Imitative Examples in Transformer Poetry Generation. 8:1-8:9 - Bruno Caldas Vianna:
Knowledge art: Artwork and invention. 9:1-9:7 - Rod Bantjes:
The Birth of Machine Sex: The Pornographic Phenakistiscope Disks of the 1840s. 10:1-10:8 - Anésio Azevedo Costa Neto, Nivalda Assunção de Araújo, Marcelo M. Wanderley:
Projeto: Cerrado: Unfolding Spaces. 11:1-11:6 - Carmen L. Silva:
(The Digital and the Virtual in the Transcodifications of Cultural Heritage): O Digital e o Virtual nas Transcodificações do Patrimônio Cultural. 12:1-12:6 - Daniel Prieto, Sérgio Nesteriuk:
Videogames as a tool for energetic and environmental awareness: state of the art and possible strategies. 13:1-13:5 - Eduarda Duarte, Tiago Martins, Artur Rebelo:
Variable Image Patterns. 14:1-14:7 - Predrag K. Nikolic, Mohd Razali Md Tomari:
Robot-Robot Interaction, Toward New Conversational Artificial Intelligence Aesthetic. 15:1-15:9 - Pedro Andrade:
Sociological (Re)search Games: Play and transfer cultural knowledge among social sciences, museum staff and publics. 16:1-16:12 - Anis Haron, Chee-Onn Wong, Soon Hin Hew:
Algorithmic Identification of Tone Color: A Comparison of Algorithmic Identification and Identification by Survey Respondents. 17:1-17:6 - Rocío García Robles, Santiago Fernández-Cabaleiro:
STEAM for all: New Computational Thinking Curricula in Spanish Formal Secondary Education. 18:1-18:4 - Varvara Guljajeva:
Synthetic Books. 19:1-19:7 - Carolina Dias, Cristina Branquinho, José Palma-Oliveira, Mónica Mendes:
Participation in linear and interactive documentaries towards Human-Nature interaction. 20:1-20:7 - Anna Lindemann:
The Legacy of a Lifetime of Collecting: An Interactive Natural History Museum Exhibit. 21:1-21:7 - Cassandra Loh, Marcos Mortensen Steagall:
Day Bi Day: A research guided by the practice of graphic design and poetic writing. 22:1-22:7 - Joseph Gilling:
Haunted by the Glitch: Technological Malfunction - Critiquing the Media of Innovation. 23:1-23:7 - Valérie Duarte, João Rocha, Ana Barata:
Dig in Aveiro with AVARUM Lands: An Immersive Game to Promote Cultural Heritage. 24:1-24:6 - Emanuela Constância Santos Boccia:
Arte e Instagram. 25:1-25:6 - Rocío García Robles, Aurea Muñoz-Del Amo:
Syntactic Analysis of Digital Artworks. 26:1-26:5 - Priscila Arantes:
Estética da Interface: net art, redes sociais e cultura contemporânea: Interface Aesthetics: net art, social networks and contemporary culture. 27:1-27:4 - Silvia Laurentiz:
Recovering Data from Art-technology. 28:1-28:8 - Eman Al-Zubeidi, Jinsil Hwaryoung Seo:
The Power of Collaborative Synergy: Diving into US, a Collaborative Theatre Production Involving the Departments of Visualization, Dance Science, and Liberal Arts at Texas A&M University. 29:1-29:8 - Paula Varanda:
Modos de partilhar a criação numa escola em confinamento: Modes of sharing creative outputs in a school during confinement. 30:1-30:10 - Claudio M. Filho:
ESPOROSlab: Human-Data-Environment. 31:1-31:4 - Marta Resende, Diana Carvalho, Anabela Branco, Tânia Rocha:
Art & Accessibility: A case study on collage for people with visual disabilities. 32:1-32:7 - Jing Zhou:
From the Mothers' Movement to Cradlr: An Interaction Design for Refugee Children. 33:1-33:8 - Bárbara Cleto, Maria Ferreira, Ricardo Carvalho:
Análise de interações de alunos do ensino secundário em ambientes virtuais. 34:1-34:8 - Susana Costa, Bruno Mendes da Silva, Mirian Nogueira Tavares:
Video games and gamification against online hate speech? 35:1-35:7 - Jônatas Manzolli, Mariana Baruco Machado Andraus:
Jardim das Cartas a Presence Ecology: a multimodal and dynamic flow in an installation. 36:1-36:9 - Fernanda Oliveira:
Disrupção do visível: ações participativas com as imagens na era dos bigdata. 37:1-37:7 - Isabel Azevedo:
Performative holography: The hologram and the experience with its image. 38:1-38:5 - Georges Gagneré, Anastasiia Ternova:
Keeping the living bond between actors and remote audiences in distributed virtual theater. 39:1-39:12 - Hernando Urrutia, Pilar Pérez, Adérito Fernandes Marcos:
Contemporary art as a factor for knowledge generation from video: A arte contemporânea como fator de geração de conhecimento a partir do vídeo. 40:1-40:6 - Cristina Sylla, Maitê Gil, Douglas Menegazzi, Rafael Fernandes, Cristiana Araújo, Nuno Martins:
Once Upon a Time: A Kit of Tools for Reading and Telling Stories. 41:1-41:7 - Maria Emilia Rodrigues Regina, Érica de Sousa Checcucci, Naia Alban Suarez:
Shared Activity for Digital Fabrication: Social Interaction Proposal for the Generation of New "Festas de Largo" Stalls in Salvador. 42:1-42:8 - Célia Soares, Emilia Simão, Nadine Santos:
Ob.EMMA: A pioneer observatory of electronic music and media art in Portugal. 43:1-43:7 - Anis Haron, Chee-Onn Wong, Soon Hin Hew:
A Computational Analysis of Timbre and Tuning for the Rebab and Makyung Music Traditions of Malaysia. 44:1-44:8 - Teresa Veiga Furtado, Aida Rechena:
MIRAGE - The social function of artistic practice as a tool for empowerment. Creative net art projects with women in shelters. 45:1-45:9 - Jorge Tavares Ribeiro, Henrique Garcia Pereira, Leonel Moura:
Immanent Curiosity/Creativity in Science, Art, and Politics. 46:1-46:8 - Sergio José Venancio Júnior, Paula Monseff Perissinotto, Bruna Mayer Costa:
To Remind the Invisible: Art, Criticism and Sensitivity in the Algorithmic Culture. 47:1-47:6 - Ivani Santana:
The dramaturgy of Immersion. Challenges and Powers of Network Technology for the Performing Arts: Dramaturgia de imersão. Desafios e potências da tecnologia de rede para as artes da cena. 48:1-48:5 - Hung Keung:
Portable Interactive Meditation Mirror: A Novel Approach to Mindfulness Practice through Art and Technology. 49:1-49:9 - Janina Hoth:
Creative Technologies and Interdisciplinary Collaboration: A case study on the Aspen Movie Map. 50:1-50:6 - Regilene Aparecida Sarzi Ribeiro:
Videographic experiences in times of pandemic. 51:1-51:6 - Matheus da Rocha Montanari, Gilbertto Prado:
Techno-bio-diversities in Latin American Art: Circuito Alameda and Proyecto Bíos. 52:1-52:8 - Rini Fauzan Zuhairi, Chee-Onn Wong, Ruslan Abdul Rahim:
An Evolution of Media Arts: The Media Arts Scene in Malaysia. 53:1-53:8 - Monica Tavares, Chi Nan Pai, Juliana Henno:
Preliminary Investigations in the Construction of Transformational Prostheses: Investigações Preliminares acerca da Construção de Próteses Transformacionais. 54:1-54:6 - Lucija Ivsic, Nina Rajcic, Jon McCormack, Vince Dziekan:
The Art of Point Clouds: 3D LiDAR Scanning and Photogrammetry in Science & Art. 55:1-55:8 - Sandra Cruz, Vasco A. Branco, Francisco Providência:
Contributos para um Sistema de Anotações no Contexto da Comunicação Científica. 56:1-56:9 - Julie Choi, Kamryn Massey, Jinsil Hwaryoung Seo, Caleb Kicklighter:
Balletic VR: Integrating Art, Science, and Technology for Dance Science Education. 57:1-57:6 - Teresa Barradas, Mónica Mendes:
Soft circuits em Bordados Tradicionais: reinvenção de um imaginário para a sustentabilidade. 58:1-58:7 - Maria de Fátima Lambert:
Cristalização da Paisagem. 59:1-59:8 - Iain Mott:
Haunting an 18th Century Peepshow: Design and function of the mixed-media theatrical installation Teatro Menor. 60:1-60:6 - Milton Terumitsu Sogabe, Bárbara Milano, Caio Netto dos Santos, Cleber Gazana, Danilo Crispim de Alencar, Fabio Oliveira Nunes, Fernando Fogliano, Hermes Renato HIldebrandt, Mirian Steinberg, Roberta Carvalho, Rodrigo Dorta Marques, Soraya Braz, Tiago Rubini:
Water, Sustainability and Poetics in the Works of the cAt Group. 61:1-61:7 - Sara Cruz, José Bidarra:
Um Futuro em (Re)conexão com o Passado - Uma instalação que (re)conecta a relação do homem com a natureza: A Future in (Re)connection with the Past - An installation that (re)connects man's relationship with nature. 62:1-62:8 - João Fragoso Castro, Paulo Bernardino Bastos, Heitor Alvelos:
Emotional resonance at art interactive installations: Social reconnection among individuals through identity legacy elements uncover. 63:1-63:6 - Leandro Lesqueves Costalonga, Daniel Hora, Marcelo Soares Pimenta, Marcelo M. Wanderley:
The Ragpicking DMI Design: The Case for Green Computer Music. 64:1-64:10 - Dorotea Bastos, Ludmila Pimentel:
Dramaturgy of the BodyImage in Digital Dance: first statements: Dramaturgia do CorpoImagem na Dança Digital: primeiros apontamentos. 65:1-65:6 - Marcelo Rodrigo Silva, Fabiana Wielewicki, Gledson Oliveira Silva:
Fotografia, Arte, Mídia e Ensino Remoto no Interior da Amazônia: Reflexões Sobre Métodos e Experimentações. 66:1-66:7 - Gilberto Reis, Sérgio Eliseu:
A Stone in the Stomach: A class as a work of art. 67:1-67:7 - Nicolo Merendino, Antonio Rodà:
Defining an open source CAD workflow for experimental music and media arts. 68:1-68:6 - Andrea Gogova:
Transient Pattern - the Model of Digital Layout. 69:1-69:5 - Alberto Semeler, Teresinha Barachini:
Crypto Art, Aesthetic Techno-Hybridism and Artificial Intelligence. 70:1-70:6 - Simone Reis:
Nina-nina-não ou Menina-banana / Nina-Nina-No or Banana-girl: Existência à altura da fragilidade das gaivotas empalhadas, em cinco modos menores de atuar. 71:1-71:8 - Isabelle Reny Ribaldo, Sidney Tamai:
ART TECHNOLOGY - A new digital adventure: A new digital adventure. 72:1-72:6 - Kiarna Michie, Marcos Mortensen Steagall:
From Shadows: Revealing academic anxiety through graphic design. 73:1-73:6 - Filipe Afonso:
Study of the Compositional Rules of Design in Chaoshan Traditional House: A Computational Approach. 74:1-74:8 - Cristina Landerdahl Dalla Costa, Nara Cristina Santos:
The complexity of a nanoscale poetics: A complexidade de uma poética em nanoescala. 75:1-75:7 - Julie de Araujo Pires, Marcelo Gonçalves Ribeiro:
The writing expanded by gesture: The Design and Art's approaches in contact with Deaf culture and sign languages. 76:1-76:8 - Maria Manuela Lopes, Júlio Borlido-Santos, Maria Rui Vilar-Correia, Anabela Nunes:
Hybrid Lab Network an exploratory project on STEAM for Higher Education. 77:1-77:6
Short Papers
- Avital Meshi, Angus G. Forbes:
"Don't Worry, Be Happy": Resisting an AI Emotion Recognition System With a Smile. 78:1-78:4 - Gerd Geleff Nielsen, Teresa Almeida:
Designing with the Immune System: The Abject, Bodily Fluids, and Micro(be) Interactions. 79:1-79:4 - Anastasia Tyurina:
Enhancing Science Communication through AR Driven Visual Storytelling: Suggested Approach and Study. 80:1-80:2 - Rogério Augusto Bordini, Cesar A. Baio Santos:
Art Access in Pandemic Times: : 3D Digitization Process of an Art Gallery. 81:1-81:4 - Héllen L. dos Anjos, Gabriel Botim, Eduardo Corgos:
O consumo e a disseminação de informação: linguagens narrativas da mídia e reflexões sobre fake news em Fato ou Caô: The consumption and dissemination of information: media narrative languages and reflections on fake news in "Fato ou Caô". 82:1-82:4 - Predrag K. Nikolic, Ruiyang Liu, Shengcheng Luo:
Metaphysics of The Machines. 83:1-83:4 - Rocío García Robles, Aurea Muñoz-Del Amo:
ACCtic Master Programme on STEAM + SciArt. 84:1-84:2 - Igino Silva Junior, Flávio Luiz Schiavoni, Marcela Almeida:
Renda-SE ao Alto das MercêS. 85:1-85:6 - Eman Al-Zubeidi, Jinsil Hwaryoung Seo, Julia DeLaney, Dominic Nguyen, Jonathan Konderla, Jaime Díaz:
A Walk Alone: A Virtual Reality Simulation about the Dangers Women Face When Walking Alone at Night. 86:1-86:4 - Eman Al-Zubeidi, Jinsil Hwaryoung Seo:
Displaced: A 360-Degree Virtual Reality Narrative about Immigration-Related Trauma. 87:1-87:5 - Rui Filipe Antunes, Catarina Canelas, Cecília De Lima, Daniel Tércio, Michele Luceac, Sérgio Bordalo e Sá, Sofia Soromenho:
Aveiro within us: Sensorial walk with real time live video composition. 88:1-88:4 - Clément Caporal, Cecília De Lima, Michele Luceac, Rui Filipe Antunes:
Boidance: Dancing the Kinesphere with Virtual Reality, Boids and Genetic Algorithms. 89:1-89:3 - Pedro Ferreira:
Debris: The detritus of digital media technologies. 90:1-90:4 - Avital Meshi:
Deconstructing Whiteness: Visualizing Racial Bias in a Face Recognition Algorithm. 91:1-91:4 - Vasileios Bouzas:
Virtual Garden: Digital Memory. 92:1-92:4 - Jeffrey Morris:
Weblogmusic: Taking the Mediatized Stage. 93:1-93:6 - Ivaldo Moreira:
Poiesis & Práxis: Fundamentos da 9ª Sinfonia de Beethoven para Estudos de Sound Art/Design. 94:1-94:3 - Sara Mlakar, Thomas Preindl, Andreas Pointner, Mira Alida Haberfellner, Rainer Danner, Roland Aigner, Michael Haller:
The Sound of Textile: An Interactive Tactile-Sonic Installation. 95:1-95:3 - Byeongwon Ha:
How to Remember COVID-19 in the Post-pandemic Era: A Virtual Class Environment as Conformist Interactive Art. 96:1-96:2 - Mar Canet Sola, Varvara Guljajeva, Álvaro Cassinelli, Christian Sandor:
The Beautiful Encounters. 97:1-97:3 - Xuqin Yu, Masa Inakage, Atsuro Ueki:
Aesthetic Nostalgia Mediated Design for Long Distance Relationship. 98:1-98:5 - José N. Rebelo, Sérgio M. Rebelo, Artur Rebelo:
Algorithmic Experiments in the Design of Brutalist Web Pages. 99:1-99:4 - Raul Masu, Hanna Pajala-Assefa, Nuno N. Correia, Teresa Romão:
Full-Body Interaction in a Remote Context: Adapting a Dance Piece to a Browser-Based Installation. 100:1-100:4 - Hugo Paquete, Paulo Bernardino Bastos, Adérito Fernandes Marcos:
Orbital Eccentricity. Sound performance, using commercial and military satellites with real time tracking data. 101:1-101:4 - Predrag K. Nikolic, Mohd Razali Md Tomari, Marko Jovanovic:
Human-Robot-Robot Interaction: Botorikko Machine Created State. 102:1-102:4 - Su Hyun Nam:
Cognition Beyond Consciousness: Understanding Affective Possibilities in the Cognitive Relationship Between Humans and Technology for Their Sustainable Coevolution. 103:1-103:5 - Rosimária Rocha, Hugo Canossa:
Assum Livre: performance paradoxal entre o real e o digital: Assum Livre: paradoxical performance between the real and the digital. 104:1-104:4 - Denise Bandeira, Luiz A. Salgado, Bianca C. Orsso, Mateus F. L. Pelanda:
Poetics in hybrid art: Artistic practices, collaborative exchanges. 105:1-105:5
Poster Papers/Artworks
- Karla Brunet:
Antártica Tempo Live Cinema: Antarctica Tempo Live Cinema. 106:1-106:2 - Chiara Masiero Sgrinzatto:
Venice Original: A spherical illustration of an imaginary environment. 107:1-107:4 - Anastasiia Ternova, Georges Gagneré:
The Wizard without Shadow. 108:1-108:7 - Bruna Sousa, Nuno Coelho, Penousal Machado:
Unreachable: The physical impossibility of digital displays. 109:1-109:4 - Hugo Azevedo, António Bandeira Araújo:
Anatomy Primitives. 110:1-110:4 - Ivani Santana:
Breathing Air: Performance para Tecnologia de Rede - Dramaturgia de Imersão. 111:1-111:3 - Horácio Tomé-Marques:
While my brain sounds my guitar imagines: A real time audiovisual performing act by the brain and the guitar. 112:1-112:4 - Andréa Catrópa:
Escrita onírica digital: e as imagens de sonhos. 113:1-113:4 - Emma Conley:
Planetary Crop Rotation: A Space Permaculture? A Cosmic Decompiculture? 114:1-114:3 - Selma Pereira, Adérito Fernandes Marcos:
Inside the embroidery. The rematerialization of traditional embroidery in a post-digital approach: No interior do bordado. A rematerialização do bordado numa vertente pós-digital. 115:1-115:3 - Juliana Wexel, Selma Pereira:
Make me up!: Uma proposta de artefacto digital performativo em tempos de ressignificação da arte urbana pós-pandemia. 116:1-116:5 - Brian Patrick Franklin, Chris Wille:
Currency. 117:1-117:3 - Charles Hutchins:
Make America Grate Again. 118:1-118:3 - Jônatas Manzolli, Mariana Baruco Machado Andraus:
Jardim das Cartas: an installation as a Presence Ecology. 119:1-119:4 - Andres R. Montenegro, Audrey Ushenko:
Pictorial and Virtual simulation of Andrea Mantegna's fresco The Wedding Chamber through a mixed reality environment installation. 120:1-120:4 - Rosangella Leote:
Printing Art with plastic from plants: Printing Art with plastic from plants. 121:1-121:4 - Paulo César S. Teles, Juliano Prado, Guilherme Zanchetta L. Avila, Klebert Pallucci Cardoso, Rosana Campinas:
Antigenous 2.021 - current Resistances. 122:1-122:4 - Isabel Azevedo:
Artwork: Performative holography: The hologram and the experience with its image. 123:1-123:3 - Gilberto Reis, Sérgio Eliseu, Nuno Sousa:
A Stone in the Stomach: Artistic installation / performance. 124:1-124:4 - Su Hyun Nam:
Enacted Scene: Virtual World Built Upon Experimental Cognitive Intervention. 125:1-125:3 - Lucas Fabián Olivero, António Bandeira Araújo:
I'm watching you/me: Live drawing and VR visualization of spherical perspectives using Touch Designer. 126:1-126:4 - Cecilia Suhr:
Me, Myself and I in Dystopia. 127:1-127:2 - Jeffrey Morris:
On the Electrodynamics of Working Bodies: Sobre a eletrodinâmica dos corpos de trabalho. 128:1-128:2 - With Every Fibre: Postmedia art and subverting job listings platforms. 129:1-129:2
- Rocío García Robles, Aurea Muñoz-Del Amo:
Mind the (Earth) Gap. 130:1-130:2 - Isabelle Barreto Martins:
Soul of the Streets: the Virtual and the Real Flaneur in a Webdocumentary. 131:1-131:3 - Cecilia Suhr:
Your Shadow. 132:1-132:2 - Jieyuan Huang:
Oasiscreen. 133:1-133:3 - Sónia Carvalho, Paulo Bernardino Bastos:
Represent(ação) do corpo feminino: mitologias. 134:1-134:4 - Maria Manuela Lopes:
Hybrid Art: fraught relationships with nature and technology. 135:1-135:4 - Julie de Araujo Pires, Marcelo Gonçalves Ribeiro, Francisco Freitas Neto:
Augmented Reality - writing expanded: Blurring the lines between Design and Art in contact with deafness and hearing people. 136:1-136:2
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