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ORCIDDigital Creativity, Volume 29
Volume 29, Number 1, 2018
Guest Editors' Introduction
- Jon McCormack
:
Improvisational creativity. 1-4
- Andrew R. Brown:
Creative improvisation with a reflexive musical bot. 5-18 - Toby Gifford, Shelly Knotts, Jon McCormack, Stefano Kalonaris, Matthew Yee-King, Mark d'Inverno:
Computational systems for music improvisation. 19-36 - Oliver Bown:
Performer interaction and expectation with live algorithms: experiences with Zamyatin. 37-50 - Eleonora Oreggia, Graham White:
When technology goes out of control. 51-67 - Doug Van Nort:
Conducting the in-between: improvisation and intersubjective engagement in soundpainted electro-acoustic ensemble performance. 68-81 - Emma Cocker:
What now, what next - kairotic coding and the unfolding future seized. 82-95 - Suk Kyoung Choi:
Guess, check and fix: a phenomenology of improvisation in 'neural' painting. 96-114
Volume 29, Numbers 2-3, 2018
- Felipe Otondo:
Using mobile sound to explore spatial relationships between dance and music performance. 115-128 - Dom Brown, Chris Nash, Tom Mitchell:
Simple mappings, expressive movement: a qualitative investigation into the end-user mapping design of experienced mid-air musicians. 129-148 - Tychonas Michailidis, James Dooley, Niccolò Granieri, Balandino Di Donato:
Improvising through the senses: a performance approach with the indirect use of technology. 149-164 - Alexis Kirke, Duncan Williams, Eduardo Reck Miranda, Amanda Bluglass, Craig Whyte, Rishi Pruthi, Andrew Eccleston:
Unconsciously interactive Films in a cinema environment - a demonstrative case study. 165-181 - Leah Henrickson:
Tool vs. agent: attributing agency to natural language generation systems. 182-190 - Tom Flint, Lynne E. Hall, Fiona Stewart, David Hagan:
Virtualizing the real: a virtual reality contemporary sculpture park for children. 191-207 - Hafizur Rahaman:
Digital heritage interpretation: a conceptual framework. 208-234 - Jong-chul Choi:
Reinventing the archive in the age of digital reproduction: Walid Raad's the Atlas Group. 235-248
Volume 29, Number 4, 2018
- Shaleph J. O'Neill:
Making art from self-tracking cycling data. 249-263 - Sue Gollifer, Andy Lomas, William H. Latham, Stephen A. R. Scrivener, Sean M. Clark, Daniel Brown:
Art Space: CAS50. 264-273 - Jiangmei Wu, Susanne Ressl, Kyle Overton:
Light Harvest: an interactive sculptural installation based on folding and mapping proteins. 274-286 - Sawitree Wisetchat, Kent A. Stevens:
Visualizing style differences through 3D animation. 287-298 - Jeehyun Lee, Jiwon Ahn, Jieun Kim, Jeong Min Kho, Hyo Yon Paik:
Cognitive evaluation for conceptual design: cognitive role of a 3D sculpture tool in the design thinking process. 299-314 - Mary Mainsbridge:
Gestural systems for the voice: performance approaches and repertoire. 315-331
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