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2020 – today
- 2023
[c32]Juan Sierra
, Safeya Alblooshi, Beth Russell, Carlos Guedes:
A Multimodal Methodology for Music Field Recording and Archival. DLfM 2023: 1-6- 2022
- [c31]Kaustuv Kanti Ganguli, Sertan Sentürk, Carlos Guedes:
Critiquing Task- versus Goal-oriented Approaches: A Case for Makam Recognition. ISMIR 2022: 369-376 - 2020
- [c30]Oscar Gomez, Kaustuv Kanti Ganguli, Leonid Kuzmenko, Carlos Guedes:
Exploring Music Collections: An Interactive, Dimensionality Reduction Approach to Visualizing Songbanks. IUI Companion 2020: 138-139 - [c29]Kaustuv Kanti Ganguli, Oscar Gomez, Leonid Kuzmenko, Carlos Guedes:
Developinimmersive VR experience for visualizing cross-cultural relationships in music. VR Workshops 2020: 401-406
2010 – 2019
- 2017
- [c28]Gilberto Bernardes, Matthew E. P. Davies, Carlos Guedes:
A Hierarchical Harmonic Mixing Method. CMMR 2017: 151-170 - [c27]Carlos Guedes:
Composing and Improvising. In Real Time. CMMR 2017: 445-453 - [c26]Gilberto Bernardes, Matthew E. P. Davies, Carlos Guedes:
Automatic musical key estimation with adaptive mode bias. ICASSP 2017: 316-320 - [c25]Carlos Guedes:
Real-Time Composition, why it still matters: A look at recent developments and potentially new and interesting applications. ICMC 2017 - 2016
- [j4]Gilberto Bernardes, Diogo Cocharro, Carlos Guedes, Matthew E. P. Davies:
Harmony Generation Driven by a Perceptually Motivated Tonal Interval Space. Comput. Entertain. 14(2): 6:1-6:21 (2016) - 2015
- [c24]Gilberto Bernardes, Diogo Cocharro, Carlos Guedes, Matthew E. P. Davies:
Conchord: An Application for Generating Musical Harmony by Navigating in the Tonal Interval Space. CMMR 2015: 243-260 - 2014
- [c23]Gilberto Bernardes, Matthew E. P. Davies, Carlos Guedes, Bruce W. Pennycook:
Considering Roughness to Describe and Generate Vertical Musical Structure in Content-Based Algorithmic-Assisted Audio Composition. ICMC 2014 - [c22]Rui Dias, Carlos Guedes, Telmo Marques:
A computer-mediated Interface for Jazz Piano Comping. ICMC 2014 - 2013
- [c21]George Sioros, Carlos Guedes:
Syncopation as Transformation. CMMR 2013: 635-658 - 2012
- [j3]Ana Rebelo, Ichiro Fujinaga, Filipe Paszkiewicz, André R. S. Marçal, Carlos Guedes, Jaime S. Cardoso:
Optical music recognition: state-of-the-art and open issues. Int. J. Multim. Inf. Retr. 1(3): 173-190 (2012) - [c20]Gilberto Bernardes, Carlos Guedes, Bruce W. Pennycook:
EarGram: An Application for Interactive Exploration of Concatenative Sound Synthesis in Pure Data. CMMR 2012: 110-129 - [c19]George Sioros, Andre Holzapfel, Carlos Guedes:
On Measuring Syncopation to Drive an Interactive Music System. ISMIR 2012: 283-288 - [c18]Rui Dias, Carlos Guedes:
GimmeDaBlues app for iOS: overview and ongoing developments. SIGGRAPH Asia Symposium on Apps 2012: 2:1 - [c17]Diana Carvalho, Maximino Bessa, Lia Oliveira, Carlos Guedes, Emanuel Peres, Luís Magalhães:
New Interaction Paradigms to Fight the Digital Divide: A Pilot Case Study Regarding Multi-Touch Technology. DSAI 2012: 128-137 - 2011
- [c16]George Sioros, Carlos Guedes:
Complexity Driven Recombination of MIDI Loops. ISMIR 2011: 381-386 - [c15]George Sioros, Carlos Guedes:
Automatic Rhythmic Performance in Max/MSP: the kin.rhythmicator. NIME 2011: 88-91 - 2010
- [j2]Carlos Guedes, Pedro Rebelo:
Reflections on Music Programming for Conferences: The Case of SMC 2009. Comput. Music. J. 34(3): 10-19 (2010) - [c14]Andre Baltazar, Carlos Guedes, Bruce W. Pennycook, Fabien Gouyon:
A Real-Time Human Body Skeletonization Algorithm For Max/Msp/Jitter. ICMC 2010
2000 – 2009
- 2009
- [j1]J. dos Santos Cardoso, Artur Capela, Ana Rebelo, Carlos Guedes, J. Pinto da Costa:
Staff Detection with Stable Paths. IEEE Trans. Pattern Anal. Mach. Intell. 31(6): 1134-1139 (2009) - 2008
- [c13]Jaime S. Cardoso, Artur Capela, Ana Rebelo, Carlos Guedes:
A connected path approach for staff detection on a music score. ICIP 2008: 1005-1008 - [c12]Artur Capela, Jaime S. Cardoso, Ana Rebelo, Carlos Guedes:
Integrated Recognition System for Music Scores. ICMC 2008 - [c11]Rui Penha, Paulo Maria Rodrigues, Fabien Gouyon, Luis Gustavo Martins, Carlos Guedes, Álvaro Barbosa:
Studio Report: Digitópia at Casa da Música. ICMC 2008 - [c10]Kirk A. Woolford, Carlos Guedes:
Echo locations. SIGGRAPH Talks 2008: 17:1 - [c9]Kirk A. Woolford, Carlos Guedes:
Echo locations. SIGGRAPH Art Gallery 2008: 76 - [c8]Artur Capela, Ana Rebelo, Jaime S. Cardoso, Carlos Guedes:
Staff Line Detection and Removal with Stable Paths. SIGMAP 2008: 263-270 - 2007
- [c7]Carlos Guedes:
Translating Dance movement into Musical rhythm in Real Time: New Possibilities for Computer-Mediated Collaboration in Interactive Dance Performance. ICMC 2007 - [c6]Carlos Guedes, Rui Dias:
Studio Report: the Program in Electronic Music Composition and Musical production at the School of the arts of the Polytechnic Institute of Castelo Branco. ICMC 2007 - [c5]Carlos Guedes, Kirk A. Woolford:
Controlling Aural and Visual Particle Systems through Human movement. ICMC 2007 - [c4]Kirk A. Woolford, Carlos Guedes:
Particulate matters: generating particle flows from human movement. ACM Multimedia 2007: 691-696 - [c3]Carlos Guedes:
Establishing a Musical Channel of Communication between Dancers and Musicians in Computer-Mediated Collaborations in Dance Performance. NIME 2007: 417-419 - 2005
- [c2]Carlos Guedes:
The M-Objects: a Small Library for Musical rhythm Generation and Musical Tempo control from Dance movement in Real Time. ICMC 2005 - 2003
- [c1]Carlos Guedes:
Controlling Musical Tempo from Dance Movement in Real-Time: A Possible Approach. ICMC 2003
Coauthor Index
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