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Matija Marolt
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2020 – today
- 2024
- [j15]Eva Bones
, Marco Gergolet, Ciril Bohak
, Ziga Lesar
, Matija Marolt
:
Automatic Segmentation and Alignment of Uterine Shapes from 3D Ultrasound Data. Comput. Biol. Medicine 178: 108794 (2024) - [j14]Ziga Lesar
, Ciril Bohak, Matija Marolt:
Evaluation of depth perception in crowded volumes. Comput. Graph. 120: 103918 (2024) - [j13]Ziga Lesar
, Ruwayda Alharbi
, Ciril Bohak
, Ondrej Strnad
, Christoph Heinzl
, Matija Marolt
, Ivan Viola
:
Volume conductor: interactive visibility management for crowded volumes. Vis. Comput. 40(2): 1005-1020 (2024) - [j12]Uros Smajdek
, Ziga Lesar
, Matija Marolt
, Ciril Bohak
:
Combined volume and surface rendering with global illumination caching. Vis. Comput. 40(4): 2491-2503 (2024) - [j11]Matevz Pesek, Nejc Hirci, Klara Znidersic, Matija Marolt:
Enhancing music rhythmic perception and performance with a VR game. Virtual Real. 28(2): 118 (2024) - [c32]Klara Znidersic, Matija Podbreznik, Ziga Klun, Peter Savli, Matija Marolt, Matevz Pesek:
Troubadour: Inverse Dictation Games for Ear Training. CSEDU (1) 2024: 606-613 - [c31]Vitjan Zavrtanik, Matija Marolt, Matej Kristan, Danijel Skocaj:
Anomalous Sound Detection by Feature-Level Anomaly Simulation. ICASSP 2024: 1466-1470 - [i2]Ziga Lesar, Ciril Bohak, Matija Marolt:
Evaluation of depth perception in crowded volumes. CoRR abs/2401.13341 (2024) - 2023
- [j10]Jaka Kordez
, Matija Marolt
, Ciril Bohak
:
Real-Time Interpolated Rendering of Terrain Point Cloud Data. Sensors 23(1): 72 (2023) - [c30]Nejc Hirci, Ziga Lesar
, Matija Marolt
, Matevz Pesek
:
Evaluating Virtual Reality as Immersive Medium for Enhancing Music Skills. XR (2) 2023: 69-78 - [c29]Matija Marolt, Jure Gasparic, Aleksander Mundjar, Alenka Kavcic, Darja Fiser, Andrej Pancur:
Turning the Carniolan regional assembly proceedings into an enriched historical corpus. DH 2023 - 2022
- [j9]Manca Zerovnik Mekuc
, Ciril Bohak
, Eva Bones
, Samo Hudoklin
, Rok Romih
, Matija Marolt
:
Automatic segmentation and reconstruction of intracellular compartments in volumetric electron microscopy data. Comput. Methods Programs Biomed. 223: 106959 (2022) - [i1]Ziga Lesar, Ruwayda Alharbi, Ciril Bohak, Ondrej Strnad, Christoph Heinzl, Matija Marolt, Ivan Viola:
Volume Conductor: Interactive Visibility Management for Crowded Volumes. CoRR abs/2206.07392 (2022) - 2021
- [j8]Matevz Pesek, Andraz Juvan, Jure Jakos, Janez Kosmrlj
, Matija Marolt, Martin Gazvoda
:
Database Independent Automated Structure Elucidation of Organic Molecules Based on IR, 1H NMR, 13C NMR, and MS Data. J. Chem. Inf. Model. 61(2): 756-763 (2021) - 2020
- [j7]Matevz Pesek
, Ziga Vucko, Peter Savli, Alenka Kavcic, Matija Marolt:
Troubadour: A Gamified e-Learning Platform for Ear Training. IEEE Access 8: 97090-97102 (2020) - [j6]Manca Zerovnik Mekuc
, Ciril Bohak
, Samo Hudoklin, Byeong Hak Kim, Rok Romih, Min Young Kim, Matija Marolt
:
Automatic segmentation of mitochondria and endolysosomes in volumetric electron microscopy data. Comput. Biol. Medicine 119: 103693 (2020) - [j5]Ciril Bohak
, Matej Slemenik, Jaka Kordez
, Matija Marolt
:
Aerial LiDAR Data Augmentation for Direct Point-Cloud Visualisation. Sensors 20(7): 2089 (2020) - [c28]Matevz Pesek, Lovro Suhadolnik, Peter Savli, Matija Marolt:
The Rhythmic Dictator: Does Gamification of Rhythm Dictation Exercises Help?. ISMIR 2020: 497-503
2010 – 2019
- 2019
- [c27]Ciril Bohak
, Jan Aleksandrov, Matija Marolt
:
Collaborative Web-Based Merged Volumetric and Mesh Rendering Framework. AVR (1) 2019: 36-42 - [c26]Marko Tkalcic
, Nima Maleki, Matevz Pesek
, Mehdi Elahi, Francesco Ricci
, Matija Marolt:
Prediction of music pairwise preferences from facial expressions. IUI 2019: 150-159 - 2018
- [c25]Rok Oblak, Ciril Bohak
, Matija Marolt:
Web-Based Vascular Flow Simulation Visualization with Lossy Data Compression for Fast Transmission. AVR (2) 2018: 3-17 - [c24]Primoz Lavric, Ciril Bohak
, Matija Marolt:
Vulkan Abstraction Layer for Large Data Remote Rendering System. AVR (1) 2018: 480-488 - [c23]Ziga Kokelj, Ciril Bohak
, Matija Marolt:
A web-based virtual reality environment for medical visualization. MIPRO 2018: 299-302 - [c22]Ziga Lesar, Ciril Bohak
, Matija Marolt:
Real-time interactive platform-agnostic volumetric path tracing in webGL 2.0. Web3D 2018: 7:1-7:7 - 2017
- [c21]Primoz Lavric, Ciril Bohak
, Matija Marolt:
Collaborative view-aligned annotations in web-based 3D medical data visualization. MIPRO 2017: 259-263 - [c20]Alenka Kavcic, Matevz Pesek
, Matija Marolt:
A platform for supporting learning process of visually impaired children. MIPRO 2017: 848-852 - [c19]Marko Tkalcic
, Nima Maleki, Matevz Pesek
, Mehdi Elahi
, Francesco Ricci
, Matija Marolt:
A Research Tool for User Preferences Elicitation with Facial Expressions. RecSys 2017: 353-354 - [p1]Gregor Strle
, Matevz Pesek, Matija Marolt:
Towards User-Aware Music Information Retrieval: Emotional and Color Perception of Music. Emotions and Personality in Personalized Services 2017: 327-353 - 2014
- [c18]Matevz Pesek
, Primoz Godec, Mojca Poredos, Gregor Strle
, Joze Guna
, Emilija Stojmenova, Matevz Pogacnik
, Matija Marolt:
Capturing the mood: Evaluation of the moodstripe and moodgraph interfaces. ICME Workshops 2014: 1-5 - [c17]Matevz Pesek, Ales Leonardis, Matija Marolt:
A Compositional Hierarchical Model for Music Information Retrieval. ISMIR 2014: 131-136 - [c16]Matevz Pesek, Primoz Godec, Mojca Poredos, Gregor Strle, Joze Guna, Emilija Stojmenova, Matevz Pogacnik, Matija Marolt:
Introducing a Dataset of Emotional and Color Responses to Music. ISMIR 2014: 355-360 - [c15]Matevz Pesek, Ales Leonardis, Matija Marolt:
Boosting audio chord estimation using multiple classifiers. IWSSIP 2014: 107-110 - [c14]Ciril Bohak, Anze Sodja, Matija Marolt, Uros Mitrovic, Franjo Pernus:
Fast segmentation, conversion and rendering of volumetric data using GPU. IWSSIP 2014: 239-242 - [c13]Matevz Pesek, Primoz Godec, Mojca Poredos, Gregor Strle, Joze Guna, Emilija Stojmenova, Matevz Pogacnik, Matija Marolt:
Gathering a Dataset of Multi-Modal Mood-Dependent Perceptual Responses to Music. UMAP Workshops 2014 - 2013
- [c12]Ciril Bohak
, Matija Marolt:
Kinect Web Kiosk Framework. SouthCHI 2013: 785-790 - 2012
- [j4]Gregor Strle
, Matija Marolt:
The EthnoMuse digital library: conceptual representation and annotation of ethnomusicological materials. Int. J. Digit. Libr. 12(2-3): 105-119 (2012) - [j3]Matija Marolt:
Automatic Transcription of Bell Chiming Recordings. IEEE Trans. Speech Audio Process. 20(3): 844-853 (2012) - [c11]Ciril Bohak, Masahiro Niitsuma, Matija Marolt:
Controlling Mozart's Dice Music using acceleration sensors. ICMC 2012 - [c10]Ciril Bohak, Matija Marolt:
Finding Repeating Stanzas in Folk Songs. ISMIR 2012: 451-456 - 2010
- [c9]Matija Marolt, Marieke Lefeber:
It's Time for a Song - Transcribing Recordings of Bell-playing Clocks. ISMIR 2010: 333-338
2000 – 2009
- 2009
- [c8]Matija Marolt:
Probabilistic Segmentation and Labeling of Ethnomusicological Field Recordings. ISMIR 2009: 75-80 - [c7]Ciril Bohak, Matija Marolt:
Calculating Similarity of Folk Song Variants with Melody-based Features. ISMIR 2009: 597-602 - 2008
- [j2]Matija Marolt:
A Mid-Level Representation for Melody-Based Retrieval in Audio Collections. IEEE Trans. Multim. 10(8): 1617-1625 (2008) - 2006
- [c6]Matija Marolt:
A Mid-level Melody-based Representation for Calculating Audio Similarity. ISMIR 2006: 280-285 - 2004
- [j1]Matija Marolt:
A connectionist approach to automatic transcription of polyphonic piano music. IEEE Trans. Multim. 6(3): 439-449 (2004) - [c5]Matija Marolt:
Gaussian Mixture Models For Extraction Of Melodic Lines From Audio Recordings. ISMIR 2004 - 2002
- [c4]Matija Marolt, Sasa Divjak:
On detecting repeated notes in piano music. ISMIR 2002 - 2000
- [c3]Matija Marolt:
Adaptive oscillator networks for partial tracking and piano music transcription. ICMC 2000
1990 – 1999
Coauthor Index
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last updated on 2024-08-28 23:34 CEST by the dblp team
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