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Thomas Prätzlich
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2020 – today
- 2021
- [j3]Meinard Müller
, Yigitcan Özer
, Michael Krause
, Thomas Prätzlich, Jonathan Driedger:
Sync Toolbox: A Python Package for Efficient, Robust, and Accurate Music Synchronization. J. Open Source Softw. 6(64): 3434 (2021)
2010 – 2019
- 2017
- [j2]T. J. Tsai, Thomas Prätzlich, Meinard Müller
:
Known-Artist Live Song Identification Using Audio Hashprints. IEEE Trans. Multim. 19(7): 1569-1582 (2017) - [c15]Frank Zalkow, Christof Weiß, Thomas Prätzlich, Vlora Arifi-Müller, Meinard Müller:
A Multi-Version Approach for Transferring Measure Annotations between Music Recordings. Semantic Audio 2017 - 2016
- [b1]Thomas Prätzlich:
Freischütz Digital: Processing Audio Signals in Complex Music Scenarios (Freischütz Digital: Verarbeitung von Audiosignalen in komplexen Musikszenarien). University of Erlangen-Nuremberg, Germany, 2016 - [c14]Thomas Prätzlich, Meinard Müller
:
Triple-based analysis of music alignments without the need of ground-truth annotations. ICASSP 2016: 266-270 - [c13]Thomas Prätzlich, Jonathan Driedger, Meinard Müller
:
Memory-restricted multiscale dynamic time warping. ICASSP 2016: 569-573 - [c12]Sebastian Stober, Thomas Prätzlich, Meinard Müller:
Brain Beats: Tempo Extraction from EEG Data. ISMIR 2016: 276-282 - [c11]T. J. Tsai, Thomas Prätzlich, Meinard Müller:
Known Artist Live Song ID: A Hashprint Approach. ISMIR 2016: 427-433 - [c10]Christof Weiß, Vlora Arifi-Müller, Thomas Prätzlich, Rainer Kleinertz, Meinard Müller:
Analyzing Measure Annotations for Western Classical Music Recordings. ISMIR 2016: 517-523 - 2015
- [j1]Daniel Röwenstrunk
, Thomas Prätzlich, Thomas Betzwieser, Meinard Müller, Gerd Szwillus, Joachim Veit:
Das Gesamtkunstwerk Oper aus Datensicht - Aspekte des Umgangs mit einer heterogenen Datenlage im BMBF-Projekt "Freischütz Digital". Datenbank-Spektrum 15(1): 65-72 (2015) - [c9]Benjamin Bohl, Thomas Prätzlich, Meinard Müller, Joachim Veit:
Der Gang durch die Domänen zur Erfassung, Aufbereitung und Präsentation von Audiodaten im BMBF-Projekt "Freischütz Digital". DHd 2015 - [c8]Thomas Prätzlich, Rachel M. Bittner, Antoine Liutkus, Meinard Müller
:
Kernel Additive Modeling for interference reduction in multi-channel music recordings. ICASSP 2015: 584-588 - [c7]Jonathan Driedger, Thomas Prätzlich, Meinard Müller:
Let it Bee - Towards NMF-Inspired Audio Mosaicing. ISMIR 2015: 350-356 - [c6]Christian Dittmar, Bernhard Lehner, Thomas Prätzlich, Meinard Müller, Gerhard Widmer:
Cross-Version Singing Voice Detection in Classical Opera Recordings. ISMIR 2015: 618-624 - 2014
- [c5]Thomas Prätzlich, Meinard Müller:
Frame-Level Audio Segmentation for Abridged Musical Works. ISMIR 2014: 307-312 - 2013
- [c4]Thomas Prätzlich, Meinard Müller:
Freischütz Digital: A Case Study for Reference-Based Audio Segmentation for Operas. ISMIR 2013: 589-594 - [c3]Jonathan Driedger, Harald Grohganz, Thomas Prätzlich, Sebastian Ewert
, Meinard Müller
:
Score-informed audio decomposition and applications. ACM Multimedia 2013: 541-544 - [c2]Meinard Müller
, Thomas Prätzlich, Benjamin Bohl, Joachim Veit:
Freischutz digital: A multimodal scenario for informed music processing. WIAMIS 2013: 1-4 - 2012
- [c1]Meinard Müller, Thomas Prätzlich, Jonathan Driedger:
A Cross-version Approach for Stabilizing Tempo-based Novelty Detection. ISMIR 2012: 427-432
Coauthor Index
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