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ORCID16th ISMIR 2015: Málaga, Spain
- Meinard Müller, Frans Wiering:
Proceedings of the 16th International Society for Music Information Retrieval Conference, ISMIR 2015, Málaga, Spain, October 26-30, 2015. 2015, ISBN 978-84-606-8853-2
Papers
- Dan Ringwalt, Roger B. Dannenberg:
Image Quality Estimation for Multi-Score OMR. 17-23 - Daniel Wolff, Andrew MacFarlane, Tillman Weyde:
Comparative Music Similarity Modelling Using Transfer Learning Across User Groups. 24-30 - Matthew Prockup, Andreas F. Ehmann, Fabien Gouyon, Erik M. Schmidt, Òscar Celma, Youngmoo E. Kim:
Modeling Genre with the Music Genome Project: Comparing Human-Labeled Attributes and Audio Features. 31-37 - Christopher J. Tralie, Paul Bendich:
Cover Song Identification with Timbral Shape Sequences. 38-44 - Christof Weiß, Maximilian Schaab:
On the Impact of Key Detection Performance for Identifying Classical Music Styles. 45-51 - Xinquan Zhou, Alexander Lerch:
Chord Detection Using Deep Learning. 52-58 - Cameron Summers, Phillip Popp:
Temporal Music Context Identification with User Listening Data. 59-64 - Andreu Vall, Marcin Skowron, Peter Knees, Markus Schedl:
Improving Music Recommendations with a Weighted Factorization of the Tagging Activity. 65-71 - Florian Krebs, Sebastian Böck, Gerhard Widmer:
An Efficient State-Space Model for Joint Tempo and Meter Tracking. 72-78 - Yu-Hui Huang, Xuanli Chen, Serafina Beck, David Burn, Luc Van Gool:
Automatic Handwritten Mensural Notation Interpreter: From Manuscript to MIDI Performance. 79-85 - Kazuyoshi Yoshii, Katsutoshi Itoyama, Masataka Goto:
Infinite Superimposed Discrete All-Pole Modeling for Multipitch Analysis of Wavelet Spectrograms. 86-92 - Laura Risk, Lillio Mok, Andrew Hankinson, Julie Cumming:
Melodic Similarity in Traditional French-Canadian Instrumental Dance Tunes. 93-99 - Sergio Oramas, Mohamed Sordo, Luis Espinosa Anke, Xavier Serra:
A Semantic-Based Approach for Artist Similarity. 100-106 - Shuo Zhang, Rafael Caro Repetto, Xavier Serra:
Predicting Pairwise Pitch Contour Relations Based on Linguistic Tone Information in Beijing Opera Singing. 107-113 - Graham Percival, Satoru Fukayama, Masataka Goto:
Song2Quartet: A System for Generating String Quartet Cover Songs from Polyphonic Audio of Popular Music. 114-120 - Jan Schlüter, Thomas Grill:
Exploring Data Augmentation for Improved Singing Voice Detection with Neural Networks. 121-126 - Siddharth Sigtia, Nicolas Boulanger-Lewandowski, Simon Dixon:
Audio Chord Recognition with a Hybrid Recurrent Neural Network. 127-133 - Beatrix Vad, Daniel Boland, John Williamson, Roderick Murray-Smith, Peter Berg Steffensen:
Design and Evaluation of a Probabilistic Music Projection Interface. 134-140 - Asterios I. Zacharakis, Maximos A. Kaliakatsos-Papakostas, Emilios Cambouropoulos:
Conceptual Blending in Music Cadences: A Formal Model and Subjective Evaluation. 141-147 - Jeongsoo Park, Kyogu Lee:
Harmonic-Percussive Source Separation Using Harmonicity and Sparsity Constraints. 148-154 - Wai Man Szeto, Kin Hong Wong:
A Hierarchical Bayesian Framework for Score-Informed Source Separation of Piano Music Signals. 155-161 - Patrick E. Savage, Quentin D. Atkinson:
Automatic Tune Family Identification by Musical Sequence Alignment. 162-168 - Igor Vatolkin, Günter Rudolph, Claus Weihs:
Evaluation of Album Effect for Feature Selection in Music Genre Recognition. 169-175 - Cheng-i Wang, Jennifer Hsu, Shlomo Dubnov:
Music Pattern Discovery with Variable Markov Oracle: A Unified Approach to Symbolic and Audio Representations. 176-182 - Rodrigo Schramm, Helena de Souza Nunes, Cláudio Rosito Jung:
Automatic Solfège Assessment. 183-189 - Felipe Vieira, Nazareno Andrade:
Evaluating Conflict Management Mechanisms for Online Social Jukeboxes. 190-196 - Ajay Srinivasamurthy, Andre Holzapfel, Ali Taylan Cemgil, Xavier Serra:
Particle Filters for Efficient Meter Tracking with Dynamic Bayesian Networks. 197-203 - Mohamed Sordo, Mitsunori Ogihara, Stefan Wuchty:
Analysis of the Evolution of Research Groups and Topics in the ISMIR Conference. 204-210 - Kevin R. Page, Terhi Nurmikko-Fuller, Carolin Rindfleisch, David M. Weigl, Richard Lewis, Laurence Dreyfus, David De Roure:
A Toolkit for Live Annotation of Opera Performance: Experiences Capturing Wagner's Ring Cycle. 211-217 - Marcelo E. Rodríguez-López, Anja Volk:
Selective Acquisition Techniques for Enculturation-Based Melodic Phrase Segmentation. 218-224 - Jan Van Balen, John Ashley Burgoyne, Dimitrios Bountouridis, Daniel Müllensiefen, Remco C. Veltkamp:
Corpus Analysis Tools for Computational Hook Discovery. 227-233 - Colin Raffel, Daniel P. W. Ellis:
Large-Scale Content-Based Matching of MIDI and Audio Files. 234-240 - Hendrik Schreiber:
Improving Genre Annotations for the Million Song Dataset. 241-247 - Brian McFee, Eric J. Humphrey, Juan Pablo Bello:
A Software Framework for Musical Data Augmentation. 248-254 - Chih-Wei Wu, Alexander Lerch:
Drum Transcription Using Partially Fixed Non-Negative Matrix Factorization with Template Adaptation. 257-263 - Leonardo O. Nunes, Martín Rocamora, Luis Jure, Luiz W. P. Biscainho:
Beat and Downbeat Tracking Based on Rhythmic Patterns Applied to the Uruguayan Candombe Drumming. 264-270 - Christian Dittmar, Martin Pfleiderer, Meinard Müller:
Automated Estimation of Ride Cymbal Swing Ratios in Jazz Recordings. 271-277 - Che-Yuan Liang, Li Su, Yi-Hsuan Yang, Hsin-Ming Lin:
Musical Offset Detection of Pitched Instruments: The Case of Violin. 281-287 - Bill Z. Manaris, Seth Stoudenmier:
Specter: Combining Music Information Retrieval with Sound Spatialization. 288-294 - Dawen Liang, Minshu Zhan, Daniel P. W. Ellis:
Content-Aware Collaborative Music Recommendation Using Pre-trained Neural Networks. 295-301 - Cynthia C. S. Liem, Alan Hanjalic:
Comparative Analysis of Orchestral Performance Recordings: An Image-Based Approach. 302-308 - Bernhard Lehner, Gerhard Widmer:
Monaural Blind Source Separation in the Context of Vocal Detection. 309-315 - Yin-Jyun Luo, Li Su, Yi-Hsuan Yang, Tai-Shih Chi:
Detection of Common Mistakes in Novice Violin Playing. 316-322 - Dimos Makris, Maximos A. Kaliakatsos-Papakostas, Emilios Cambouropoulos:
Probabilistic Modular Bass Voice Leading in Melodic Harmonisation. 323-329 - Anis Khlif, Vidhyasaharan Sethu:
An Iterative Multi Range Non-Negative Matrix Factorization Algorithm for Polyphonic Music Transcription. 330-335 - Anna M. Kruspe:
Training Phoneme Models for Singing with "Songified" Speech Data. 336-342 - Rong Jin, Christopher Raphael:
Graph-Based Rhythm Interpretation. 343-349 - Jonathan Driedger, Thomas Prätzlich, Meinard Müller:
Let it Bee - Towards NMF-Inspired Audio Mosaicing. 350-356 - Andreas Arzt, Gerhard Widmer:
Real-Time Music Tracking Using Multiple Performances as a Reference. 357-363 - Peter Knees, Ángel Faraldo, Perfecto Herrera, Richard Vogl, Sebastian Böck, Florian Hörschläger, Mickael Le Goff:
Two Data Sets for Tempo Estimation and Key Detection in Electronic Dance Music Annotated from User Corrections. 364-370 - Taku Kuribayashi, Yasuhito Asano, Masatoshi Yoshikawa:
Towards Support for Understanding Classical Music: Alignment of Content Descriptions on the Web. 371-377 - Sergio Oramas, Francisco Gómez, Emilia Gómez, Joaquín Mora:
FlaBase: Towards the Creation of a Flamenco Music Knowledge Base. 378-384 - Swapnil Gupta, Ajay Srinivasamurthy, Manoj Kumar, Hema A. Murthy, Xavier Serra:
Discovery of Syllabic Percussion Patterns in Tabla Solo Recordings. 385-391 - Eita Nakamura, Philippe Cuvillier, Arshia Cont, Nobutaka Ono, Shigeki Sagayama:
Autoregressive Hidden Semi-Markov Model of Symbolic Music Performance for Score Following. 392-398 - Chuan-Lung Lee, Yin-Tzu Lin, Zun-Ren Yao, Feng-Yi Lee, Ja-Ling Wu:
Automatic Mashup Creation by Considering both Vertical and Horizontal Mashabilities. 399-405 - Brian McFee, Oriol Nieto, Juan Pablo Bello:
Hierarchical Evaluation of Segment Boundary Detection. 406-412 - Masaki Otsuka, Tetsuro Kitahara:
Improving MIDI Guitar's Accuracy with NMF and Neural Net. 413-419 - Jiajie Dai, Matthias Mauch, Simon Dixon:
Analysis of Intonation Trajectories in Solo Singing. 420-426 - Maximos A. Kaliakatsos-Papakostas, Asterios I. Zacharakis, Costas Tsougras, Emilios Cambouropoulos:
Evaluating the General Chord Type Representation in Tonal Music and Organising GCT Chord Labels in Functional Chord Categories. 427-433 - Athanasios Lykartsis, Chih-Wei Wu, Alexander Lerch:
Beat Histogram Features from NMF-Based Novelty Functions for Music Classification. 434-440 - Diego Furtado Silva, Vinícius M. A. de Souza, Gustavo E. A. P. A. Batista:
Music Shapelets for Fast Cover Song Recognition. 441-447 - Marius Miron, Julio José Carabias-Orti, Jordi Janer:
Improving Score-Informed Source Separation for Classical Music through Note Refinement. 448-454 - Charles Inskip, Frans Wiering:
In Their Own Words: Using Text Analysis to Identify Musicologists' Attitudes towards Technology. 455-461 - Julien Osmalskyj, Peter Foster, Simon Dixon, Jean-Jacques Embrechts:
Combining Features for Cover Song Identification. 462-468 - Bochen Li, Zhiyao Duan:
Score Following for Piano Performances with Sustain-Pedal Effects. 469-475 - Jin Ha Lee, Rachel Price:
Understanding Users of Commercial Music Services through Personas: Design Implications. 476-482 - Hendrik Vincent Koops, Anja Volk, W. Bas de Haas:
Corpus-Based Rhythmic Pattern Analysis of Ragtime Syncopation. 483-489 - Nicolas Guiomard-Kagan, Mathieu Giraud, Richard Groult, Florence Levé:
Comparing Voice and Stream Segmentation Algorithms. 493-499 - Rachel M. Bittner, Justin Salamon, Slim Essid, Juan Pablo Bello:
Melody Extraction by Contour Classification. 500-506 - Rafael Caro Repetto, Rong Gong, Nadine Kroher, Xavier Serra:
Comparison of the Singing Style of Two Jingju Schools. 507-513 - Víctor Padilla Martín-Caro, Alex McLean, Alan Marsden, Kia Ng:
Improving Optical Music Recognition by Combining Outputs from Multiple Sources. 517-523 - Richard F. E. Sutcliffe, Tim Crawford, Chris Fox, Deane L. Root, Eduard H. Hovy, Richard Lewis:
Relating Natural Language Text to Musical Passages. 524-530 - Thomas Grill, Jan Schlüter:
Music Boundary Detection Using Neural Networks on Combined Features and Two-Level Annotations. 531-537 - Blair Kaneshiro, Jacek P. Dmochowski:
Neuroimaging Methods for Music Information Retrieval: Current Findings and Future Prospects. 538-544 - Arthur Flexer:
Improving Visualization of High-Dimensional Music Similarity Spaces. 547-553 - Hamid Eghbal-zadeh, Bernhard Lehner, Markus Schedl, Gerhard Widmer:
I-Vectors for Timbre-Based Music Similarity and Music Artist Classification. 554-560 - Dylan Freedman, Eddie Kohler, Hans Tutschku:
Correlating Extracted and Ground-Truth Harmonic Data in Music Retrieval Tasks. 561-567 - Martin Gasser, Andreas Arzt, Thassilo Gadermaier, Maarten Grachten, Gerhard Widmer:
Classical Music on the Web - User Interfaces and Data Representations. 571-577 - Mutian Fu, Guangyu Xia, Roger B. Dannenberg, Larry A. Wasserman:
A Statistical View on the Expressive Timing of Piano Rolled Chords. 578-583 - Srikanth Cherla, Son N. Tran, Tillman Weyde, Artur S. d'Avila Garcez:
Hybrid Long- and Short-Term Models of Folk Melodies. 584-590 - Kaustuv Kanti Ganguli, Abhinav Rastogi, Vedhas Pandit, Prithvi Kantan, Preeti Rao:
Efficient Melodic Query Based Audio Search for Hindustani Vocal Compositions. 591-597 - Ning Chen, J. Stephen Downie, Haidong Xiao, Yu Zhu, Jie Zhu:
Modified Perceptual Linear Prediction Liftered Cepstrum (MPLPLC) Model for Pop Cover Song Recognition. 598-604 - Shrey Dutta, Krishnaraj Sekhar PV, Hema A. Murthy:
Raga Verification in Carnatic Music Using Longest Common Segment Set. 605-611 - Yucong Jiang, Christopher Raphael:
Instrument Identification in Optical Music Recognition. 612-617 - Christian Dittmar, Bernhard Lehner, Thomas Prätzlich, Meinard Müller, Gerhard Widmer:
Cross-Version Singing Voice Detection in Classical Opera Recordings. 618-624 - Sebastian Böck, Florian Krebs, Gerhard Widmer:
Accurate Tempo Estimation Based on Recurrent Neural Networks and Resonating Comb Filters. 625-631 - Erik Duval, Marnix van Berchum, Anja Jentzsch, Gonzalo Alberto Parra Chico, Andreas Drakos:
Musicology of Early Music with Europeana Tools and Services. 632-638 - Hye-Seung Cho, Jun-Yong Lee, Hyoung-Gook Kim:
Singing Voice Separation from Monaural Music Based on Kernel Back-Fitting Using Beta-Order Spectral Amplitude Estimation. 639-644 - Andie Sigler, Jon Wild, Eliot Handelman:
Schematizing the Treatment of Dissonance in 16th-Century Counterpoint. 645-651 - Jotthi Bansal, Matthew Woolhouse:
Predictive Power of Personality on Music-Genre Exclusivity. 652-658 - Berit Janssen, Peter van Kranenburg, Anja Volk:
A Comparison of Symbolic Similarity Measures for Finding Occurrences of Melodic Segments. 659-665 - Daniel Gómez-Marín, Sergi Jordà, Perfecto Herrera:
PAD and SAD: Two Awareness-Weighted Rhythmic Similarity Distances. 666-672 - Eric J. Humphrey, Juan Pablo Bello:
Four Timely Insights on Automatic Chord Estimation. 673-679 - Sankalp Gulati, Joan Serrà, Xavier Serra:
Improving Melodic Similarity in Indian Art Music Using Culture-Specific Melodic Characteristics. 680-686 - Georgi Dzhambazov, Sertan Sentürk, Xavier Serra:
Searching Lyrical Phrases in A-Capella Turkish Makam Recordings. 687-693 - Robert J. Ellis, Zhe Xing, Jiakun Fang, Ye Wang:
Quantifying Lexical Novelty in Song Lyrics. 694-700 - Emmanouil Benetos, Tillman Weyde:
An Efficient Temporally-Constrained Probabilistic Model for Multiple-Instrument Music Transcription. 701-707 - Yuan-Ping Chen, Li Su, Yi-Hsuan Yang:
Electric Guitar Playing Technique Detection in Real-World Recording Based on F0 Sequence Pattern Recognition. 708-714 - Phillip B. Kirlin, David L. Thomas:
Extending a Model of Monophonic Hierarchical Music Analysis to Homophony. 715-721 - Emmanuel Deruty, François Pachet:
The MIR Perspective on the Evolution of Dynamics in Mainstream Music. 722-727 - Johanna Devaney, Claire Arthur, Nathaniel Condit-Schultz, Kirsten Nisula:
Theme And Variation Encodings with Roman Numerals (TAVERN): A New Data Set for Symbolic Music Analysis. 728-734 - Isabel Barbancho, Lorenzo J. Tardón, Ana M. Barbancho, Mateu Sbert:
Benford's Law for Music Analysis. 735-741 - Julio José Carabias-Orti, Francisco J. Rodríguez-Serrano, Pedro Vera-Candeas, Nicolás Ruiz-Reyes, Francisco J. Cañadas-Quesada:
An Audio to Score Alignment Framework Using Spectral Factorization and Dynamic Time Warping. 742-748 - Daniel Matz, Estefanía Cano, Jakob Abeßer:
New Sonorities for Early Jazz Recordings Using Sound Source Separation and Automatic Mixing Tools. 749-755 - Peter Jancovic, Münevver Köküer, Wrena Baptiste:
Automatic Transcription of Ornamented Irish Traditional Flute Music Using Hidden Markov Models. 756-762 - Sebastian Stober, Avital Sternin, Adrian M. Owen, Jessica A. Grahn:
Towards Music Imagery Information Retrieval: Introducing the OpenMIIR Dataset of EEG Recordings from Music Perception and Imagination. 763-769 - Anna Aljanaki, Frans Wiering, Remco C. Veltkamp:
Emotion Based Segmentation of Musical Audio. 770-776 - Jin Ha Lee, Xiao Hu, Kahyun Choi, J. Stephen Downie:
MIREX Grand Challenge 2014 User Experience: Qualitative Analysis of User Feedback. 779-785 - Alastair Porter, Dmitry Bogdanov, Robert Kaye, Roman Tsukanov, Xavier Serra:
AcousticBrainz: A Community Platform for Gathering Music Information Obtained from Audio. 786-792 - Elad Liebman, Peter Stone, Corey N. White:
How Music Alters Decision Making - Impact of Music Stimuli on Emotional Classification. 793-799 - Mark S. Melenhorst, Cynthia C. S. Liem:
Put the Concert Attendee in the Spotlight. A User-Centered Design and Development Approach for Classical Concert Applications. 800-806 - Pei-Ching Li, Li Su, Yi-Hsuan Yang, Alvin W. Y. Su:
Analysis of Expressive Musical Terms in Violin Using Score-Informed and Expression-Based Audio Features. 809-815 - Guangyu Xia, Yun Wang, Roger B. Dannenberg, Geoffrey Gordon:
Spectral Learning for Expressive Interactive Ensemble Music Performance. 816-822 - Jakob Abeßer, Estefanía Cano, Klaus Frieler, Martin Pfleiderer, Wolf-Georg Zaddach:
Score-Informed Analysis of Intonation and Pitch Modulation in Jazz Solos. 823-829
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