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Publication search results
found 364 matches
- 2024
- Oliver Hödl:
An Electronic Engineering Approach for Turning a Lego Brick Piano into a Musical Instrument. IEEE Access 12: 51319-51329 (2024) - Lei Lei:
The latest technological developments in Chinese music education: Motifs of national musical culture and folklore in modern electronic music. Educ. Inf. Technol. 29(9): 10595-10610 (2024) - Hongyuan Wu, Lin Zhu:
Adaptive classification method of electronic music based on improved decision tree. Int. J. Arts Technol. 15(1): 1-12 (2024) - Adam Hollmén Larsen, Jichen Zhu:
Ideary: Facilitating Electronic Music Creation with Generative AI. Conference on Designing Interactive Systems (Companion Volume) 2024 - Alice Rixte:
LiveScaler: Live control of the harmony of an electronic music track. CoRR abs/2401.08181 (2024) - 2023
- António Ramires:
Automatic characterization and generation of music loops and instrument samples for electronic music production. Pompeu Fabra University, Spain, 2023 - Run Yang:
Extended QUALIFLEX method for electronic music acoustic quality evaluation based on the picture fuzzy multiple attribute group decision making. J. Intell. Fuzzy Syst. 44(3): 5021-5032 (2023) - Xiaopeng Liu:
Trends in Informatization of Electronic Music Composition Data in the Context of Distance Education. EAI Endorsed Trans. Scalable Inf. Syst. 10(6) (2023) - Xinyu Li:
LooPy: A Research-Friendly Mix Framework for Music Information Retrieval on Electronic Dance Music. CoRR abs/2305.01051 (2023) - 2022
- Aaron Einbond, Thibaut Carpentier, Diemo Schwarz, Jean Bresson:
Embodying Spatial Sound Synthesis with AI in Two Compositions for Instruments and 3-D Electronics. Comput. Music. J. 46(4): 43-61 (2022) - Juan Mariano Ramos, Esteban Calcagno, Ramiro Oscar Vergara, Joaquín Rizza, Pablo Ernesto Riera:
An Electronic Bandoneon with a Dynamic Sound Synthesis System Based on Measured Acoustic Parameters. Comput. Music. J. 46(1-2): 40-57 (2022) - Lorenzo Porcaro, Emilia Gómez, Carlos Castillo:
Perceptions of Diversity in Electronic Music: the Impact of Listener, Artist, and Track Characteristics. Proc. ACM Hum. Comput. Interact. 6(CSCW1): 109:1-109:26 (2022) - Huixue Zhou, Greg M. Silverman, Zhongran Niu, Jenzi Silverman, Rui Zhang, Roni Evans, Robin Austin:
Annotating Music Therapy, Chiropractic and Aquatic Exercise Using Electronic Health Record. ICHI 2022: 610-611 - Mohsen Jadidi, Haiko Lietz, Mattia Samory, Claudia Wagner:
The Hipster Paradox in Electronic Dance Music: How Musicians Trade Mainstream Success off against Alternative Status. ICWSM 2022: 370-380 - Charles Patrick Martin:
Performing with a Generative Electronic Music Controller 103-106. IUI Workshops 2022: 103-106 - Mary Mainsbridge:
Feeling movement in live electronic music: An embodied autoethnography. MOCO 2022: 13:1-13:7 - Mohsen Jadidi, Haiko Lietz, Mattia Samory, Claudia Wagner:
The Hipster Paradox in Electronic Dance Music: How Musicians Trade Mainstream Success off against Alternative Status. CoRR abs/2206.00268 (2022) - 2021
- Patricia Cadavid Hinojosa:
Electronic_Khipu_: Thinking in Experimental Sound from an Ancestral Andean Interface. Comput. Music. J. 44(2-3): 39-54 (2021) - Ralph Lewis:
Celebrating Electronics: Music by John Bischoff (Concert) and John Bischoff: Bitplicity (Album). Comput. Music. J. 45(2): 84-85 (2021) - Umberto Roncoroni:
Electronic Music and Generative Remixing: Improving L-Systems Aesthetics and Algorithms. Comput. Music. J. 45(1): 55-79 (2021) - Célia Soares, Emilia Simão, Nadine Santos:
Ob.EMMA: A pioneer observatory of electronic music and media art in Portugal. ARTECH 2021: 43:1-43:7 - Niklas Bohm, Christian M. Fischer, Manuel Richardt:
Evaluating AI as an Assisting Tool to Create Electronic Dance Music. CMMR 2021: 59-65 - Maurício do Vale Madeira da Costa, Florian Zwißler, Philip Schwarzbauer, Michael Oehler:
Classification of 1950 to 1960 Electronic Music Using the VGGish Neural Network and Random Forest. CMMR 2021: 195-201 - Yang Chen:
Analysis on the Application of Artificial Intelligence Technology in Electronic Music Composition Creation. ICISCAE (ACM) 2021: 1200-1204 - Abby Aresty, Rachel Gibson:
Changing GEAR: The Girls Electronic Arts Retreat's Teaching Interfaces for Musical Expression. NIME 2021 - Emma Frid, Alon Ilsar:
Reimagining (Accessible) Digital Musical Instruments: A Survey on Electronic Music-Making Tools. NIME 2021 - Valentin Bauer, Tifanie Bouchara:
First Steps Towards Augmented Reality Interactive Electronic Music Production. VR Workshops 2021: 90-93 - Lorenzo Porcaro, Emilia Gómez, Carlos Castillo:
Perceptions of Diversity in Electronic Music: the Impact of Listener, Artist, and Track Characteristics. CoRR abs/2101.11916 (2021) - 2020
- Olivier Capra:
The experience of spectators of digital interactions: Benefits of visual augmentations and the role of attributed agency in electronic music performances. (L'expérience des spectateurs d'interactions numériques: Contribution des augmentations visuelles et rôle de l'agentivité attribuée dans les performances de musique électronique). Lille University of Science and Technology, France, 2020 - Chih-Chien Hu, Hui-Chin Yeh, Nian-Shing Chen:
Enhancing STEM competence by making electronic musical pencil for non-engineering students. Comput. Educ. 150: 103840 (2020)
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