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ORCIDComputer Music Journal, Volume 45
Volume 45, Number 1, Spring 2021
- Dario Sanfilippo:
Complex Adaptation in Audio Feedback Networks for the Synthesis of Music and Sounds. 6-23 - Dario Sanfilippo:
Time-Domain Adaptive Algorithms for Low- and High-Level Audio Information Processing. 24-38
- Federico Schumacher, Vicente Espinoza, Francisca Mardones, Rodrigo Vergara, Alberto Aránguiz, Valentina Aguilera:
Perceptual Recognition of Sound Trajectories in Space. 39-54
- Umberto Roncoroni
:
Electronic Music and Generative Remixing: Improving L-Systems Aesthetics and Algorithms. 55-79
- Seth Rozanoff:
Mauri Edo: The Present Time. 80-81 - Ross Feller:
Ingrid Laubrock: Dreamt Twice, Twice Dreamt. 80-85 - Ezra J. Teboul:
You Nakai: Reminded by the Instruments. 85-90
Volume 45, Number 2, Summer 2021
- Pierre Alexandre Tremblay, Gerard Roma, Owen Green:
Enabling Programmatic Data Mining as Musicking: The Fluid Corpus Manipulation Toolkit. 9-23 - Dominik Schlienger, Victor Khashchanskiy:
Immersive Spatial Interactivity in Sonic Arts: The Acoustic Localization Positioning System. 24-47 - Emilio L. Rojas, Rodrigo F. Cádiz:
A Physically Inspired Implementation of Xenakis's Stochastic Synthesis: Diffusion Dynamic Stochastic Synthesis. 48-66 - Victor Lazzarini, Joseph Timoney:
Linear and Nonlinear Digital Filters: From the Analog and Beyond. 67-83
- Ralph Lewis:
Celebrating Electronics: Music by John Bischoff (Concert) and John Bischoff: Bitplicity (Album). 84-85 - Bradley S. Green:
James Dashow: Archimedes - A Planetarium Opera. 85-88 - Daniele Pozzi:
Agostino Di Scipio and Dario Sanfilippo: Machine Milieu. 88-90
Volume 45, Number 3, Fall 2021
- Douglas Keislar:
About This Issue. 1
- Mark Zaki:
Fundamental Sound: A Conversation with Hubert Howe. 9-19
- Curtis Roads, Jack Kilgore, Rodney DuPlessis:
Architecture for Real-Time Granular Synthesis With Per-Grain Processing: EmissionControl2. 20-38
- Giacomo Lepri, Andrew P. McPherson:
Embrace the Weirdness: Negotiating Values Inscribed into Music Technology. 39-57 - Doga Cavdir, Ge Wang:
Borrowed Gestures: The Body as an Extension of the Musical Instrument. 58-80
- D. J. Malinowski:
Cube Fest 2022. 81-83 - Seth Rozanoff:
Leo Magnien: Clarières. 83-85
Volume 45, Number 4, Winter 2021
- Douglas Keislar:
About This Issue. 1-2
- Roger B. Dannenberg:
Communication for Real-Time Music Systems: An Overview of O2. 7-19
- Sérgio Freire, Augusto Armondes, Rubens Silva:
Real-Time Symbolic Transcription and Interactive Transformation Using a Hexaphonic Nylon-String Guitar. 20-39
- Carmine-Emanuele Cella, Daniele Ghisi, Yan Maresz, Alessandro Petrolati, Alexandre Teiller, Philippe Esling:
Dynamic Computer-Aided Orchestration in Practice with Orchidea. 40-56 - Daniele Ghisi, Carmine-Emanuele Cella:
A Framework for Modifying Orchestral Qualities in Computer-Aided Orchestration. 57-72
- Seth Rozanoff:
SONDA Festival 2022. 73-74 - Ross Feller:
Barry Schrader: Lost Analog. 74-76
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