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ORCIDCharles P. Martin
Charles Patrick Martin – Charles Martin 0001
Person information
- affiliation: Australian National University, Canberra, ACT, Australia
- affiliation: University of Oslo, Department of Informatics / 3RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion, Norway
Other persons with the same name
- Charles Martin — disambiguation page
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2020 – today
- 2025
[c52]Yichen Wang
, Mingze Xi, Matt Adcock, Charles Patrick Martin:
Seeing the Sound: Supporting Musical Collaboration with Augmented Reality. Creativity & Cognition 2025: 99-112- [c51]Minsik Choi, Josh Andres, Alexander Hunter, Charles Patrick Martin:
A Musical Tension and Release Framework for Sonic Interaction Designers. CHI Extended Abstracts 2025: 45:1-45:7 - [c50]Yichen Wang, Charles Patrick Martin:
AI See, You See: Human-AI Musical Collaboration in Augmented Reality. CHI Extended Abstracts 2025: 55:1-55:7 - [c49]Michael J. Muller, Lydia B. Chilton, Mary Lou Maher, Charles Patrick Martin, Minsik Choi, Greg Walsh, Anna Kantosalo:
GenAICHI 2025: Generative AI and HCI at CHI 2025. CHI Extended Abstracts 2025: 782:1-782:9 - [i28]Xinlei Niu, Kin Wai Cheuk, Jing Zhang, Naoki Murata, Chieh-Hsin Lai, Michele Mancusi, Woosung Choi, Giorgio Fabbro, Wei-Hsiang Liao, Charles Patrick Martin, Yuki Mitsufuji:
SteerMusic: Enhanced Musical Consistency for Zero-shot Text-Guided and Personalized Music Editing. CoRR abs/2504.10826 (2025) - [i27]Xinlei Niu, Jianbo Ma, Dylan Harper-Harris, Xiangyu Zhang, Charles Patrick Martin, Jing Zhang:
Beyond Video-to-SFX: Video to Audio Synthesis with Environmentally Aware Speech. CoRR abs/2509.15492 (2025) - 2024
- [j5]Benedikte Wallace, Kristian Nymoen, Jim Torresen, Charles Patrick Martin:
Breaking from realism: exploring the potential of glitch in AI-generated dance. Digit. Creativity 35(2): 125-142 (2024) - [c48]Josh Andres, Chris Danta, Andrea Bianchi, Sungyeon Hong, Zhuying Li, Eduardo Benítez Sandoval, Charles Patrick Martin, Ned Cooper:
Understanding and Shaping Human-Technology Assemblages in the Age of Generative AI. Conference on Designing Interactive Systems (Companion Volume) 2024 - [c47]Yichen Wang, Charles Patrick Martin:
Off-the-shelf: Improvising with a Minimal Intelligent Musical Instrument in Mixed Reality. AIMC 2024 - [c46]Minsik Choi, Josh Andres, Charles Patrick Martin:
Tonal Cognition in Sonification: Exploring the Needs of Practitioners in Sonic Interaction Design. Audio Mostly Conference 2024: 218-228 - [c45]Michael J. Muller, Anna Kantosalo, Mary Lou Maher, Charles Patrick Martin, Greg Walsh:
GenAICHI 2024: Generative AI and HCI at CHI 2024. CHI Extended Abstracts 2024: 470:1-470:7 - [c44]Xinlei Niu, Jing Zhang, Christian Walder, Charles Patrick Martin:
SoundLoCD: An Efficient Conditional Discrete Contrastive Latent Diffusion Model for Text-to-Sound Generation. ICASSP 2024: 261-265 - [c43]Xinlei Niu, Christian Walder, Jing Zhang, Charles Patrick Martin:
Latent Optimal Paths by Gumbel Propagation for Variational Bayesian Dynamic Programming. ICML 2024 - [c42]Xinlei Niu, Jing Zhang, Charles Patrick Martin:
HybridVC: Efficient Voice Style Conversion with Text and Audio Prompts. INTERSPEECH 2024 - [c41]Minsik Choi, Josh Andres, Alexander Hunter, Charles Patrick Martin:
Scenario-Based Design to Envision How GenAI Can Support Sound Design Practices. OZCHI 2024: 640-646 - [i26]Xinlei Niu, Jing Zhang, Charles Patrick Martin:
HybridVC: Efficient Voice Style Conversion with Text and Audio Prompts. CoRR abs/2404.15637 (2024) - [i25]Josh Andres, Chris Danta, Andrea Bianchi, Sungyeon Hong, Zhuying Li, Eduardo B. Sandoval, Charles P. Martin, Ned Cooper:
Understanding and Shaping Human-Technology Assemblages in the Age of Generative AI. CoRR abs/2404.18405 (2024) - [i24]Xinlei Niu, Jing Zhang, Christian Walder, Charles Patrick Martin:
SoundLoCD: An Efficient Conditional Discrete Contrastive Latent Diffusion Model for Text-to-Sound Generation. CoRR abs/2405.15338 (2024) - [i23]Minsik Choi, Josh Andres, Charles Patrick Martin:
Tonal Cognition in Sonification: Exploring the Needs of Practitioners in Sonic Interaction Design. CoRR abs/2408.17012 (2024) - [i22]Xinlei Niu, Jing Zhang, Charles Patrick Martin:
SoundMorpher: Perceptually-Uniform Sound Morphing with Diffusion Model. CoRR abs/2410.02144 (2024) - 2023
- [c40]Benedikte Wallace, Clarice Hilton, Kristian Nymoen, Jim Torresen, Charles Patrick Martin, Rebecca Fiebrink:
Embodying an Interactive AI for Dance Through Movement Ideation. Creativity & Cognition 2023: 454-464 - [c39]Michael J. Muller, Lydia B. Chilton, Anna Kantosalo, Q. Vera Liao, Mary Lou Maher, Charles Patrick Martin, Greg Walsh:
GenAICHI 2023: Generative AI and HCI at CHI 2023. CHI Extended Abstracts 2023: 350:1-350:7 - [c38]Charles Patrick Martin, Alexander Hunter, Brent Schuetze, Yichen Wang:
Composing Interface Connections for a Networked Touchscreen Ensemble. IS2 2023: 1-5 - [c37]Yichen Wang, Mingze Xi, Matt Adcock, Charles Patrick Martin:
Mobility, Space and Sound Activate Expressive Musical Experience in Augmented Reality. NIME 2023 - [d3]Benedikte Wallace, Kristian Nymoen, Charles P. Martin, Jim Tørresen:
DeepDance: Motion capture data of improvised dance (2019). Version 2.0. Zenodo, 2023 [all versions]
- [d2]Benedikte Wallace, Kristian Nymoen, Charles P. Martin, Jim Tørresen:
DeepDance: Motion capture data of improvised dance (2019). Version 2.0. Zenodo, 2023 [all versions] - [i21]Xinlei Niu, Christian Walder, Jing Zhang, Charles Patrick Martin:
Latent Optimal Paths by Gumbel Propagation for Variational Bayesian Dynamic Programming. CoRR abs/2306.02568 (2023) - 2022
- [c36]Michael J. Muller, Lydia B. Chilton, Anna Kantosalo, Charles Patrick Martin, Greg Walsh:
GenAICHI: Generative AI and HCI. CHI Extended Abstracts 2022: 110:1-110:7 - [c35]Xinlei Niu, Charles Patrick Martin:
Spatial-Temporal-Class Attention Network for Acoustic Scene Classification. ICME 2022: 1-6 - [c34]Charles Patrick Martin:
Performing with a Generative Electronic Music Controller 103-106. IUI Workshops 2022: 103-106 - [c33]Yichen Wang, Charles Martin:
Cubing Sound: Designing a NIME for Head-mounted Augmented Reality. NIME 2022 - [c32]Yichen Wang, Charles P. Martin:
Designing Sound Synthesis Interfaces for Head-mounted Augmented Reality. VR Workshops 2022: 351-353 - [c31]Yichen Wang, Henry Gardner, Charles P. Martin, Matt Adcock:
Augmenting Sculpture with Immersive Sonification. VR Workshops 2022: 626-627 - [e1]Penny Sweetser, Jennyfer Lawrence Taylor, Charles Martin, Dana McMay, Melissa J. Rogerson, Bronwyn J. Cumbo, Greg Wadley, Luke Hespanhol, Jess Tsimeris, Mingze Xi, Jane Turner, Soojeong Yoo, Ned Cooper, Jessica S. Rahman, Josh Andres, Ajit G. Pillai, Cat Kutay:
Proceedings of the 34th Australian Conference on Human-Computer Interaction, OzCHI 2022, Canberra, ACT, Australia, 29 November 2022 - 2 December 2022. ACM 2022 [contents] - [d1]Benedikte Wallace, Kristian Nymoen, Charles P. Martin, Jim Tørresen:
DeepDance: Motion capture data of improvised dance (2019). Version 1.0. Zenodo, 2022 [all versions] - [i20]Benedikte Wallace, Charles P. Martin:
Embodying the Glitch: Perspectives on Generative AI in Dance Practice. CoRR abs/2210.09291 (2022) - 2021
- [j4]Tønnes F. Nygaard, Charles P. Martin, David Howard, Jim Tørresen, Kyrre Glette:
Environmental Adaptation of Robot Morphology and Control Through Real-World Evolution. Evol. Comput. 29(4): 441-461 (2021) - [j3]Tønnes F. Nygaard, Charles P. Martin, Jim Tørresen, Kyrre Glette, David Howard:
Real-world embodied AI through a morphologically adaptive quadruped robot. Nat. Mach. Intell. 3(5): 410-419 (2021) - [c30]Benedikte Wallace, Charles P. Martin, Jim Tørresen, Kristian Nymoen:
Learning Embodied Sound-Motion Mappings: Evaluating AI-Generated Dance Improvisation. Creativity & Cognition 2021: 32:1-32:9 - [c29]Benedikte Wallace, Charles P. Martin, Jim Tørresen, Kristian Nymoen:
Exploring the Effect of Sampling Strategy on Movement Generation with Generative Neural Networks. EvoMUSART 2021: 344-359 - [c28]Robert Neil McArthur, Charles Patrick Martin:
An Application for Evolutionary Music Composition Using Autoencoders. EvoMUSART 2021: 443-458 - 2020
- [j2]Charles Patrick Martin, Kyrre Glette, Tønnes F. Nygaard, Jim Tørresen:
Understanding Musical Predictions With an Embodied Interface for Musical Machine Learning. Frontiers Artif. Intell. 3: 6 (2020) - [c27]Sichao Li, Charles Patrick Martin:
Comparing Three Data Representations for Music with a Sequence-to-Sequence Model. Australasian Conference on Artificial Intelligence 2020: 16-28 - [c26]Benedikte Wallace, Charles P. Martin, Jim Tørresen, Kristian Nymoen:
Towards Movement Generation with Audio Features. ICCC 2020: 284-287 - [c25]Charles Patrick Martin, Zeruo Liu, Yichen Wang, Wennan He, Henry Gardner:
Sonic Sculpture: Activating Engagement with Head-Mounted Augmented Reality. NIME 2020: 39-42 - [c24]Rohan Proctor, Charles Patrick Martin:
A Laptop Ensemble Performance System using Recurrent Neural Networks. NIME 2020: 43-48 - [i19]Tønnes F. Nygaard, Charles P. Martin, David Howard, Jim Tørresen, Kyrre Glette:
Environmental Adaptation of Robot Morphology and Control through Real-world Evolution. CoRR abs/2003.13254 (2020) - [i18]Benedikte Wallace, Charles P. Martin, Jim Tørresen, Kristian Nymoen:
Towards Movement Generation with Audio Features. CoRR abs/2011.13453 (2020) - [i17]Charles P. Martin, Benjamin Forster, Hanna Cormick:
Cross-artform performance using networked interfaces: Last Man to Die's Vital LMTD. CoRR abs/2012.00249 (2020) - [i16]Charles P. Martin, Chi-Hsia Lai:
Strike on Stage: a percussion and media performance. CoRR abs/2012.00250 (2020) - [i15]Charles Martin:
Performing with a Mobile Computer System for Vibraphone. CoRR abs/2012.00265 (2020) - [i14]Charles P. Martin, Henry Gardner, Ben Swift:
Tracking Ensemble Performance on Touch-Screens with Gesture Classification and Transition Matrices. CoRR abs/2012.00296 (2020) - [i13]Charles Patrick Martin, Zeruo Liu, Yichen Wang, Wennan He, Henry Gardner:
Sonic Sculpture: Activating Engagement with Head-Mounted Augmented Reality. CoRR abs/2012.02311 (2020) - [i12]Rohan Proctor, Charles Patrick Martin:
A Laptop Ensemble Performance System using Recurrent Neural Networks. CoRR abs/2012.02322 (2020) - [i11]Charles Patrick Martin, Alexander Refsum Jensenius, Jim Tørresen:
Composing an Ensemble Standstill Work for Myo and Bela. CoRR abs/2012.02404 (2020)
2010 – 2019
- 2019
- [j1]Charles Patrick Martin, Jim Tørresen:
Data-Driven Analysis of Tiny Touchscreen Performance with MicroJam. Comput. Music. J. 43(4): 41-57 (2019) - [c23]Benedikte Wallace, Charles P. Martin:
Comparing Models for Harmony Prediction in an Interactive Audio Looper. EvoMUSART 2019: 173-187 - [c22]Tønnes F. Nygaard, Charles P. Martin, Jim Tørresen, Kyrre Glette:
Evolving Robots on Easy Mode: Towards a Variable Complexity Controller for Quadrupeds. EvoApplications 2019: 616-632 - [c21]Aline Weber, Charles P. Martin, Jim Tørresen, Bruno C. da Silva:
Identifying Reusable Early-Life Options. ICDL-EPIROB 2019: 335-340 - [c20]Tønnes F. Nygaard, Charles P. Martin, Jim Tørresen, Kyrre Glette:
Self-Modifying Morphology Experiments with DyRET: Dynamic Robot for Embodied Testing. ICRA 2019: 9446-9452 - [c19]Tønnes F. Nygaard, Jørgen Nordmoen, Kai Olav Ellefsen, Charles P. Martin, Jim Tørresen, Kyrre Glette:
Experiences from Real-World Evolution with DyRET: Dynamic Robot for Embodied Testing. NAIS 2019: 58-68 - [c18]Torgrim Rudland Næss, Charles P. Martin:
A Physical Intelligent Instrument using Recurrent Neural Networks. NIME 2019: 79-82 - [c17]Charles P. Martin, Jim Tørresen:
An Interactive Musical Prediction System with Mixture Density Recurrent Neural Networks. NIME 2019: 260-265 - [c16]Andrei Faitas, Synne Engdahl Baumann, Torgrim Rudland Næss, Jim Tørresen, Charles P. Martin:
Generating Convincing Harmony Parts with Simple Long Short-Term Memory Networks. NIME 2019: 325-330 - [p1]Charles P. Martin, Henry J. Gardner:
Free-Improvised Rehearsal-as-Research for Musical HCI. New Directions in Music and Human-Computer Interaction 2019: 269-284 - [i10]Kai Olav Ellefsen, Charles Patrick Martin, Jim Tørresen:
How do Mixture Density RNNs Predict the Future? CoRR abs/1901.07859 (2019) - [i9]Charles P. Martin, Jim Tørresen:
Data Driven Analysis of Tiny Touchscreen Performance with MicroJam. CoRR abs/1902.00680 (2019) - [i8]Tønnes F. Nygaard, Charles P. Martin, Jim Tørresen, Kyrre Glette:
Evolving Robots on Easy Mode: Towards a Variable Complexity Controller for Quadrupeds. CoRR abs/1902.04403 (2019) - [i7]Charles P. Martin, Jim Tørresen:
An Interactive Musical Prediction System with Mixture Density Recurrent Neural Networks. CoRR abs/1904.05009 (2019) - [i6]Tønnes F. Nygaard, Jørgen Nordmoen, Charles P. Martin, Kyrre Glette:
Lessons Learned from Real-World Experiments with DyRET: the Dynamic Robot for Embodied Testing. CoRR abs/1905.05626 (2019) - 2018
- [c15]Charles Patrick Martin, Jim Tørresen:
RoboJam: A Musical Mixture Density Network for Collaborative Touchscreen Interaction. EvoMUSART 2018: 161-176 - [c14]Tønnes F. Nygaard, Charles P. Martin, Eivind Samuelsen, Jim Tørresen, Kyrre Glette:
Real-world evolution adapts robot morphology and control to hardware limitations. GECCO 2018: 125-132 - [c13]Charles P. Martin, Alexander Refsum Jensenius, Jim Tørresen:
Composing an Ensemble Standstill Work for Myo and Bela. NIME 2018: 196-197 - [c12]Victor Evaristo González Sánchez, Charles P. Martin, Agata Zelechowska, Kari Anne Vadstensvik Bjerkestrand, Victoria Johnson, Alexander Refsum Jensenius:
Bela-Based Augmented Acoustic Guitars for Sonic Microinteraction. NIME 2018: 324-327 - [i5]Charles P. Martin, Kai Olav Ellefsen, Jim Tørresen:
Deep Predictive Models in Interactive Music. CoRR abs/1801.10492 (2018) - [i4]Tønnes F. Nygaard, Charles P. Martin, Jim Tørresen, Kyrre Glette:
Self-Modifying Morphology Experiments with DyRET: Dynamic Robot for Embodied Testing. CoRR abs/1803.05629 (2018) - [i3]Tønnes F. Nygaard, Charles P. Martin, Jim Tørresen, Kyrre Glette:
Exploring Mechanically Self-Reconfiguring Robots for Autonomous Design. CoRR abs/1805.02965 (2018) - [i2]Tønnes F. Nygaard, Charles P. Martin, Eivind Samuelsen, Jim Tørresen, Kyrre Glette:
Real-World Evolution Adapts Robot Morphology and Control to Hardware Limitations. CoRR abs/1805.03388 (2018) - 2017
- [c11]Charles P. Martin, Kai Olav Ellefsen, Jim Tørresen:
Deep Models for Ensemble Touch-Screen Improvisation. Audio Mostly Conference 2017: 4:1-4:4 - [c10]Charles P. Martin, Jim Tørresen:
Microjam: an app for sharing tiny touch-screen performances. NIME 2017: 495-496 - [i1]Charles P. Martin, Jim Tørresen:
RoboJam: A Musical Mixture Density Network for Collaborative Touchscreen Interaction. CoRR abs/1711.10746 (2017) - 2016
- [c9]Charles Martin, Henry J. Gardner, Ben Swift, Michael A. Martin:
Intelligent Agents and Networked Buttons Improve Free-Improvised Ensemble Music-Making on Touch-Screens. CHI 2016: 2295-2306 - 2015
- [c8]Charles Martin, Henry J. Gardner, Ben Swift:
Tracking ensemble performance on touch-screens with gesture classification and transition matrices. NIME 2015: 359-364 - 2014
- [c7]Charles Martin, Henry J. Gardner:
A Percussion-Focussed Approach to Preserving Touch-Screen Improvisation. Art@CHI 2014: 51-72 - [c6]Charles Martin, Henry J. Gardner, Ben Swift:
Metatravels and metalonsdale: ipad apps for percussive improvisation. CHI Extended Abstracts 2014: 547-550 - [c5]Charles Martin, Henry J. Gardner, Ben Swift:
Exploring percussive gesture on iPads with ensemble metatone. CHI 2014: 1025-1028 - 2013
- [c4]Charles Martin:
Integrating Mobile Music with Percussion Performance Practice. ICMC 2013 - [c3]Charles Martin:
Performing with a Mobile Computer System for Vibraphone. NIME 2013: 377-380 - 2011
- [c2]Charles Martin, Chi-Hsia Lai:
Strike on Stage: a Percussion and Media Performance. NIME 2011: 142-143 - 2010
- [c1]Charles Martin, Benjamin Forster, Hanna Cormick:
Cross-Artform Performance Using Networked Interfaces: Last Man to Die's Vital LMTD. NIME 2010: 204-207
Coauthor Index
Jim Tørresen
aka: Jim Torresen
aka: Jim Torresen
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