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ORCIDGraham Wakefield
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2020 – today
- 2021
[c22]Graham Wakefield, Haru Hyunkyung Ji:
Creative Artificial Intelligence within the Artificial Life Installation "Infranet". EVA 2021- [c21]Graham Wakefield
:
A streamlined workflow from Max/gen~ to modular hardware. NIME 2021 - 2020
- [c20]Graham Wakefield, Michael Palumbo, Alexander Zonta:
Affordances and Constraints of Modular Synthesis in Virtual Reality. NIME 2020: 547-550
2010 – 2019
- 2018
- [p2]Charlie Roberts, Graham Wakefield:
Tensions and Techniques in Live Coding Performance. The Oxford Handbook of Algorithmic Music 2018 - 2017
- [c19]Sung-A Jang, Graham Wakefield, Sung-Hee Lee:
Incorporating Kinesthetic Creativity and Gestural Play into Immersive Modeling. MOCO 2017: 17:1-17:8 - [c18]Charles Roberts, Graham Wakefield:
Gibberwocky: new live-coding instruments for musical performance. NIME 2017: 121-126 - [c17]Graham Wakefield, Charles Roberts:
A virtual machine for live coding language design. NIME 2017: 275-278 - 2016
- [j5]Haru (Hyunkyung) Ji, Graham Wakefield:
Endogenous Biologically Inspired Art of Complex Systems. IEEE Computer Graphics and Applications 36(1): 16-21 (2016) - 2015
- [j4]Charles Roberts, Graham Wakefield, Matthew Wright, JoAnn Kuchera-Morin:
Designing Musical Instruments for the Browser. Comput. Music. J. 39(1): 27-40 (2015) - [c16]Seunghun Kim, Juhan Nam, Graham Wakefield:
Toward Certain Sonic Properties of an Audio Feedback System by Evolutionary Control of Second-Order Structures. EvoMUSART 2015: 113-124 - [c15]Seunghun Kim, Graham Wakefield, Juhan Nam:
Augmenting Room Acoustics and System Interaction for Intentional Control of Audio Feedback. ICMC 2015 - 2014
- [j3]JoAnn Kuchera-Morin, Matthew Wright, Graham Wakefield, Charles Roberts, Dennis Adderton, Behzad Sajadi, Tobias Höllerer, Aditi Majumder:
Immersive full-surround multi-user system design. Comput. Graph. 40: 10-21 (2014) - [c14]So Jung Bang, Doo Won Yoo, Patrick Hutchings, Chung-Kon Shi, Graham Wakefield:
Poetry of Separation: The Aesthetics of Spatial Montage and Generative Editing for Multi-layered Screens. ArtsIT 2014: 61-68 - [c13]So Jung Bang, Yoonji Song, Jae Dong Kim, Kiseul Suh, Chung-Kon Shi, Graham Wakefield, Sungju Woo:
Digital Love Letter: A Handwriting Based Interface for Non-instant Digital Messenger. HCI (3) 2014: 103-113 - [c12]Sung-A Jang, Hyung-il Kim, Woontack Woo, Graham Wakefield:
AiRSculpt: A Wearable Augmented Reality 3D Sculpting System. HCI (21) 2014: 130-141 - [c11]Graham Wakefield, Charlie Roberts, Matthew Wright, Timothy Wood, Karl Yerkes:
Collaborative Live-Coding with an Immersive Instrument. NIME 2014: 505-508 - 2013
- [j2]Graham Wakefield, Tobias Höllerer, JoAnn Kuchera-Morin, Charles Roberts, Matthew Wright:
Spatial Interaction in a Multiuser Immersive Instrument. IEEE Computer Graphics and Applications 33(6): 14-20 (2013) - [c10]Charles Roberts, Graham Wakefield, Matthew Wright:
The Web Browser As Synthesizer And Interface. NIME 2013: 313-318 - [e1]Woon Seung Yeo, Kyogu Lee, Alexander Sigman, Haru (Hyunkyung) Ji, Graham Wakefield:
13th International Conference on New Interfaces for Musical Expression, NIME 2013, Daejeon, Republic of Korea, May 27-30, 2013. nime.org 2013 [contents] - 2012
- [c9]Charles Roberts, Graham Wakefield, Matthew Wright:
Mobile Controls On-The-Fly: An Abstraction for Distributed NIMEs. NIME 2012 - 2011
- [c8]Graham Wakefield, Wesley Smith:
COSM: A toolkit for composing immersive audio-visual worlds of agency and autonomy. ICMC 2011 - [c7]Haru Hyunkyung Ji, Graham Wakefield:
Time of Doubles. SIGGRAPH ASIA Art Gallery 2011: 12:1 - 2010
- [p1]Lance Putnam, Graham Wakefield, Haru (Hyunkyung) Ji, Basak Alper, Dennis Adderton, JoAnn Kuchera-Morin:
Immersed in Unfolding Complex Systems. Beautiful Visualization 2010: 291-309
2000 – 2009
- 2009
- [j1]John Thompson, JoAnn Kuchera-Morin, Marcos Novak, Dan Overholt, Lance Putnam, Graham Wakefield, Wesley Smith:
The Allobrain: An interactive, stereographic, 3D audio, immersive virtual world. Int. J. Hum. Comput. Stud. 67(11): 934-946 (2009) - [c6]Graham Wakefield, Haru (Hyunkyung) Ji:
Artificial Nature: Immersive World Making. EvoWorkshops 2009: 597-602 - [c5]Wesley Smith, Graham Wakefield:
Augmenting Computer Music with Just-In-Time Compilation. ICMC 2009 - [c4]Haru (Hyunkyung) Ji, Graham Wakefield:
Artificial nature: fluid space. SIGGRAPH ASIA Art Gallery & Emerging Technologies 2009: 26 - 2007
- [c3]Xavier Amatriain, Jorge Castellanos, Tobias Höllerer, JoAnn Kuchera-Morin, Stephen Travis Pope, Graham Wakefield, Will Wolcott:
Experiencing Audio and Music in a Fully Immersive Environment. CMMR 2007: 380-400 - [c2]Graham Wakefield, Wesley Smith:
Using Lua for audiovisual Compostion. ICMC 2007 - 2006
- [c1]Graham Wakefield:
Third-Order Ambisonic Extensions for Max/MSP with Musical Applications. ICMC 2006
Coauthor Index
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