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Kazuhiro Jo
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2020 – today
- 2024
- [c28]Dominique Chen, Young Ah Seong, Kazuhiro Jo:
Nukabot: design of human-microbe-computer entanglement. SIGGRAPH Emerging Technologies 2024: 15 - [c27]Takumi Saeki, Kazuhiro Jo:
'イ'(1926) by BioLuminescent Bacteria. TEI 2024: 95:1-95:3 - 2021
- [c26]Tomoya Matsuura, Kazuhiro Jo:
mimium: a self-extensible programming language for sound and music. FARM@ICFP 2021: 1-12 - 2020
- [c25]Kiyu Nishida, Kazuhiro Jo:
Modules for analog synthesizers using Aloe vera biomemristor. NIME 2020: 93-96
2010 – 2019
- 2019
- [c24]Kiyu Nishida, Akishige Yuguchi, Kazuhiro Jo, Paul Modler, Markus Noisternig:
Border: A Live Performance Based on Web AR and a Gesture-Controlled Virtual Instrument. NIME 2019: 43-46 - [c23]Fou Yoshimura, Kazuhiro Jo:
A "voice" instrument based on vocal tract models by using soft material for a 3D printer and an electrolarynx. NIME 2019: 411-412 - 2018
- [j3]Young Suk Lee, Kazuhiro Jo, Anna Weisling, Anna Xambó, Léon McCarthy:
Demo hour. Interactions 25(5): 10-13 (2018) - [c22]Tomoya Matsuura, Kazuhiro Jo:
Aphysical Unmodeling Instrument: Sound Installation that Re-Physicalizes a Meta-Wind-Instrument Physical Model, Whirlwind. NIME 2018: 29-30 - [c21]Kazuhiro Jo:
Au Clair de la Lune on Gramophone "For Édouard-Léon Scott and László Moholy-Nagy" (1860 / 1923 / 2015). TEI 2018: 517-520 - 2017
- [c20]Daiya Aida, Kiyoshi Suganuma, Kazuhiro Jo, Kazunao Abe:
The KOROGARU Park Series: Three Features of the Park of the Future. IDC 2017: 379-384 - 2016
- [j2]Matthew Mosher, David Tinapple, Enrique Tomás, Keina Konno, Richi Owaki, Yoshito Onishi, Ryo Kanda, Sheep, Akiko Takeshita, Tsubasa Nishi, Naoko Shiomi, Kyle McDonald, Satoru Higa, Kazuhiro Jo, Yoko Ando, Kazunao Abe, Takayuki Ito, Shannon Cuykendall, Ethan Soutar-Rau, Thecla Schiphorst:
Demo hour. Interactions 23(3): 8-11 (2016) - [c19]Keina Konno, Richi Owaki, Yoshito Onishi, Ryo Kanda, Sheep, Akiko Takeshita, Tsubasa Nishi, Naoko Shiomi, Kyle McDonald, Satoru Higa, Motoi Shimizu, Yosuke Sakai, Yasuaki Kakehi, Kazuhiro Jo, Yoko Ando, Kazunao Abe, Takayuki Ito:
Dividual Plays Experimental Lab: An installation derived from Dividual Plays. TEI 2016: 647-652 - [c18]Mitsuhito Ando, Chisaki Murakami, Takayuki Ito, Kazuhiro Jo:
Initial Trials of ofxEpilog: From Real Time Operation to Dynamic Focus of Epilog Laser Cutter. UIST (Adjunct Volume) 2016: 175-176 - 2015
- [c17]Kiyoshi Suganuma, Daiya Aida, Rie Okada, Satoshi Hama, Zan Yamashita, Takayuki Ito, Yosuke Sakai, Kazuhiro Jo:
"Kotoba Shintai": a workshop to explore the interconnectivity between words and body movements. SIGGRAPH Asia Symposium on Education 2015: 15:1-15:3 - 2014
- [c16]John Smith, Kazuhiro Jo:
"Toru": a game that reverses the wisdom of age using mosquito sound. CHI PLAY 2014: 375-378 - 2013
- [c15]Kazuhiro Jo:
cutting record - a record without (or with) prior acoustic information. NIME 2013: 283-286 - 2012
- [c14]Kentaro Fukuchi, Kazuhiro Jo, Akifumi Tomiyama, Shunsuke Takao:
Laser cooking: a novel culinary technique for dry heating using a laser cutter and vision technology. CEA@ACM Multimedia 2012: 55-58 - 2011
- [c13]Tomotaro Kaneko, Kazuhiro Jo:
Generative Music Workshop. Culture and Computing 2011: 179-180 - 2010
- [c12]Lalya Gaye, Atau Tanaka, Ranald Richardson, Kazuhiro Jo:
Social inclusion through the digital economy: digital creative engagement and youth-led innovation. IDC 2010: 352-355
2000 – 2009
- 2009
- [c11]Jamie Allen, Areti Galani, Kazuhiro Jo:
An ecology of practice: chiptune marching band. Creativity & Cognition 2009: 347-348 - [c10]Hideki Yoshimoto, Kazuhiro Jo, Koichi Hori:
Toward entertainment blimps for everyone by everyone. Creativity & Cognition 2009: 445-446 - [c9]Kazuhiro Jo, Jamie Allen, Areti Galani:
Chiptune marching band: a public workshop and performance. Creativity & Cognition 2009: 481-482 - [c8]Hideki Yoshimoto, Kazuhiro Jo, Koichi Hori:
Designing Interactive Blimps as Puppets. ICEC 2009: 204-209 - [c7]Kazuhiro Jo, Jamie Allen:
Chiptune Marching Band: presented simultaneously in Japanese and English. SIGGRAPH ASIA Courses 2009 - 2008
- [j1]Kazuhiro Jo, Ken Furudate, Daisuke Ishida, Mizuki Noguchi:
Transition of instruments in The SINE WAVE ORCHESTRA. Comput. Entertain. 6(4): 52:1-52:18 (2008) - [c6]Hideki Yoshimoto, Kazuhiro Jo, Koichi Hori:
Design of installation with interactive UAVs. Advances in Computer Entertainment Technology 2008: 424 - [c5]Kazuhiro Jo, Norihisa Nagano:
Monalisa: "See the Sound , Hear the Image". NIME 2008: 315-318 - [c4]Kazuhiro Jo:
DrawSound: a drawing instrument for sound performance. TEI 2008: 59-62 - 2007
- [c3]Kumiyo Nakakoji, Kazuhiro Jo, Yasuhiro Yamamoto, Yoshiyuki Nishinaka, Mitsuhiro Asada:
Reproducing and Re-experiencing the Writing Process in Japanese Calligraphy. Tabletop 2007: 75-78 - 2005
- [c2]Kazuhiro Jo, Ken Furudate, Daisuke Ishida, Mizuki Noguchi:
The SINE WAVE ORCHESTRA stay. ACM Multimedia 2005: 571-573 - 2001
- [c1]Naoko Kubo, Kazuhiro Jo, Ken Matsunaga:
TSI (teething ring sound instrument): a design of the sound instrument for the baby. UIST 2001: 157-158
Coauthor Index
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last updated on 2024-07-20 21:16 CEST by the dblp team
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