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18th ISMIR 2017: Suzhou, China
- Sally Jo Cunningham, Zhiyao Duan, Xiao Hu, Douglas Turnbull:

Proceedings of the 18th International Society for Music Information Retrieval Conference, ISMIR 2017, Suzhou, China, October 23-27, 2017. 2017, ISBN 978-981-11-5179-8
Papers
- Sergio Oramas, Oriol Nieto, Francesco Barbieri, Xavier Serra:

Multi-Label Music Genre Classification from Audio, Text and Images Using Deep Features. 23-30 - Jeffrey Ens, Bernhard E. Riecke, Philippe Pasquier:

The Significance of the Low Complexity Dimension in Music Similarity Judgements. 31-38 - Kaustuv Kanti Ganguli, Preeti Rao:

Towards Computational Modeling of the Ungrammatical in a Raga Performance. 39-45 - Rafael Caro Repetto, Xavier Serra:

A Collection of Music Scores for Corpus Based Jingju Singing Research. 46-52 - Marius Miron, Jordi Janer, Emilia Gómez:

Monaural Score-Informed Source Separation for Classical Music Using Convolutional Neural Networks. 55-62 - Rachel M. Bittner, Brian McFee, Justin Salamon, Peter Li, Juan Pablo Bello:

Deep Salience Representations for F0 Estimation in Polyphonic Music. 63-70 - Justin Salamon, Rachel M. Bittner, Jordi Bonada, Juan J. Bosch, Emilia Gómez, Juan Pablo Bello:

An Analysis/Synthesis Framework for Automatic F0 Annotation of Multitrack Datasets. 71-78 - T. J. Tsai, Steven K. Tjoa, Meinard Müller:

Make Your Own Accompaniment: Adapting Full-Mix Recordings to Match Solo-Only User Recordings. 79-86 - Dmitry Bogdanov, Xavier Serra:

Quantifying Music Trends and Facts Using Editorial Metadata from the Discogs Database. 89-95 - Gabriel Vigliensoni, Ichiro Fujinaga:

The Music Listening Histories Dataset. 96-102 - Meijun Liu, Xiao Hu, Markus Schedl:

Artist Preferences and Cultural, Socio-Economic Distances Across Countries: A Big Data Perspective. 103-111 - Matthias Dorfer, Andreas Arzt, Gerhard Widmer:

Learning Audio-Sheet Music Correspondences for Score Identification and Offline Alignment. 115-122 - Bochen Li, Karthik Dinesh, Gaurav Sharma, Zhiyao Duan:

Video-Based Vibrato Detection and Analysis for Polyphonic String Music. 123-130 - Nick Gang, Blair Kaneshiro, Jonathan Berger, Jacek P. Dmochowski:

Decoding Neurally Relevant Musical Features Using Canonical Correlation Analysis. 131-138 - Keunwoo Choi, György Fazekas, Mark B. Sandler, Kyunghyun Cho:

Transfer Learning for Music Classification and Regression Tasks. 141-149 - Richard Vogl, Matthias Dorfer, Gerhard Widmer, Peter Knees:

Drum Transcription via Joint Beat and Drum Modeling Using Convolutional Recurrent Neural Networks. 150-157 - Jeroen Peperkamp, Klaus Hildebrandt, Cynthia C. S. Liem:

A Formalization of Relative Local Tempo Variations in Collections of Performances. 158-164 - François Pachet, Alexandre Papadopoulos, Pierre Roy:

Sampling Variations of Sequences for Structured Music Generation. 167-173 - H. G. Ranjani, Deepak Paramashivan, Thippur V. Sreenivas:

Quantized Melodic Contours in Indian Art Music Perception: Application to Transcription. 174-180 - Corentin Louboutin, Frédéric Bimbot:

Modeling the Multiscale Structure of Chord Sequences Using Polytopic Graphs. 181-187 - Brian McFee, Juan Pablo Bello:

Structured Training for Large-Vocabulary Chord Recognition. 188-194 - Zhengshan Shi, Kumaran Arul, Julius O. Smith III:

Modeling and Digitizing Reproducing Piano Rolls. 197-203 - Peter van Kranenburg, Geert Maessen:

Comparing Offertory Melodies of Five Medieval Christian Chant Traditions. 204-210 - Cheng-Zhi Anna Huang, Tim Cooijmans, Adam Roberts, Aaron C. Courville, Douglas Eck:

Counterpoint by Convolution. 211-218 - David M. Weigl, Kevin R. Page:

A Framework for Distributed Semantic Annotation of Musical Score: "Take It to the Bridge!". 221-228 - Junichi Suzuki, Tetsuro Kitahara:

A Music Player with Song Selection Function for a Group of People. 229-234 - Hendrik Schreiber, Meinard Müller:

A Post-Processing Procedure for Improving Music Tempo Estimates Using Supervised Learning. 235-242 - Venkata Subramanian Viraraghavan, Rangarajan Aravind, Hema A. Murthy:

A Statistical Analysis of Gamakas in Carnatic Music. 243-249 - Jia-Ling Syue, Li Su, Yi-Ju Lin, Pei-Ching Li, Yen-Kuang Lu, Yu-Lin Wang, Alvin W. Y. Su:

Accurate Audio-to-Score Alignment for Expressive Violin Recordings. 250-256 - Krish Narang, Preeti Rao:

Acoustic Features for Determining Goodness of Tabla Strokes. 257-263 - Siddharth Gururani, Alexander Lerch:

Automatic Sample Detection in Polyphonic Music. 264-271 - Kristen Masada, Razvan C. Bunescu:

Chord Recognition in Symbolic Music Using Semi-Markov Conditional Random Fields. 272-278 - Johan Pauwels

, Ken O'Hanlon, György Fazekas, Mark B. Sandler:
Confidence Measures and Their Applications in Music Labelling Systems Based on Hidden Markov Models. 279-285 - Aggelos Gkiokas, Vassilis Katsouros:

Convolutional Neural Networks for Real-Time Beat Tracking: A Dancing Robot Application. 286-293 - Christopher J. Tralie:

Early MFCC and HPCP Fusion for Robust Cover Song Identification. 294-301 - Xiao Hu, Kahyun Choi, Yun Hao, Sally Jo Cunningham, Jin Ha Lee, Audrey Laplante, David Bainbridge, J. Stephen Downie:

Exploring the Music Library Association Mailing List: A Text Mining Approach. 302-308 - Akira Maezawa:

Fast and Accurate: Improving a Simple Beat Tracker with a Selectively-Applied Deep Beat Identification. 309-315 - Michaël Defferrard, Kirell Benzi, Pierre Vandergheynst, Xavier Bresson:

FMA: A Dataset for Music Analysis. 316-323 - Li-Chia Yang, Szu-Yu Chou, Yi-Hsuan Yang:

MidiNet: A Convolutional Generative Adversarial Network for Symbolic-Domain Music Generation. 324-331 - David R. W. Sears, Andreas Arzt, Harald Frostel, Reinhard Sonnleitner, Gerhard Widmer:

Modeling Harmony with Skip-Grams. 332-338 - Steven Losorelli, Duc T. Nguyen, Jacek P. Dmochowski, Blair Kaneshiro:

NMED-T: A Tempo-Focused Dataset of Cortical and Behavioral Responses to Naturalistic Music. 339-346 - Eita Nakamura, Kazuyoshi Yoshii, Haruhiro Katayose:

Performance Error Detection and Post-Processing for Fast and Accurate Symbolic Music Alignment. 347-353 - Andreas Arzt, Gerhard Widmer:

Piece Identification in Classical Piano Music Without Reference Scores. 354-360 - Norbert Schnell, Diemo Schwarz, Joseph Larralde, Riccardo Borghesi:

PiPo, a Plugin Interface for Afferent Data Stream Processing Operators. 361-367 - Jianyu Fan, Kivanç Tatar, Miles Thorogood, Philippe Pasquier:

Ranking-Based Emotion Recognition for Experimental Music. 368-375 - Ryo Nishikimi, Eita Nakamura, Masataka Goto, Katsutoshi Itoyama, Kazuyoshi Yoshii:

Scale- and Rhythm-Aware Musical Note Estimation for Vocal F0 Trajectories Based on a Semi-Tatum-Synchronous Hierarchical Hidden Semi-Markov Model. 376-382 - Jordi Pons, Rong Gong, Xavier Serra:

Score-Informed Syllable Segmentation for A Cappella Singing Voice with Convolutional Neural Networks. 383-389 - Chitralekha Gupta, David Grunberg, Preeti Rao, Ye Wang:

Towards Automatic Mispronunciation Detection in Singing. 390-396 - Shuo Zhang, Rafael Caro Repetto, Xavier Serra:

Understanding the Expressive Functions of Jingju Metrical Patterns Through Lyrics Text Mining. 397-403 - Andrea Cogliati, Zhiyao Duan:

A Metric for Music Notation Transcription Accuracy. 407-413 - Ricardo S. Oliveira, Caio Nóbrega, Leandro Balby Marinho, Nazareno Andrade:

A Multiobjective Music Recommendation Approach for Aspect-Based Diversification. 414-420 - Adrien Ycart, Emmanouil Benetos:

A Study on LSTM Networks for Polyphonic Music Sequence Modelling. 421-427 - Rong Gong, Jordi Pons, Xavier Serra:

Audio to Score Matching by Combining Phonetic and Duration Information. 428-434 - Jordan B. L. Smith, Elaine Chew:

Automatic Interpretation of Music Structure Analyses: A Validated Technique for Post-Hoc Estimation of the Rationale for an Annotation. 435-441 - Rachel M. Bittner, Minwei Gu, Gandalf Hernandez, Eric J. Humphrey, Tristan Jehan, Hunter McCurry, Nicola Montecchio:

Automatic Playlist Sequencing and Transitions. 442-448 - Feynman T. Liang, Mark Gotham, Matthew Johnson, Jamie Shotton:

Automatic Stylistic Composition of Bach Chorales with Deep LSTM. 449-456 - Shengchen Li, Simon Dixon, Mark D. Plumbley:

Clustering Expressive Timing with Regressed Polynomial Coefficients Demonstrated by a Model Selection Test. 457-463 - Jiakun Fang, David Grunberg, Diane J. Litman, Ye Wang:

Discourse Analysis of Lyric and Lyric-Based Classification of Music. 464-471 - Jorge Calvo-Zaragoza, Jose J. Valero-Mas, Antonio Pertusa:

End-to-End Optical Music Recognition Using Neural Networks. 472-477 - Chia-Hao Chung, Yian Chen, Homer H. Chen:

Exploiting Playlists for Representation of Songs and Words for Text-Based Music Retrieval. 478-485 - Eduardo Fonseca, Jordi Pons, Xavier Favory, Frederic Font, Dmitry Bogdanov, Andres Ferraro, Sergio Oramas, Alastair Porter, Xavier Serra:

Freesound Datasets: A Platform for the Creation of Open Audio Datasets. 486-493 - Carlos Eduardo Cancino Chacón, Maarten Grachten, Kat Agres:

From Bach to the Beatles: The Simulation of Human Tonal Expectation Using Ecologically-Trained Predictive Models. 494-501 - Hiroaki Tsushima, Eita Nakamura, Katsutoshi Itoyama, Kazuyoshi Yoshii:

Function- and Rhythm-Aware Melody Harmonization Based on Tree-Structured Parsing and Split-Merge Sampling of Chord Sequences. 502-508 - Ning Chen, Shijun Wang:

High-Level Music Descriptor Extraction Algorithm Based on Combination of Multi-Channel CNNs and LSTM. 509-514 - Joe Cheri Ross, Abhijit Mishra, Kaustuv Kanti Ganguli, Pushpak Bhattacharyya, Preeti Rao:

Identifying Raga Similarity Through Embeddings Learned from Compositions' Notation. 515-522 - Dorian Cazau, Yuancheng Wang, Olivier Adam, Qiao Wang, Grégory Nuel:

Improving Note Segmentation in Automatic Piano Music Transcription Systems with a Two-State Pitch-Wise HMM Method. 523-530 - Jun-qi Deng, Yu-Kwong Kwok:

Large Vocabulary Automatic Chord Estimation with an Even Chance Training Scheme. 531-536 - Saumitra Mishra, Bob L. T. Sturm, Simon Dixon:

Local Interpretable Model-Agnostic Explanations for Music Content Analysis. 537-543 - Kosetsu Tsukuda, Keisuke Ishida, Masataka Goto:

Lyric Jumper: A Lyrics-Based Music Exploratory Web Service by Modeling Lyrics Generative Process. 544-551 - Rodrigo Schramm, Andrew McLeod, Mark Steedman, Emmanouil Benetos:

Multi-Pitch Detection and Voice Assignment for A Cappella Recordings of Multiple Singers. 552-559 - Jilt Sebastian, Hema A. Murthy:

Onset Detection in Composition Items of Carnatic Music. 560-567 - Shunya Ariga, Satoru Fukayama, Masataka Goto:

Song2Guitar: A Difficulty-Aware Arrangement System for Generating Guitar Solo Covers from Polyphonic Audio of Popular Music. 568-574 - Emilia Parada-Cabaleiro, Anton Batliner, Alice Baird, Björn W. Schuller:

The SEILS Dataset: Symbolically Encoded Scores in Modern-Early Notation for Computational Musicology. 575-581 - Audrey Laplante, Timothy D. Bowman, Nawel Aamar:

"I'm at #Osheaga!": Listening to the Backchannel of a Music Festival on Twitter. 585-591 - Léopold Crestel, Philippe Esling, Lena Heng, Stephen McAdams:

A Database Linking Piano and Orchestral MIDI Scores with Application to Automatic Projective Orchestration. 592-598 - Jiajie Dai, Simon Dixon:

Analysis of Interactive Intonation in Unaccompanied SATB Ensembles. 599-605 - Carl Southall, Ryan Stables, Jason Hockman:

Automatic Drum Transcription for Polyphonic Recordings Using Soft Attention Mechanisms and Convolutional Neural Networks. 606-612 - Chih-Wei Wu, Alexander Lerch:

Automatic Drum Transcription Using the Student-Teacher Learning Paradigm with Unlabeled Music Data. 613-620 - Hyungui Lim, Seungyeon Rhyu, Kyogu Lee:

Chord Generation from Symbolic Melody Using BLSTM Networks. 621-627 - Hoon Heo, Hyunwoo J. Kim, Wan Soo Kim, Kyogu Lee:

Cover Song Identification with Metric Learning Using Distance as a Feature. 628-634 - Katherine M. Kinnaird:

Examining Musical Meaning in Similarity Thresholds. 635-641 - Frank Zalkow, Christof Weiß, Meinard Müller:

Exploring Tonal-Dramatic Relationships in Richard Wagner's Ring Cycle. 642-648 - Jonas Langhabel, Robert Lieck, Marc Toussaint, Martin Rohrmeier:

Feature Discovery for Sequential Prediction of Monophonic Music. 649-656 - Yifei Teng, Anny Zhao, Camille Goudeseune:

Generating Nontrivial Melodies for Music as a Service. 657-663 - Vytaute Kedyte, Maria Panteli, Tillman Weyde, Simon Dixon:

Geographical Origin Prediction of Folk Music Recordings from the United Kingdom. 664-670 - Iris Yuping Ren, Hendrik Vincent Koops, Anja Volk, Wouter Swierstra:

In Search of the Consensus Among Musical Pattern Discovery Algorithms. 671-678 - Ajay Srinivasamurthy, Andre Holzapfel, Xavier Serra:

Informed Automatic Meter Analysis of Music Recordings. 679-685 - Karim M. Ibrahim, David Grunberg, Kat Agres, Chitralekha Gupta, Ye Wang:

Intelligibility of Sung Lyrics: A Pilot Study. 686-693 - Alexandros Tsaptsinos:

Lyrics-Based Music Genre Classification Using a Hierarchical Attention Network. 694-701 - Georgi Dzhambazov, Andre Holzapfel, Ajay Srinivasamurthy, Xavier Serra:

Metrical-Accent Aware Vocal Onset Detection in Polyphonic Audio. 702-708 - Eric J. Humphrey, Nicola Montecchio, Rachel M. Bittner, Andreas Jansson, Tristan Jehan:

Mining Labeled Data from Web-Scale Collections for Vocal Activity Detection in Music. 709-715 - Jordan B. L. Smith, Masataka Goto:

Multi-Part Pattern Analysis: Combining Structure Analysis and Source Separation to Discover Intra-Part Repeated Sequences. 716-723 - Jorge Calvo-Zaragoza, Gabriel Vigliensoni, Ichiro Fujinaga:

One-Step Detection of Background, Staff Lines, and Symbols in Medieval Music Manuscripts with Convolutional Neural Networks. 724-730 - Eelco van der Wel, Karen Ullrich:

Optical Music Recognition with Convolutional Sequence-to-Sequence Models. 731-737 - Cheng-i Wang, Gautham J. Mysore, Shlomo Dubnov:

Re-Visiting the Music Segmentation Problem with Crowdsourcing. 738-744 - Andreas Jansson, Eric J. Humphrey, Nicola Montecchio, Rachel M. Bittner, Aparna Kumar, Tillman Weyde:

Singing Voice Separation with Deep U-Net Convolutional Networks. 745-751 - Louis Bigo, Mathieu Giraud, Richard Groult, Nicolas Guiomard-Kagan, Florence Levé:

Sketching Sonata Form Structure in Selected Classical String Quartets. 752-759

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