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Gerhard Eckel
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2020 – today
- 2020
- [c24]Ludvig Elblaus, Gerhard Eckel:
utruchirp: an impulse response measurement and auralisation tool developed for artistic practice. Audio Mostly Conference 2020: 61-68 - [c23]Ludvig Elblaus, Gerhard Eckel:
Acoustic modelling as a strategy for composing site-specific music. Audio Mostly Conference 2020: 69-76
2010 – 2019
- 2014
- [c22]Gerhard Eckel, Martin Rumori:
StiffNeck: The Electroacoustic Music Performance Venue in a Box. ICMC 2014 - 2012
- [c21]Gerhard Eckel, Martin Rumori, David Pirrò
, Ramón González-Arroyo:
A Framework for the Choreography of sound. ICMC 2012 - 2011
- [c20]Hanns Holger Rutz
, Eduardo R. Miranda, Gerhard Eckel:
Reproducibility and random access in sound synthesis. ICMC 2011 - [c19]David Pirrò, Gerhard Eckel:
Physical Modelling Enabling Enaction: an Example. NIME 2011: 461-464 - 2010
- [j1]Péter Balázs, Bernhard Laback
, Gerhard Eckel, Werner A. Deutsch:
Time-Frequency Sparsity by Removing Perceptually Irrelevant Components Using a Simple Model of Simultaneous Masking. IEEE Trans. Speech Audio Process. 18(1): 34-49 (2010) - [c18]Tim Niemüller, Alexander Ferrein
, Gerhard Eckel, David Pirrò, Patrick Podbregar, Tobias Kellner, Christof Rath, Gerald Steinbauer:
Providing Ground-Truth Data for the Nao Robot Platform. RoboCup 2010: 133-144
2000 – 2009
- 2009
- [c17]Katharina Vogt, David Pirrò
, Ingo Kobenz, Robert Höldrich, Gerhard Eckel:
PhysioSonic - Evaluated Movement Sonification as Auditory Feedback in Physiotherapy. CMMR/ICAD 2009: 103-120 - [c16]Anna Saranti, Gerhard Eckel, David Pirrò
:
Quantum Harmonic Oscillator Sonification. CMMR/ICAD 2009: 184-201 - [c15]Gerhard Eckel, David Pirrò
:
On Artistic Research in the Context of the Project Embodied Generative Music. ICMC 2009 - 2008
- [c14]Davide Rocchesso
, Stefania Serafin
, Frauke Behrendt
, Nicola Bernardini, Roberto Bresin
, Gerhard Eckel, Karmen Franinovic
, Thomas Hermann
, Sandra Pauletto
, Patrick Susini, Yon Visell:
Sonic interaction design: sound, information and experience. CHI Extended Abstracts 2008: 3969-3972 - 2007
- [c13]Johannes Zmölnig, Gerhard Eckel:
Live coding: an Overview. ICMC 2007 - 2001
- [c12]Gerhard Eckel:
Immersive Audio-Augmented Environments: The LISTEN Project. IV 2001: 571-573
1990 – 1999
- 1999
- [c11]Gerhard Eckel:
Kinetic Sound Sculptures: Stele and Viola Spezzata. ICMC 1999 - 1997
- [c10]Ping Dai, Gerhard Eckel, Martin Göbel, Frank Hasenbrink, Vali Lalioti, Ulrike Lechner, Johannes Strassner, Henrik Tramberend, Gerold Wesche:
Virtual Spaces - VR Projection System Technologies and Applications. Eurographics (Tutorials) 1997 - 1996
- [c9]Barbara Becker, Gerhard Eckel:
On the Use of Computer Systems in Contemporary Music. ICMC 1996 - [c8]Gerhard Eckel:
Camera Musica: Virtual Architecture as Medium for the Exploration of Music. ICMC 1996 - 1995
- [c7]Gerhard Eckel, Manuel Rocha Iturbide:
The Development of GiST, a Granular Synthesis Toolkit Based on an Extension of the FOF Generator. ICMC 1995 - 1994
- [c6]Barbara Becker, Gerhard Eckel:
Zum Verhältnis von Kunst und Technologie - dargestellt am Beispiel der zeitgenössischen Musik. GI Jahrestagung 1994: 488-491 - [c5]Gerhard Eckel, Ramon Gonzales-Arroyo:
Musically Salient Control Abstractions for Sound Synthesis. ICMC 1994 - 1993
- [c4]Philippe Depalle, Xavier Rodet, Thierry Galas, Gerhard Eckel:
Generalized Diphone Control. ICMC 1993 - 1990
- [c3]Gerhard Eckel:
A Signal Editor for the IRCAM Musical Workstation. ICMC 1990
1980 – 1989
- 1988
- [c2]Xavier Rodet, Gerhard Eckel:
Dynamic Patches: Implementation and Control in the SUN-Mercury Workstation. ICMC 1988 - 1987
- [c1]Gerhard Eckel, Xavier Rodet, Yves Potard:
A Sun-Mercury Music Workstation. ICMC 1987
Coauthor Index
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