default search action
Google
Google Scholar
Semantic Scholar
Internet Archive Scholar
CiteSeerX
ORCID21st ICMC 1995: Banff, AB, Canada
- Proceedings of the 1995 International Computer Music Conference, ICMC 1995, Banff, AB, Canada, September 3-7, 1995. Michigan Publishing 1995
- Barry Truax:
Sound in Context: Soundscape Research and Composition at Simon Fraser University. - Alessandro Cipriani:
Towards an Electroacoustic Tradition. - Sever Tipei:
For an Intelligent Use of Computers in Music Composition. - Mary Simoni:
A Survey of Gender Issues Related to Computer Music and Strategies for Change. - Kevin Jones:
The Algorithmic Muse: New Listening Paradigms and the Harmonies of Chaos. - Fernando Lopez-Lezcano:
CCRMA Studio Report. - Marcia L. Bauman, Thomas Gerwin:
The International Digital Electroacoustic Music Archive. - Tamas Ungvary, Peter Mechtler:
The Institute of Electroacoustics and Experimental Music at the Vienna University of Music. - Ivar Frounberg:
The Electro-acoustic Music Studio at the Royal Academy of Music, Copenhagen. - Mark Sullivan:
Computer Music Studios at Michigan State University. - Anna I. Katrami, Peter J. Comerford, Barry Eaglestone:
Computer Music at the University of Bradford. - Silvia Matheus, Tom Keller:
Audio Game Interactive Performance. - Marc-Pierre Verge, René Caussé, Abraham Hischberg:
A Physical Model of Recorder-Like Instruments. - Richard W. Dobson, John P. Fitch:
Experiments with Chaotic Oscillators. - Jonathan P. Mackenzie:
Chaotic Predictive Modelling of Sound. - Chris Chafe:
Adding Vortex Noise to Wind Instrument Physical Models. - Nick Porcaro, Pat Scandalis, Julius O. Smith III, David A. Jaffe, Tim Stilson:
SynthBuilder Demonstration - A Graphical Real-Time Synthesis, Processing and Performance System. - Mara Helmuth, Aladin Ibrahim:
The FCurve Sound Generator with Granular Synthesis. - Roger B. Dannenberg, Dean Rubine:
Toward Modular, Portable, Real-Time Software. - Gérard Assayag:
Visual Programming in Music. - François Déchelle, Maurizio De Cecco:
The IRCAM Real-Time Platform and Applications. - Brett Terry:
Score Views - An Object-Oriented Approach to a Graphical Computer Music Synthesis Environment. - Philippe Depalle, Stephan Tassart:
State Space Sound Synthesis and a State Space Sythensiser Builder. - Eric Incerti, Claude Cadoz:
Topology, Geometry, Matter of Vibrating Structures Simulated with CORDIS-ANIMA. Sound Synthesis Methods. - Fernando Lopez-Lezcano:
PadMaster: An Improvisation Environment for Real Time Performance. - Yushi Aono, Haruhiro Katayose, Seiji Inokuchi:
An Improvisational Accompaniment System Observing Performer's Musical Gesture. - Perry R. Cook:
A Hierarchical System for Controlling Synthesis by Phyical Modeling. - Tim Stilson:
General Wierdness with the Karplus-Strong String. - David P. Berners, Julius O. Smith III:
Super-Spherical Wave Simulation in Flaring Horns. - Steven Trautmann:
A Physical String Model with a Twist. - Juan Antonio Lleó, Andrés Loiseau Lazarte, Roger Gilabert Guerrero:
MIDIVERSO: A Virtual Reality Music Installation. - Lippold Haken, Dorothea Blostein:
A New Algorithm for Horizontal Spacing of Printed Music. - Stephan Dunkelman:
Vertically Read Notation. - David P. Chapman:
A Computer Music System for Hierarchical Sound Construction. - Steve Netherton, Gary S. Kendall:
A Software Compressor for Computer Music Applications. - Stephen Travis Pope:
Computer Music Workstations I Have Known and Loved. - Insook Choi:
On Perfoming a Listener: What is Missing, Paganini? - Hannah Bosma:
Male and Female Voices in Computer Music. - Charles Bestor:
Music, Sculpture, Light and Text: A Study in Installation Art. - Brian Evans:
Computer Music Across Disciplines in an Undergraduate Curriculum. - Brad Garton, Terence Pender, Douglas Geers:
The Cincinnati Conservatory of Music, Computer Music Studio. - Jøran Rudi:
NoTAM Studio Report. - Nicola Bernardini:
The Centro Tempo Reale. - Nicola Bernardini, Graziano Tisato, Michele Manfrin:
The POOLman Project. - Kelly Fitz, Lippold Haken:
Bandwidth Enhanced Sinusoidal Modeling in Lemur. - Kelly Fitz, Lippold Haken, Bryan Holloway:
Lemur - A Tool for Timbre Manipulation. - Lippold Haken:
Real-Time Timbre Modificiations Using Sinusoidal Parameter Streams. - Stephen Horenstein:
Interactive Works: New Problems and Potentials. - Isao Hidaka, Masataka Goto, Yoichi Muraoka:
An Automatic Jazz Accompaniment System Reacting to Solo. - Masataka Goto, Yoichi Muraoka:
A Real-Time Beat Tracking System for Audio Signals. - Miller S. Puckette:
Score Following Using the Sung Voice. - Nicola Bernardini, Alvise Vidolin:
Real-Time Sound Hybridization. - Brad Cariou:
A Demonstration of the aXiǿ Controller. - Bennett Brecht, Guy E. Garnett:
Conductor Following. - Bertrand Coüasnon, Bernard Rétif:
Using a Grammar for a Reliable Full Score Recognition System. - Bruce W. Pennycook:
Music Library of the Future: A Pilot Project. - Douglas Keislar, Thom Blum, James Wheaton, Erling Wold:
Audio Analysis for Content-Based Retrieval. - Oliver Zahorka:
PrediBase - Controlling Semantics of Symbolic Structures in Music. - Xavier Rodet:
One and Two Mass Model Oscillations for Voice and Instruments. - Andrew Horner, Ngai-Man Cheung, James W. Beauchamp:
Genetic Algorithm Optimization of Additive Synthesis Envelope Breakpoints and Group Synthesis Parameters. - Harold Foruin:
The Clavette: A Generalized Microtonal MIDI Keyboard Controller. - Russell F. Pinkston, Jim Kerkhoff, Mark McQuilken:
A Touch Sensitive Dance Floor/MIDI Controller. - Richard Orton, Ross Kirk, Andy Hunt:
Partial-Balancing Instruments with Dynamically Refreshed Wavetables. - Ian S. Gibson, David M. Howard:
Intuitive and Dynamic Control of Synthesized Sounds by Voice. - Allan S. C. Lee:
CSOUND Granular Synthesis Unit Generator. - Eduardo Reck Miranda:
Cellular Automata Synthesis of Acoustic Particles. - Nicholas Thompson, Roger B. Dannenberg:
Optimizing Software Synthesis Performance. - Belinda Thom, Roger B. Dannenberg:
Predicting Chords in Jazz. - Todd Winkler:
Composing Interactive Music: A Pedagogical Approach to Teaching Interactive Composition. - Russell Ovans, David Murphy, Timothy Bartoo:
The Infinite Delay Line: Granulation as an In-Line Effect. - Steven Trautmann:
Toward a CLM Sound Localization Instrument Employing Modified Wavefront Reconstruction. - Antonio Camurri:
Interactive Dance/Music Systems. - Roel Vertegaal, Tamas Ungvary:
The Sentograph: Input Devices and the Communication of Bodily Expression. - Hideyuki Sawada, Shin'Ya Ohkura, Shuji Hashimoto:
Gesture Analysis Using 3D Acceleration Sensor for Music Control. - Todd Winkler:
Making Motion Musical: Gesture Mapping Strategies for Interactive Computer Music. - Tsutomu Kanamori, Haruhiro Katayose, Yushi Aono, Seiji Inokuchi, Takashi Sakaguchi:
Sensor Integration for Interactive Digital Art. - Peter Otto, Miller S. Puckette:
Department of Music, University of California, San Diego. - Stephen Arnold, Celia Duffy:
An Integrated Environment for Music Education. - Christopher Dobrian:
iEAR Studios Rensselaer Polytechnic Institute. - Stephen Arnold, Derek R. Mcauley, Ken C. Sharman:
Multi-Participant Interactive Music Services. - Gary S. Kendall:
3-D Sound Demonstration: "Sex/Windows". - Igor Popovic, Ronald R. Coifman, Jonathan Berger:
Aspects of Pitch-Tracking and Timbre Separation: Feature Detection in Digital Audio Using Adapted Local Trigonometric Bases and Wavelet Packages. - Andrew Choi:
A Least-Square Algorithm for Fundamental Frequency Estimation. - Jonathan Berger, Maxim J. Goldberg, Ronald R. Coifman:
A Two-Stage Automatic Adaptive Process to Remove Noise from an Audio Signal. - Todor Todoroff, Éric Daubresse, Joshua Fineberg:
IANA: A Real-Time Environment for Analysis and Extraction of Frequency Components of Complex Orchestral Sounds and its Application within a Musical Realization. - Jean-Marc Jot, Olivier Warusfel:
A Real-Time Spatial Sound Processor for Music and Virtual Reality Applications. - Gerhard Eckel, Manuel Rocha Iturbide:
The Development of GiST, a Granular Synthesis Toolkit Based on an Extension of the FOF Generator. - Adrian Freed:
Bring Your Own Control to Additive Synthesis. - Larry Polansky, Tom Erbe:
Spectral Mutation in Soundhack: A Brief Description. - Stephen William Berkley:
QUICKMQ: A Software Tool for the Modification of Time-Varying Spectrum Analysis Files. - Todor Todoroff:
Real-Time Granular Morphing and Spatialisation of Sounds with Gestual Control within MAX/FTS. - Scott A. Van Duyne, Julius O. Smith III:
Developments for the Commuted Piano. - Vesa Välimäki, Timo I. Laakso, Jonathan P. Mackenzie:
Elimination of Transients in Time-Varying Allpass Fractional Delay Filteres with Applications to Digital Waveguide Modeling. - Julius O. Smith III, Scott A. Van Duyne:
Commuted Piano Synthesis. - David A. Jaffe, Julius O. Smith III:
Performance Expression in Commuted Waveguide Synthesis of Bowed Strings. - John A. Biles, William G. Eign:
GenJam Populi: Training an IGA via Audience-Mediated Performance. - Michael Gogins:
Gabor Synthesis of Recurrent Iterated Function Systems. - Hans G. Kaper, David Ralley, Juan Restrepo, Sever Tipei:
Additive Synthesis with DIASS_M4C on Argonne National Laboratory's IBM POWERparallel System (SP). - Hans Lunell:
An Extendible Tool for CAC. - Michael Goodwin, Alex Kogon:
Overlap-Add Synthesis of NonStationary Sinusoids. - Anna I. Katrami, Tom Ingall:
A Multimedia Environment for Computer Music. - René Caussé, Philippe Dérogis:
Radiation of Musical Instruments and Improvement of the Sound Diffusion Techniques for Synthesized, Recorded, or Amplified Sounds (Revisited). - Shuji Hashimoto, Dingding Chang:
Music Generation from Moving Image. - Georg Hajdu:
Circularity in Neural Computation and its Application to Musical Composition. - Tim Anderson, Ross Kirk:
Customisable Frameworks for Compositional Activity. - Yoichi Nagashima, Haruhiro Katayose, Seiji Inokuchi:
A Compositional Environment with Intersection and Interaction between Musical Model and Graphical Model: "Listen to the Graphics, Watch the Music". - Ian J. Taylor, B. F. Schultz:
The GRID Musical-Signal Processing System. - Robin Bargar, Bryan Holloway, Xavier Rodet, Chris Hartman:
Defining Spectral Surfaces. - Heinrich Taube, Tobias Kunze:
Capella: A Graphical Interface for Algorithmic Composition. - Richard Polfreman, John Sapsford-Francis:
A Human Factors Approach to Computer Music Systems User-Interface Design. - Insook Choi, Robin Bargar, Camille Goudeseune:
A Manifold Interface for a High Dimensional Control Space. - Peter Desain, Henkjan Honing:
Towards Algorithmic Descriptions of Continuous Modulations of Musical Parameters. - Rolf Wöhrmann, Ludger Solbach:
Preprocessing for the Automated Transcription of Polyphonic Music: Linking Wavelet Theory and Auditory Filtering. - Jonathan P. Mackenzie, Izzet Kale, Gerald D. Cain:
Applying Balanced Model Truncation to Sound Analysis/Synthesis Models. - Yoshinari Sasahira, Shuji Hashimoto:
Voice Pitch Changing by Linear Predictive Coding Method to Keep the Singer's Personal Timbre. - Naotoshi Osaka:
Timbre Interpolation of Sounds Using a Sinusoidal Model. - Simon C. Roberts, Mike Greenhough:
Rhythmic Pattern Processing Using a Self-Organising Neural Network. - Ken-ichi Ohya:
A Sound Synthesis by Recurrent Neural Network. - Axel Röbel:
Neural Networks for Modeling Time Series of Musical Instruments. - Tim Shuttleworth, Roland Wilson:
A Neural Network for Triad Classification. - Ian J. Taylor, Mike Greenhough:
Neural Network Pitch Tracking Over the Pitch Continuum. - Linda Irwin, Michael Alcorn:
CSound Tutorial. - Matthew Moller, David Zicarelli:
The Distributed Real-Time Groove Network: A System for Real-Time Musical Collaboration on the Internet. - Jeremy L. Leach, John P. Fitch:
The Application of Differential Equations to the Modeling of Musical Change. - Dan Gang, Daniel Lehmann:
An Artificial Neural Net for Harmonizing Melodies. - Brian J. Ross:
A Process Algebra for Stochastic Music Composition. - Bruce L. Jacob:
Composing with Genetic Algorithms. - Christopher Dobrian:
Algorithmic Generation of Temporal Forms: Hierarchical Organization of Stasis and Transition. - Shlomo Dubnov, Naftali Tishby:
Clustering Musical Sounds Using Polyspectral Distance Measures. - Rajmil Fischman:
A Systematic Approach to the Analysis of Music for Tape. - Christopher James Langmead:
Sound Analysis, Comparison and Modification Based on Perceptual Model of Timbre. - Daniel V. Oppenheim:
Demonstrating MMorph: A System for Morphing Music in Real-Time. - Gary S. Kendall, Lonny Chu:
The Sound of Fruits and Vegetables: Scientific Visualization with Auditory Tokens. - Andrew Horner, Lydia Ayers:
Harmonization of Musical Progressions with Genetic Algorithms. - Steffen Brandorff, Ole Caprani, Peter Møller-Nielson, Morton Lave:
Felix-The DIEM Multiple DSP Box - Still in Progress. - Toshiaki Matsushima, Rie Nagasawa:
Multimedia System for Shakuhachi Tablature. - Leonard Manzara:
Accurate Computer Simulation of Acoustic space. - Mark A. Bromwich:
A Single Performer Controlled Interface for Electronic Dance/Music Theatre. - Takebumi Itagaki, Peter D. Manning, Alan Purvis:
An Implementation of Real-time Granular Synthesis on a Multi-Processor Network. - Malcolm E. Bell:
A MAX Counterpoint Generator for Simulating Stylistic Traits of Stravinsky, Bartok, and other Composers. - Thomas Neuhaus:
PPP - A Framework or Algorithmic Composition. - Ross Kirk, Paul Whittington, Andy Hunt, Richard Orton:
Graphical Control of Unit Generator Processes on the MIDAS System: A Digital VCS-3 Demonstrator. - David Ralley:
Genetic Algorithms as a Tool for Melodic Development. - Kai Lassfolk:
Sound Processing Kit. - Haruhiro Katayose, Seiji Inokuchi:
A Model of Pattern Processing for Music. - Magnus Eldénius:
Fractal Structures and Formalized Composition. - Matti Karjalainen, Vesa Välimäki, Bertrand Hernoux, Jyri Huopaniemi:
Explorations of Wind Instruments Using Digital Signal Processing and Physical Modeling Techniques. - Tim Stilson:
Forward-Going Wave Extraction in Acoustic Tubes. - Gary P. Scavone:
Digital Waveguide Modeling of the Non-Linear Excitation of Single-Reed Woodwind Instruments. - Perry R. Cook:
Integration of Physical Modeling for Synthesis and Animation. - Forrest Tobey:
The Ensemble Member and the Conducted Computer. - Claude Cadoz, Jean-Loup Florens, Annie Luciani:
Musical Sounds, Animated Images with CORDIS-ANIMA and its Multimodal Interfaces. - Guerino Mazzola:
Inverse Performance Theory. - Paul Hudak, Jonathan Berger:
A Model Performance, Interaction and Improvisation. - Stéphane Letz, Yann Orlarey, Dominique Fober:
Real Time Functional Languages. - Andra McCartney:
Whose Playground, Which Games and What Rules?: Women Composers in the Digital Playground. - Cleve L. Scott:
Music Engineering Technology: An Undergraduate Curriculum. - James Harley, Marc Couroux:
The Residents: Musical Deconstruction of Popular Culture. - Dominique M. Richard:
Computer Music and the Pre(Anti(Post(Non(Modern)))). - Roel Vertegaal:
The Standard Instrument Space Libraries: Demonstrating the Power of ISEE. - Gary S. Kendall, Mathew D. Moller:
Spatial Sound Effects in a Software Effects Processor. - Mark Pearson, David M. Howard:
A Musicians Approach to Physical Modeling. - Martin Atkins, Tom Endrich:
The CDP Composing Environment. - Fernando Iazzetta:
A Semiotic Approach to Music Interaction. - Jason Vantomme:
An Introduction of Musical Structure Using Correlation. - Campbell D. Foster:
A Consonance Dissonance Algorithm for Intervals. - Joel Chadabe:
Interactive Performance. - Crawford Tait:
Audio Analysis for Rhythmic Structure. - Robert R. Hölderich:
An Accurate Signal Representation for Sound Resynthesis Utilizing a Time-Frequency Mapping of the DFT-Magnitude. - Ross Kirk, Andy Hunt, Richard Orton:
Audio-Visual Instruments in Live Performance. - Thomas Noll:
Fractal Depth Structure of Tonal Harmony. - Shu Matsuda, Takayuki Rai:
A Visual-to-Sound Interactive Computer Performance System 'Edge'.
manage site settings
To protect your privacy, all features that rely on external API calls from your browser are turned off by default. You need to opt-in for them to become active. All settings here will be stored as cookies with your web browser. For more information see our F.A.Q.
last updated on 2024-09-26 01:03 CEST by the dblp team
all metadata released as open data under CC0 1.0 license
see also: Terms of Use | Privacy Policy | Imprint
dblp was originally created in 1993 at:
since 2018, dblp has been operated and maintained by:
the dblp computer science bibliography is funded and supported by:
