30. SIGGRAPH 2003: San Diego, California, USA

• 
  Alyn P. Rockwood:
  Proceedings of the SIGGRAPH 2003 Conference on Sketches & Applications: in conjunction with the 30th annual conference on Computer graphics and interactive techniques, 2003, San Diego, California, USA, July 27-31, 2003. ACM 2003

Rendering

• 
  Renato Pajarola, Miguel Sainz, Patrick Guidotti:
  Object-space point blending and splatting.
• 
  Vlastimil Havran, Cyrille Damez, Karol Myszkowski, Hans-Peter Seidel:
  An efficient spatio-temporal architecture for animation rendering.
• 
  Haarm-Pieter Duiker, Thomas Driemeyer:
  Multipass rendering in mental ray.

BRDF

• 
  Jochen Lang, Hans-Peter Seidel, Hendrik P. A. Lensch:
  View planning for BRDF acquisition.
• 
  Tom Mertens, Jan Kautz, Philippe Bekaert, Hans-Peter Seidel, Frank Van Reeth:
  Interactive rendering of translucent deformable objects.
• 
  Anders Hast, Tony Barrera, Ewert Bengtsson:
  Fast specular highlights by modifying the Phong-Blinn model.
• 
  Masaki Kameya, Robert R. Lewis:
  A smooth, fast, accurate representation of reflectance.

Modeling

• 
  Ramón Montoya-Vozmediano:
  "Knot insertion" on subdivision surfaces.
• 
  Carlos Gonzalez-Ochoa, Mark Hammel:
  Tile representation of subdivision surfaces.
• 
  Steve Zelinka, Michael Garland:
  Mesh modelling with curve analogies.
• 
  Thomas V. Thompson II, Ernest J. Petti, Chuck Tappan:
  XGen: arbitrary primitive generator.
• 
  Carlo H. Séquin, Kiha Lee:
  Fair and robust circle splines.

Visual innovations

• 
  Eileen Vote, Daniel Acevedo Feliz, Cullen D. Jackson, Jason S. Sobel, David H. Laidlaw:
  Design-by-example: a schema for designing visualizations using examples from art.
• 
  Andrzej Zarzycki:
  Im/possible images: registering the unnoticeable the collapse series (No.2, No.3, No.4, No.10).
• 
  Agueda Simó:
  A horizontal stereoscopic projection system for working at the artist studio & Mimesis, the function that made the organ.
• 
  Laurent Denoue, Les Nelson, Elizabeth F. Churchill:
  Implementing a paper flier metaphor using cloth simulation.
• 
  Saty Raghavachary:
  Firefly flash synchronization.

Building character

• 
  Paul George:
  "Jordan vs Jordan" recreating the basketball legend.
• 
  Vico Sharabani:
  Point constraint rig (PCR).

Augmented & mobile reality

• 
  Oliver Bimber, Anselm Grundhöfer, Gordon Wetzstein, Sebastian Knödel:
  Consistent illumination within optical see-through augmented environments.
• 
  Ronald Reisman, Stephen Ellis:
  Augmented reality for air traffic control towers.
• 
  Clodagh Rossi, Alan Cummins, Carol O'Sullivan:
  Distributed mobile multi-user urban simulation.
• 
  Jonathan Cook, Simon Gibson, Toby Howard, Roger J. Hubbold:
  Real-time photo-realistic augmented reality for interior design.

Level of detail

• 
  Jonathan D. Cohen, David P. Luebke, Nathaniel Duca, Brenden Schubert:
  GLOD: a driver-level interface for geometric level of detail.
• 
  Louis Borgeat, Pierre-Alexandre Fortin, Guy Godin:
  A fast hybrid geomorphing LOD scheme.
• 
  Maryann Simmons, Dave Shreiner:
  Per-pixel smooth shader level of detail.
• 
  J. Andreas Bærentzen, Niels Jørgen Christensen:
  From layered depth images to continuous LOD impostors.
• 
  Kei Utsugi, Toshio Moriya, N. Nonaka, Haruo Takeda:
  LOD of video avatar for walkthrough applications.

Social networks

• 
  Danah Boyd, Jeffrey Potter:
  Social network fragments: an interactive tool for exploring digital social connections.
• 
  Pietro Mazzoleni, Elisa Bertino, Stefano Valtolina, Elena Ferrari, C. Boeri:
  ViRdB: integrating virtual reality and multimedia databases for customized visualization of cultural heritage.
• 
  Ed Angel, Hue Walker Baumgarner-Kirby, David Beining:
  Creating dome animations with the Digital Pueblo Project.
• 
  Casey Reas, Benjamin Fry:
  Processing: a learning environment for creating interactive Web graphics.

Surface reconstruction

• 
  Marek Teichmann, Zhaoheng Liu:
  Non convex mesh penetration distance for rigid body dynamics.
• 
  Oli Cooper, Neill W. Campbell, David P. Gibson:
  Automated meshing of sparse 3D point clouds.
• 
  Ravi Krishna Kolluri, Jonathan Richard Shewchuk, James F. O'Brien:
  Spectral watertight surface reconstruction.
• 
  Askold V. Strat, Manuel M. Oliveira:
  Casual 3D photography.

Interaction

• 
  Jackie Morie, K. Iyer, K. Valanejad, R. Sadek, David Miraglia, D. Milam, Josh Williams, D. P. Luigi, J. Leshin:
  Sensory design for virtual environments.
• 
  Jürgen Zauner, Michael Haller, Alexander Brandl, Werner Hartmann:
  Authoring of a mixed reality furniture assembly instructor.
• 
  John Payne:
  Evaluation of a combined 2D/3D interface for micro electro mechanical systems (MEMS) design.

Sound & dance

• 
  Tristan Jehan, Michael Lew, Cati Vaucelle:
  Cati dance: self-edited, self-synchronized music video.
• 
  Reiko Miyazaki, Issei Fujishiro, Rumi Hiraga:
  Exploring MIDI datasets.
• 
  J. R. Parker, Sonny Chan:
  Sound synthesis for the Web, games, and virtual reality.
• 
  Roula Salim Ghalayini:
  Sound articulation, lip movement and letter visualisation in the Arabic language.

2D or not 2D

• 
  Farzam Farbiz, Adrian David Cheok, Paul Lincoln:
  Automatic Asian art: computers converting photos to Asian paintings using humanistic fuzzy logic rules.
• 
  Gordon Farrell, Julia Taylor-Hell, F. David Fracchia:
  Effective toon ink rendering for episodic television.
• 
  Yi-Bo Zhu, Chen-Jia Li, I. Fan Shen, Kwan-Liu Ma, Aleksander Stompel:
  A new form of traditional art: visual simulation of Chinese shadow play.

Video techniques

• 
  Wei-Chao Chen, Lars S. Nyland, Anselmo Lastra, Henry Fuchs:
  Acquisition of large-scale surface light fields.
• 
  Bastian Goldlücke, Marcus A. Magnor:
  Robust depth estimation from multiple video streams for dynamic light field rendering.
• 
  Karl Timm:
  Real-time view morphing of video streams.
• 
  Takayoshi Koyama, Itaru Kitahara, Yuichi Ohta:
  Live 3D video in soccer stadium.

Art installations

• 
  Winslow Burleson, Paul Nemirovsky, Dan Overholt:
  Hydrogen wishes.
• 
  Dave Pape, Josephine Anstey:
  "Falling over you" interactive wall.

The Matrix revealed

• 
  George Borshukov:
  Measured BRDF in film production: realistic cloth appearance for "The Matrix Reloaded".
• 
  Tadao Mihashi, Christina Tempelaar-Lietz, George Borshukov:
  Generating realistic human hair for "The Matrix Reloaded".
• 
  George Borshukov, John P. Lewis:
  Realistic human face rendering for "The Matrix Reloaded".
• 
  George Borshukov, Dan Piponi, Oystein Larsen, John P. Lewis, Christina Tempelaar-Lietz:
  Universal capture: image-based facial animation for "The Matrix Reloaded".
• 
  Haarm-Pieter Duiker:
  Lighting reconstruction for "The Matrix Reloaded".

Hardware algorithms

• 
  Andrew Ostler:
  The Primal seas: water on PlayStation 2.
• 
  Ivan Neulander:
  Image-based diffuse lighting using visibility maps.
• 
  Ian Stephenson:
  Implementing RenderMan on the Sony PS2.

Different strokes

• 
  Marc Nienhaus, Jürgen Döllner:
  Sketchy drawings: a hardware-accelerated approach for real-time non-photorealistic rendering.
• 
  Daniel Teece:
  Sable: a painterly renderer for film animation.

Eyes, nose, and body

• 
  Zhigang Deng, John P. Lewis, Ulrich Neumann:
  Practical eye movement model using texture synthesis.
• 
  Yasuyuki Yanagida, Shinjiro Kawato, Haruo Noma, Nobuji Tetsutani, Akira Tomono:
  A nose-tracked, personal olfactory display.
• 
  Christopher Peters, Carol O'Sullivan:
  Attention-driven eye gaze and blinking for virtual humans.
• 
  Vassilios Hurmusiadis, Simon Barrick, Chris Briscoe:
  Interactive functional anatomy.
• 
  Michael J. Lyons, Daniel Kluender, Chi-Ho Chan, Nobuji Tetsutani:
  Vital signs: exploring novel forms of body language.

High dynamic range & tone mapping

• 
  Masashi Baba, Naoki Asada:
  Shadow removal from a real picture.
• 
  Frédéric Drago, William L. Martens, Karol Myszkowski, Hans-Peter Seidel:
  Perceptual evaluation of tone mapping operators.
• 
  Yangli Hector Yee, Sumanta N. Pattanaik:
  Local adaptation luminance via segmentation and assimilation.

Production rendering

• 
  Bill La Barge, Jerry Tessendorf, Vijoy Gaddipati:
  Tetrad volume and particle rendering in X2.
• 
  David F. Horsley:
  Mr. Gray B. puts on a happy face.
• 
  Alan Kapler:
  Avalanche! snowy FX for XXX.

Haptics

• 
  Chris Gunn, Matthew A. Hutchins, Matt Adcock, Rhys Hawkins:
  Trans-world haptic collaboration.
• 
  Jason Daly, Donald Washburn, Todd Lazarus, John Reeder, Glenn A. Martin:
  Haptic enhancements for collaborative scenarios in virtual environment.
• 
  Nicolas Tarrin, Shoichi Hasegawa, Laroussi Bouguila, Makoto Sato:
  The stringed haptic workbench.
• 
  Angie Geary:
  A haptic virtual reality training tool for paper conservators.
• 
  Shang Ping Lee, Farzam Farbiz, Adrian David Cheok:
  Touchy.Internet: a cybernetics system for human-pet interaction through the Internet.

Visualization

• 
  Nicholas Woolridge, David Kreindler, Charles J. Lumsden:
  EMOCAP: driving 3D characters with real mood dynamics.
• 
  Wendy L. Hodges, Theodore Garland, Reuben Reyes, Timothy Rowe:
  Visualizing horn evolution by morphing high-resolution X-ray CT images.
• 
  Cullen D. Jackson, Daniel Acevedo Feliz, David H. Laidlaw, Fritz Drury, Eileen Vote, Daniel F. Keefe:
  Designer-critiqued comparison of 2D vector visualization methods: a pilot study.
• 
  Julian E. Gómez, Paul J. Keller:
  The digital space shuttle, 3D graphics, and knowledge management.
• 
  Jan Hardenbergh, Yin Wu:
  Emissive clipping planes for volume rendering.

Textures

• 
  Daniel R. Berger:
  Spectral texturing for real-time applications.
• 
  Li-Yi Wei:
  Texture synthesis from multiple sources.
• 
  M. Alex O. Vasilescu, Demetri Terzopoulos:
  TensorTextures.
• 
  Sebastian Magda, David J. Kriegman:
  Fast texture synthesis on arbitrary meshes.

Archeological reconstruction

• 
  Kevin Cain, Casondra Sobieralski, Philippe Martinez:
  Reconstructing a colossus of Ramesses II from laser scan data.
• 
  Kevin Cain, Min Yu, Youda He:
  Improved speed and accuracy for archaeological site scanning.
• 
  Jessi Stumpfel, Chris Tchou, Tim Hawkins, Paul E. Debevec, Jonathan Cohen, Andrew Jones, Brian Emerson, Philippe Martinez, Tomas Lochman:
  Assembling the sculptures of the Parthenon.
• 
  Veronica Sundstedt, Alan Chalmers, Philippe Martinez:
  A high fidelity reconstruction of ancient Egypt: the temple of Kalabsha.

Simulation in production

• 
  Stephan Trojansky, Florian Hu, Kolja Kähler, Christoph Sprenger, Stephan Stapel:
  Rule-based crowds: generation, animation, cloth and rendering of 15.000 unique human characters.
• 
  Stephan Trojansky, Florian Hu:
  Rule-based smoke- and explosion dynamics in a full CG environment.

GPU/image-based modeling & rendering

• 
  Radomír Mech, Przemyslaw Prusinkiewicz:
  Generating subdivision curves with L-systems on a GPU.
• 
  Dave Knott, Kees van den Doel, Dinesh K. Pai:
  Particle system collision detection using graphics hardware.
• 
  Jan-Friso Evers-Senne, Reinhard Koch:
  Interactive rendering with view-dependent geometry and texture.
• 
  Christian Früh, Avideh Zakhor:
  Automated reconstruction of building facades for virtual walk-thrus.

Devices

• 
  Shinsaku Hiura, Kenji Tojo, Seiji Inokuchi:
  3-D tele-direction interface using video projector.
• 
  Sergey V. Matveyev, Martin Göbel:
  Direct interaction based on a two-point laser pointer technique.
• 
  Johan Sanneblad, Lars Erik Holmquist:
  Designing collaborative games on handheld computers.
• 
  Daniel Fallman, Kalle Jalkanen, Henrik Lörstad, John A. Waterworth, Jonas Westling:
  The reality helmet: a wearable interactive experience.

Performative projects

• 
  Luc Vanier, Hank Kaczmarski, Lance Chong:
  Forming the dots: live optical motion capture animation dance.
• 
  Michael D. Wilson, Todd Holoubek, Ann Poochareon:
  Multi-user performance of Commedia dell' Arte in 3D.
• 
  W. Scott Meador, Eric M. Kurt, Kevin R. O'Neal:
  Virtual performance and collaboration with improvisational dance.
• 
  Joshua J. Carroll, Robert Coover, Shawn Greenlee, Andrew McClain, Noah Wardrip-Fruin:
  Screen: bodily interaction with text in immersive VR.

Production workflow

• 
  Allan G. Rempel, Dean Broadland, Sonja Struben, F. David Fracchia:
  Effective asset management for episodic television and features.
• 
  Daniel Maskit, Chamberlain Fong:
  Production-grade scene translation pipelines.
• 
  Kevin Geiger, Moon Seun:
  Home grown CGI: the cultivation of "Henry's Garden".

Simulating nature

• 
  Niniane Wang:
  Realistic and fast cloud rendering in computer games.
• 
  Oliver Franzke, Oliver Deussen:
  Rendering plant leaves faithfully.

Virtual reality displays

• 
  Katerina Mania, Andrew Robinson:
  Simulating spatial assumptions.
• 
  Daqing Xue, Roger Crawfis:
  A tile-based 3D frame using a reconfigurable display matrix.
• 
  R. Matt Steele, Christopher O. Jaynes:
  Interactive light field display from a cluster of projectors.
• 
  Andreas Simon, Steffi Beckhaus:
  Omnidirectional stereo surround for panoramic virtual environments.
• 
  Thomas Pintaric, Albert A. Rizzo, Ulrich Neumann:
  Video-based virtual environments.

Physical interfaces

• 
  Alan Price:
  The Sun Dagger Interactive.
• 
  Erik Conrad:
  æther: reading with tactile vision.
• 
  Winslow Burleson, Ted Selker:
  Canopy climb: a rope interface.
• 
  Shinji Mizuno, Daigo Kobayashi, Minoru Okada, Jun-ichiro Toriwaki, Shinji Yamamoto:
  Virtual sculpting with a pressure sensitive pen.

Street tech

• 
  Rebecca Ross:
  WATCH: summary data in spatial context.
• 
  Lily Shirvanee, Marc Downie:
  The ViscousDisplay: adaptive transient interfaces in public space.
• 
  Ahmi Wolf, Mark Argo:
  The Bass-Station: a community based information space.
• 
  Philipp Stampfl:
  Augmented reality disk jockey: AR/DJ.

Fluids & level sets

• 
  Henrik Fält, Douglas Roble:
  A fast polymesh to level set algorithm.
• 
  Ben Houston, Chris Bond, Mark Wiebe:
  A unified approach for modeling complex occlusions in fluid simulations.
• 
  Henrik Fält, Douglas Roble:
  Fluids with extreme viscosity.
• 
  Magnus Wrenninge, Doug Roble:
  Fluid simulation interaction techniques.
• 
  Ken Tanaka, Heihachi Ueki, Atsushi Kunimatsu:
  The cubic interpolated level set method for realistic fluid animation.

Modeling & collision

• 
  Andrew Harvey:
  Grooming furry surfaces of arbitrary topology.
• 
  David Eberle, Oliver Strunk Havok, Ronan O'Sullivan:
  A procedural approach to modeling impact damage.
• 
  Makoto Okabe, Takeo Igarashi:
  3D modeling of trees from freehand sketches.
• 
  Esan Mandal, Ergun Akleman, Vinod Srinivasan:
  Wire modeling.

Faces

• 
  Henrik Wann Jensen:
  Digital face cloning.
• 
  Hiroshi Kono, Etsuo Genda:
  Wrinkle generation model for 3D facial expression.
• 
  Pushkar Joshi, Wen C. Tien, Mathieu Desbrun, Frederic H. Pighin:
  Learning controls for blend shape based realistic facial animation.

Narrative translations

• 
  Oliver Grau, M. Price, Graham A. Thomas:
  A 3D studio production system with immersive actor feedback.
• 
  Michael Lew:
  Office voodoo: a real-time editing engine for an algorithmic sitcom.
• 
  Catherine Vaucelle, Glorianna Davenport, Tristan Jehan:
  Textable movie: improvising with a personal movie database.
• 
  Tomoki Issac Saso, Kenji Iguchi, Masa Inakage:
  Little red: storytelling in mixed reality.

Motion capture

• 
  Ari Shapiro, Petros Faloutsos:
  Complex character animation that combines kinematic and dynamic control.
• 
  Shoichiro Iwasawa, Kiyoshi Kojima, Kenji Mase, Shigeo Morishima:
  How to capture absolute human skeletal posture.
• 
  David Pritchard, Wolfgang Heidrich:
  Cloth motion capture.