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Publication search results
found 151 matches
- 1996
- Jon Appleton, Charles Dodge, Larry Polansky:
Studio Report: The Bregman Electronic Music Studio at Darthmouth College and the MA Program in Electro-Acoustic Music. ICMC 1996 - Stephen Arnold:
NetMuse: a Very-High-Performance Wide-Area Network for Music. ICMC 1996 - Gérard Assayag, Carlos Agón:
OpenMusic Architecture. ICMC 1996 - Mira Balaban, Stanislav Irish:
Automatic Jazz Accompaniment Computation: An Open Advice-Based Approach. ICMC 1996 - Barbara Becker, Gerhard Eckel:
On the Use of Computer Systems in Contemporary Music. ICMC 1996 - Gerhard Behles, Peter Lundén:
A Distributed, Object-Oriented Framework for Sound Synthesis. ICMC 1996 - Matthew I. Bellgard, Chi Ping Tsang:
On the Use of an Effective Boltzmann Machine for Musical Style Recognition and Harmonisation. ICMC 1996 - Carola Böhm:
Automated Music, interdisciplinary aspects of a developmental history. ICMC 1996 - Carola Böhm, Karst de Jong, Cristoph Hempel:
MusicWeb, New Communication and Information Technologies in the Music Classroom. ICMC 1996 - Hannah Bosma:
Authorship and Female Voices in Electrovocal Music. ICMC 1996 - Richard Boulanger, Scott Vercoe:
Csound GM: Designing Real-Time Instruments with Csound's New MIDI Opcodes. ICMC 1996 - Tim S. Brookes, Andy M. Tyrrell, David M. Howard:
Musical Analysis using a Real-Time Model of Peripheral Hearing. ICMC 1996 - Kristine H. Burns:
A New Electronic Genre: The CD-ROM. ICMC 1996 - Michael A. Casey, Paris Smaragdis:
NetSound: Realtime Audio from Semantic Descriptions. ICMC 1996 - Chris Chafe, M. Sile O'Modhrain:
Musical Muscle Memory and the Haptic Display of Performance Nuance. ICMC 1996 - San-Kuen Chan, Jennifer Yuen, Andrew Horner:
Discrete Summation Synthesis and Hybrid Sampling-Wavetable Synthesis of Acoustic Instruments with Genetic Algorithms. ICMC 1996 - Arun Chandra:
Composing the Means With Which I Compose: Waveforms With Multiple Paths and Cycle-lengths. ICMC 1996 - David Chapman, Michael Clarke, Martin Smith, Paul Archbold:
Self-Similar Grain Distribution: A Fractal Approach to Granular Synthesis. ICMC 1996 - Andrew Choi:
A C++ Library for Computer Music Programming on Real-Time Mach. ICMC 1996 - Anna Sofie Christiansen:
A Cognitive Model in Design of Musical Interfaces. ICMC 1996 - Lonny Chu:
Haptic Feedback in a Computer Music Performance Interface. ICMC 1996 - Michael Clarke:
TIM(br)E: Compositional Approaches to FOG Synthesis. ICMC 1996 - Perry R. Cook:
Physically Informed Sonic Modeling (PhISM): Percussive Synthesis. ICMC 1996 - David Cope:
Composer's Underscoring Environment (CUE). ICMC 1996 - David P. Creasey, David M. Howard, Andrew M. Tyrrell:
The Timbral Object - An Alternative Route to the Control of Timbre Space. ICMC 1996 - Mark Danks:
The Graphics Environment for Max. ICMC 1996 - Roger B. Dannenberg, Eli Brandt:
A Flexible Real-Time Software Synthesis System. ICMC 1996 - François Déchelle, Maurizio De Cecco, Enzo Maggi, Norbert Schnell:
New DSP Applications on FTS. ICMC 1996 - Bruno Degazio:
Evolution of Musical Organisms. ICMC 1996 - Bruno Degazio:
A Computer-Based Editor for Lerdahl and Jackendoff's Rhythmic Structures. ICMC 1996
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