- Lia Mice, Andrew McPherson:
The M in NIME: Motivic analysis and the case for a musicology of NIME performances. NIME 2022 - Laurel Pardue, S. M. Astrid Bin:
The Other Hegemony: Effects of software development culture on music software, and what we can do about it. NIME 2022 - Victor Paredes, Jules Françoise, Frédéric Bevilacqua:
Entangling Practice with Artistic and Educational Aims: Interviews on Technology-based Movement-Sound Interactions. NIME 2022 - Juan Ramos, Esteban Calcagno, Ramiro Oscar Vergara, Pablo Ernesto Riera, Joaquín Rizza:
Bandoneon 2.0: an interdisciplinary project for research and development of electronic bandoneons in Argentina. NIME 2022 - Courtney N. Reed, Charlotte Nordmoen, Andrea Martelloni, Giacomo Lepri, Nicole Robson, Eevee Zayas-Garin, Kelsey Cotton, Lia Mice, Andrew McPherson:
Exploring Experiences with New Musical Instruments through Micro-phenomenology. NIME 2022 - Harri Renney, Silvin Willemsen, Benedict R. Gaster, Tom Mitchell:
HyperModels - A Framework for GPU Accelerated Physical Modelling Sound Synthesis. NIME 2022 - Francesco Ardan Dal Rì, Raul Masu:
Exploring Musical Form: Digital Scores to Support Live Coding Practice. NIME 2022 - Charlie Roberts, Ian Hattwick, Eric Sheffield, Gillian Smith:
Rethinking networked collaboration in the live coding environment Gibber. NIME 2022 - Nicole Robson, Andrew McPherson, Nick Bryan-Kinns:
Being With The Waves: An Ultrasonic Art Installation Enabling Rich Interaction Without Sensors. NIME 2022 - Beat Rossmy:
Buttons, Sliders, and Keys - A Survey on Musical Grid Interface Standards. NIME 2022 - Beat Rossmy, Maximilian Rauh, Alexander Wiethoff:
Towards User Interface Guidelines for Musical Grid Interfaces. NIME 2022 - Carla Sophie Tapparo, Victor Zappi:
Bodily Awareness Through NIMEs: Deautomatising Music Making Processes. NIME 2022 - Timothy Tate:
The Concentric Sampler: A musical instrument from a repurposed floppy disk drive. NIME 2022 - Seth D. Thorn, Byron Lahey:
Decolonizing the Violin with Active Shoulder Rests (ASRs). NIME 2022 - Sam Trolland, Alon Ilsar, Ciaran Frame, Jon McCormack, Elliott Wilson:
AirSticks 2.0: Instrument Design for Expressive Gestural Interaction. NIME 2022 - Felipe Verdugo, Amedeo Ceglia, Christian Frisson, Alexandre Burton, Mickaël Begon, Sylvie Gibet, Marcelo M. Wanderley:
Feeling the Effort of Classical Musicians - A Pipeline from Electromyography to Smartphone Vibration for Live Music Performance. NIME 2022 - Yichen Wang, Charles Martin:
Cubing Sound: Designing a NIME for Head-mounted Augmented Reality. NIME 2022 - Nick Warren, Anil Çamci:
Latent Drummer: A New Abstraction for Modular Sequencers. NIME 2022 - Travis J. West:
Pitch Fingering Systems and the Search for Perfection. NIME 2022 - Travis J. West, Kalun Leung:
early prototypes and artistic practice with the mubone. NIME 2022 - Jiayue Cecilia Wu:
Today and Yesterday: Two Case Studies of China's NIME Community. NIME 2022 - Lonce Wyse, Prashanth Thattai Ravikumar:
Syntex: parametric audio texture datasets for conditional training of instrumental interfaces. NIME 2022 - Anna Xambó, Visda Goudarzi:
The Mobile Audience as a Digital Musical Persona in Telematic Performance. NIME 2022 - Eevee Zayas-Garin, Andrew McPherson:
Dialogic Design of Accessible Digital Musical Instruments: Investigating Performer Experience. NIME 2022 - Karitta Zellerbach, Charlie Roberts:
A Framework for the Design and Analysis of Mixed Reality Musical Instruments. NIME 2022 - Jianing Zheng, Nick Bryan-Kinns:
Squeeze, Twist, Stretch: Exploring Deformable Digital Musical Interfaces Design Through Non-Functional Prototypes. NIME 2022 - 22nd International Conference on New Interfaces for Musical Expression, NIME 2022, online, June 28 - July 1, 2022. nime.org 2022 [contents]
- 2021
- Corey Ford, Nick Bryan-Kinns, Chris Nash:
Creativity in Children's Digital Music Composition. NIME 2021 - Isabela Corintha Almeida, Giordano Cabral:
Improvised Sound-Making within Musical Apprenticeship and Enactivism: An Intersection between the 4E's Model and DMIs. NIME 2021 - Anne Sophie Andersen, Derek Kwan:
Grisey's 'Talea': Musical Representation As An Interactive 3D Map. NIME 2021