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Òscar Celma
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- affiliation: Pompeu Fabra University, Barcelona, Spain
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2010 – 2019
- 2016
- [c20]Òscar Celma:
The Exploit-Explore Dilemma in Music Recommendation. RecSys 2016: 377 - 2015
- [c19]Matthew Prockup, Andreas F. Ehmann, Fabien Gouyon, Erik M. Schmidt, Òscar Celma, Youngmoo E. Kim:
Modeling Genre with the Music Genome Project: Comparing Human-Labeled Attributes and Audio Features. ISMIR 2015: 31-37 - 2013
- [j6]Peter Knees, Markus Schedl, Òscar Celma:
Hybrid music information retrieval. Int. J. Multim. Inf. Retr. 2(1): 1-2 (2013) - 2011
- [j5]Òscar Celma, Paul Lamere:
If You Like Radiohead, You Might Like This Article. AI Mag. 32(3): 57-66 (2011) - [c18]Òscar Celma, Paul Lamere:
Music recommendation and discovery revisited. RecSys 2011: 7-8 - [c17]Amelie Anglade, Òscar Celma, Ben Fields, Paul Lamere, Brian McFee:
WOMRAD: 2nd workshop on music recommendation and discovery. RecSys 2011: 381-382 - [p1]Werner Bailer, Susanne Boll, Òscar Celma, Michael Hausenblas, Yves Raimond:
Use Case Scenarios. Multimedia Semantics 2011: 7-19 - 2010
- [b2]Òscar Celma:
Music Recommendation and Discovery - The Long Tail, Long Fail, and Long Play in the Digital Music Space. Springer 2010, ISBN 978-3-642-13286-5, pp. I-XVI, 1-194 - [c16]Amelie Anglade, Claudio Baccigalupo, Norman Casagrande, Òscar Celma, Paul Lamere:
Workshop report: WOMRAD 2010. RecSys 2010: 381-382
2000 – 2009
- 2009
- [b1]Òscar Celma:
Music recommendation and discovery in the long tail. Pompeu Fabra University, Spain, 2009 - [j4]Massimiliano Zanin, Pedro Cano, Òscar Celma, Javier M. Buldú:
Preferential Attachment, Aging and Weights in Recommendation Systems. Int. J. Bifurc. Chaos 19(2): 755-763 (2009) - 2008
- [j3]Òscar Celma, Yves Raimond:
ZemPod: A semantic web approach to podcasting. J. Web Semant. 6(2): 162-169 (2008) - [j2]Òscar Celma, Xavier Serra:
FOAFing the music: Bridging the semantic gap in music recommendation. J. Web Semant. 6(4): 250-256 (2008) - [c15]Mohamed Sordo, Òscar Celma, Martin Blech, Enric Guaus:
The Quest for Musical Genres: Do the Experts and the Wisdom of Crowds Agree? ISMIR 2008: 255-260 - [c14]Òscar Celma, Paul Lamere:
If you like the beatles you might like...: a tutorial on music recommendation. ACM Multimedia 2008: 1157-1158 - [c13]Òscar Celma, Perfecto Herrera:
A new approach to evaluating novel recommendations. RecSys 2008: 179-186 - 2007
- [j1]Juyong Park, Òscar Celma, Markus Koppenberger, Pedro Cano, Javier M. Buldú:
The Social Network of Contemporary Popular Musicians. Int. J. Bifurc. Chaos 17(7): 2281-2288 (2007) - [c12]Mohamed Sordo, Cyril Laurier, Òscar Celma:
Annotating Music Collections: How Content-Based Similarity Helps to Propagate Labels. ISMIR 2007: 531-534 - 2006
- [c11]Vegard Sandvold, Thomas Aussenac, Òscar Celma, Perfecto Herrera:
Good Vibrations: Music Discovery through Personal Musical Concepts. ISMIR 2006: 322-323 - [c10]Òscar Celma, Pedro Cano, Perfecto Herrera:
Search Sounds: An audio crawler focused on weblogs. ISMIR 2006: 365-366 - [c9]Òscar Celma, Perfecto Herrera, Xavier Serra:
A Multimodal Approach to Bridge the Music Semantic Gap. SAMT (Posters and Demos) 2006 - [c8]Òscar Celma:
Foafing the Music: Bridging the Semantic Gap in Music Recommendation. ISWC 2006: 927-934 - 2005
- [c7]Alex Loscos, Òscar Celma:
Larynxophone: using voice as a wind controller. ICMC 2005 - [c6]Perfecto Herrera, Òscar Celma, Jordi Massaguer, Pedro Cano, Emilia Gómez, Fabien Gouyon, Markus Koppenberger:
MUCOSA: A Music Content Semantic Annotator. ISMIR 2005: 77-83 - [c5]Òscar Celma, Miquel Ramírez, Perfecto Herrera:
Foafing the Music: A Music Recommendation System based on RSS Feeds and User Preferences. ISMIR 2005: 464-467 - [c4]Roberto García, Òscar Celma:
Semantic Integration and Retrieval of Multimedia Metadata. SemAnnot@ISWC 2005 - 2004
- [c3]Òscar Celma:
Architecture for an MPEG-7 Web Browser. ISMIR 2004 - [c2]Otto Wüst, Òscar Celma:
An MPEG-7 Database System and Application for Content-Based Management and Retrieval of Music. ISMIR 2004 - 2001
- [c1]Jordi Bonada, Òscar Celma, Alex Loscos, Jaume Ortolà, Xavier Serra, Yasuo Yoshioka, Hiraku Kayama, Yuji Hisaminato, Hideki Kenmochi:
Singing Voice Synthesis Combining Excitation plus Resonance and Sinusoidal plus Residual Models. ICMC 2001
Coauthor Index
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