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2020 – today
- 2022
[j4]Klaus Frieler, Wolf-Georg Zaddach:
Evaluating an Analysis-by-Synthesis Model for Jazz Improvisation. Trans. Int. Soc. Music. Inf. Retr. 5(1): 20 (2022)- [j3]Polina Proutskova, Daniel Wolff
, György Fazekas, Klaus Frieler, Frank Höger, Olga Velichkina, Gabriel Solis, Tillman Weyde, Martin Pfleiderer, Hélène Camille Crayencour, Geoffroy Peeters, Simon Dixon:
The Jazz Ontology: A semantic model and large-scale RDF repositories for jazz. J. Web Semant. 74: 100735 (2022)
2010 – 2019
- 2019
- [c10]Klaus Frieler, Dogac Basaran, Frank Höger, Hélène Camille Crayencour, Geoffroy Peeters, Simon Dixon:
Don't hide in the frames: Note- and pattern-based evaluation of automated melody extraction algorithms. DLfM 2019: 25-32 - 2018
- [j2]Stefan Balke, Christian Dittmar, Jakob Abeßer, Klaus Frieler, Martin Pfleiderer, Meinard Müller:
Bridging the Gap: Enriching YouTube Videos with Jazz Music Annotations. Frontiers Digit. Humanit. 5: 1 (2018) - [c9]Klaus Frieler, Frank Höger, Martin Pfleiderer, Simon Dixon:
Two Web Applications for Exploring Melodic Patterns in Jazz Solos. ISMIR 2018: 777-783 - 2017
- [j1]Jakob Abeßer, Klaus Frieler, Estefanía Cano, Martin Pfleiderer, Wolf-Georg Zaddach:
Score-Informed Analysis of Tuning, Intonation, Pitch Modulation, and Dynamics in Jazz Solos. IEEE ACM Trans. Audio Speech Lang. Process. 25(1): 168-177 (2017) - [c8]Klaus Frieler, Martin Pfleiderer:
Onbeat oder offbeat? Überlegungen zur symbolischen Darstellung von Musik am Beispiel der metrischen Quantisierung. GI-Jahrestagung 2017: 111-125 - [c7]Jakob Abeßer, Stefan Balke, Klaus Frieler, Martin Pfleiderer, Meinard Müller:
Deep Learning for Jazz Walking Bass Transcription. Semantic Audio 2017 - 2015
- [c6]Jakob Abeßer, Estefanía Cano, Klaus Frieler, Martin Pfleiderer, Wolf-Georg Zaddach:
Score-Informed Analysis of Intonation and Pitch Modulation in Jazz Solos. ISMIR 2015: 823-829 - 2014
- [c5]Jakob Abeßer, Martin Pfleiderer, Klaus Frieler, Wolf-Georg Zaddach:
Score-Informed Tracking and Contextual Analysis of Fundamental Frequency Contours in Trumpet and Saxophone Jazz Solos. DAFx 2014: 181-186
2000 – 2009
- 2008
- [c4]Albrecht Schneider, Klaus Frieler:
Perception of Harmonic and Inharmonic Sounds: Results from Ear Models. CMMR 2008: 18-44 - 2007
- [c3]Klaus Frieler:
Visualizing Music on the Metrical Circle. ISMIR 2007: 291-292 - 2006
- [p2]Klaus Frieler:
Generalized N-gram Measures for Melodic Similarity. Data Science and Classification 2006: 289-298 - [p1]Daniel Müllensiefen, Klaus Frieler:
Evaluating Different Approaches to Measuring the Similarity of Melodies. Data Science and Classification 2006: 299-306 - 2004
- [c2]Klaus Frieler:
Beat and meter extraction using gaussified onsets. ISMIR 2004 - [c1]Daniel Müllensiefen, Klaus Frieler:
Optimizing Measures Of Melodic Similarity For The Exploration Of A Large Folk Song Database. ISMIR 2004
Coauthor Index
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