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Chi-Hsia Lai
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2020 – today
- 2020
- [i1]Charles P. Martin, Chi-Hsia Lai:
Strike on Stage: a percussion and media performance. CoRR abs/2012.00250 (2020)
2010 – 2019
- 2013
- [c6]Chi-Hsia Lai, Till Bovermann:
Audience Experience in Sound Performance. NIME 2013: 170-173 - 2012
- [c5]Chi-Hsia Lai:
WanderOnStage: the convergence of percussion performance and media technology. Audio Mostly Conference 2012: 94-97 - [c4]Chi-Hsia Lai, Koray Tahiroglu:
A Design Approach to Engage with Audience with Wearable Musical Instruments: Sound Gloves. NIME 2012 - 2011
- [c3]Chi-Hsia Lai, Matti Niinimäki
, Koray Tahiroglu, Johan Kildal
, Teemu Tuomas Ahmaniemi:
Perceived physicality in audio-enhanced force input. ICMI 2011: 287-294 - [c2]Charles Martin
, Chi-Hsia Lai:
Strike on Stage: a Percussion and Media Performance. NIME 2011: 142-143
2000 – 2009
- 2009
- [c1]Chi-Hsia Lai:
Hands On Stage: A Sound and Image Performance Interface. NIME 2009: 39-40

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