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2020 – today
- 2022
[c20]Jeff Miller, Ken O'Hanlon, Mark B. Sandler:
Improving Balance in Automatic Chord Recognition with Random Forests. EUSIPCO 2022: 244-248- 2021
- [j2]Ken O'Hanlon
, Mark B. Sandler:
FifthNet: Structured Compact Neural Networks for Automatic Chord Recognition. IEEE ACM Trans. Audio Speech Lang. Process. 29: 2671-2682 (2021) - [c19]Ken O'Hanlon, Emmanouil Benetos, Simon Dixon:
Detecting Cover Songs with Pitch Class Key-Invariant Networks. MLSP 2021: 1-6 - 2020
- [c18]Ken O'Hanlon, Mark B. Sandler:
The Fifthnet Chroma Extractor. ICASSP 2020: 3752-3756
2010 – 2019
- 2019
- [c17]Ken O'Hanlon, Mark B. Sandler:
Comparing CQT and Reassignment Based Chroma Features for Template-based Automatic Chord Recognition. ICASSP 2019: 860-864 - [c16]Johan Pauwels, Ken O'Hanlon, Emilia Gómez, Mark B. Sandler:
20 Years of Automatic Chord Recognition from Audio. ISMIR 2019: 54-63 - 2018
- [c15]Ken O'Hanlon, Mark B. Sandler:
Improved Detection of Semi-Percussive Onsets in Audio Using Temporal Reassignment. ICASSP 2018: 611-615 - [c14]Delia Fano Yela, Sebastian Ewert, Ken O'Hanlon, Mark B. Sandler:
Shift-Invariant Kernel Additive Modelling for Audio Source Separation. ICASSP 2018: 616-620 - 2017
- [c13]Elio Quinton, Ken O'Hanlon, Simon Dixon, Mark B. Sandler:
Tracking metrical structure changes with sparse-NMF. ICASSP 2017: 41-45 - [c12]Ken O'Hanlon, Sebastian Ewert, Johan Pauwels, Mark B. Sandler:
Improved template based chord recognition using the CRP feature. ICASSP 2017: 306-310 - [c11]Johan Pauwels, Ken O'Hanlon, György Fazekas, Mark B. Sandler:
Confidence Measures and Their Applications in Music Labelling Systems Based on Hidden Markov Models. ISMIR 2017: 279-285 - [i1]Delia Fano Yela, Sebastian Ewert, Ken O'Hanlon, Mark B. Sandler:
Shift-Invariant Kernel Additive Modelling for Audio Source Separation. CoRR abs/1711.00351 (2017) - 2016
- [j1]Ken O'Hanlon, Hidehisa Nagano, Nicolas Keriven, Mark D. Plumbley:
Non-Negative Group Sparsity with Subspace Note Modelling for Polyphonic Transcription. IEEE ACM Trans. Audio Speech Lang. Process. 24(3): 530-542 (2016) - [c10]Ken O'Hanlon, Mark B. Sandler:
Compositional chroma estimation using powered Euclidean distance. EUSIPCO 2016: 1237-1241 - [c9]Ken O'Hanlon, Mark B. Sandler:
An iterative hard thresholding approach to ℓ0 sparse Hellinger NMF. ICASSP 2016: 4737-4741 - 2015
- [c8]Ken O'Hanlon, Mark B. Sandler, Mark D. Plumbley:
Non-negative matrix factorisation incorporating greedy hellinger sparse coding applied to polyphonic music transcription. ICASSP 2015: 2214-2218 - 2014
- [c7]Ken O'Hanlon, Mark D. Plumbley:
Polyphonic piano transcription using non-negative Matrix Factorisation with group sparsity. ICASSP 2014: 3112-3116 - 2013
- [c6]Ken O'Hanlon, Mark D. Plumbley:
Learning overcomplete dictionaries with ℓ0-sparse Non-negative Matrix Factorisation. GlobalSIP 2013: 977-980 - [c5]Ken O'Hanlon, Mark D. Plumbley:
Automatic Music Transcription using row weighted decompositions. ICASSP 2013: 16-20 - [c4]Nicolas Keriven, Ken O'Hanlon, Mark D. Plumbley:
Structured sparsity using backwards elimination for Automatic Music Transcription. MLSP 2013: 1-6 - 2012
- [c3]Ken O'Hanlon, Hidehisa Nagano, Mark D. Plumbley:
Using Oracle Analysis for Decomposition-Based Automatic Music Transcription. CMMR 2012: 353-365 - [c2]Ken O'Hanlon, Hidehisa Nagano, Mark D. Plumbley:
Structured sparsity for automatic music transcription. ICASSP 2012: 441-444 - 2011
- [c1]Ken O'Hanlon, Mark D. Plumbley:
Structure-aware dictionary learning with harmonic atoms. EUSIPCO 2011: 1761-1765
Coauthor Index
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