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ORCID2. AES International Conference Semantic Audio 2014: London, UK
- Christian Dittmar, György Fazekas, Sebastian Ewert:
AES International Conference on Semantic Audio 2014, London, UK, January 27-29, 2014. Audio Engineering Society 2014, ISBN 978-0-937803-96-7
Papers
- Jürgen T. Geiger, Boxin Zhang, Björn W. Schuller, Gerhard Rigoll:
On the Influence of Alcohol Intoxication on Speaker Recognition. - Umer Rafi, Rolf Bardeli:
Harmonic Cues for Number of Simultaneous Speakers Estimation. - Joren Six, Olmo Cornelis, Marc Leman:
TarsosDSP, a Real-Time Audio Processing Framework in Java. - Christian Kirst, Felix Weninger, Cyril Joder, Peter Grosche, Jürgen T. Geiger, Björn W. Schuller:
On-Line NMF-Based Stereo Up-Mixing of Speech Improves Perceived Reduction of Non-Stationary Noise. - Frederic Font, Joan Serrà, Xavier Serra:
Audio Clip Classification Using Social Tags and the Effect of Tag Expansion. - Meinard Müller, Nanzhu Jiang, Harald Grohganz:
SM Toolbox: MATLAB Implementations for Computing and Enhancing Similarity Matrices. - Chrisoula Alexandraki, Rolf Bader:
Using Computer Accompaniment to Assist Networked Music Performance. - David Blancas, Jordi Janer:
Sound Retrieval From Voice Imitation Queries In Collaborative Databases. - Dan Stowell, Mark D. Plumbley:
An Open Dataset for Research on Audio Field Recording Archives: freefield1010. - Tom Collins, Sebastian Böck, Florian Krebs, Gerhard Widmer:
Bridging the Audio-Symbolic Gap: The Discovery of Repeated Note Content Directly from Polyphonic Music Audio. - Rubén Jesús García, Costantino Taglialatela, Panos Kudumakis, Isabel Barbancho, Lorenzo J. Tardón, Mark B. Sandler:
Interactive Music Applications by MPEG-A Support in Sonic Visualizer. - Zheng Ma, Joshua D. Reiss, Dawn A. A. Black:
Partial Loudness in Multitrack Mixing. - Henrik von Coler, Alexander Lerch:
CMMSD: A Data Set for Note-Level Segmentation of Monophonic Music. - Sefki Kolozali, György Fazekas, Mathieu Barthet, Mark B. Sandler:
A Framework for Automatic Ontology Generation Based on Semantic Audio Analysis. - Georgi Dzhambazov:
Towards a Drum Transcription System Aware of Bar Position. - Akshay Anantapadmanabhan, Juan Pablo Bello
, Raghava Krishnan, Hema A. Murthy:
Tonic-Independent Stroke Transcription of the Mridangam. - Emmanouil Benetos, Andreas Jansson, Tillman Weyde:
Improving Automatic Music Transcription Through Key Detection. - Jakob Abeßer, Gerald Schuller:
Instrument-Centered Music Transcription of Bass Guitar Tracks. - Christof Weiß, Estefanía Cano, Hanna M. Lukashevich:
A Mid-Level Approach to Local Tonality Analysis: Extracting Key Signatures from Audio. - Daniel Wolff, Guillaume Bellec, Anders Friberg, Andrew MacFarlane, Tillman Weyde:
Creating Audio Based Experiments as Social Web Games with the CASimIR Framework. - Son N. Tran, Daniel Wolff, Tillman Weyde, Artur S. d'Avila Garcez:
Feature Preprocessing with Restricted Boltzmann Machines for Music Similarity Learning. - Daniel Gärtner:
Unsupervised Learning of the Downbeat in Drum Patterns. - Matthias Leimeister, Daniel Gärtner, Christian Dittmar:
Rhythmic Classification of Electronic Dance Music. - Chris Baume, György Fazekas, Mathieu Barthet, David Marston, Mark B. Sandler:
Selection of Audio Features for Music Emotion Recognition Using Production Music. - Christian Uhle, Emanuël Anco Peter Habets:
Subband Center Signal Scaling Using Power Ratios. - Christian Schörkhuber, Anssi Klapuri, Nicki Holighaus, Monika Dörfler:
A Matlab Toolbox for Efficient Perfect Reconstruction Time-Frequency Transforms with Log-Frequency Resolution. - Carl Bussey, Michael Terrell, Raihan Rahman, Mark B. Sandler:
Metadata Features that Affect Artificial Reverberator Intensity. - Ting Lou, Mathieu Barthet, György Fazekas, Mark B. Sandler:
Evaluation and Improvement of the Mood Conductor Interactive System. - Frédéric Bimbot, Gabriel Sargent, Emmanuel Deruty, Corentin Guichaoua, Emmanuel Vincent:
Semiotic Description of Music Structure: An Introduction to the Quaero/Metiss Structural Annotations. - Kevin R. Page, Raúl Palma, Piotr Holubowicz, Graham Klyne, Stian Soiland-Reyes, Daniel Garijo, Khalid Belhajjame, Rudolf Mayer:
Research Objects for Audio Processing: Capturing Semantics for Reproducibility. - Steven Hargreaves, Geraint A. Wiggins, Mark B. Sandler:
A Semantic Web Approach to Pattern Discovery in Data and Music. - Brecht De Man, Joshua D. Reiss:
Adaptive Control of Amplitude Distortion Effects. - Anna M. Kruspe, Jakob Abeßer, Christian Dittmar:
A GMM Approach to Singing Language Identification. - Katerina Kosta, Oscar F. Bandtlow, Elaine Chew:
Practical Implications of Dynamic Markings in the Score: Is Piano Always Piano?. - Pedro D. Pestana, Joshua D. Reiss:
Intelligent Audio Production Strategies Informed by Best Practices. - Tuomas Eerola:
Modeling Emotions in Music: Advances in Conceptual, Contextual and Validity Issues. - Gaël Richard:
Informed Audio Source Separation. - Xavier Serra:
Creating Research Corpora for the Computational Study of Music: the case of the CompMusic Project.
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