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ORCID21st ISMIR 2020: Montreal, Canada
- Julie Cumming, Jin Ha Lee, Brian McFee, Markus Schedl, Johanna Devaney, Cory McKay, Eva Zangerle, Timothy de Reuse:
Proceedings of the 21th International Society for Music Information Retrieval Conference, ISMIR 2020, Montreal, Canada, October 11-16, 2020. 2020, ISBN 978-0-9813537-1-5
Papers
- Go Shibata, Ryo Nishikimi, Kazuyoshi Yoshii:
Music Structure Analysis Based on an LSTM-HSMM Hybrid Model. 23-29 - Keitaro Tanaka, Takayuki Nakatsuka, Ryo Nishikimi, Kazuyoshi Yoshii, Shigeo Morishima:
Multi-Instrument Music Transcription Based on Deep Spherical Clustering of Spectrograms and Pitchgrams. 327-334 - Omar Peracha:
Improving Polyphonic Music Models with Feature-rich Encoding. 169-175 - Brian Manolovitz, Mitsunori Ogihara:
Practical Evaluation of Repeated Recommendations in Personalized Music Discovery. 633-639 - Hendrik Schreiber, Frank Zalkow, Meinard Müller:
Modeling and Estimating Local Tempo: A Case Study on Chopin's Mazurkas. 773-779 - Michael Krause, Frank Zalkow, Julia Zalkow, Christof Weiss, Meinard Müller:
Classifying Leitmotifs in Recordings of Operas by Richard Wagner. 473-480 - Timothy Tsai, Kevin Ji:
Composer Style Classification of Piano Sheet Music Images Using Language Model Pretraining. 176-183 - Frank Zalkow, Meinard Müller:
Using Weakly Aligned Score-Audio Pairs to Train Deep Chroma Models for Cross-Modal Music Retrieval. 184-191 - Daniel Yang, Timothy Tsai:
Camera-Based Piano Sheet Music Identification. 481-488 - Louis Spinelli, Josephine Lau, Jin Ha Lee:
User Perceptions Underlying Social Music Behavior. 489-496 - Yuchen Yuan, Sho Oishi, Charles Cronin, Daniel Müllensiefen, Quentin D. Atkinson, Shinya Fujii, Patrick E. Savage:
Perceptual vs. automated judgements of music copyright infringement. 23-29 - Claire Savard, Erin H. Bugbee, Melissa R. McGuirl, Katherine M. Kinnaird:
SuPP & MaPP: Adaptable Structure-Based Representations for MIR Tasks. 335-342 - Yaolong Ju, Sylvain Margot, Cory McKay, Luke Dahn, Ichiro Fujinaga:
Automatic Figured Bass Annotation Using the New Bach Chorales Figured Bass Dataset. 640-646 - Phillip B. Kirlin:
A corpus-based analysis of syncopated patterns in ragtime. 647-653 - Florian Thalmann, Kazuyoshi Yoshii, Thomas Wilmering, Geraint A. Wiggins, Mark B. Sandler:
A Method for Analysis of Shared Structure in Large Music Collections using Techniques from Genetic Sequencing and Graph Theory. 343-350 - Woo-Sung Choi, Minseok Kim, Jaehwa Chung, Daewon Lee, Soonyoung Jung:
Investigating U-Nets with various Intermediate Blocks for Spectrogram-based Singing Voice Separation. 192-198 - Matevz Pesek, Lovro Suhadolnik, Peter Savli, Matija Marolt:
The Rhythmic Dictator: Does Gamification of Rhythm Dictation Exercises Help?. 497-503 - Florian Henkel, Rainer Kelz, Gerhard Widmer:
Learning to Read and Follow Music in Complete Score Sheet Images. 780-787 - Yunpeng Li, Marco Tagliasacchi, Beat Gfeller, Dominik Roblek:
Learning to Denoise Historical Music. 504-511 - Christof Weiss, Stephanie Klauk, Mark Gotham, Meinard Müller, Rainer Kleinertz:
Discourse not Dualism: An Interdisciplinary Dialogue on Sonata Form in Beethoven's Early Piano Sonatas. 199-206 - Jennifer Thom, Angela Nazarian, Ruth Brillman, Henriette Cramer, Sarah Mennicken:
Play Music: User Motivations and Expectations for Non-Specific Voice Queries. 654-661 - Felipe Falcão, Nazareno Andrade, Flavio V. D. de Figueiredo, Diego Furtado Silva, Fábio Morais:
Measuring disruption in song similarity networks. 30-37 - Axel Marmoret, Jeremy E. Cohen, Frédéric Bimbot, Nancy Bertin:
Uncovering audio patterns in music with Nonnegative Tucker Decomposition for structural segmentation. 788-794 - Daniel Harasim, Christoph Finkensiep, Petter Ericson, Timothy J. O'Donnell, Martin Rohrmeier:
The Jazz Harmony Treebank. 207-215 - Kento Watanabe, Masataka Goto:
A Chorus-Section Detection Method for Lyrics Text. 351-359 - Ziyu Wang, Ke Chen, Junyan Jiang, Yiyi Zhang, Maoran Xu, Shuqi Dai, Gus Xia:
POP909: A Pop-Song Dataset for Music Arrangement Generation. 38-45 - Tsung-Ping Chen, Satoru Fukayama, Masataka Goto, Li Su:
Chord Jazzification: Learning Jazz Interpretations of Chord Symbols. 360-367 - Ziyu Wang, Dingsu Wang, Yixiao Zhang, Gus Xia:
Learning Interpretable Representation for Controllable Polyphonic Music Generation . 662-669 - Taketo Akama:
Connective Fusion: Learning Transformational Joining of Sequences with Application to Melody Creation. 46-53 - Ziyu Wang, Yiyi Zhang, Yixiao Zhang, Junyan Jiang, Ruihan Yang, Gus Xia, Junbo Zhao:
PIANOTREE VAE: Structured Representation Learning for Polyphonic Music. 368-375 - Yudhik Agrawal, Samyak Jain, Emily Carlson, Petri Toiviainen, Vinoo Alluri:
Towards Multimodal MIR: Predicting individual differences from music-induced movement. 54-61 - Lisa Kawai, Philippe Esling, Tatsuya Harada:
Attributes-Aware Deep Music Transformation. 670-677 - Andrea Vaglio, Romain Hennequin, Manuel Moussallam, Gaël Richard, Florence d'Alché-Buc:
Multilingual lyrics-to-audio alignment. 512-519 - Ethan Manilow, Gordon Wichern, Jonathan Le Roux:
Hierarchical Musical Instrument Separation. 376-383 - Rohit M. A., Vinutha T. P., Preeti Rao:
Structural Segmentation of Dhrupad Vocal Bandish Audio based on Tempo. 678-684 - Matthew E. P. Davies, Magdalena Fuentes, João Fonseca, Luís Aly, Marco Jerónimo, Filippo Bonini Baraldi:
Moving in Time: Computational Analysis of Microtiming in Maracatu de Baque Solto. 795-802 - Elena V. Epure, Guillaume Salha, Romain Hennequin:
Multilingual Music Genre Embeddings for Effective Cross-Lingual Music Item Annotation. 803-810 - Robert Lieck, Martin Rohrmeier:
Modelling Hierarchical Key Structure With Pitch Scapes. 811-818 - Christoph Finkensiep, Ken Déguernel, Markus Neuwirth, Martin Rohrmeier:
Voice-Leading Schema Recognition Using Rhythm and Pitch Features. 520-526 - Ayush Patwari, Nicholas Kong, Jun Wang, Ullas Gargi, Michele Covell, Aren Jansen:
Semantically Meaningful Attributes from Co-Listen Embeddings for Playlist Exploration and Expansion. 527-533 - Bruno Di Giorgi, Matthias Mauch, Mark Levy:
Downbeat Tracking with Tempo Invariant Convolutional Neural Networks. 216-222 - Francesco Foscarin, Andrew McLeod, Philippe Rigaux, Florent Jacquemard, Masahiko Sakai:
ASAP: a dataset of aligned scores and performances for piano transcription. 534-541 - Aayush Surana, Yash Goyal, Manish Shrivastava, Suvi Saarikallio, Vinoo Alluri:
Tag2Risk: Harnessing Social Music Tags for Characterizing Depression Risk. 384-391 - Gabriel Meseguer-Brocal, Geoffroy Peeters:
Content based singing voice source separation via strong conditioning using aligned phonemes. 819-827 - Shunit Haviv Hakimi, Nadav Bhonker, Ran El-Yaniv:
BebopNet: Deep Neural Models for Personalized Jazz Improvisations. 828-836 - Arianne N. van Nieuwenhuijsen, John Ashley Burgoyne, Frans Wiering, Mick Sneekes:
A Simple Method for User-Driven Music Thumbnailing. 223-230 - Jada Emily Watson:
Programming Inequality: Gender Representation on Canadian Country Radio (2005-2019). 392-399 - Matan Gover, Philippe Depalle:
Score-Informed Source Separation of Choral Music. 231-239 - Cynthia C. S. Liem, Chris Mostert:
Can't trust the feeling? How open data reveals unexpected behavior of high-level music descriptors. 240-247 - Mengyi Shan, Timothy Tsai:
Improved Handling of Repeats and Jumps in Audio--Sheet Image Synchronization. 62-69 - Shahan Nercessian:
Zero-Shot Singing Voice Conversion. 70-76 - Fabrizio Pedersoli, Masataka Goto:
Dance Beat Tracking from Visual Information Alone. 400-408 - Ke Chen, Cheng-i Wang, Taylor Berg-Kirkpatrick, Shlomo Dubnov:
Music SketchNet: Controllable Music Generation via Factorized Representations of Pitch and Rhythm. 77-84 - Jin Ha Lee, Anh Thu Nguyen:
How Music Fans Shape Commercial Music Services: A Case Study of BTS and ARMY. 837-845 - Avriel Epps-Darling, Henriette Cramer, Romain Takeo Bouyer:
Artist gender representation in music streaming. 248-254 - Filip Korzeniowski, Oriol Nieto, Matthew C. McCallum, Minz Won, Sergio Oramas, Erik M. Schmidt:
Mood Classification Using Listening Data. 542-549 - Chang-Bin Jeon, Hyeong-Seok Choi, Kyogu Lee:
Exploring Aligned Lyrics-informed Singing Voice Separation. 685-692 - Estefanía Cano, Fernando Mora Ángel, Gustavo López Gil, José Ricardo Zapata, Antonio Escamilla, Juan Fernando Alzate Londoño, Moises Betancur Peláez:
Sesquialtera in the Colombian bambuco: Perception and estimation of beat and meter. 409-415 - Yu-Fen Huang, Jeng-I Liang, I-Chieh Wei, Li Su:
Joint analysis of mode and playing technique in Guqin performance with machine learning. 85-92 - Yucong Jiang:
Score following with hidden tempo using a switching state-space model. 693-699 - Sangeun Kum, Jing-Hua Lin, Li Su, Juhan Nam:
Semi-supervised learning using teacher-student models for vocal melody extraction. 93-100 - Yin-Jyun Luo, Kin Wai Cheuk, Tomoyasu Nakano, Masataka Goto, Dorien Herremans:
Unsupervised Disentanglement of Pitch and Timbre for Isolated Musical Instrument Sounds. 700-707 - Chitralekha Gupta, Lin Huang, Haizhou Li:
Automatic Rank-Ordering of Singing Vocals with Twin-Neural Network. 416-423 - Cheng-Zhi Anna Huang, Hendrik Vincent Koops, Ed Newton-Rex, Monica Dinculescu, Carrie Cai:
Human-AI Co-Creation in Songwriting. 708-716 - Kosetsu Tsukuda, Masataka Goto:
Analysis of Song/Artist Latent Features and Its Application for Song Search. 717-725 - Andrew McLeod, James Owers, Kazuyoshi Yoshii:
The MIDI Degradation Toolkit: Symbolic Music Augmentation and Correction. 846-852 - Hao-Wen Dong, Ke Chen, Julian J. McAuley, Taylor Berg-Kirkpatrick:
MusPy: A Toolkit for Symbolic Music Generation. 101-108 - Philippe Esling, Théis Bazin, Adrien Bitton, Tristan Carsault, Ninon Devis:
Ultra-light deep MIR by trimming lottery tickets. 550-557 - Gabriel Meseguer-Brocal, Rachel M. Bittner, Simon Durand, Brian Brost:
Data Cleansing with Contrastive Learning for Vocal Note Event Annotations. 255-262 - Juan Sebastián Gómez Cañón, Estefanía Cano, Perfecto Herrera, Emilia Gómez:
Joyful for you and tender for us: the influence of individual characteristics and language on emotion labeling and classification. 853-860 - Francisco J. Castellanos, Jorge Calvo-Zaragoza, José M. Iñesta:
A Neural Approach for Full-Page Optical Music Recognition of Mensural Documents. 558-565 - Fred Bruford, Olivier Lartillot, SKoT McDonald, Mark B. Sandler:
Multidimensional similarity modelling of complex drum loops using the GrooveToolbox. 263-270 - André Ofner, Sebastian Stober:
Modeling perception with hierarchical prediction: Auditory segmentation with deep predictive coding locates candidate evoked potentials in EEG. 566-573 - Hao Hao Tan, Dorien Herremans:
Music FaderNets: Controllable Music Generation Based On High-Level Features via Low-Level Feature Modelling. 109-116 - Sebastian Böck, Matthew E. P. Davies:
Deconstruct, Analyse, Reconstruct: How to improve Tempo, Beat, and Downbeat Estimation. 574-582 - Bo-Yu Chen, Jordan B. L. Smith, Yi-Hsuan Yang:
Neural Loop Combiner: Neural Network Models for Assessing the Compatibility of Loops. 424-431 - Peter van Kranenburg:
Rule Mining for Local Boundary Detection in Melodies. 271-278 - Jaehun Kim, Andrew M. Demetriou, Sandy Manolios, Maria Stella Tavella, Cynthia C. S. Liem:
Butter Lyrics Over Hominy Grit: Comparing Audio and Psychology-Based Text Features in MIR Tasks. 861-868 - Bas Cornelissen, Willem H. Zuidema, John Ashley Burgoyne:
Mode classification and natural units in plainchant. 869-875 - Jacob deGroot-Maggetti, Timothy de Reuse, Laurent Feisthauer, Samuel Howes, Yaolong Ju, Suzuka Kokubu, Sylvain Margot, Néstor Nápoles López, Finn Upham:
Data Quality Matters: Iterative Corrections on a Corpus of Mendelssohn String Quartets and Implications for MIR Analysis. 432-438 - Luca Angioloni, Valentijn Borghuis, Lorenzo Brusci, Paolo Frasconi:
CONLON: A Pseudo-Song Generator Based on a New Pianoroll, Wasserstein Autoencoders, and Optimal Interpolations. 876-883 - Guillaume Doras, Furkan Yesiler, Joan Serrà, Emilia Gómez, Geoffroy Peeters:
Combining musical features for cover detection. 279-286 - António Ramires, Frederic Font, Dmitry Bogdanov, Jordan B. L. Smith, Yi-Hsuan Yang, Joann Ching, Bo-Yu Chen, Yueh-Kao Wu, Wei-Han Hsu, Xavier Serra:
The Freesound Loop Dataset and Annotation Tool. 287-294 - Furkan Yesiler, Joan Serrà, Emilia Gómez:
Less is more: Faster and better music version identification with embedding distillation. 884-892 - Karim M. Ibrahim, Elena V. Epure, Geoffroy Peeters, Gaël Richard:
Should we consider the users in contextual music auto-tagging models?. 295-301 - Derek Cheng, Thorsten Joachims, Douglas R. Turnbull:
Exploring Acoustic Similarity for Novel Music Recommendation. 583-589 - Wayne Chi, Prachi Kumar, Suri Yaddanapudi, Rahul Suresh, Umut Isik:
Generating Music with a Self-Correcting Non-Chronological Autoregressive Model. 893-900 - Helena Cuesta, Brian McFee, Emilia Gómez:
Multiple F0 Estimation in Vocal Ensembles using Convolutional Neural Networks. 302-309 - Javier Nistal, Stefan Lattner, Gaël Richard:
DRUMGAN: Synthesis of Drum Sounds with Timbral Feature Conditioning Using Generative Adversarial Networks. 590-597 - Ioannis Petros Samiotis, Sihang Qiu, Andrea Mauri, Cynthia C. S. Liem, Christoph Lofi, Alessandro Bozzon:
Microtask Crowdsourcing for Music Score Transcriptions: An Experiment with Error Detection. 901-907 - Pritish Chandna, Helena Cuesta, Emilia Gómez:
A Deep Learning Based Analysis-Synthesis Framework For Unison Singing. 598-604 - Albin Andrew Correya, Dmitry Bogdanov, Luis Joglar-Ongay, Xavier Serra:
Essentia.js: A JavaScript Library for Music and Audio Analysis on the Web. 605-612 - Gabriel P. Oliveira, Mariana Santos, Danilo B. Seufitelli, Anísio Lacerda, Mirella M. Moro:
Detecting Collaboration Profiles in Success-based Music Genre Networks. 726-732 - Darius Petermann, Pritish Chandna, Helena Cuesta, Jordi Bonada, Emilia Gómez:
Deep Learning Based Source Separation Applied To Choir Ensembles. 733-739 - Carlos Eduardo Cancino Chacón, Silvan Peter, Shreyan Chowdhury, Anna Aljanaki, Gerhard Widmer:
On the Characterization of Expressive Performance in Classical Music: First Results of the Con Espressione Game. 613-620 - Yu Wang, Justin Salamon, Mark Cartwright, Nicholas J. Bryan, Juan Pablo Bello:
Few-shot Drum Transcription in Polyphonic Music. 117-124 - Ashis Pati, Siddharth Kumar Gururani, Alexander Lerch:
dMelodies: A Music Dataset for Disentanglement Learning. 125-133 - Jongpil Lee, Nicholas J. Bryan, Justin Salamon, Zeyu Jin, Juhan Nam:
Metric learning vs classification for disentangled music representation learning. 439-445 - Jiawen Huang, Yun-Ning Hung, Ashis Pati, Siddharth Kumar Gururani, Alexander Lerch:
Score-informed Networks for Music Performance Assessment. 908-915 - Jacopo de Berardinis, Angelo Cangelosi, Eduardo Coutinho:
The multiple voices of musical emotions: source separation for improving music emotion recognition models and their interpretability. 310-317 - Michael Michelashvili, Lior Wolf:
Hierarchical Timbre-painting and Articulation Generation. 916-922 - Kyle Robinson, Dan Brown, Markus Schedl:
User Insights on Diversity in Music Recommendation Lists. 446-453 - Polina Proutskova, Anja Volk, Peyman Heydarian, György Fazekas:
From Music Ontology towards Ethno-Music-Ontology. 923-931 - Antonio Rafael Sabino Parmezan, Diego Furtado Silva, Gustavo E. A. P. A. Batista:
A Combination of Local Approaches for Hierarchical Music Genre Classification. 740-747 - Jason Smith, Erin J. K. Truesdell
, Jason Freeman, Brian Magerko, Kristy Elizabeth Boyer, Tom McKlin:
Modeling Music and Code Knowledge to Support a Co-creative AI Agent for Education. 134-141 - Yun-Ning Hung, Alexander Lerch:
Multitask Learning for Instrument Activation Aware Music Source Separation. 748-755 - Shih-Lun Wu, Yi-Hsuan Yang:
The Jazz Transformer on the Front Line: Exploring the Shortcomings of AI-composed Music through Quantitative Measures. 142-149 - Taegyun Kwon, Dasaem Jeong, Juhan Nam:
Polyphonic Piano Transcription Using Autoregressive Multi-State Note Model. 454-461 - Christopher J. Tralie, Elizabeth Dempsey:
Exact, Parallelizable Dynamic Time Warping Alignment with Linear Memory. 462-469 - Yu-Hua Chen, Yu-Siang Huang, Wen-Yi Hsiao, Yi-Hsuan Yang:
Automatic Composition of Guitar Tabs by Transformers and Groove Modeling. 756-763 - Taejun Kim, Minsuk Choi, Evan Sacks, Yi-Hsuan Yang, Juhan Nam:
A Computational Analysis of Real-World DJ Mixes using Mix-To-Track Subsequence Alignment. 764-770 - Sanga Chaki, Pranjal Doshi, Sourangshu Bhattacharya, Priyadarshi Patnaik:
Explaining Perceived Emotion Predictions in Music: An Attentive Approach. 150-156 - Olivier Lartillot, Fred Bruford:
Bistate reduction and comparison of drum patterns. 318-324 - Meijun Liu, Eva Zangerle, Xiao Hu, Alessandro B. Melchiorre, Markus Schedl:
Pandemics, music, and collective sentiment: evidence from the outbreak of COVID-19. 157-165 - Martin Rohrmeier:
Towards a Formalization of Musical Rhythm. 621-629
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