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Semantic Scholar16. ICMC 1990: Glasgow, Scotland
Proceedings of the 1990 International Computer Music Conference, ICMC 1990, Glasgow, Scotland, September 10-15, 1990. Michigan Publishing 1990- Roger B. Dannenberg, Marta Sanchez, Annabel Joseph, Peter Capell, Robert Joseph, Ronald Saul:
An Expert System for Teaching Piano to Novices. - Joseph Lukasik:
Computer Assisted Music Instruction: Toward a More Viable Philosophy of Software Architecture. - Sever Tipei, Robin Bargar, Ben Cox, David Kelley:
Computer Music Courses Using Supercomputers: An Educational Experiment at NCSA/UIUC. - Nicholas J. Bailey, Alan Purvis, Peter D. Manning, Ian Bowler:
Concurrent CSound: Parallel Execution fro High Speed Direct Synthesis. - Peter Bowcott:
High-Level Control of Granular Synthesis Using the Concepts of Inheritance and Social Interaction. - Claude Cadoz, Christophe Ramstein:
Capture, Representation and "Composition" of the Instrumental Gesture. - Olivier Calvet, Ronan Laurens, Jean-Marie Adrien:
Modal Synthesis Compilation of Mechanical Sub-structures and Acoustical Sub-systems. - Peter J. Comerford, Lucy K. Kitching:
Disorder Sounds in Order: Theory and Practice in Instrument Simulaton. - Perry R. Cook, Christopher Chafe, Julius O. Smith:
Pulsed Noise in Musical Systems, Techniques for Extraction, Analysis and Visualization. - Bernhard Feiten, Tamas Ungvary:
Sound Data Base Using Spectral Analysis Reduction and an Additive Sythesis Model. - Thierry Galas, Xavier Rodet:
An Improved Cepstral Method for Deconvolution of Source-Filter Systems with Discrete Spectra: Application to Musical Sound Signals. - Richard Kronland-Martinet, Philippe Guillemain, Nathalie Delprat:
Parameters Estimation for Non-linear Resynthesis Methods with the Help of a Time-Frequency Analysis for Real Sounds. - Robert Laughlin, Barry Truax, Brian V. Funt:
Synthesis of Acoustic Timbres using Principal Component Analysis. - Jean-Marie Adrien, Peter Eotvös:
Time Domain Computation of Three Dimensional Acoustic Field by Retarded Potential Holophonic Synthesis. - Dave Malham:
Ambisonics-A Technique for Low-Cost, High-Precision, Three-Dimensional Sound Diffusion. - Sile O'Modhrain:
Surroundsound: A B-format Soundfield Processing Program for the Composers' Desktop Project Soundfile System. - Peter Castine, Alexander R. Brinkman, Craig R. Harris:
Contemporary Music Analysis Package (CMAP) for Macintosh. - Edward R. S. Pearson, Ronald G. Wilson:
Musical Event Detection from Audio Signals within a Multi-resolution Framework. - Nicholas J. Bailey, Alan Purvis, Ian Bowler, Peter D. Manning:
An Highly Parallel Architecture for Real-time Music Synthesis and Digital Signal Processing Application. - Ian Bowler, Alan Purvis, Peter D. Manning, Nick Bailey:
New Techniques for a Real-time Phase Vocoder. - Ian Bowler, Alan Purvis, Peter D. Manning, Nick Bailey:
On Mapping N Articulation Onto M Synthesiser-control Parameters. - David A. Jaffe:
Efficient Dynamic Resource Management on Multiple DSPs as Implemented in the NeXT Music Kit. - Frederick L. Malouf, Mark Lentczner, Christopher Chafe:
A Real-time Implementation of Physical Models. - Uri Shimony, Yehuda Zarfati:
Second-Order Universal Processing Device for Real-time Music Synthesis. - Michael Burroughs, David Fenske:
Variatons: A Hypermedia Project Providing Integrated Access to Music Information. - Philippe Depalle, Xavier Rodet:
UDI: A Unified DSP Interface for Sound Signal Analysis and Synthesis. - Jacques Duthen, Mikael Laurson:
A Compositional Environment Based on PreFORM II, Patchwork, and Esquisse. - Heinz-Dieter Böcker, Andreas Mahling, Rainer Wehinger:
Beyond MIDI: Knowledge-based Support for Computer-Aided Composition. - Johannes Johansson, Bengt-Arne Molin:
Computer-Assisted Composition by Interactive Rhythm Transformations. - Kevin Jones:
Algorithmic Explorations of Juxtaposition and Simultaneity in Computer-aided Composition. - Klaus Balzer, Bernd Streitberg:
Counterpoint Compositions in Non-tempered Systems: Theory and Algorithms. - Hideyuki Morita, Hiroshi Watanabe, Tsutomu Harada, Sadamu Ohteru, Shuji Hashimoto:
Knowledge Information Processing in Conducting Computer Music Performer. - Alastair Clarke, Malcolm Brown, Michael Thorne:
Problems to be faced by Developers of Computer-based Automatic Music Recognisers. - Andy Hunt, Ross Kirk, Richard Orton:
MIDIGRID: An Innovative Computer-based Performance and Composition System. - W. Andrew Schloss:
Recent Advances in the Coupling of the Language MAX with the Matthews/Boie Radio Drum. - McGregor Boyle, Jean Eichelberger Ivey, Edmund Pirali, Geoffrey Wright:
Electronic and Computer Music at the Peabody Conservatory. - Michael Clarke, Mark A. Bromwich, Geoff Smith:
Studio Report: Huddersfield Polytechnic Electronic and Computer Music Studios. - Peter D. Manning, Ron W. Berry, Ian Bowler, Alan Purvis, Nicholas J. Bailey:
Studio Report, University of Durham, England.
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