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ORCID16th ICMC 1990: Glasgow, Scotland
- Proceedings of the 1990 International Computer Music Conference, ICMC 1990, Glasgow, Scotland, September 10-15, 1990. Michigan Publishing 1990
- Jean-Claude Risset:
From Piano to Computer to Piano. - Roger B. Dannenberg, Marta Sanchez, Annabel Joseph, Peter Capell, Robert Joseph, Ronald Saul:
An Expert System for Teaching Piano to Novices. - Adèle Drake:
Computer Technology for Young Disabled Musicians. - Phil Ellis:
A Sound Design. - Joseph Lukasik:
Computer Assisted Music Instruction: Toward a More Viable Philosophy of Software Architecture. - Sam Pointer, John Wawrzynek, David Wessel:
A Multimedia Digital Signal Processing Tutoring System. - Sever Tipei, Robin Bargar, Ben Cox, David Kelley:
Computer Music Courses Using Supercomputers: An Educational Experiment at NCSA/UIUC. - Daniel Arfib:
In the Intimacy of a Sound. - Nicholas J. Bailey, Alan Purvis, Peter D. Manning, Ian Bowler:
Concurrent CSound: Parallel Execution fro High Speed Direct Synthesis. - Peter Bowcott:
High-Level Control of Granular Synthesis Using the Concepts of Inheritance and Social Interaction. - Claude Cadoz, Christophe Ramstein:
Capture, Representation and "Composition" of the Instrumental Gesture. - Olivier Calvet, Ronan Laurens, Jean-Marie Adrien:
Modal Synthesis Compilation of Mechanical Sub-structures and Acoustical Sub-systems. - Peter J. Comerford, Lucy K. Kitching:
Disorder Sounds in Order: Theory and Practice in Instrument Simulaton. - Perry R. Cook, Christopher Chafe, Julius O. Smith III:
Pulsed Noise in Musical Systems, Techniques for Extraction, Analysis and Visualization. - Barry Eaglestone, Shaun Oates:
Analytical Tools for Group Additive Synthesis. - Gerhard Eckel:
A Signal Editor for the IRCAM Musical Workstation. - Bernhard Feiten, Tamas Ungvary:
Sound Data Base Using Spectral Analysis Reduction and an Additive Sythesis Model. - Jean-Loup Florens, Claude Cadoz:
Modular Modelisation and Simulation of the Instrument. - Adrian Freed, Keith Gordon:
DSP Driver Software for Performance-oriented Music Synthesis Systems. - Thierry Galas, Xavier Rodet:
An Improved Cepstral Method for Deconvolution of Source-Filter Systems with Discrete Spectra: Application to Musical Sound Signals. - Frode Holm:
CESAM - A Concept Engine for Synthesis of Audio and Music. - Richard Kronland-Martinet, Philippe Guillemain, Nathalie Delprat:
Parameters Estimation for Non-linear Resynthesis Methods with the Help of a Time-Frequency Analysis for Real Sounds. - Paul Lansky:
The Architecture and Musical Logic of Cmix. - Robert Laughlin, Barry Truax, Brian V. Funt:
Synthesis of Acoustic Timbres using Principal Component Analysis. - Barry Truax:
Chaotic Non-linear Systems and Digital Synthesis: An Exploratory Study. - Barry Truax:
Time-shifting of Sampled Sound with a Real-time Granulation Technique. - Jean-Marie Adrien, Peter Eotvös:
Time Domain Computation of Three Dimensional Acoustic Field by Retarded Potential Holophonic Synthesis. - Marina Bosi:
An Interactive Real-time System for the Control of Sound Localization. - Brad Garton:
Two New Approaches to the Simulation of Acoustic Spaces. - Dave Malham:
Ambisonics-A Technique for Low-Cost, High-Precision, Three-Dimensional Sound Diffusion. - Sile O'Modhrain:
Surroundsound: A B-format Soundfield Processing Program for the Composers' Desktop Project Soundfile System. - Lawrence Casserley:
Series Phi Digital Signal Processor. - Ross Kirk, Richard Orton:
MIDAS: A Musical Instrument Digital Array Signal Processor. - Eric Lindemann:
The IRCAM Musical Workstation: Hardware Overview and Signal Processing Features. - John Wawrzynek, Thorsten von Eicken:
VLSI Parallel Processing for Musical Sound Synthesis. - Paul E. Allen, Roger B. Dannenberg:
Tracking Musical Beats in Real Time. - Richard D. Ashley:
A Computer Program for Analyzing Computer Musician's Problem-Solving. - Bruce B. Campbell:
A Computer Assisted Approach to Music Analysis. - Peter Castine, Alexander R. Brinkman, Craig R. Harris:
Contemporary Music Analysis Package (CMAP) for Macintosh. - Bernard Mont-Reynaud, Emmanuel Gresset:
PRISM: Pattern Recognition in Sound and Music. - Edward R. S. Pearson, Ronald G. Wilson:
Musical Event Detection from Audio Signals within a Multi-resolution Framework. - Simon Waters, Tamas Ungvary:
The Sonogram: A Tool for Visual Documentation of Musical Structure. - Feng Yin, Xhang Xiang:
ESATM: An Experimental System For Analyzing The Tonality of Melodies. - Clarence Barlow:
Autobusk: An Algorithmic Real-time Pitch and Rhythm Improvisation Programme. - Nicholas J. Bailey, Alan Purvis, Ian Bowler, Peter D. Manning:
An Highly Parallel Architecture for Real-time Music Synthesis and Digital Signal Processing Application. - John A. Bate:
UniSon: A Real-time Interactive System for Digital Sound Synthesis. - Marina Bosi:
The Sound Accelerator as a Real-time DSP Environment: Encoding/Decoding Audio Signals. - Ian Bowler, Alan Purvis, Peter D. Manning, Nick Bailey:
New Techniques for a Real-time Phase Vocoder. - Ian Bowler, Alan Purvis, Peter D. Manning, Nick Bailey:
On Mapping N Articulation Onto M Synthesiser-control Parameters. - Roger B. Dannenberg:
A Run-time System for Arctic. - David A. Jaffe:
Efficient Dynamic Resource Management on Multiple DSPs as Implemented in the NeXT Music Kit. - Frederick L. Malouf, Mark Lentczner, Christopher Chafe:
A Real-time Implementation of Physical Models. - Yann Orlarey:
An Efficient Scheduling Algorithm for Real-time Musical Systems. - Russell F. Pinkston:
DSP-Sound: A Software Synthesis Package for Real-Time DPS-Based Systems. - Robert Rowe:
Feature Classification and Related Response in a Real-time Interactive Music System. - Uri Shimony, Yehuda Zarfati:
Second-Order Universal Processing Device for Real-time Music Synthesis. - Hans Strasburger, Stefan Kohler, Irmfried Radauer:
Score Input to CSound via the Midi Keyboard. - Barry Vercoe, Dan Ellis:
Real-time CSound: Software Synthesis with Sensing and Control. - Tim Anderson:
E-SCAPE: An Extendable Sonic Composition and Performance Environment. - Paul E. J. Buckley, Andrew Lewis:
Orpheus: A Graphical Composition Environment. - David Burden:
The ST AMPLE Music Composition Language, an Implemenation of AMPLE for the Atari ST. - Michael Burroughs, David Fenske:
Variatons: A Hypermedia Project Providing Integrated Access to Music Information. - Philippe Depalle, Xavier Rodet:
UDI: A Unified DSP Interface for Sound Signal Analysis and Synthesis. - Jacques Duthen, Mikael Laurson:
A Compositional Environment Based on PreFORM II, Patchwork, and Esquisse. - Richard J. Foss, Antony Wilks:
A Network Approach to the Problem of Sharing Music Studio Resources. - Per Hartmann:
Natural Selection of Musical Identities. - Dan Hitt, Yee On Lo:
A Language for Composition. - Eric Lindemann:
ANIMAL-A Rapid Prototyping Environment for Computer Music Systems. - Michael McNabb:
Ensemble: An Extensible Real-time Music Performance Environment. - Gerard Marino, Jean-Michel Raczinski, Marie-Hélène Serra:
The New UPIC System. - Michael Minnick:
A Graphical Editor for Building Unit Generator Patches. - Daniel V. Oppenheim:
Quill: An Interpreter for Creating Music-objects within the Dmix Environment. - Miller S. Puckette:
EXPLODE: A User Interface for Sequencing and Score Following. - Douglas Scott:
Mixview: A Portable, Graphics-based Soundfile Editor and Processor. - Bennett K. Smith:
A Universal Recorder for the IRCAM Musical Workstation. - Eric Viara, Miller S. Puckette:
A Real-time Operating System for Computer Music. - Mara Helmuth:
Patchmix: A C++ X Graphical Interface to Cmix. - Reginald Bain:
Algorithmic Composition: Quantum Mechanics and the Musical Domain. - Peter Beyls:
Subsymbolic Approaches to Musical Composition. A Behavioral Model. - Heinz-Dieter Böcker, Andreas Mahling, Rainer Wehinger:
Beyond MIDI: Knowledge-based Support for Computer-Aided Composition. - David Cope:
Pattern Matching as an Engine for the Computer Simulation of Musical Style. - Francis Courtot:
A Constraint-based Logic Program for Generating Polyphonies. - Malcolm C. Harrison, Suzanne Haig, Gershon Horowitz:
Experience with a Harmony-Learning Program. - Eric Iverson, Roger Hartley:
Metabolizing Music. - Johannes Johansson, Bengt-Arne Molin:
Computer-Assisted Composition by Interactive Rhythm Transformations. - Kevin Jones:
Algorithmic Explorations of Juxtaposition and Simultaneity in Computer-aided Composition. - Haruhiro Katayose, Seiji Inokuchi:
The Kansei Music System '90. - Christiane Linster:
A Neural Network that Learns to Play in Different Music Styles. - Dale Millen:
Cellular Automata Music. - Russell Ovans:
Musical Composition as a Constraint Satisfaction Problem. - Francis Rousseaux:
One Example of How Artificial Intelligence Can Be Useful in Music Fields. - Agostino Di Scipio:
Composition by Exploration of Non-linear Dynamic Systems. - Klaus Balzer, Bernd Streitberg:
Counterpoint Compositions in Non-tempered Systems: Theory and Algorithms. - Hideyuki Morita, Hiroshi Watanabe, Tsutomu Harada, Sadamu Ohteru, Shuji Hashimoto:
Knowledge Information Processing in Conducting Computer Music Performer. - Bill Parod:
A Tuning System Laboratory for the NeXT Computer. - Dominique M. Richard:
Godel Tune: Formal Models in Music Recognition Systems. - Gerhard Widmer:
The Usefulness of Qualitative Theories of Musical Perception. - Alastair Clarke, Malcolm Brown, Michael Thorne:
Problems to be faced by Developers of Computer-based Automatic Music Recognisers. - Glendon R. Diener:
Conceptual Integrity in a Musical Notation Program. - Stephen Hull:
Towards a New Paradigm for the Representation of Musical Information. - Charles Bestor:
Pathways from the Dream Spell Series. - Peter Desain, Siebe de Vos:
Autocorrelation and the Study of Musical Expression. - Robert Alan Dorgan:
Music in Architecture / Architecture in Music. - Henkjan Honing:
POCO: An Environment for Analysing, Modifying and Generating Expression in Music. - Leigh Landy:
Is More Than Three Decades of Computer Music Reaching the Public it Deserves? - Neil P. McAngus Todd:
Computational Modeling of Musical Expression. - Daniel Brandt:
A Modular DSP Perfomance System for the Composer/Progammer. - Claude Cadoz, Leszek Lisowski, Jean-Loup Florens:
Modular Feedback Keyboard. - Lounette M. Dyer:
ENSEMBLE: An Object-oriented Real-time Perfomance System. - Sylvie Gibet, Pierre-François Marteau:
Gestural Control of Sound Synthesis. - Andy Hunt, Ross Kirk, Richard Orton:
MIDIGRID: An Innovative Computer-based Performance and Composition System. - Alistair Riddell:
A Meta-Action for the Grand Piano. - W. Andrew Schloss:
Recent Advances in the Coupling of the Language MAX with the Matthews/Boie Radio Drum. - Emile Tobenfeld:
Potential Applications of MIDI Software in Improvised Musical Performance. - Jean-François Allouis, Jean-Baptiste Barrière, Marc Battier:
IRCAM: Studio Report. - Clarence Barlow:
About 605k. - McGregor Boyle, Jean Eichelberger Ivey, Edmund Pirali, Geoffrey Wright:
Electronic and Computer Music at the Peabody Conservatory. - Michael Clarke, Mark A. Bromwich, Geoff Smith:
Studio Report: Huddersfield Polytechnic Electronic and Computer Music Studios. - Brad Garton, Rick Bassett, Mara Helmuth:
Woof! The Columbia University Computer Music Facility. - Hans Lunell:
EMS Studio Report. - Peter D. Manning, Ron W. Berry, Ian Bowler, Alan Purvis, Nicholas J. Bailey:
Studio Report, University of Durham, England. - Adolfo Núñez:
The Laboratorio de Informatica y Electronica Musical of CDMC Madrid. - Wayne Siegel:
DIEM Studio Report. - Hans Strasburger, Irmfried Radauer:
The Computer Music Studio at Salzburg.
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