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ORCID13th ICMC 1987: Champaign/Urbana, Illinois, USA
- Proceedings of the 1987 International Computer Music Conference, ICMC 1987, Champaign/Urbana, Illinois, USA, August 23-26, 1987. Michigan Publishing 1987
- Charles Ames:
Tutorial on Automated Composition. - Julius O. Smith III:
Waveguide Filter Tutorial. - Brian Evans:
Integration of Music and Graphics through Algorithmic Congruence. - Gary Greenberg:
Procedural Composition. - Keith Hamel, Bruce W. Pennycook, Bill Ripley, Eli Blevis:
Composition Design System: A Functional Approach to Composition. - Daniel V. Oppenheim:
The P-G-G Environment for Music Composition. - Carla A. Scaletti:
Kyma: An Object-oriented Language for Music Composition. - Jean-Baptiste Barrière:
Musical Production at IRCAM in 1986-87. - Eric N. Harnden, Ron Massaro, Gary L. Gibian:
The Development of a Computer Music Facility at The American University. - Craig R. Harris:
The Missing Link. - JoAnn Kuchera-Morin, Dan Timis:
The Computer Music Studio at the University of California, Santa Barbara. - Judith C. Brown, Miller S. Puckette:
Musical Information from a Narrowed Autocorrelation Function. - Guy E. Garnett:
Modeling Piano Sound using Waveguide Digital Filtering Techniques. - Brad Garton:
Elthar - A Signal Processing Expert that Learns. - Kurt J. Hebel:
Javelina: An Environment for the Development of Software for Digital Signal Processing. - David Wessel, David Bristow, Zack Settel:
Control of Phrasing and Articulation in Synthesis. - D. Gareth Loy:
On the Scheduling of Multiple Parallel Processors Executing Synchronously. - Charlie Q. Robinson:
Real Time Synthesis of Bowed String Timbres. - John M. Snell:
General-purpose Hi-fidelity Affordable Real-time Computer Music System. - Barry Truax:
Real-Time Granulation of Sampled Sound with the DMX-1000. - Martin Atkins, Andrew Bentley, Tom Endrich, Rajmil Fischman, David G. Malham, Richard Orton, Trevor Wishart:
The Composers' Desktop Project. - Jacques Duthen, Yves Potard:
Le_Loup, an Object-Oriented Extension of Le_Lisp for an Integrated Computer Music Environment. - Gerhard Eckel, Xavier Rodet, Yves Potard:
A Sun-Mercury Music Workstation. - Stephen Travis Pope:
A Smalltalk-80-based Music Toolkit. - David Cope:
Experiments in Music Intelligence (EMI). - Simon Holland:
New Cognitive Theories of Harmony Applied to Direct Manipulation Tools for Novices. - Christoph Lischka:
Connectionist Models of Musical Thinking. - Larry Polansky:
Morphological Metrics: An Introduction to a Theory of Formal Distances. - Larry Austin, Eugene DeLisa:
Modeling Processes of Musical Invention. - Gary Grossman:
Instruments, Cybernetics, and Computer Music. - Larry Polansky, David Rosenboom, Phil Burk:
HMSL: Overview (Version 3.1) and Notes on Intelligent Instrument Design. - Noel Zahler:
Isomorphism, Computers, and the Multi-media Work. - David P. Anderson:
Synthesizer Management Based on Note Priorities. - Jean-Charles Francois, Xavier Chabot, John Silber:
MIDI Synthesizers in Performance: Realtime Dynamic Timbre Production. - Roger B. Dannenberg, Bernard Mont-Reynaud:
Following an Improvisation in Real Time. - Marc LoCascio:
Audio Time Compansion for Studio and Performance Synchronization. - F. Richard Moore:
The Dysfunctions of MIDI. - Jean-Marie Adrien, René Caussé, Xavier Rodet:
Sound Synthesis by Physical Models: Application to Strings. - Lucy K. Kitching:
From Small Beginnings. - William L. Martens:
Principal Components Analysis and Resynthesis of Spectral Cues to Perceived Direction. - Russell G. Payne:
A Microcomputer-Based Analysis/Resynthesis Scheme for Processing Sampled Sounds using FM. - Julius O. Smith III, Xavier Serra:
PARSHL: An Analysis/Synthesis Program for Non-Harmonic Sounds Based on a Sinusoidal Representation. - Gérard Assayag, Dan Timis:
Computer Printing, Storage, and Transfer of Musical Scores. - Diane Joyce Cook:
ORPHEUS: A Music Notation Program. - J. Stephen Dydo:
Data Structures in the Note Processor. - John Free:
Towards an Extensible Data Structure for the Representation of Music on Computers. - Keith Hamel:
Issues in the Design of a Music Notation Systems. - Giovanni Müller, Raffaello Giulietti:
High Quality Music Notation: Interactive Editing and Input by Piano Keyboard. - Mark Dolson, Abe Singer
, David Rivas:
Personal-Computer Microworlds for Learning About Signals and Sound. - Richard Kufrin:
PRECOMP/GT - A Graphic Tool for Learning Topics in Computer-Assisted Composition. - Linda Sorisio:
Design of an Intelligent Tutoring System in Harmony. - David Keane:
Computer Music and Human Engineering: The Making of Labyrinth.
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