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ORCIDComputer Music Journal, Volume 30
Volume 30, Number 1, Spring 2006
- John M. Snell:
How Did Computer Music Journal Come to Exist? 10-20
- Eric Lee, Thorsten Karrer, Jan O. Borchers:
Toward a Framework for Interactive Systems to Conduct Digital Audio and Video Streams. 21-36 - Anders Friberg:
pDM: An Expressive Sequencer with Real-Time Control of the KTH Music-Performance Rules. 37-48 - Ali Momeni, Cyrille Henry:
Dynamic Independent Mapping Layers for Concurrent Control of Audio and Video Synthesis. 49-66
- Rodrigo F. Cádiz
:
A Fuzzy-Logic Mapper for Audiovisual Media. 67-82
Volume 30, Number 2, Summer 2006
- Nick Collins, Fredrik Olofsson:
klipp av: Live Algorithmic Splicing and Audiovisual Event Capture. 8-18
- Vesa Välimäki, Antti Huovilainen:
Oscillator and Filter Algorithms for Virtual Analog Synthesis. 19-31 - Mitsuko Aramaki, Richard Kronland-Martinet, Thierry Voinier, Sølvi Ystad:
A Percussive Sound Synthesizer Based on Physical and Perceptual Attributes. 32-41
- Matthew Cooper, Jonathan Foote, Elias Pampalk, George Tzanetakis:
Visualization in Audio-Based Music Information Retrieval. 42-62 - Shlomo Dubnov:
Spectral Anticipations. 63-83
Volume 30, Number 3, Fall 2006
- Rosemary Mountain:
From Wire to Computer: Francis Dhomont at 80. 10-21
- Cynthia Bruyns:
Modal Synthesis for Arbitrarily Shaped Objects. 22-37
- Roberto Oboe:
A Multi-Instrument, Force-Feedback Keyboard. 38-52
- Gretchen C. Foley, Charles A. Cusack:
Computer-Assisted Analysis of Music in George Perle's System of Twelve-Tone Tonality. 53-66
- Greg Aloupis, Thomas Fevens, Stefan Langerman, Tomomi Matsui, Antonio Mesa, Yurai Núñez Rodríguez, David Rappaport, Godfried T. Toussaint:
Algorithms for Computing Geometric Measures of Melodic Similarity. 67-76
Volume 30, Number 4, Winter 2006
- Jorge Solis, Keisuke Chida, Koichi Taniguchi, Shinichiro Michael Hashimoto, Kei Suefuji, Atsuo Takanishi:
The Waseda Flutist Robot WF-4RII in Comparison with a Professional Flutist. 12-27 - Gil Weinberg, Scott Driscoll:
Toward Robotic Musicianship. 28-45
- Bob L. Sturm:
Adaptive Concatenative Sound Synthesis and Its Application to Micromontage Composition. 46-66
- Mika Kuuskankare, Mikael Laurson:
Expressive Notation Package. 67-79
- Rui Pedro Paiva, Teresa Mendes, Amílcar Cardoso:
Melody Detection in Polyphonic Musical Signals: Exploiting Perceptual Rules, Note Salience, and Melodic Smoothness. 80-98
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