Volume 30, Number 1, Spring 2006

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  John Snell: How Did Computer Music Journal Come to Exist? 10-20

• 
  Eric Lee, Thorsten Karrer, Jan O. Borchers: Toward a Framework for Interactive Systems to Conduct Digital Audio and Video Streams. 21-36
• 
  Anders Friberg: pDM: An Expressive Sequencer with Real-Time Control of the KTH Music-Performance Rules. 37-48
• 
  Ali Momeni, Cyrille Henry: Dynamic Independent Mapping Layers for Concurrent Control of Audio and Video Synthesis. 49-66

• 
  Rodrigo F. Cádiz: A Fuzzy-Logic Mapper for Audiovisual Media. 67-82

Volume 30, Number 2, Summer 2006

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  Nick Collins, Fredrik Olofsson: klipp av: Live Algorithmic Splicing and Audiovisual Event Capture. 8-18

• 
  Vesa Välimäki, Antti Huovilainen: Oscillator and Filter Algorithms for Virtual Analog Synthesis. 19-31
• 
  Mitsuko Aramaki, Richard Kronland-Martinet, Thierry Voinier, Sølvi Ystad: A Percussive Sound Synthesizer Based on Physical and Perceptual Attributes. 32-41

• 
  Matthew L. Cooper, Jonathan Foote, Elias Pampalk, George Tzanetakis: Visualization in Audio-Based Music Information Retrieval. 42-62
• 
  Shlomo Dubnov: Spectral Anticipations. 63-83

Volume 30, Number 3, Fall 2006

• 
  Rosemary Mountain: From Wire to Computer: Francis Dhomont at 80. 10-21

• 
  Cynthia Bruyns: Modal Synthesis for Arbitrarily Shaped Objects. 22-37

• 
  Roberto Oboe: A Multi-Instrument, Force-Feedback Keyboard. 38-52

• 
  Gretchen C. Foley, Charles A. Cusack: Computer-Assisted Analysis of Music in George Perle's System of Twelve-Tone Tonality. 53-66

• 
  Greg Aloupis, Thomas Fevens, Stefan Langerman, Tomomi Matsui, Antonio Mesa, Yurai Núñez Rodríguez, David Rappaport, Godfried T. Toussaint: Algorithms for Computing Geometric Measures of Melodic Similarity. 67-76

Volume 30, Number 4, Winter 2006

• 
  Jorge Solis, Keisuke Chida, Koichi Taniguchi, Shinichiro Michael Hashimoto, Kei Suefuji, Atsuo Takanishi: The Waseda Flutist Robot WF-4RII in Comparison with a Professional Flutist. 12-27
• 
  Gil Weinberg, Scott Driscoll: Toward Robotic Musicianship. 28-45

• 
  Bob L. Sturm: Adaptive Concatenative Sound Synthesis and Its Application to Micromontage Composition. 46-66

• 
  Mika Kuuskankare, Mikael Laurson: Expressive Notation Package. 67-79

• 
  Rui Pedro Paiva, Teresa Mendes, Amílcar Cardoso: Melody Detection in Polyphonic Musical Signals: Exploiting Perceptual Rules, Note Salience, and Melodic Smoothness. 80-98

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