NIME 2005: Vancouver, Canada

Keynote Talks

• Don Buchla:
  A History of Buchla's Musical Instruments. 1
  
• Golan Levin:
  A Personal Chronology of Audiovisual Systems Research. 2-3
  
• William Buxton:
  Causality and Striking the Right Note. 4
  

Papers and Report Sessions

Session 1: Concepts, Aesthetics, and Collaboration

• John Bowers, Phil Archer:
  Not Hyper, Not Meta, Not Cyber but Infra-Instruments. 5-10
  
• Teemu Mäki-Patola, Aki Kanerva, Juha Laitinen, Tapio Takala:
  Experiments with Virtual Reality Instruments. 11-16
  
• Gil Weinberg, Scott Driscoll:
  "iltur" - Connecting Novices and Experts Through Collaborative Improvisation. 17-22
  
• Sergi Jordà:
  Multi-user Instruments: Models, Examples and Promises. 23-26
  
• Tina Blaine:
  The Convergence of Alternate Controllers and Musical Interfaces in Interactive Entertainment. 27-33
  

Session 2: NIME Implementations

• Dan Overholt:
  The Overtone Violin. 34-37
  
• Juan Pablo Cáceres, Gautham J. Mysore, Jeffrey Treviño:
  SCUBA: The Self-Contained Unified Bass Augmenter. 38-41
  
• Elliot Sinyor, Marcelo M. Wanderley:
  Gyrotyre. A Hand-held Dynamic Computer-Music Controller Based on a Spinning Wheel. 42-45
  
• Angelo Fraietta:
  The Smart Controller Workbench. 46-49
  
• Eric Singer:
  A Large-Scale Networked Robotic Musical Instrument Installation. 50-55
  
• Jesse T. Allison, Timothy A. Place:
  Teabox: A Sensor Data Interface System. 56-59
  

Session 3: Pot-Pourri

• Sageev Oore:
  Learning Advanced Skills on New Instruments (or practising scales and arpeggios on your NIME). 60-65
  
• Dan Livingstone, Eduardo Reck Miranda:
  Orb3 - Adaptive Interface for Realtime Sound Synthesis & Diffusion within Socially Mediated Spaces. 65-69
  
• Georg Essl, M. Sile O'Modhrain:
  Scrubber: An Interface for Friction-induced Sounds. 70-75
  
• Peter Swendsen, David Topper:
  Wireless Dance Control: PAIR and WISEAR. 76-79
  
• Roger B. Dannenberg, Ben Brown, Garth Zeglin, Ron Lupish:
  McBlare: A Robotic Bagpipe Player. 80-84
  

Session 4: Mapping for NIME

• Frédéric Bevilacqua, Remy Muller, Norbert Schnell:
  MnM: a Max/MSP mapping toolbox. 85-88
  
• Jean-Marc Pelletier:
  A Graphical Interface for Intuitive Signal Routing. 89-92
  
• Gary P. Scavone, Andrey R. da Silva:
  Frequency Content of Breath Pressure and Implications for Use in Control. 93-96
  
• Alain Crevoisier, Pietro Polotti:
  Tangible Acoustic Interfaces and their Applications for the Design of New Musical Instruments. 97-100
  
• Ross Bencina:
  The Metasurface: Applying Natural Neighbour Interpolation to Two-to-Many Mapping. 101-104
  
• Andrey R. da Silva, Marcelo M. Wanderley, Gary P. Scavone:
  On the Use of Flute Air Jet as A Musical Control Variable. 105-108
  

Session 5: Voice, Gestural Control, and Multimodality

• Xavier Rodet, Jean-Philippe Lambert, Roland Cahen, Thomas Gaudy, Florian Gosselin, Fabrice Guedy, Pascal Mobuchon:
  Sound and music control using haptic and visual feedback in the PHASE installation. 109-114
  
• Golan Levin, Zachary Lieberman:
  Sounds from Shapes: Audiovisual Performance with Hand Silhouette Contours in The Manual Input Sessions. 115-120
  
• Tomoko Yonezawa, Noriko Suzuki, Kenji Mase, Kiyoshi Kogure:
  HandySinger: Expressive Singing Voice Morphing using Personified Hand-puppet Interface. 121-126
  
• Mathias Funk, Kazuhiro Kuwabara, Michael J. Lyons:
  Sonification of Facial Actions for Musical Expression. 127-131
  
• Jordi Janer:
  Voice-controlled plucked bass guitar through two synthesis techniques. 132-135
  

Session 6: Learning, Tools + Connectivity

• Paul D. Lehrman:
  Bridging the Gap Between Art and Science Education Through Teaching Electronic Musical Instrument Design. 136-139
  
• Hans-Christoph Steiner:
  The [hid] toolkit: a unified framework for instrument design. 140-143
  
• Teemu Mäki-Patola:
  User Interface Comparison for Virtual Drums. 144-147
  
• Arthur Clay, Thomas M. Frey, Jürg Gutknecht:
  GoingPublik: Using Realtime Global Score Synthesis. 148-151
  
• Ole Gregersen, Lars Pellarin, Jakob Olsen, Niels Böttcher, Michel Guglielmi, Stefania Serafin:
  Connecting strangers at a train station. 152-155
  
• Greg Schiemer, Mark Havryliv:
  Pocket Gamelan: a Pure Data interface for java phones. 156-169
  

Posters

Posters 1: NIME Implementations

• David Birchfield, David Lorig, Kelly Phillips:
  Sustainable: a dynamic, robotic, sound installation. 160-163
  
• Paulo Maria Rodrigues, Luís Miguel Girão, Rolf Gehlhaar:
  CyberSong. 164-167
  
• Jamie Allen:
  boomBox. 168-171
  
• Alex Loscos, Thomas Aussenac:
  The Wahwactor: A Voice Controlled Wah-Wah Pedal. 172-175
  
• William B. Carter, Leslie S. Liu:
  Location33: A Mobile Musical. 176-179
  
• Laszlo Bardos, Stefan Korinek, Eric Lee, Jan Borchers:
  Bangarama: Creating Music with Headbanging. 180-183
  

Posters 2: Mapping and Software

• Alvaro Barbosa, Jorge Cardoso, Gunter Geiger:
  Network Latency Adaptive Tempo in the Public Sound Objects System. 184-187
  
• Nicolas Villar, Adam Lindsay, Hans-Werner Gellersen:
  Pin&Play&Perform: A rearrangeable tangible interface for musical composition and performance. 188-191
  
• David Birnbaum, Rebecca Fiebrink, Joseph Malloch, Marcelo M. Wanderley:
  Towards a Dimension Space for Musical Artifacts. 192-195
  
• Ge Wang, Ananya Misra, Ajay Kapur, Perry R. Cook:
  Yeah, ChucK It! => Dynamic, Controllable Interface Mapping. 196-199
  
• Adam R. Tindale, Ajay Kapur, George Tzanetakis, Peter F. Driessen, W. Andrew Schloss:
  A Comparison of Sensor Strategies for Capturing Percussive Gestures. 200-203
  
• Eric Lee, Jan Borchers:
  The Role of Time in Engineering Computer Music Systems. 204-207
  

Posters 3: Interfaces

• Shigeru Kobayashi, Masayuki Akamatsu:
  Spinner: A Simple Approach to Reconfigurable User Interfaces. 208-211
  
• Thor Magnusson:
  ixi software: The Interface as Instrument. 212-215
  
• Eduardo Reck Miranda, Andrew Brouse:
  Toward Direct Brain-Computer Musical Interfaces. 216-219
  
• Robyn Taylor, Daniel Torres, Pierre Boulanger:
  Using Music to Interact with a Virtual Character. 220-223
  
• Elaine Chew, Alexandre R. J. François, Jie Liu, Aaron Yang:
  ESP: A Driving Interface for Expression Synthesis. 224-227
  
• Cornelius Poepel:
  On interface expressivity: A player based study. 228-231
  
• Johnny Wingstedt, Mats Liljedahl, Stefan Lindberg, Jan Berg:
  REMUPP - An Interactive Tool for Investigating Musical Properties and Relations. 232-235
  

Demonstrations

Demo Room 1: Composition & Tools

• Perry R. Cook:
  Real-Time Performance Controllers for Synthesized Singing. 236-237
  
• David Kim-Boyle:
  Musical Score Generation in Valses and Etudes. 238-239
  
• Kevin C. Baird:
  Real-Time Generation of Music Notation via Audience Interaction Using Python and GNU Lilypond. 240-241
  

Demo Room 2: Motion and Sound

• Jesse Fox, Jennifer Carlile:
  SoniMime: Movement Sonification for Real-Time Timbre Shaping. 242-243
  
• Robert Huott:
  Precise Control on Compound Curves. 244-245
  
• Damondrick Jack, Robert Lugo:
  Beat Boxing: Expressive Control for Electronic Music Performance and Musical Applications. 246-247
  
• Ivan Franco:
  The Airstick: A Free-Gesture ControllerUsing Infrared Sensing. 248-249
  
• Jennifer Carlile, Björn Hartmann:
  OROBORO: A Collaborative Bi-Manual Controller with Interpersonal Haptic Feedback. 250-251
  
• David Rodriguez, Ivan Rodriguez:
  VIFE _alpha v.01: Real-time Visual Sound Installation performed by Glove-Gesture. 252-253
  

Demo Room 3: Haptics and Music

• David Hindman, Spencer Kiser:
  Sonictroller. 254-255
  
• William Verplank:
  Haptic Music Exercises. 256-257
  
• John Eaton, Bob Moog:
  Multiple-Touch-Sensitive Keyboard. 258-259
  
• Angelo Fraietta:
  Smart Controller / Bell Garden Demo. 260-261
  
• Mauricio Melo, Doria Fan:
  Swayway MIDI Chimes. 262-263
  
• Derek Wang:
  Bubbaboard and Mommaspeaker: Creating Digital Tonal Sounds from an Acoustic Percussive Instrument. 264-265
  

Demo Room 4: Low Noise

• Emmanuel Fléty:
  The WiSe Box: a Multi-performer Wireless Sensor Interface using WiFi and OSC. 266-267
  
• Adam Bowen:
  Soundstone: A 3-d wireless music controller. 268-269
  

Interactive Sound Installations

Installation Session 1

• Alain Guisan:
  Intrium. 270
  
• Eric Socolofsky:
  Contemplace. 271
  

Installation Session 2

• Maia Marinelli, Jared Lamenzo, Liubo Borissov:
  Mocean. 272
  
• Seiichiro Matsumura:
  HotStepJunk. 273
  

Installation Session 3

• Meghan Deutscher, Sidney Fels, Reynald Hoskinson, Sachiyo Takahashi:
  Echology. 274
  

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