1. IWEC 2002: Makuhari, Japan

@proceedings{DBLP:conf/iwec/2002,
  editor    = {Ryohei Nakatsu and
               Jun'ichi Hoshino},
  title     = {Entertainment Computing: Technologies and Applications, IFIP
               First International Workshop on Entertainment Computing (IWEC
               2002), May 14-17, 2002, Makuhari, Japan},
  booktitle = {IWEC},
  publisher = {Kluwer},
  series    = {IFIP Conference Proceedings},
  volume    = {240},
  year      = {2003},
  isbn      = {1-4020-7360-7},
  bibsource = {DBLP, http://dblp.uni-trier.de}
}

Invited Talks

• Marc Cavazza, Fred Charles, Steven J. Mead: Under the influence: using natural language in interactives storytelling. 3-11
• Donald Marinelli: Interactivity and non-linearity: what do they really mean? 13-20

Computer & Games

• Philippe Codognet: Multi-goal path-finding for autonomous agents in virtual worlds. 23-30
• Ho Lee, Eric Kozlowski, Scott Lenker, Sugih Jamin: Multiplayer game cheating prevention with pipelined lockstep protocol. 31-39
• Pieter Spronck, H. Jaap van den Herik: Complex games and palm computers. 41-48
• Penelope Sweetser, Simon Dennis: Facilitating learning in a real time strategy computer game. 49-56
• Masato Koide, Jingde Cheng: A toolkit for developing programs of card game played on the internet. 57-64
• Hiroyuki Iida, Nobuo Takeshita, Jin Yoshimura: A metric for entertainment of boardgames: its implication for evolution of chess variants. 65-72
• Reijer Grimbergen: Threat stacks to guide pruning and search extensions in shogi. 73-80
• Michael Buro: The evolution of strong othello programs. 81-88

Home/Arcade games and interactive movies

• David Ventura, David C. Brogan: Digital storytelling with dinah: dynamic, interactive, narrative authoring heuristic. 91-99
• Yoshihiro Okada: Real-time character animation using puppet metaphor. 101-108
• Naho Inamoto, Hideo Saito: Fly through view video generation of soccer scene. 109-116
• Johan Sanneblad, Lars Erik Holmquist: Prototyping mobile game applications. 117-124
• Tomoya Sato, Yoshinori Dobashi, Tsuyoshi Yamamoto: A method for real-time rendering of water droplets taking into account interactive depth of field effects. 125-132
• Soichiro Iga, Fumito Higuchi: Kirifuki: inhaling and exhaling interaction with visual objects. 133-140
• Masataka Imura, Jun Kozuka, Koichi Minami, Yoshito Tabata, Tatsuya Shizui, Kunihiro Chihara: Virtual horseback archery-kibakiba mushamusha. 141-148
• Claudio S. Pinhanez: Creating ubiquitous interactive games using everywhere display projectors. 149-156
• Shoichiro Iwasawa, Tatsuo Yotsukura, Shigeo Morishima: Face analysis and synthesis for interactive entertainment. 157-164
• Atsushi Nakano, Junichi Hoshino: Human body tracking for digital actors. 165-172
• Masumi Kobana, Jun Ohya: Computer vision based recognition of interactions between human and objects. 173-180
• Shigeru Kuriyama, Yusuke Irino, Toyohisa Kaneko: Real-time manipulation of motion-capture data with pattern generator. 181-188

Entertainment robots & physical systems

• Keiko Motoyama, Hidenori Kawamura, Masahito Yamamoto, Azuma Ohuchi: Development of autonomous blimp robot with intelligent control. 191-198
• Naohiro Matsunami, Kumiko Tanaka-Ishii, Ian Frank, Hitoshi Matsubara: Lego mindstorms cheerleading robots. 199-206
• Fusako Kusunoki, Masanori Sugimoto, Hiromichi Hashizume: Electronically enhanced board games by integrating physical and virtual spaces. 207-214
• Eitan Mendelowitz, Jeff Burke: A distributed control system and scripting language for "interactivity" in live performance. 215-222
• Satoru Odo, Kiyoshi Hoshino: Recognition of human hand gesture from a monocular image sequence for human-machine communication system. 223-230

Music informatics

• Toshio Modegi: Development of midi encoder "auto-f" for creating midi controllable general audio contents. 233-240
• Yoichi Nagshima: "Improvisession-II" - a performing/composing system for improvisational sessions with networks. 241-248
• Akio Yatsui, Haruhiro Katayose: An accomodating piano which augments intention of inexperienced players. 249-256
• Chika Oshima, Yohei Miyagawa, Kazushi Nishimoto, Takashi Shirosaki: Two-step input method for supporting construction of midi sequence data. 257-264
• Tomonari Sonoda, Toshiya Ikenaga, Kana Shimizu, Yoichi Muraoka: A melody retrieval system on parallelized computers. 265-272
• Hidenobu Nagata, Naoko Kosugi, Ryoji Kataoka, Takashi Honishi: Sound compass^TM - a fast query-by-humming system using multi-dimensional feature vectors. 273-280
• Atsuhiro Takasu, Teruhito Kanazawa, Jun Adachi: Statistical phrase extraction and indexing for music retrieval. 281-288
• Tsutomu Terada, Masahiko Tsukamoto, Shojiro Nishio: A portable electronic bass using two pads. 289-296
• Toshiyuki Masui: Music composition by onomatopoeia. 297-304

Sociology and psychology of entertainment

• Matteo Bittanti: The technoludic film: images of video games in movies (1973-2001). 307-312
• Matthias Rauterberg: Determinantes for collaboration in networked multi-user games. 313-321
• Nicklas Lundblad, Anders Frank: Politics in motion - some reflections on political bias in simulation gaming. 323-330
• Kazuyuki Saitoh, Tomoko Yonezawa, Kenji Mase: Awareness communications by entertaining toy doll agents. 331-338
• Kiyoshi Hoshino: CGA synthesizer interpolating and extrapolating motion data. 339-346
• Gonzalo Grasca: Leaving fantasy behind in videogames: the limits of the narrative paradigm. 347-354
• Sidney Fels, James Gauthier, Patricia Smith: Responses in light, sound and scent: a therapeutic interactive yoga system. 355-362
• Anders Frank, Nicklas Lundblad: The new role of gaming - how games move outside entertainment. 363-369
• Daniel Johnson, John A. Gardner, Janet Wiles, Penelope Sweetser, Kelly Hollingsworth: The inherent appeal of physically controlled peripherals. 371-378

Virtual reality technologies for entertainment

• Yue Li, Adrian David Cheok: A new economical fluorescent lamp information transmission system for indoor tracking with applications for indoor games. 381-388
• Kazuhiko Kobayashi, Shinobu Ishigame, Hideo Kato: Skill training system of manual arc welding. 389-396
• Kenji Oka, Imari Sato, Yasuto Nakanishi, Yoichi Sato, Hideki Koike: Interaction for entertainment contents based on direct manipulation with bare hands. 397-404
• Ralf Dörner, Christian Geiger, Michael Haller, Volker Paelke: Authoring mixed reality - a component and framework-based approach. 405-413
• Makoto Sato, Yasuharu Koike: Playing rubik's cube in mixed reality. 415-422
• Rodney Berry, Ivan Poupyrev, Makoto Tadenuma, Nobuji Tetsutani: Inside the score: music and augmented reality. 423-429
• Zhiying Zhou, Farzam Farbiz, Xiangdong Chen, Adrian David Cheok, Lin Wei: Magic music desk: a multi-modal embodied interactive desk. 431-438
• Alok Nandi, Xavier Marichal: Senses of spaces through transfiction. 439-446
• Akihiko Shirai, Shoichi Hasegawa, Yasuharu Koike, Makoto Sato: Penguin hockey: a virtual reality game system for children. 447-454
• Bruce H. Thomas, Nicholas Krul, Benjamin Close, Wayne Piekarski: Usability and playability issues for arquake. 455-462
• Wang Weihua, Xubo Yang, Adrian David Cheok, Mark Billinghurst, Hirokazu Kato: Touch space: an embodied computing mixed reality game space. 463-470
• Blair MacIntyre, Brendan Hannigan: Using augmented reality for entertainment. 471-477
• Jörg Stöcklein: Rapid prototyping of mixed reality applications that entertain and inform. 479-486
• Scott S. Fisher: An authoring toolkit for mixed reality experiences. 487-494
• Koichi Minami, Tomi Korpipää, Masataka Imura, Yoshihiro Yasumuro, Tomohiro Kuroda, Yoshitsugu Manabe, Kunihiro Chihara: A distributed mr transporter for networked collaboration. 495-502
• Simon Prince, Adrian David Cheok, Farzam Farbiz, Todd Williamson, Nikolas Johnson, Mark Billinghurst, Hirokazu Kato: 3D live humans in mixed reality entertainment. 503-510
• John Wright, Frank Hartman, Brian Cooper: Immersive environment technologies for planetary exploration with applications for mixed reality. 511-518
• Martin Kurze: Content management in mixed reality systems considerations from an applied science perspective. 519-526
• A. B. Martínez, J. P. Arboleda, E. X. Martín, C. Torrens: Mixed reality in traffic scenes. 527-534

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