7. ISMIR 2006: Victoria, Canada
ISMIR 2006, 7th International Conference on Music Information Retrieval, Victoria, Canada, 8-12 October 2006, Proceedings. 2006- Jenn Riley, Constance A. Mayer: Ask a Librarian: The Role of Librarians in the Music Information Retrieval Community. 13-18
- Xiao Hu, J. Stephen Downie, Andreas F. Ehmann: Exploiting Recommended Usage Metadata: Exploratory Analyses. 19-22
- Jarno Seppänen, Antti J. Eronen, Jarmo Hiipakka: Joint Beat & Tatum Tracking from Music Signals. 23-28
- Nick Whiteley, Ali Taylan Cemgil, Simon J. Godsill: Bayesian Modelling of Temporal Structure in Musical Audio. 29-34
- Frank Kurth, Thorsten Gehrmann, Meinard Müller: The Cyclic Beat Spectrum: Tempo-Related Audio Features for Time-Scale Invariant Audio Identification. 35-40
- Laurent Pugin: Optical Music Recognitoin of Early Typographic Prints using Hidden Markov Models. 53-56
- David Rizo, Pedro J. Ponce de León, Carlos Pérez-Sancho, Antonio Pertusa, José Manuel Iñesta Quereda: A Pattern Recognition Approach for Melody Track Selection in MIDI Files. 61-66
- Amaury Hazan, Maarten Grachten, Rafael Ramirez: Evolving Performance Models by Performance Similarity: Beyond Note-to-note Transformations. 67-72
- Megan A. Winget: Heroic Frogs Save the Bow: Performing Musician's Annotation and Interaction Behavior with Written Music. 73-78
- Matthias Robine, Mathieu Lagrange: Evaluation of the Technical Leval of Saxophone Performers by Considering the Evolution of Spectral Parameters of the Sound. 79-84
- James Bergstra, Alexandre Lacoste, Douglas Eck: Predicting genre labels for artist using FreeDB. 85-88
- Jeremy Reed, Chin-Hui Lee: A Study on Music Genre Classification Based on Universal Acoustic Models. 89-94
- Arie Livshin, Xavier Rodet: The Significance of the Non-Harmonic "Noise" Versis the Harmonic Series for Musical Instrument Recognition. 95-100
- Cory McKay, Ichiro Fujinaga: Musical genre classification: Is it worth pursuing and how can it be improved? 101-106
- Aggelos Pikrakis, Theodoros Giannakopoulos, Sergios Theodoridis: A computationally efficient speech/music discriminator for radio recordings. 107-110
- Arthur Flexer, Fabien Gouyon, Simon Dixon, Gerhard Widmer: Probabilistic Combination of Features for Music Classification. 111-114
- Geoffroy Peeters: Chroma-based estimation of musical key from audio-signal analysis. 115-120
- Özgür Izmirli: Audio Key Finding Using Low-Dimensional Spaces. 127-132
- Kyogu Lee, Malcolm Slaney: Automatic Chord Recognition from Audio Using a HMM with Supervised Learning. 133-137
- Steffen Pauws, Wim Verhaegh, Mark Vossen: Fast Generation of Optimal Music Playlists using Local Search. 138-143
- Raphaël Clifford, Manolis Christodoulakis, Tim Crawford, David Meredith, Geraint A. Wiggins: A Fast, Randomised, Maximal Subset Matching Algorithm for Document-Level Music Retrieval. 150-155
- Olivier Gillet, Gaël Richard: ENST-Drums: an extensive audio-visual database for drum signals processing. 156-159
- Cory McKay, Daniel McEnnis, Ichiro Fujinaga: A Large Publicly Accassible Prototype Audio Database for Music Research. 160-163
- Alex Loscos, Ye Wang, Wei Jie Jonathan Boo: Low Level Descriptors for Automatic Violin Transcription. 164-167
- Motoyuki Suzuki, Toru Hosoya, Akinori Ito, Shozo Makino: Music Information Retrieval from a Singing Voice Based on Verification of Recognized Hypotheses. 168-171
- Katsutoshi Itoyama, Tetsuro Kitahara, Kazunori Komatani, Tetsuya Ogata, Hiroshi G. Okuno: Automatic Feature Weighting in Automatic Transcription of Specified Part in Polyphonic Music. 172-175
- Emilia Gómez, Perfecto Herrera: The song remains the same: identifying versions of the same piece using tonal descriptors. 180-185
- Meinard Müller, Henning Mattes, Frank Kurth: An Efficient Multiscale Approach to Audio Synchronization. 192-197
- Michael J. Bruderer, Martin F. McKinney, Armin Kohlrausch: Structural boundary perception in popular music. 198-201
- Arshia Cont: Realtime Multiple Pitch Observation using Sparse Non-negative Constraints. 206-211
- Alexander Lerch: On the Requirement of Automatic Tuning Frequency Estimation. 212-215
- Anssi Klapuri: Multiple Fundamental Frequency Estimation by Summing Harmonic Amplitudes. 216-221
- Tim Pohle, Peter Knees, Markus Schedl, Gerhard Widmer: Independent Component Analysis for Music Similarity Computation. 228-233
- Arpi Mardirossian, Elaine Chew: Music Summarization Via Key Distributions: Analyses of Similarity Assessment Across Variations. 234-239
- Sally Jo Cunningham, David Bainbridge, Annette Falconer: 'More of an Art than a Science': Supporting the Creation of Playlists and Mixes. 240-245
- Alberto Novello, Martin F. McKinney, Armin Kohlrausch: Perceptual evaluation of music similarity. 246-249
- Nuria Oliver, Lucas Kreger-Stickles: PAPA: Physiology and Purpose-Aware Automatic Playlist Generation. 250-253
- Douglas Turnbull, Luke Barrington, Gert R. G. Lanckriet: Modeling music and words using a multi-class naïve Bayes approach. 254-259
- Markus Schedl, Tim Pohle, Peter Knees, Gerhard Widmer: Assigning and Visualizing Music Genres by Web-based Co-Occurrence Analysis. 260-265
- Eleanor Selfridge-Field: Social Cognition and Melodic Persistence: Where Metadata and Content Diverge. 272-275
- David Temperley: A Probabilistic Model of Melody Perception. 276-279
- Matija Marolt: A Mid-level Melody-based Representation for Calculating Audio Similarity. 280-285
- Sigurdur Sigurdsson, Kaare Brandt Petersen, Tue Lehn-Schiøler: Mel Frequency Cepstral Coefficients: An Evaluation of Robustness of MP3 Encoded Music. 286-289
- Jerónimo Arenas-García, Jan Larsen, Lars Kai Hansen, Anders Meng: Optimal filtering of dynamics in short-time features for music organization. 290-295
- Kazuyoshi Yoshii, Masataka Goto, Kazunori Komatani, Tetsuya Ogata, Hiroshi G. Okuno: Hybrid Collaborative and Content-based Music Recommendation Using Probabilistic Model with Latent User Preferences. 296-301
- Masatoshi Hamanaka: Music Scope Headphones: Natural User Interface for Selection of Music. 302-307
- John F. Woodruff, Bryan Pardo, Roger B. Dannenberg: Remixing Stereo Music with Score-Informed Source Separation. 314-319
- Tue Lehn-Schiøler, Jerónimo Arenas-García, Kaare Brandt Petersen, Lars Kai Hansen: A Genre Classification Plug-in for Data Collection. 320-321
- Vegard Sandvold, Thomas Aussenac, Òscar Celma, Perfecto Herrera: Good Vibrations: Music Discovery through Personal Musical Concepts. 322-323
- Chris Cannam, Christian Landone, Mark B. Sandler, Juan Pablo Bello: The Sonic Visualiser: A Visualisation Platform for Semantic Descriptors from Musical Signals. 324-327
- Steven van de Par, Martin F. McKinney, André Redert: Musical Key Extraction from Audio Using Profile Training. 328-329
- Martijn Bosma, Remco C. Veltkamp, Frans Wiering: Muugle: A Modular Music Information Retrieval Framework. 330-331
- Jörg Garbers: An Integrated MIR Programming and Testing Environment. 332-333
- Dirk Moelants, Olmo Cornelis, Marc Leman, Jos Gansemans, Rita M. M. De Caluwe, Guy De Tré, Tom Matthé, Axel Hallez: Problems and Opportunities of Applying Data- & Audio-Mining Techniques to Ethnic Music. 334-336
- Beatriz Magalhães Castro, Luiza Beth Nunes Alonso, Edilson Ferneda, Murilo Bastos da Cunha, Fernando William Cruz, Márcio da Costa P. Brandão: BDB-MUS: a project for the preservation of Brazilian musical heritage. 337-339
- Shyamala Doraisamy, Hamdan Adnan, Noris Mohd. Norowi: Towards a MIR System for Malaysian Music. 342-343
- Frank Seifert, Katharina Rasch, Michael Rentzsch: Tempo Induction by Stream-Based Evaluation of Musical Events. 344-345
- Kurt Jacobson: A Multifaceted Approach to Music Similarity. 346-348
- Matthias Eichner, Matthias Wolff, Rüdiger Hoffmann: Instrument classification using Hidden Markov Models. 349-350
- Morteza Dehghani, Andrew M. Lovett: Efficient Genre Classification using Qualitative Representations. 353-354
- Margaret Cahill, Donncha O'Maidín: Assessing the Performance of Melodic Similarity Algorithms Using Human Judgments of Similarity. 355-356
- Masataka Goto: AIST Annotation for the RWC Music Database. 359-360
- Matthew D. Hoffman, Perry R. Cook: Feature-Based Synthesis: A Tool for Evaluating, Designing, and Interacting with Music IR Systems. 361-362
- Òscar Celma, Pedro Cano, Perfecto Herrera: Search Sounds: An audio crawler focused on weblogs. 365-366
- Elias Pampalk, Masataka Goto: MusicRainbow: A New User Interface to Discover Artists Using Audio-based Similarity and Web-based Labeling. 367-370
- Jin Ha Lee, M. Cameron Jones, J. Stephen Downie: Factors Affecting Response Rates for Real-Life MIR Queries. 373-374
- Peter van Kranenburg: Composer attribution by quantifying compositional strategies. 375-376
- Jochen Schwenninger, Raymond Brueckner, Daniel Willett, Marcus E. Hennecke: Language Identification in Vocal Music. 377-379
- Audrey Laplante, J. Stephen Downie: Everyday Life Music Information-Seeking Behaviour of Young Adults. 381-382
- Cynthia M. Grund: A Philosophical Wish List for Research in Music Information Retrieval. 383-384
- Stephen Sinclair, Michael Droettboom, Ichiro Fujinaga: Lilypond for pyScore: Approaching a universal translator for music notation. 387-388
- Elias Pampalk, Martin Gasser: An Implementation of a Simple Playlist Generator Based on Audio Similarity Measures and User Feedback. 389-390
- Rosemary Mountain: Name that mood! Describe that tune! Invitation to the IMP. 391-392
- Youngmoo E. Kim, Donald S. Williamson, Sridhar Pilli: Towards Quantifying the "Album Effect" in Artist Identification. 393-394
- Janto Skowronek, Martin F. McKinney, Steven van de Par: Ground truth for automatic music mood classification. 395-396
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last updated on 2013-06-17T203403 by the dblp team