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Publication search results
found 32 matches
- 2012
- Elizabeth Anderson:
An Interview with Annette Vande Gorne, Part One. Comput. Music. J. 36(1): 10-22 (2012) - Elizabeth Anderson:
An Interview with Annette Vande Gorne, Part 2. Comput. Music. J. 36(2): 10-22 (2012) - Emmanouil Benetos, Simon Dixon:
A Shift-Invariant Latent Variable Model for Automatic Music Transcription. Comput. Music. J. 36(4): 81-94 (2012) - Guillaume Boutard, Catherine Guastavino:
Following Gesture Following: Grounding the Documentation of a Multi-Agent Music Creation Process. Comput. Music. J. 36(4): 59-80 (2012) - Baris Bozkurt:
A System for Tuning Instruments Using Recorded Music Instead of Theory-Based Frequency Presets. Comput. Music. J. 36(3): 43-56 (2012) - Grégoire Carpentier, Éric Daubresse, Marc Garcia Vitoria, Kenji Sakai, Fernando Villanueva:
Automatic Orchestration in Practice. Comput. Music. J. 36(3): 24-42 (2012) - Nick Collins:
Automatic Composition of Electroacoustic Art Music Utilizing Machine Listening. Comput. Music. J. 36(3): 8-23 (2012) - Ross Feller:
Christopher Bailey: Immolation Ritual. Comput. Music. J. 36(1): 86-87 (2012) - Ross Feller:
David A. Jaffe: Wildlife. Comput. Music. J. 36(3): 87-89 (2012) - Ross Feller:
Erdem Helvacioglu: Resonating Universes. Comput. Music. J. 36(3): 89-91 (2012) - Ross Feller:
Hubert Howe: Clusters. Comput. Music. J. 36(4): 99-100 (2012) - Bob Gluck:
Nurturing Young Composers: Morton Subotnick's Late-1960s Studio in New York City. Comput. Music. J. 36(1): 65-80 (2012) - Michael Gogins:
Dmitri Tymoczko: A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice. Comput. Music. J. 36(1): 83-85 (2012) - Michael Gurevich, Adnan Marquez-Borbon, Paul Stapleton:
Playing with Constraints: Stylistic Variation with a Simple Electronic Instrument. Comput. Music. J. 36(1): 23-41 (2012) - Cordelia V. Hall, John T. O'Donnell:
Regular Expressions as Violin Bowing Patterns. Comput. Music. J. 36(2): 74-84 (2012) - James Harley:
Alessandro Cipriani and Maurizio Giri: Electronic Music and Sound Design: Theory and Practice with Max/MSP, Vol. 1. Comput. Music. J. 36(4): 96-98 (2012) - Elizabeth Hoffman:
"I"-Tunes: Multiple Subjectivities and Narrative Method in Computer Music. Comput. Music. J. 36(4): 40-58 (2012) - Alexander Refsum Jensenius, Victoria Johnson:
Performing the Electric Violin in a Sonic Space. Comput. Music. J. 36(4): 28-39 (2012) - Cory Kasprzyk:
SEAMUS 2012: The National Conference of the Society for Electro-Acoustic Music in the United States. Comput. Music. J. 36(4): 95 (2012) - Jeff Kowalkowski:
Bob Ostertag: Creative Life: Music, Politics, People, and Machines. Comput. Music. J. 36(2): 89-90 (2012) - Elainie Lillios:
Larry Austin at Eighty: A Fifty-Year Retrospective, Part I. Comput. Music. J. 36(1): 81-82 (2012) - Akira Maezawa, Katsutoshi Itoyama, Kazunori Komatani, Tetsuya Ogata, Hiroshi G. Okuno:
Automated Violin Fingering Transcription Through Analysis of an Audio Recording. Comput. Music. J. 36(3): 57-72 (2012) - Andrew P. McPherson, Youngmoo E. Kim:
The Problem of the Second Performer: Building a Community Around an Augmented Piano. Comput. Music. J. 36(4): 10-27 (2012) - Ryan Nikolaidis, Bruce Walker, Gil Weinberg:
Generative Musical Tension Modeling and Its Application to Dynamic Sonification. Comput. Music. J. 36(1): 55-64 (2012) - Adriana Olmos, Nicolas Bouillot, Trevor Knight, Nordhal Mabire, Josh Redel, Jeremy R. Cooperstock:
A High-Fidelity Orchestra Simulator for Individual Musicians' Practice. Comput. Music. J. 36(2): 55-73 (2012) - Anthony Prechtl, Andrew J. Milne, Simon Holland, Robin C. Laney, David B. Sharp:
A MIDI Sequencer That Widens Access to the Compositional Possibilities of Novel Tunings. Comput. Music. J. 36(1): 42-54 (2012) - Christopher Riggs:
Reed Evan Rosenberg: At the End of an Endless Stream. Comput. Music. J. 36(2): 90-91 (2012) - Barry Schrader:
Elainie Lillios: Entre Espaces. Comput. Music. J. 36(3): 84-87 (2012) - Lorenzo J. Tardón, Simone Sammartino, Isabel Barbancho, Ana M. Barbancho:
A Multidimensional Environment for the Exploration of Musical Content. Comput. Music. J. 36(3): 73-83 (2012) - Michael Terrell, Mark B. Sandler:
An Offline, Automatic Mixing Method for Live Music, Incorporating Multiple Sources, Loudspeakers, and Room Effects. Comput. Music. J. 36(2): 37-54 (2012)
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