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Publication search results
found 96 matches
- 2019
- Yeohyun Ahn:
Social Homelessness on US Campuses. ARTECH 2019: 74:1-74:4 - Heitor Alvelos, Abhishek Chatterjee:
Anti-Clockwiser: A listening session on ARTECH participants' early memories of now-obsolete media, and a speculation on their possible roles in contemporaneity. ARTECH 2019: 64:1-64:2 - Pedro Andrade:
Mobile Social Hybrids and Drone Art. ARTECH 2019: 31:1-31:5 - Elisa Antunes, José Bidarra, Alexandra Gago da Camara:
This is not a tile, just a digital remix. ARTECH 2019: 59:1-59:4 - Tatsuru Arai:
QUANTUM-TON: Hyper Serial Music. ARTECH 2019: 62:1-62:4 - António Bandeira Araújo:
Eq A Sketch 360, a Serious Toy for Drawing Equirectangular Spherical Perspectives. ARTECH 2019: 27:1-27:8 - António Bandeira Araújo, Lucas Fabián Olivero, Sara Antinozzi:
HIMmaterial: Exploring new hybrid media for immersive drawing and collage. ARTECH 2019: 78:1-78:4 - Rodrigo Assaf, Rui Rodrigues:
The Feeling of Presence: An Immersive Perspective. ARTECH 2019: 40:1-40:6 - Rod Bantjes:
Pre-Cinema, Pre-GIFF, or Auto-Erotic Machine Art? ARTECH 2019: 32:1-32:8 - Sofia Baptista, José Azevedo:
Analysing Interactive Documentaries and Narrative: A Proposal for Categorization. ARTECH 2019: 49:1-49:9 - Florent Di Bartolo:
Performative Meshes: Musical Expression in Visuals. ARTECH 2019: 26:1-26:7 - Loren Paneto Bergantini:
Synesthesia: meeting point between science, art and technology in the context of digital culture. ARTECH 2019: 35:1-35:7 - Alejandro Borsani:
The End of the Sun. ARTECH 2019: 63:1-63:2 - Vasileios Bouzas:
Dismemberment: Dismembered Landscapes. ARTECH 2019: 77:1-77:3 - Sophia Brueckner:
Captured by an Algorithm. ARTECH 2019: 83:1-83:4 - Raquel Caerols, Beatriz Escribano:
Spanish Archive of Media Art: Open E-learning for the History of Spanish Media Art. ARTECH 2019: 18:1-18:4 - Hugo Canossa, José Coelho, Fernando Faria Paulino:
Clash (and dance) Yourself. ARTECH 2019: 51:1-51:7 - Pedro Cardoso, Ricardo Melo, Miguel Carvalhais:
Breaking the Hedonistic Loop: Meaning before fun in videogames. ARTECH 2019: 52:1-52:4 - Giovanna Graziosi Casimiro:
Augmented Heritage: digital tools for historical experience. ARTECH 2019: 41:1-41:5 - João Couceiro e Castro, Pedro Martins, Ana Boavida, Penousal Machado:
«Máquina de Ouver» - From Sound to Type: Finding the Visual Representation of Speech by Mapping Sound Features to Typographic Variables. ARTECH 2019: 13:1-13:8 - Nicolau Centola:
R$ 4, 00. ARTECH 2019: 69:1-69:3 - Tiago Cruz, Fernando Faria Paulino, Mirian Nogueira Tavares:
The Landscape in Digital Media Art: A Selection of Artworks. ARTECH 2019: 9:1-9:8 - João Miguel Cunha, Pedro Martins, Penousal Machado:
Emojinating: Hooked Beings. ARTECH 2019: 88:1-88:3 - Grécia Falcão:
The art and its new world-map. ARTECH 2019: 6:1-6:7 - Pedro Miguel Faria, Pedro Miguel Moreira, Sandra Cardoso, Roberto Morais:
Visual Engagement and Historical Accuracy in a Production for a Video Mapping Projection. ARTECH 2019: 1:1-1:9 - Amalia F. Foka:
The Invisible Structures of the Artworld. ARTECH 2019: 70:1-70:4 - Maria Luiza (Malu) Fragoso:
Nucleus of Art and New Organisms, innovative research lab in Brazil in the field of hybridization, bio telematics and transculturalism. ARTECH 2019: 55:1-55:4 - José Alberto Gomes, Nuno Hespanhol:
Mini Mapa Sonoro Project: Soundscape, Technology, Art and Education. ARTECH 2019: 37:1-37:6 - Paulo Veloso Gomes, António Marques, Javier Pereira, António Correia, João Donga, Vítor J. Sá:
e-EMOTION CAPSULE: As artes digitais na criação de emoções. ARTECH 2019: 86:1-86:4 - Andréa Graciano, Gilbertto Prado:
Orbi Tipography: An algorithm based design project. ARTECH 2019: 17:1-17:6
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