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2020 – today
- 2022
[c20]Daichi Shimizu, Takeshi Okada:
Dynamics of Interaction with the Environment in Creativity: Embodied Imagination Framework. CogSci 2022- [c19]Jingyan Sun, Takeshi Okada:
Interaction in Acting Training and its Manifestations in Novices and Actors. CogSci 2022 - 2021
- [c18]Jingyan Sun, Takeshi Okada:
Emotion Expression Captured by Utterances in Acting and Underpinning Internal Changes in Actors. CogSci 2021
2010 – 2019
- 2019
- [c17]Daichi Shimizu, Masaya Hirashima, Takeshi Okada:
Interaction between Idea-generation and Idea-externalization Processes in Artistic Creation: Study of an Expert Breakdancer. CogSci 2019: 1041-1047 - [c16]Kazuki Matsumoto, Takeshi Okada:
Relationship Between Creative Experience, Recognition of Creative Process and Aesthetic Impression in Art-Viewing. CogSci 2019: 2317 - [c15]Sawako Yokochi, Takeshi Okada:
The process of art-making: An analysis of artist's modification of conditions in the art-making process. CogSci 2019: 3172-3178 - [c14]Chiaki Ishiguro, Takeshi Okada:
How does art appreciation promote artistic inspiration? CogSci 2019: 3286 - [c13]Koto Minami, Daichi Shimizu, Takeshi Okada:
The Cognitive Process of Reinterpreting Non-art Objects in an Art Context. CogSci 2019: 3317 - [c12]Kikuko Takagi, Takeshi Okada, Sawako Yokochi:
A case study of formation of an art concept by a contemporary artist: Analysis of the utilization of drawing in the early phase. CogSci 2019: 3367 - 2018
- [j5]Daichi Shimizu
, Takeshi Okada:
How Do Creative Experts Practice New Skills? Exploratory Practice in Breakdancers. Cogn. Sci. 42(7): 2364-2396 (2018) - 2017
- [j4]Takeshi Okada, Kentaro Ishibashi:
Imitation, Inspiration, and Creation: Cognitive Process of Creative Drawing by Copying Others' Artworks. Cogn. Sci. 41(7): 1804-1837 (2017) - 2015
- [c11]Chiaki Ishiguro, Takeshi Okada:
The Effects of Art Experience, Competence in Artistic Creation, and Methods of Appreciation on Artistic Inspiration. CogSci 2015 - [c10]Daichi Shimizu, Takeshi Okada:
Deliberate Practice Revisited: Complexity and Creativity in the Practice Process in Breakdance. CogSci 2015 - [c9]Kikuko Takagi, Akihiro Kawase, Sawako Yokochi, Takeshi Okada:
Formation of an art concept: A case study using quantitative analysis of a contemporary artist's interview data. CogSci 2015 - 2013
- [c8]Chiaki Ishiguro, Takeshi Okada:
How can an art course in photography inspire students' artistic creativity? CogSci 2013 - [c7]Ryota Nomura, Takeshi Okada:
Temporal coordination patterns of performer and audience in vaudeville settings. CogSci 2013 - [c6]Daichi Shimizu, Takeshi Okada:
Physical Skill and Idea Interaction in the Creation of New Dance Movements. CogSci 2013 - [c5]Kikuko Takagi, Takeshi Okada, Sawako Yokochi:
Formation of an art concept: How is visual information from photography utilized by the artist in concept formation? CogSci 2013 - 2012
- [c4]Chiaki Ishiguro, Takeshi Okada:
Emergence of control in artistic expressions and the process of expretise. CogSci 2012 - [c3]Yuko Nakano, Takeshi Okada:
Process of Improvisational Contemporary Dance. CogSci 2012 - [c2]Daichi Shimizu, Takeshi Okada:
Creative Process of Improvised Street Dance. CogSci 2012
2000 – 2009
- 2009
- [j3]Takeshi Okada, Sawako Yokochi, Kentaro Ishibashi, Kazuhiro Ueda:
Analogical modification in the creation of contemporary art. Cogn. Syst. Res. 10(3): 189-203 (2009)
1990 – 1999
- 1998
- [j2]Christian D. Schunn, Kevin Crowley, Takeshi Okada:
The Growth of Multidisciplinarity in the Cognitive Science Society. Cogn. Sci. 22(1): 107-130 (1998) - 1997
- [j1]Takeshi Okada, Herbert A. Simon:
Collaborative Discovery in a Scientific Domain. Cogn. Sci. 21(2): 109-146 (1997)
1980 – 1989
- 1988
- [c1]Tadahiko Nishimukai, Hideo Inayoshi, Kikuko Takagi, Kazuhiko Iwasaki, Ikuya Kawasaki, M. Hanawa, Takeshi Okada:
Cache-based pipeline architecture in the Hitachi H32/200 32-bit microprocessor. ICCD 1988: 102-105
Coauthor Index
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