Google
Google Scholar
MS Academic
CiteSeerX
CORE
Semantic ScholarMathieu Barthet
Refine list
refinements active!
zoomed in on ?? of ?? records
view refined list in
export refined list as
showing all ?? records
2010 – today
- 2018
[j5]Luca Turchet, Carlo Fischione, Georg Essl, Damián Keller, Mathieu Barthet:
Internet of Musical Things: Vision and Challenges. IEEE Access 6: 61994-62017 (2018)- [j4]Luca Turchet, Andrew McPherson, Mathieu Barthet:
Real-Time Hit Classification in a Smart Cajón. Front. ICT 2018 (2018) - [c33]Anna Xambó, Johan Pauwels, Gerard Roma, Mathieu Barthet, György Fazekas:
Jam with Jamendo: Querying a Large Music Collection by Chords from a Learner's Perspective. Audio Mostly Conference 2018: 30:1-30:7 - [c32]Luca Turchet, Mathieu Barthet:
Jamming with a Smart Mandolin and Freesound-based Accompaniment. FRUCT 2018: 375-381 - [c31]Luca Turchet, Fabio Viola, György Fazekas, Mathieu Barthet:
Towards a Semantic Architecture for the Internet of Musical Things. FRUCT 2018: 382-390 - [c30]Fabio Viola, Ariane Stolfi, Alessia Milo, Miguel Ceriani, Mathieu Barthet, György Fazekas:
Playsound.space: enhancing a live music performance tool with semantic recommendations. SAAM@ISWC 2018: 46-53 - [c29]Sophie Skach, Anna Xambó, Luca Turchet, Ariane Stolfi, Rebecca Stewart, Mathieu Barthet:
Embodied Interactions with E-Textiles and the Internet of Sounds for Performing Arts. Tangible and Embedded Interaction 2018: 80-87 - 2017
- [j3]Yongmeng Wu, Leshao Zhang, Nick Bryan-Kinns, Mathieu Barthet:
Open Symphony: Creative Participation for Audiences of Live Music Performances. IEEE MultiMedia 24(1): 48-62 (2017) - [c28]Callum Goddard, Mathieu Barthet, Geraint A. Wiggins:
Designing Computationally Creative Musical Performance Systems. Audio Mostly Conference 2017: 3:1-3:8 - [c27]Anand Subramaniam, Mathieu Barthet:
Mood Visualiser: Augmented Music Visualisation Gauging Audience Arousal. Audio Mostly Conference 2017: 5:1-5:8 - [c26]Dorien Herremans, Simin Yang, Ching-Hua Chuan, Mathieu Barthet, Elaine Chew:
IMMA-Emo: A Multimodal Interface for Visualising Score- and Audio-synchronised Emotion Annotations. Audio Mostly Conference 2017: 11:1-11:8 - [c25]Ariane Stolfi, Mathieu Barthet, Fábio Goródscy, Antonio Deusany De Carvalho Junior:
Open Band: A Platform for Collective Sound Dialogues. Audio Mostly Conference 2017: 25:1-25:8 - [c24]Ireti Olowe, Mick Grierson, Mathieu Barthet:
User Requirements for Live Sound Visualization System Using Multitrack Audio. Audio Mostly Conference 2017: 40:1-40:8 - [c23]Jon Pigrem, Mathieu Barthet:
Datascaping: Data Sonification as a Narrative Device in Soundscape Composition. Audio Mostly Conference 2017: 43:1-43:8 - [c22]Ireti Olowe, Mathieu Barthet, Mick Grierson:
FEATUR.UX.AV: A Live Sound Visualization System Using Multitrack Audio. Audio Mostly Conference 2017: 53:1-53:5 - [e2]George Fazekas, Mathieu Barthet, Tony Stockman:
Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences, London, United Kingdom, August 23 - 26, 2017. ACM 2017, ISBN 978-1-4503-5373-1 [contents] - 2016
- [j2]Pasi Saari, György Fazekas, Tuomas Eerola, Mathieu Barthet, Olivier Lartillot, Mark B. Sandler:
Genre-Adaptive Semantic Computing and Audio-Based Modelling for Music Mood Annotation. IEEE Trans. Affective Computing 7(2): 122-135 (2016) - [c21]Kate Hayes, Mathieu Barthet, Yongmeng Wu, Leshao Zhang, Nick Bryan-Kinns:
A Participatory Live Music Performance with the Open Symphony System. CHI Extended Abstracts 2016: 313-316 - [c20]Thomas Deacon, Tony Stockman, Mathieu Barthet:
User Experience in an Interactive Music Virtual Reality System: An Exploratory Study. CMMR 2016: 192-216 - 2015
- [c19]Mathieu Barthet, György Fazekas, Alo Allik, Mark B. Sandler:
Moodplay: an interactive mood-based musical experience. Audio Mostly Conference 2015: 3:1-3:8 - 2014
- [c18]Tillman Weyde, Stephen Cottrell, Jason Dykes, Emmanouil Benetos, Daniel Wolff, Dan Tidhar, Alexander Kachkaev, Mark D. Plumbley, Simon Dixon, Mathieu Barthet, Nicolas Gold, Samer A. Abdallah, Aquiles Alancar-Brayner, Mahendra Mahey, Adam Tovell:
Big Data for Musicology. DLfM@JCDL 2014: 1-3 - [c17]Chris Baume, György Fazekas, Mathieu Barthet, David Marston, Mark B. Sandler:
Selection of Audio Features for Music Emotion Recognition Using Production Music. Semantic Audio 2014 - [c16]Sefki Kolozali, György Fazekas, Mathieu Barthet, Mark B. Sandler:
A Framework for Automatic Ontology Generation Based on Semantic Audio Analysis. Semantic Audio 2014 - [c15]Ting Lou, Mathieu Barthet, György Fazekas, Mark B. Sandler:
Evaluation and Improvement of the Mood Conductor Interactive System. Semantic Audio 2014 - 2013
- [j1]Sefki Kolozali, Mathieu Barthet, György Fazekas, Mark B. Sandler:
Automatic Ontology Generation for Musical Instruments Based on Audio Analysis. IEEE Trans. Audio, Speech & Language Processing 21(10): 2207-2220 (2013) - [c14]György Fazekas, Mathieu Barthet, Mark B. Sandler:
Mood Conductor: Emotion-Driven Interactive Music Performance. ACII 2013: 726 - [c13]György Fazekas, Mathieu Barthet, Mark B. Sandler:
Novel Methods in Facilitating Audience and Performer Interaction Using the Mood Conductor Framework. CMMR 2013: 122-147 - [c12]György Fazekas, Mathieu Barthet, Mark B. Sandler:
Demo paper: The BBC Desktop Jukebox music recommendation system: A large scale trial with professional users. ICME Workshops 2013: 1-2 - [c11]Pasi Saari, Mathieu Barthet, György Fazekas, Tuomas Eerola, Mark B. Sandler:
Semantic models of musical mood: Comparison between crowd-sourced and curated editorial tags. ICME Workshops 2013: 1-6 - [c10]Pasi Saari, Tuomas Eerola, György Fazekas, Mathieu Barthet, Olivier Lartillot, Mark B. Sandler:
The Role of Audio and Tags in Music Mood Prediction: A Study Using Semantic Layer Projection. ISMIR 2013: 201-206 - [c9]Mathieu Barthet, David Marston, Chris Baume, György Fazekas, Mark B. Sandler:
Design and Evaluation of Semantic Mood Models for Music Recommendation using Editorial Tags. ISMIR 2013: 421-426 - [e1]Mitsuko Aramaki, Mathieu Barthet, Richard Kronland-Martinet, Sølvi Ystad:
From Sounds to Music and Emotions - 9th International Symposium, CMMR 2012, London, UK, June 19-22, 2012, Revised Selected Papers. Lecture Notes in Computer Science 7900, Springer 2013, ISBN 978-3-642-41247-9 [contents] - 2012
- [c8]Mathieu Barthet, György Fazekas, Mark B. Sandler:
Music Emotion Recognition: From Content- to Context-Based Models. CMMR 2012: 228-252 - 2011
- [c7]Mathieu Barthet, Simon Dixon:
Ethnographic Observations of Musicologists at the British Library: Implications for Music Information Retrieval. ISMIR 2011: 353-358 - [c6]Sefki Kolozali, Mathieu Barthet, György Fazekas, Mark B. Sandler:
Knowledge Representation Issues in Musical Instrument Ontology Design. ISMIR 2011: 465-470 - 2010
- [c5]Mathieu Barthet, Steven Hargreaves, Mark B. Sandler:
Speech/Music Discrimination in Audio Podcast Using Structural Segmentation and Timbre Recognition. CMMR 2010: 138-162 - [c4]Sefki Kolozali, Mathieu Barthet, György Fazekas, Mark B. Sandler:
Towards the Automatic Generation of a Semantic Web Ontology for Musical Instruments. SAMT 2010: 186-187
2000 – 2009
- 2007
- [c3]Mathieu Barthet, Richard Kronland-Martinet, Sølvi Ystad:
Improving Musical Expressiveness by Time-Varying Brightness Shaping. CMMR 2007: 313-336 - [c2]Mathieu Barthet, Philippe Depalle, Richard Kronland-Martinet, Sølvi Ystad:
The effect of Timbre in Clarinet Interpretation. ICMC 2007 - 2005
- [c1]Mathieu Barthet, Philippe Guillemain, Richard Kronland-Martinet, Sølvi Ystad:
On the Relative Influence of even and odd harmonics in Clarinet Timbre. ICMC 2005
Coauthor Index
maintained by 
, founded at 
, founded at 
last updated on 2019-01-12 22:07 CET by the dblp team
data released under the ODC-BY 1.0 license
see also: Terms of Use | Privacy Policy | Imprint
the dblp computer science bibliography is funded by:
