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ORCIDTransactions of the International Society for Music Information Retrieval, Volume 7
Volume 7, Number 1, January 2024
- Lukas Tuggener
, Raphael Emberger, Adhiraj Ghosh, Pascal Sager, Yvan Putra Satyawan, Javier A. Montoya-Zegarra, Simon Goldschagg, Florian Seibold, Urs Gut, Philipp Ackermann, Jürgen Schmidhuber, Thilo Stadelmann:
Real World Music Object Recognition. 1-14 - Kristina Matrosova, Manuel Moussallam, Thomas Louail, Olivier Bodini:
Depict or Discern? Fingerprinting Musical Taste from Explicit Preferences. 15-29 - Simon J. Schwär, Michael Krause, Michael Fast, Sebastian Rosenzweig, Frank Scherbaum, Meinard Müller:
A Dataset of Larynx Microphone Recordings for Singing Voice Reconstruction. 30-43 - Stefan Uhlich, Giorgio Fabbro, Masato Hirano, Shusuke Takahashi, Gordon Wichern, Jonathan Le Roux, Dipam Chakraborty, Sharada Mohanty, Kai Li, Yi Luo, Jianwei Yu, Rongzhi Gu, Roman A. Solovyev, Alexander L. Stempkovskiy, Tatiana Habruseva, Mikhail Sukhovei, Yuki Mitsufuji:
The Sound Demixing Challenge 2023 - Cinematic Demixing Track. 44-62 - Giorgio Fabbro, Stefan Uhlich, Chieh-Hsin Lai, Woosung Choi, Marco A. Martínez Ramírez, Wei-Hsiang Liao, Igor Gadelha, Geraldo Ramos, Eddie Hsu, Hugo Rodrigues, Fabian-Robert Stöter, Alexandre Défossez, Yi Luo, Jianwei Yu, Dipam Chakraborty, Sharada P. Mohanty, Roman A. Solovyev, Alexander L. Stempkovskiy, Tatiana Habruseva, Nabarun Goswami, Tatsuya Harada, Minseok Kim, Jun Hyung Lee, Yuanliang Dong, Xinran Zhang, Jiafeng Liu, Yuki Mitsufuji:
The Sound Demixing Challenge 2023 - Music Demixing Track. 63-84 - Meinard Müller, Simon Dixon, Anja Volk, Bob L. T. Sturm, Preeti Rao, Mark Gotham:
Introducing the TISMIR Education Track: What, Why, How? 85-98 - Lucas Simões Maia, Martín Rocamora, Luiz W. P. Biscainho, Magdalena Fuentes:
Selective Annotation of Few Data for Beat Tracking of Latin American Music Using Rhythmic Features. 99-112 - Madeline Hamilton, Ana Clemente, Edward Hall, Marcus Pearce:
The Billboard Melodic Music Dataset (BiMMuDa). 113-128 - Huw Cheston, Joshua L. Schlichting, Ian Cross, Peter M. C. Harrison:
Jazz Trio Database: Automated Annotation of Jazz Piano Trio Recordings Processed Using Audio Source Separation. - Isabella Czedik-Eysenberg, Oliver J. Wieczorek, Arthur Flexer, Christoph Reuter:
Charting the Universe of Metal Music Lyrics and Analyzing Their Relation to Perceived Audio Hardness. - Arhan Jain, Alec Bunn, Austin Pham, TJ Tsai:
PBSCR: The Piano Bootleg Score Composer Recognition Dataset. 159-178 - Meinard Müller, Ching-Yu Chiu:
A Basic Tutorial on Novelty and Activation Functions for Music Signal Processing. 179-194 - Johannes Zeitler, Christof Weiß, Vlora Arifi-Müller, Meinard Müller:
BPSD: A Coherent Multi-Version Dataset for Analyzing the First Movements of Beethoven's Piano Sonatas. 195-212 - Peter Meier, Ching-Yu Chiu, Meinard Müller:
A Real-Time Beat Tracking System with Zero Latency and Enhanced Controllability. 213-227 - Yujia Yan, Zhiyao Duan:
Measure by Measure: Measure-Based Automatic Music Composition with Modern Staff Notation. - So Yeon Park, Jin Ha Lee, Audrey Laplante, Xiao Hu, Blair Kaneshiro:
Collaborative Playlists around the World: A Cross‑Cultural User Study. - Chin-Yun Yu, György Fazekas:
GOLF: A Singing Voice Synthesiser with Glottal Flow Wavetables and LPC Filters. - Shreyas Nadkarni, Preeti Rao, Martin Clayton:
Identifying Melodic Motifs and Stable Notes from Gestural Information in Indian Vocal Performances. 246-263 - Daniel Gómez-Marín, Rafael Ospina-Caicedo, Javier Díaz-Cely, Jesús Paz, Sergi Jordà, Perfecto Herrera:
Salsa, a Dataset for Beat Estimation in Salsa Music. 264-273 - Mojtaba Heydari, Zhiyao Duan:
BeatNet+: Real‑Time Rhythm Analysis for Diverse Music Audio. 274-287 - Kirsten Gerhardt, Matthias Kirsch:
Choralbücher from Northern Germany c. 1800 - a Dataset for Studies in Hymnology, Music Culture and Figured Bass. 306-315
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