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ORCIDComputer Music Journal, Volume 23
Volume 23, Number 1, Spring 1999
- David Temperley, Daniel Dominic Sleator:
Modeling Meter and Harmony: A Preference-Rule Approach. 10-27
- Desmond K. Phillips:
Multirate Additive Synthesis. 28-40
- Martin Alejandro Fumarola:
Electroacoustic Music Practice in Latin America: An Interview with Juan Amenábar. 41-48 - Stephen Travis Pope:
Web.La.Radia: Social, Economic, and Political Aspects of Music and Digital Media. 49-56
- Michael Berry:
An Introduction to Grain Wave. 57-61 - Thierry Carron, Dominique Fober:
Modularing: A Suite of MIDI Applications Modeled on the Analog Studio. 62-64 - Stephen Travis Pope, Alexandre Kouznetsov:
The 1998 Home Theater and Specialty Audio Show (HiFi' 98). 65-69 - Brian Belet:
The Second Santa Fe International Festival of Electroacoustic Music. 69-72 - Ludger Brümmer:
Two Reviews of Synthèse 98: The 28th International Festival of Electroacoustic Music. 72-75 - Elainie Lillios:
The SEAMUS National Conference 1998. 75-78 - Tim Perkis:
Digital Music under the Stars. 78-79 - Ellen Waterman, James Harley:
Open Ears Festival of Music and Sound. 79-82 - Carlos Palombini:
The Fifth Brazilian Symposium on Computer Music: Super and Parallel Computing Applied to Music. 82-84 - Ron Parks:
Todd Winkler: Composing Interactive Music: Techniques and Ideas Using Max. 84-86 - James Bohn:
David Cope: Classical Music Composed by Computer: Experiments in Musical Intelligence. 86-87 - Robert Cummings:
Craig Burk: Text for Solo Voice, Times You Can Tell, Codes of Abstract Conduct. 87-88 - Robert Cummings:
David Mahler: The Voice of the Poet: Works on Tape, 1972-1986. 88-90 - Patricia L. Dirks:
Annette Vande Gorne: Impalpables: Poèmes de Werner Lambersy. 90-91 - Patricia L. Dirks:
Hildegard Westerkamp: Transformations. 91-92 - Alcides Lanza:
Pierre Boeswillwald: Chrysopée Électronique-Bourges, Volume 3. 92-93 - L. Roy Hubble:
Micromat SoundMaker with SoundMagic FX for Mac OS. 93-94
Volume 23, Number 2, Summer 1999
- Natasha Barrett:
Little Animals: Compositional Structuring Processes. 11-18 - Kenneth B. McAlpine
, Eduardo R. Miranda, Stuart G. Hoggar:
Making Music with Algorithms: A Case-Study System. 19-30
- Eric D. Scheirer, Barry Vercoe:
SAOL: The MPEG-4 Structured Audio Orchestra Language. 31-51
- Giuseppe Cuzzucoli, Vincenzo Lombardo:
A Physical Model of the Classical Guitar, Including the Player's Touch. 52-69 - Vincent Lesbros:
Phonograms, Elastic Couplings, and Trajectories. 70-79 - Guy E. Garnett, Camille Goudeseune:
Two Reviews of the 1998 International Computer Music Conference. 80-86 - Davide Rocchesso, Jøran Rudi:
Digital Audio Effects 1998, Barcelona, Spain. 86-87 - Emmanuelle Loubet:
International Computer Music Festival. 88-93 - Warren Burt:
Curtis Roads (with John Strawn, Curtis Abbott, John Gordon, and Philip Greenspun): The Computer Music Tutorial. 93-96 - Michael Gogins:
Douglas A. Lyon and Hayagriva V. Rao: Java Digital Signal Processing. 96-97 - Robert Rowe:
Eleanor Selfridge-Field, editor: Beyond MIDI: The Handbook of Musical Codes. 97-98 - Kim Cascone:
David Toop: Ocean of Sound: Aether Talk, Ambient Sound, and Imaginary Worlds. 98-99 - Alicia Lieu:
Bill Purse: The Finale Primer: Mastering the Art of Music Notation with Finale 97. 99 - Arthur Wooten:
David M. Howard and James Angus: Acoustics and Psychoacoustics. 99-100 - Jon Appleton:
Bits and Pieces: EMS 30 Years. 100-103 - Robert Cummings:
Andrew Czink, Susan Frykberg, Damián Keller, Giorgio Magnanensi, Hildegard Westerkamp, John Oliver: Harangue I. 103-104 - Robert Cummings:
The Frog Peak Collaborations Project. 104-106 - James Bohn:
Bob Gluck: Stories Heard and Retold. 106-107 - Michael Gogins:
Nick Peck: Positive Signal Flow. 107-108 - Camille Goudeseune:
Ossatura and Tim Hodgkinson: Dentro. 108-109 - Daniel Hosken:
Steven M. Martin: Theremin: An Electronic Odyssey. 110-112 - Kim Cascone:
Iara Lee: Modulations. 112
Volume 23, Number 3, Fall 1999
- Trevor Wishart:
Letter. 4
- Hugues Vinet:
Recent Research and Development at IRCAM. 9-17 - Xavier Rodet, Christophe Vergez:
Nonlinear Dynamics in Physical Models: Simple Feedback-Loop Systems and Properties. 18-34 - Xavier Rodet, Christophe Vergez:
Nonlinear Dynamics in Physical Models: From Basic Models to True Musical-Instrument Models. 35-49 - François Déchelle, Riccardo Borghesi, Maurizio De Cecco, Enzo Maggi, Butch Rovan, Norbert Schnell:
jMax: An Environment for Real-Time Musical Applications. 50-58 - Gérard Assayag, Camilo Rueda, Mikael Laurson, Carlos Agón, Olivier Delerue:
Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic. 59-72 - Rolf Wöhrmann, Guillaume Ballet:
Design and Architecture of Distributed Sound Processing and Database Systems for Web-Based Computer Music Applications. 73-84 - Stephen McAdams:
Perspectives on the Contribution of Timbre to Musical Structure. 85-102 - Elizabeth McNutt, Miller S. Puckette, Andrew May:
Philippe Manoury: Jupiter By Elizabeth McNutt, flute , Miller Puckette. computer, Mandeville Recital Hall University of California at San Diego, La Jolla, California, USA. 26 January 1999. 103-104 - Louis Ferdinand:
Recording: IRCAM, les années 90 Compact discs (3-CD set), 1998, IRCAM 008, available from IRCAM, 1 Place Igor-Stravinsky, F-75004 Paris, France. 104-106 - Robert Priest:
Pierre Boulez: Ré, Dialogue de l'ombre double. Compact disc, 1998, Deutsche Grammophon 457 605-2 GH; available from Deutsche Grammophon Gesellschaft; World Wide Web http: //www.dgclassics.com/. 106-109 - Laurie Radford:
Recording: Compositeurs d'aujourd'hui: Ivan Fedele. Compact disc, 1998, Adés 206 572, available from IRCAM, 1 Place Igor Stravinsky, F-75004 Paris, France. 110-111 - John Richey:
Compositeurs d'aujourd'hui: Magnus Lindberg. Compact disc, 1994, Adés 203 582; available from IRCAM, 1 Place Igor Stravinsky, F-75004 Paris, France. 111-112 - Alastair Bannerman:
Compositeurs d'aujourd'hui: Philippe Manoury. Compact disc, 1997, Adés 206 062; available from IRCAM, 1 Place Igor Stravinsky, F-75004 Paris, France; Philippe Manoury: En écho, Neptune Compact disc, 1998, Accord 206762 MU 750 (Musidisc); available from IRCAM, 1 Place Igor Stravinsky, F-75004 Paris, France. 112-115 - Douglas Geers:
Compositeurs d'aujourd'hui: Tristan Murail Compact disc, 1996, Adés 205 212; available from IRCAM, 1 Place Igor Stravinsky, F-75004 Paris, France. 115-117 - Elizabeth Hinkle-Turner:
Kaija Saariaho: Private Gardens Compact disc, 1997, Ondine ODE 906-2; available from Electronic Music Foundation, 116 North Lake Ave., Albany, New York 12206, USA; World Wide Web http: //www.cdemusic.org/. 117-118 - Elizabeth Hinkle-Turner:
Georgina Born: Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde Paperback, 1995, ISBN 0-520-08507-8, 390 pages, $US 19.95, illustrated, bibliography, index; University of California Press, Berkeley, California 94720, USA; World Wide Web http: //www.ucpress.edu/books/pages/6347.html. 118-120
Volume 23, Number 4, Winter 1999
- Nyssim Lefford:
An Interview with Barry Vercoe. 9-17
- Heinrich Taube:
Automatic Tonal Analysis: Toward the Implementation of a Music Theory Workbench. 18-32
- Eric Wallin, Ronald D. Williams, Maximo H. Salinas:
Delta-Sigma Waveguides for Music Synthesis. 33-47 - Andy K. K. Wong, S. H. Leung, Wing Hong Lau:
Design and Implementation of a Real-Time Digital Resonator for the Electric Cello. 48-58
- Anthony Richard Burton, Tanya Vladimirova:
Generation of Musical Sequences with Genetic Techniques. 59-73 - Steven Schick, James Harley:
Karlheinz Stockhausen: Mikrophonie I red fish blue fish, Steven Schick, director, Green Umbrella, Los Angeles, California, USA, 26 January 1999. 74 - Joel Chadabe:
The 1999 NAMM International Music Market International Music Products Association, Los Angeles, California, USA, 28-31 January 1999. 74-75 - Zack Settel, Friends, Pollack Hall, Mark Ballora:
McGill Faculty and Guests Series: A Concert of Live Interactive Electronic Works Zack Settel and Friends, Pollack Hall, McGill University, Montreal, Quebec, Canada, 16 March 1999. 75-78 - Elainie Lillios, Steven L. Makela:
Electroacoustic Music by Women Composers Elainie Lillios, curator, University of North Texas, Denton, Texas, USA, 23 and 25 March 1999. 78-79 - Ben Curry:
AISB '99: Symposium on Musical Creativity Society for the Study of Artificial Intelligence and Simulation of Behaviour, Edinburgh, Scotland, 6-9 April 1999. 79-82 - John Richey:
New Millennium: New Music: Karlheinz Essl Chicago Cultural Center, Chicago, Illinois, USA, 18 April 1999. 82 - Anna Sofie Christiansen:
Juilliard Music Technology Center: Annual Concert The Juilliard School, New York City, New York, USA, 23 April 1999. 83-85 - Christine McCombe:
Academy Now!: Academy Light & Magic Chandler Studio Theatre, Royal Scottish Academy of Music and Drama, Glasgow, Scotland, 04 May 1999. 85-86 - James Harley:
Journées d'Informatique Musicales 1999 Centre de Recherche et Développement de France Télécom, Issy-Les-Moulineaux, France, 17-19 May 1999. 86-88 - Warren Burt:
Immersion Melbourne, Australia, 7-14 June 1999. 88-92 - Daniel Hosken:
Charles Dodge and Thomas A. Jerse: Computer Music: Synthesis, Composition, and Performance, second edition Paperback, 1997, ISBN 0-02-864682-7, 455 pages, illustrated, glossary, notes, index; Schirmer Books, 1633 Broadway, New York, New York 10019, USA. 92-95 - Carlos Palombini:
Sylvie Dallet: Itinéraires d'un chercheur - A Career in Research Paperback, 1997, 128 pages, ISBN 2-9510783-0-7, table of contents, photographs; CERPS, 37, rue Carnot, 93100 Montreuil-sous-Bois, France; telephone (+33-1) 4857-5780; World Wide Web http: //www.multimania.com/cerps/frame/cerps.html; in the USA available from Anomalous Records, P.O. Box 22195, Seattle, Washington 98122-0195, USA; telephone (206) 338-9339; fax (206) 328-9408; electronic mail orders@anomalousrecords.com; World Wide Web http: //www.anomalousrecords.com/. 95-98 - James William Sobaskie:
Antonia Soulez, François Schmitz, and Jan Sebestik, editors: Musique, rationalité, langage. L'harmonie: du monde au matériau (cahiers de philosophie du langage, no 3) Paperback, 1998, 202 pages, ISBN 2-7384-7229-X, figures, tables, 120 FF; L'Harmattan, 5-7, rue de l'Ecole Polytechnique, 75005 Paris, France; World Wide Web http: //www.editions-harmattan.fr. 98-100 - Donna McCabe:
David Cope: Techniques of the Contemporary Composer Paperback, 1997, ISBN 0-02-864737-8, 250 pages, illustrated, bibliography, index; Schirmer Books, 1633 Broadway, New York, New York 10019, USA. 100-101 - Eric D. Scheirer:
Niall Griffith and Peter Todd, editors: Musical Networks: Parallel Distributed Perception and Performance Hardcover, 1999, 385 pages, ISBN 0-262-07181-9, illustrated, bibliography; The MIT Press, 5 Cambridge Center, Cambridge, Massachusetts 02142, USA; World Wide Web http: //mitpress.mit.edu. 101-103 - Alcides Lanza:
Desde el Otro Lado [From the other side]: Electroacoustic Music from Latin America Compact disc oo45, 1998; available from O. O. Discs, 261 Grovers Ave., Black Rock, Connecticut 06605-3452, USA; telephone (203) 367-7917; fax (203) 333-0603; electronic mail Cellioo5@aol.com; World Wide Web http: //www.hear.com/o.o./. 103-104 - James Bohn:
David Tudor: Rainforest (Versions I and IV) Compact disc, 1998, mode 64; available from mode records, PO Box 1026, New York, New York 10116, USA; fax (212) 979-1027; electronic mail info@mode.com; World Wide Web http: //www.mode.com. 104-105 - Warren Burt:
Barry Truax: Song of Songs Compact disc, 1994, CSR-CD 9401; available from Cambridge Street Records, 4346 Cambridge St., Burnaby, British Columbia V5C 1H4, Canada; fax (604) 299-3864; World Wide Web http: //www.sfu.ca/∼truax/csr.htmlChristian Calon Les corps éblouis Compact disc, 1998, Empreintes DIGITALes IMED 9838; available from DIFFUSION i MéDIA, 4580 avenue de Lorimier, Montreal, Quebec H2H 2B5, Canada; electronic mail dim@cam.org; World Wide Web http: //www.cam.org/∼dim/. 105-107 - Warren Burt:
Miniatures concrétes Compact disc, 1998, Empreintes DIGITALes IMED 9837; available from DIFFUSION i MéDIA, 4580 avenue de Lorimier, Montreal, Quebec H2H 2B5, Canada; electronic mail dim@cam.org; World Wide Web http: //www.cam.org/∼dim/Presence Compact discs (2-CD set), 1998, PeP-001; available from Productions électro Productions, RF310 Music Department, Concordia University, 7141 Sherbrooke West, Montreal, Quebec H4B 1R6, Canada; electronic mail cec@vax2.concordia.ca; World Wide Web http: //cec.concordia.ca. 107-108 - Anna Rubin:
Susan Frykberg: Astonishing Sense of being taken over by something far greater than me Compact disc, 1998, es 98003; available from earsay productions, Suite 308, 620 Sixth St., New Westminster, British Columbia V3L 3C5, Canada; telephone (604) 527-2358; fax (604) 524-9456; World Wide Web http: //www.earsay.com. 108-110 - Warren Burt:
Gustav Ciamaga, Heinz-Josef Florian, Ron Fein, Bruno Degazio, Kirk Corey, Karl Mohr, Karlheinz Essl, Gordon Monro, James Harley, Robert Del Buono, and Martin Guertner: Roads to Chaos Compact disc Soundprints 9603, 1996; available from Electronic Music Foundation, 116 North Lake Ave., Albany, New York 12206, USA; World Wide Web http: //www.cdemusic.org/. 110-112 - Warren Burt:
Matthew Burtner: Portals of Distortion Compact disc Innova CD 526, 1998; available from American Composers Forum, 332 E. Minnesota St. E-145, St. Paul, Minnesota 55101, USA; World Wide Web http: //www.composersforum.org. 112-113
- Ricardo Dal Farra:
CD Program Notes. 121-130
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