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ORCIDJIC 1996: Brugge, Belgium
- Marc Leman:
Music, Gestalt, and Computing - Studies in Cognitive and Systematic Musicology. Lecture Notes in Computer Science 1317, Springer 1997, ISBN 3-540-63526-2
Gestalt Theory Revisited
- Marc Leman, Albrecht Schneider:
Origin and Nature of Cognitive and Systematic Musicology: An Introduction. 13-29 - Jukka Louhivuori:
Systematic, Cognitive and Historical Approaches in Musicology. 30-41 - Michael Weber:
Empiricism, Gestalt Qualities, and Determination of Style: Some Remarks Concerning the Relationship of Guido Adler to Richard Wallaschek, Alexius Meinong, Christian von Ehrenfels, and Robert Lach. 42-56 - Mark Reybrouck:
Gestalt Concepts and Music: Limitations and Possibilities. 57-69 - Randolph Eichert, Lüder Schmidt, Uwe Seifert:
Logic, Gestalt Theory, and Neural Computation in Research on Auditory Perceptual Organization. 70-88 - Rolf Inge Godøy:
Knowledge in Music Theory by Shapes of Musical Objects and Sound-Producing Actions. 89-102 - Elena Ungeheuer:
Statistical Gestalts - Perceptible Features in Serial Music. 103-113
From Pitch to Harmony
- Albrecht Schneider:
"Verschmelzung", Tonal Fusion, and Consonance: Carl Stumpf Revisited. 117-143 - Marc Leman, Francesco Carreras:
Schema and Gestalt: Testing the Hypothesis of Psychoneural Isomorphism by Computer Simulation. 144-168 - Nicola Cufaro Petroni, Matteo Tricarico:
Self-organizing Neural Sets and the Perceptual Origin of the Circle of Fifths. 169-180 - Richard Parncutt:
A Model of the Perceptual Root(s) of a Chord Accounting for Voicing and Prevailing Tonality. 181-199 - Daniel Werts:
"Good", "Fair", and "Bad" Chord Progressions: A Regression-Analysis of Some Psychological Chord Progression Data Obtained in an Experiment by J. Bharucha and C. Krumhansl. 200-213 - Jenö Keuler:
Problems of Shape and Background in Sounds with Inharmonic Spectra. 214-224 - Roland Eberlein:
A Method of Analysing Harmony, Based on Interval Patterns or "Gestalten". 225-236 - Eric J. Isaacson:
Neural Network Models for the Study of Post-Tonal Music. 237-250
From Rhythm to Expectation
- Marek Franek, Jirí Mates:
Tempo Relations: Is There a Psychological Basis for Proportional Tempo Theory? 253-262 - Dirk Moelants:
A Framework for the Subsymbolic Description of Meter. 263-276 - Emilios Cambouropoulos:
Musical Rhythm: A Formal Model for Determining Local Boundaries, Accents and Metre in a Melodic Surface. 277-293 - Carol Krumhansl:
Effects of Perceptual Organization and Musical Form on Melodic Expectancies. 294-320 - Steve Larson:
Continuations as Completions: Studying Melodic Expectation in the Creative Microdomain Seek Well. 321-334
From Timbre to Texture
- Petri Toiviainen:
Optimizing Self-Organizing Timbre Maps: Two Approaches. 337-350 - Milan Rusko
:
Towards a More General Understanding of the Nasality Phenomenon. 351-361 - Christoph Reuter:
Karl Erich Schumann's Principles of Timbre as a Helpful Tool in Stream Segregation Research. 362-374 - Thierry Rochebois, Gérard Charbonneau:
Cross-Synthesis Using Interverted Principal Harmonic Sub-Spaces. 375-385 - Dalia Cohen, Shlomo Dubnov:
Gestalt Phenomena in Musical Texture. 386-405
From Musical Expression to Interactive Computer Systems
- Andranick Tanguiane:
Technology of Interpretation and Expressive Pulses. 409-420 - Janina Fyk:
Intonational Protention in the Performance of Melodic Octaves on the Violin. 421-430 - Sergio Canazza, Giovanni De Poli, Stefano Rinaldin, Alvise Vidolin:
Sonological Analysis of Clarinet Expressivity. 431-440 - Sergio Canazza, Giovanni De Poli, Alvise Vidolin:
Perceptual Analysis of the Musical Expressive Intention in a Clarinet Performance. 441-450 - Eliezer Rapoport:
Singing, Mind and Brain - Unit Pulse, Rhythm, Emotion and Expression. 451-468 - Udo Mattusch:
Emulating Gestalt Mechanisms by Combining Symbolic and Subsymbolic Information Processing Procedures. 469-481 - Paul Modler:
Interactive Computer Music Systems and Concepts of Gestalt. 482-494 - Antonio Camurri, Marc Leman:
Gestalt-Based Composition and Performance in Multimodal Environments. 495-508
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