![](https://dblp.uni-trier.de/img/logo.ua.320x120.png)
![](https://dblp.uni-trier.de/img/dropdown.dark.16x16.png)
![](https://dblp.uni-trier.de/img/peace.dark.16x16.png)
Остановите войну!
for scientists:
![search dblp search dblp](https://dblp.uni-trier.de/img/search.dark.16x16.png)
![search dblp](https://dblp.uni-trier.de/img/search.dark.16x16.png)
default search action
44th ICMC 2018: Daegu, South Korea
- Proceedings of the 2018 International Computer Music Conference, ICMC 2018, Daegu, South Korea, August 5-10, 2018. Michigan Publishing 2018
- Arne Eigenfeldt:
Imaginary Miles: Modeling Musebots After Musicians. - Yu Hong, Ronald K. Mo, Andrew Horner:
The Effects of Mode, Pitch, and Dynamics on Valence in Piano Scales and Chord Progressions. - Andrew Pfalz, Edgar Berdahl, Jesse T. Allison:
Using Recurrent Neural Networks to Dream Sequences of Audio. - Myungin Lee:
Deep Neural Network Based Music Source Conducting System. - Rafael Ramírez, Sergio I. Giraldo, Zacharias Vamvakousis:
An Expressive Brain-computer Music Interface for Musical Neurofeedback. - Teresa Marie Connors:
The Lure Towards the Performative in Nonlinear Audiovisual Installations. - Braxton Boren, Michael Musick:
Spatial Organization in Musical Form. - Miriam Akkermann:
Is This How It Sounded? The Idea of 'Historic Informed Performance Practice' in Early Mixed Music. - Anders Bach Pedersen:
Populous Oscillation: Variety in Interactive Evolutionary Computation for Music Improvisation. - Ji Won Yoon, Woon Seung Yeo:
A Study on the Audiovisual Art of Nam June Paik in the Context of Multimodality and Synesthesia. - Emma Frid:
Accessible Digital Musical Instruments - a Survey of Inclusive Instruments Presented at the NIME, SMC and ICMC Conferences. - Alex Lough, Mark Micchelli, Mari Kimura:
Gestural Envelopes: Aesthetic Considerations for Mapping Physical Gestures Using Wireless Motion Sensors. - Eunjeong Stella Koh, Shahrokh Yadegari:
Mugeetion: Musical Interface Using Facial Gesture and Emotion. - Vincent Caers:
LSL.LPSR: Applying Contemporary Compositional Processes Into an Electroacoustic Improvisation Tool. - Marc Estibeiro:
Displaced Light: a Composition for Six Instruments and Electronics Mediated Through the Application of Microsound. - Eli Stine, Kevin Davis:
The Murmurator: a Flocking Simulation-driven Multi-channel Software Instrument for Collaborative Improvisation. - David Su, Rosalind W. Picard, Yan Liu:
AMAI: Adaptive Music for Affect Improvement. - Anne Veinberg, Felipe Ignacio Noriega:
Coding With a Piano: the First Phase of the Codeklavier's Development. - Stefano Fasciani:
Spectral Granular Synthesis. - Roger B. Dannenberg:
UGG: a Unit Generator Generator. - Hongchan Choi:
Audioworklet: the Future of Web Audio. - Erik Nyström:
Topographic Synthesis: Parameter Distribution in Spatial Texture. - Serge Lemouton, Alain Bonardi, Laurent Pottier, Jacques Warnier:
Electronic Music Documentations, Practices and Models. - Ivica Ico Bukvic, Andrea L. Ogier:
Compel: a Crowdsourced Community-building Repository for Reproducible Computer Music. - Kevin Dahan:
(Re)discovering Sounds of CCRMA - Towards Computer Music Preservation. - Tae Hong Park, Kent Underwood:
The Electro-acoustic Music Mine (EAMM): an Initiative for the Archival Preservation of Electro-acoustic Music. - Brian Garbet:
Sustainability of Compositions Involving Electronic Technology: Part I - in Conversation With Alcides Lanza. - Sihwa Park:
Behave: a Heatmap-based Audiovisual Representation of Personal Data. - Tate Carson:
Philosophical Underpinnings of Environmental Music. - Shuraifa Asmah Shad Saleem Faruqi, Tae Hong Park:
Urban Soundscape: Analyzing Spatiotemporal Patterns of Acoustic Events and Soundscape Components, and Its Influence on the Socioeconomic Status of New York City Neighborhoods. - Tae Hong Park, Minjoon Yoo:
Citygram One: Seven Years Later. - Hugo Solís García:
Sonode; a Collaborative Sound Map of Mexico City. - Tsung-Ching Liu, Wan Tin Lin:
The Tuning and Synthesis Issue of the Ancient Chinese Chime-bells Instrument From the Tomb of Marquis Yi of the Zeng State. - Jøran Rudi:
The Contributions of Computer Music Pioneer Knut Wiggen. - Alexander Sigman:
The Aesthetics of Robot Opera: Human-centric or Mechanized Eccentric? - Mark Volker:
Voice in Electronic Music: Handling Limitations in Stockhausen's Gesang Der Jünglinge and Lansky's Six Fantasies. - Michael Blandino:
Inherent Meanings From the Environmental Impacts of the Production and Performance of Electronic Music. - Jeffrey Stolet:
University of Oregon - Future Music Oregon 2018 Studio Report. - Carol Parkinson:
Harvestworks Digital Media Arts Center. - Sangbong Nam, Gang Seong Lee, Pyoung Ryang Ko, Byongoh Ko, Jinok Cho, Donoung Lee:
Center for Arts and Technologies at Seoul National University. - Jinok Cho, Donoung Lee:
Studio Report: KEAMS. - Jonghwa Park, Sungeun Lee:
Do People With Absolute Pitch Really Produce the P300 Response When Processing Tones? - Ronald K. Mo, Richard Hau Yue So, Andrew Horner:
Investigating How Convolution Reverberation Effects the Space of Instrument Emotional Characteristics. - Bing Yen Chang, Andrew Horner:
The Effects of Pitch, Dynamics, and Vowel on the Emotional Characteristics of The Soprano Voice. - Marta Gentilucci, Luc Ardaillon, Marco Liuni:
Vocal Distortion and Real-Time Processing of Roughness. - Luc Döbereiner:
OBOEJS: a Constraint-based Approach to Instrument-specific Algorithmic Composition. - Ken Paoli:
Phil Winsor's Myst: Research and Art - a Technical and Aesthetic Consideration. - Hiromi Nakamura, Tomoyasu Nakano, Satoru Fukayama, Masataka Goto:
Chordscanner: Browsing Chord Progressions Based on Musical Typicality and Intra-composer Consistency. - Sanjay Majumder, Benjamin D. Smith:
Music Recombination Using a Genetic Algorithm. - David Rafferty:
Structured Cell: a Work in Space. - Cheng Lee:
Digital Ensemble Skills in a Laptop Orchestra. - Peter Sinclair:
Locustream Open Microphone Project. - Michael Musick:
A Physically-distinct, Multi-agent, Sonic Space Ecosystem. - Guillaume Villée, Gwendal Le Vaillant:
Music Making Mobile Application Using Geometry. - Chun-Ming Au, Andrew Horner:
Music Production Mobile App with Voice-to-MIDI Feature. - Robert Normandeau, Olivier Bélanger, Christophe Lengelé, David Ledoux:
SPATGRIS/SERVERGRIS, Creative Tools for 2D and 3D Sound Spatialization. - Christophe Lengelé:
Live 4 Life - A Spatial Performance Tool Focused On Rhythm And Parameter Loops. - Ian Rios, Rob Hamilton:
Nething: An Educational Open-source Web-based Graphical User Interface for Controlling Ambisonic And Wave Field Speaker Arrays. - Austin Stillwell, Tae Hong Park:
Data Visualization and Analysis for Stage Monitoring Systems. - Stefano Fasciani, Habibur Rahman:
Tangible Virtual Patch Cords. - Constanza Levicán, Vernon Belaúnde, Alberto Vega, Andrés Aparicio, Rodrigo F. Cádiz:
ENOBIO2OSC: Brain-computer Interface for Musical Creation. - Christine Steinmeier, Dominic Becking:
Rainbow Blob: Augmented Handpan Using Leap Motion and Oculus Rift. - Christopher Tignor:
"Chorale" Violin Harmonization: A Practical, Compositionally-based System for Generating Live Harmonies. - Edgar Berdahl:
Dipole Instruments for Sketching in Hardware with Embedded Acoustics. - Wing Lam Sin, Xiaojuan Ma, Andrew Horner:
The Emotional Characteristics of Rain Sound Effects. - Hiu Ting Chan, Ronald K. Mo, Chuck-Jee Chau, Andrew Horner:
The Emotional Characteristics of Section String Instruments with Different Pitch and Dynamics.
![](https://dblp.uni-trier.de/img/cog.dark.24x24.png)
manage site settings
To protect your privacy, all features that rely on external API calls from your browser are turned off by default. You need to opt-in for them to become active. All settings here will be stored as cookies with your web browser. For more information see our F.A.Q.