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ORCID12th ICMC 1986: Den Haag, The Netherlands
- Proceedings of the 1986 International Computer Music Conference, ICMC 1986, Den Haag, The Netherlands, October 20-24, 1986. Michigan Publishing 1986
- Anders Friberg, Johan Sundberg:
A Lisp Environment for Creating and Applying Rules for Musical Performance. - Jan Vandenheede:
Musical Experiments with Prolog II. - Richard D. Ashley:
A Knowledge-Based Approach to Assistance in Timbral Design. - John Free, Paul Vytas:
What Ever Happened to SSSP? - Christopher Yavelow:
The Impact of MIDI upon Compositional Methodology. - Neil B. Rolnick:
A Performance Literature for Computer Music: Some Problems from Personal Experience. - David P. Anderson, Ron Kuivila:
A Model of Real-Time Computation for Computer Music. - Miller S. Puckette:
Interprocess Communication and Timing in Real-Time Computer Music Performance. - Leo Küpper:
Space Perception in the Computer Age. - Patrizio Barbieri, Lindoro Del Duca:
Renaissance and Baroque Microtonal Music Research in Computer Real Time Performance. - Roger B. Dannenberg:
The CMU MIDI Toolkit. - Xavier Chabot, Roger B. Dannenberg, Georges Bloch:
A Workstation in Live Performance: Composed Improvisation. - Pierre Barbaud, Frank Brown, Rémi Lengagne:
The Biniou Machine. - Rainer Boesch, Daniel Weiss:
An Inexpensive Composer Work Station Featuring High Quality Real Time Sound Synthesis. - Jean-Loup Florens, Aimé Razafindrakoto, Annie Luciani, Claude Cadoz:
Optimized Real-Time Simulation of Objects for Musical Synthesis and Animated Image Synthesis. - Giorgio Nottoli, Lindoro Del Duca:
MSYS 7: MIDI Control System. - Giorgio Nottoli, Francesco Galante:
Soft Machine: A Real Time Fully Programmable Computer Music System. - Emmanuel Amiot, Gérard Assayag, Claudy Malherbe, André Riotte:
Duration Structure Generation and Recognition in Musical Writing. - Douglas Keislar:
Software for Real-Time Microtonal Control. - Aluizio Arcela:
Time-Trees: The Inner Organization of Intervals. - Michael Greenhough:
A Microcomputer System for the Real-Time Exploration of Musical Structures. - Philippe Prevot:
Tele-detection and Large Dimension Gestual Control. - J. C. Radier, Ch. Deforeit, D. Provost:
A User Friendly Synthesizer by Means of a Touch Input Wide LCD Graphic Display. - Itai Shelef, Uri Shimony, Itai Nehoran:
A Modular Real-Time Digital Processor of Audio Signals. - Lee Boynton, Jacques Duthen, Yves Potard, Xavier Rodet:
Adding a Graphical User Interface to FORMES. - Peter Desain, Henkjan Honing:
LOCO: Composition Microworlds in LOGO. - Brian L. Schmidt:
A Natural Language System for Music. - Adrian Freed:
MacMix: Mixing with a Mouse. - Stephen Travis Pope:
The Development of an Intelligent Composer's Assistant: Interactive Graphics Tools and Knowledge Representation for Music. - Donald Byrd:
User Interfaces in Music-Notation Systems. - Roger B. Dannenberg:
A Structure for Representing, Displaying, and Editing Music. - Peter Desain:
Graphical Programming in Computer Music: A Proposal. - Lounette M. Dyer:
MUSE: An Integrated Software Environment for Computer Music Applications. - Gérard Assayag, Dan Timis:
A ToolBox for Music Notation. - Aad te Bokkel:
The Errant Syncretizer. - Lee Boynton, Pierre Lavoie, Yann Orlarey, Camilo Rueda, David Wessel:
MIDI-LISP: A LISP-Based Music Programming Environment for the Macintosh. - Birute Sinkeviciùte, Saulius Sondeckis, Arturas Medonis:
On Identification of Violin Strokes in a Real-Time Performance System. - Floris van Manen, Trimpin:
Ringo: A Percussive Installation. - Gerald Bennett, Rainer Boesch, Antonio Greco, Bruno Spoerri:
The Swiss Center for Computer Music. - Mark Kahrs, Thomas J. Killian, Max V. Mathews:
Computer Music Research at Bell Labs. - Louise Gariepy:
The Electro-Acoustics Unit of the Faculty of Music of the University of Montreal. - Noel Zahler:
The Impact of Computer Music on the Small Liberal Arts College in the United States. - Yann Orlarey:
MLOGO: A MIDI Composing Environment For The Apple IIe. - Mohan Harihara, K. Radhakrishna Rao:
Mridangam Simulation. - Martin D. Wilde, William L. Martens, James M. Hillenbrand, Douglas R. Jones:
Externalization Mediates Changes in the Perceived Roughness of Sound Signals with Jittered Fundamental Frequency. - Christoph Lischka, Hans-Werner Güsgen:
MvS|C: A Constraint-Based Approach to Musical Knowledge Representation. - Barry Truax:
Real-Time Granular Synthesis with the DMX-1000. - Pierre-François Baisnée, Jean-Baptiste Barrière, Olivier Koechlin, Robert Rowe:
Real-time Interaction between Musicians and Computer: Live Performance Utilisations of the 4X Musical Workstation. - Yee On Lo:
Techniques of Timbral Interpolation. - Werner Kaegi, Jos Janssen, Paul Goodman:
MIDIM Sound-Duplications and Their Applications. - Xavier Serra:
A Computer Model for Bar Percussion Instruments. - Joseph Marks, John Polito:
Modeling Piano Tones. - Yves Potard, Pierre-François Baisnée, Jean-Baptiste Barrière:
Experimenting with Models of Resonance Produced by a New Technique for the Analysis of Impulsive Sounds. - Julius O. Smith III:
Efficient Simulation of the Reed-Bore and Bow-String Mechanisms. - Francesco Galante:
A.A.S. Acoustic Ambience Simulator System. - Gary S. Kendall, William L. Martens, Daniel J. Freed, M. Derek Ludwig, Richard W. Karstens:
Spatial Processing Software at Northwestern Computer Music. - Sergio Cavaliere, Aldo Piccialli:
Phase Modulation with Interpolated Time Functions: Synthesis by Formants. - Anthony G. Holland:
Sampling and Composition with the Kurzweil 250: Today's Aesthetic Choices. - Peter J. Comerford:
The Bradford Musical Instrument Simulator. - Alain Martel:
The SS-1 Sound Spatializer: A Real-Time MIDI Spatialization Processor. - Kevin Jones:
Real-Time Stochastic Composition and Performance with AMPLE. - Johan C. M. den Biggelaar:
Hogeschool voor de Kunsten Utrecht Studio Report: Centrum voor Muziek en Informatica (CMI). - Cornelia Colyer:
Centre d'Etudes de Mathematique et Automatique Musicales. - Jon Appleton:
The Computer and Live Musical Performance. - Ron Kuivila, David P. Anderson:
Timing Accuracy and Response Time in Interactive Systems. - Craig R. Harris, Alexander R. Brinkman:
A Unified Set of Software Tools for Computer-Assisted Set-Theoretic and Serial Analysis of Contemporary Music. - John Morehen:
Computer-Assisted Musical Analysis: A Question of Validity. - G. Codeluppi, E. Iannuccelli:
Computer and Music Software in an Educative-Formative Role in Italy. - Marco Ligabue:
A System of Rules for Computer Improvisation. - Gary Greenberg:
Computers and Music Education: A Compositional Approach. - Maurizio Rubbazzer, M. Santoiemma, G. A. Patella:
Some Advances in the Development of a New Architecture for a Digital Sound Synthesizer. - David Blythe, John Kitamura, David Galloway, W. Martin Snelgrove:
Virtual Patch-Cords for the Katosizer. - Bennett K. Smith, Paul Chervin:
Boris: An Application of the Fujitsu MB8764 DSP Chip. - Emmanuel Favreau, Michel Fingerhut, Olivier Koechlin, Patrick Potacsek, Miller S. Puckette, Robert Rowe:
Software Developments for the 4X Real-time System. - D. Gareth Loy:
Designing a Computer Music Workstation from Musical Imperatives. - F. Richard Moore:
Applications for an Integrated Computer Music Workstation. - Roger Reynolds:
Musical Production and Related Issues at CARL. - Daniel J. Freed, William L. Martens:
Deriving Psychophysical Relations for Timbre. - Robert Cogan:
Imaging Sonic Structure. - Kristi Allik, Shane Dunne, Robert Mulder:
ArcoNet: A Proposal for a Standard Network for Communication and Control in Real-Time Performance. - Michel Starkier, Philippe Prevot:
Real-Time Gestural Control. - Helmut Zander:
The APS 1000 Series of Digital Audio Processors. - Chris Chafe, Julius O. Smith III, Patte Wood:
Current Work at CCRMA: An Overview. - Bruno Degazio:
Musical Aspects of Fractal Geometry. - Daniel V. Oppenheim:
The Need for Essential Improvements in the Machine-Composer Interface Used for the Composition of Electroacoustic Computer Music. - Kemal Ebcioglu:
An Expert System for Harmonizing Four-Part Chorales. - G. Nencini, Pietro Grossi, Graziano Bertini, C. Camilleri, Leonello Tarabella:
TELETAU: A Computer Music Permanent Service. - Przemyslaw Prusinkiewicz:
Score Generation with L-Systems. - Peter J. Clements:
A System for the Complete Enharmonic Encoding of Musical Pitches and Intervals. - Douglas J. Collinge, Stephen M. Parkinson:
The Oculus Ranae. - Michael Longton:
Self-Proliferating Musical Objects. - Giorgio Tedde:
Phenomenology of Musical Communication. - Nicola Bernardini:
Computer Music: The State of the Nation. - Fabio Cifariello Ciardi
:
The Organization of Microtonal Sets in Computer Music. - A. Ban, Johann A. Makowsky:
Musician - A Music Processing and Synthesis System. - Luc Steels:
Learning the Craft of Musical Composition. - Chris Jordan:
Random Access to the Time Domain in the AMPLE Language.
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