Stop the war!Остановите войну!
for scientists:
default search action
Google
Google Scholar
Semantic Scholar
Internet Archive Scholar
CiteSeerX
ORCID33rd EVA 2023: London, UK
- Jonathan P. Bowen, Jon Weinel, Graham Diprose:
Electronic Visualisation and the Arts, EVA 2023, London, UK, July 10-14, 2023. Workshops in Computing, BCS 2023
Symposium
- Jonathan P. Bowen, Tula Giannini, Terrence Masson, Giuliano Gaia, Graham Diprose:
The Digital Lens.
Computational Culture
- Jonathan P. Bowen, Tula Giannini:
The Arts and Computational Culture: A landscape view. - Ann Borda:
Bearing Witness: A commentary on climate action and immersive climate change exhibitions. - Mei-Tsen Chen, Fion Gunn, Shoran Jiang, Ardern Hulme-Beaman, Alan Hudson, Maureen Kendal, Nazia Parvez:
A-MAZE Artists Update 2023: Boundless - Worlds in Flux: Overcoming boundaries to virtual world integration in traditional heritage settings. - Karoline Winzer:
The Connection Framework: How designers and developers can impact social connection. - Aphra Shemza, Peter Todd, A. J. Bravo:
Shemza Digital: Across Generations. - Dominik Lengyel, Catherine Toulouse:
How Physical Models Complete Virtual Multimediality. - Lindsay W. MacDonald:
Visualising a Medieval Wall Painting of St. Thomas Becket. - Carl Hayden Smith, William L. J. Bigmore:
Re-Enchantment with Technology and Ourselves: Constructing the technomancy and neuromancy framework. - Jonathan P. Bowen, Sean M. Clark
:
Recent Progress with the Computer Arts Archive.
Interdisciplinary Narratives
- Leah Barclay, Tricia King, Lyndon Davis:
Seeing Sound and Hearing Images: Interdisciplinary explorations in marine environments in Queensland, Australia. - Mary-Joyce Arekion:
Digital Storytelling: An innovative arts-based research method for qualitative research. - Susan Hazan:
The Dance of the Doppelgängers: AI and the cultural heritage community.
Documenting Digital Art
- Kenneth Feinstein:
Voicing the Subject: Finding new ways of creating the documentary. - Sean M. Clark, Stephen A. R. Scrivener:
Rebuilding Stephen Scrivener's Homeostasis Artwork. - Carmen Gil Vrolijk:
Hybris.
Social Engagement
- Lindsay Pierce, Dajonea Robinson, Mi Tran, Whitney Graham:
Social Memberships and Identity Representation in 'Text-to-Image' Artificial Intelligence Programmes. - Kristin Carlson, Greg J. Corness, Zahra Irannezhad, Kimberly Brucker, Lyndsie Schlink:
Sounds of Connection: Tactile support of family engagement in elderly memory-care residents.
Digital Aesthetics
- Joskaude Pakalkaite:
Noise-Free Digital Interfaces From the Near Future. - Camila Mangueira, Fabrício Fava:
Metaimage: The image beyond visual representation. - Rochele Gloor, Greg J. Corness, Rose Marshack, Aaron Paolucci:
Can You Feel What I Feel? Leveraging aesthetics in visual and spatial audio VR experience. - Stuart Smith:
Creating an App for Computer-assisted Art.
China Connections
- Bao Han, Jonathan P. Bowen:
The Public Sphere and Weibo Microblogging Social Media Platforms in China. - Huan Fan, Jonathan P. Bowen:
An Overview of New Media Art Exhibitions in China (2017-2022). - Yi Ji, Sean M. Clark, Minliang Bai, Congxiao Sang, Yihong Yuan:
A Study on the Development of Digital Art in China Through Artworks. - Ze Gao:
Envisioning an Immersive Multi-Screen VR System for Museum Archive Browsing. - Ze Gao, Simin Yang, Xingxing Yang:
Symbiotic Hands: A virtual reality interactive system that traverses reality.
Environmental Interfaces
- Anna Shvets, Samer Darkazanli:
Volumetric Music Composition in a VR Context. - Marco Innocenti, Guillaume Mur, Christophe Brod, Olga Kisseleva:
Extracting Treescape Data from an Autonomous Smart Beehive: A project for an art museum device using near-infrared light. - Ninon Lizé Masclef, Adrien Chuttarsing:
Latent Organism: A tangible interface for 3D co-creation with AI. - Sophie Dixon:
Crafting Virtual Spaces with Creative AI: A case study of Lux in Tenebris.
Convergent Realities
- André Rangel:
Rechteck Fyrkant: If they were the same thing, they were the same thing, but they are not. - Elina Argyridou, Panayiota Samara, Marinos Ioannides, Maria Hadjiathanasiou, Elena Karittevli, Iliana Koulafeti, Ioannis Panayi, Kyriakos Efstathiou:
Research Methodologies for Digital Holistic Documentation of Cultural Heritage. - Racelar Ho, Sarah Vollmer, Xiaolong Zheng:
24/7 Worldlessness of Post-Bits Human Universe: Asynchronous Signal Transmutation. - Monika Keenan:
Bridging the Divide: Creating an accessible transparent AR display. - Terry Trickett:
Building Less is More: A tale of two realities.
Generative Art
- Tula Giannini, Jonathan P. Bowen:
Generative Art and Computational Imagination: Integrating poetry and art world. - Daniela de Paulis:
Mare Incognito. - Andy Lomas:
Digital Chemotaxis. - Carmen Gil Vrolijk:
Voltaje - Art and Technology Salon: Art as an experience not as an object.
Research Workshop
- Graham Diprose, Jairo Zaldua, Nicola Green, Margarita Galandina:
Research Workshop Collected Paper: Capturing Memories - Real and Imaginary. - Raheem A. Lawal, Jonathan Weinel, Darrenlloyd Gent:
Representing Amphibian Perspectives in a 3D Game Engine. - Haya Sheffer:
Humanity Measures Itself: Self-measuring and new "post measuring discourse". - Ross Rodney, Jonathan Weinel, Martyn Broadhead:
Retro Stylistic Transformations in Games. - Pierre Chaumont:
A Citizen Of Culture: On art as a gamified experience.
Workshops
- Carl Hayden Smith, Tom Middleton, Joe Crossley, Jose Montemayor Alba, Benjamin I. Outram, Melissa Warner:
The Sacred Sound Chamber and The Cyberdelic Renaissance. - Carl Hayden Smith, Tom Middleton, Joe Crossley:
The Intentional Use of Sound Design in the Egyptian Temples and the Great Pyramid.
a service of 
manage site settings
To protect your privacy, all features that rely on external API calls from your browser are turned off by default. You need to opt-in for them to become active. All settings here will be stored as cookies with your web browser. For more information see our F.A.Q.
last updated on 2024-04-29 22:01 CEST by the dblp team
all metadata released as open data under CC0 1.0 license
see also: Terms of Use | Privacy Policy | Imprint
dblp was originally created in 1993 at:
since 2018, dblp has been operated and maintained by:
the dblp computer science bibliography is funded and supported by:
