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ORCID12th DLfM 2025: Seoul, Korea
- Elsa De Luca:
Proceedings of the 12th International Conference on Digital Libraries for Musicology, DLfM 2025, Seoul, Republic of Korea, 26 September 2025. ACM 2025, ISBN 979-8-4007-2083-3 - Kyrie Bouressa
, Ichiro Fujinaga:
From Pixels to Paleography: A Dual-Pathway Neural Network for Neume Script Classification. 1-9 - Joshua Neumann:
(Digital) Philology for/of Multiple Creative Processes: Considering Notation, Recordings, and Digital Editions. 10-18 - Anna-Maria Christodoulou, Olivier Lartillot:
A Multimodal Dataset of Greek Folk Music. 19-27 - Jorge J. Morgado Vega, Sachin Sharma, Federico Simonetta:
Drafting the Landscape of Computational Musicology Tools: a Survey-Based Approach. 28-35 - Sepideh Shafiei, Shapour Hakam:
The IRMA Dataset: A Structured Audio-MIDI Corpus for Iranian Classical Music. 36-43 - Nawaraj Khatri, Gilberto Bernardes:
Performance Configuration Analysis in Portuguese Traditional Music: A Computational Approach. 44-52 - Jorge Forero Rodriguez, Gilberto Bernardes:
Leveraging Large-language Models for Thematic Analysis of Children's Folk Lyrics: A comparative study of Iberian Traditions. 53-59 - Fernando Herrera de Las Heras:
The Cancionero de Miranda Edition: Leveraging Open Source Technologies for Multi-Modal Music Publication. 60-71 - Thiago Martin Poppe, Luisa Lopes, Flavio Figueiredo:
The Polyphonic Audio to Roman Corpus. 72-80 - Kevin R. Page, David Lewis, Laurent Pugin:
Annotation of digital music notation documents: surveying needs for a generalised implementation. 81-89 - Jan Hajic jr., Fabian C. Moss:
Knowing when to stop: insights from ecology for building catalogues, collections, and corpora. 90-94 - David M. Weigl, Olja Janjus, Stefan Rosmer, Reinier de Valk, Henning Burghoff, Kateryna Schöning, Ilias Kyriazis, Julia Jaklin, Andreas Rauber, Martina Bürgermeister, Christoph Steindl, Silas Bischoff:
Collaborative workflows for encoding, validating, and publishing a multimodal digital edition. 95-99 - Ichiro Fujinaga:
Sustainable Archiving of Music Databases through RDF and NLQ2SPARQL. 100-104 - Teresa Cascudo García-Villaraco, David Ferreiro Carballo, Arturo de Las Casas Escolar:
Modelling Musical Meaning: A Semantically Enriched Corpus from Nineteenth-Century Spanish Music Lexicons. 105-108 - Sanjay Natesan, Homayoon S. M. Beigi:
Curating a Public Carnatic Music Dataset: Scalable Extraction of Ragam, Shruti, and Talam Metadata for Computational Musicology. 109-113 - Jirí Mayer, Filip Jebavý, Markéta Herzánová Vlková, Martina Dvoráková, Pavel Pecina, Jan Hajic Jr.:
MuNG Studio: Annotation Tool for Music Notation Graph. 114-118 - Jirí Mayer, Pavel Pecina, Jan Hajic Jr.:
Smashcima: Full-Page Handwritten Music Document Synthesizer. 119-123 - Chanda VanderHart, David Wögerbauer, David M. Weigl:
Accompaniment in America: A Minimal-Computing Digital Collection for Hybrid Musicological Publication. 124-128
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