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ORCIDShigeki Sagayama
- > Home > Persons > Shigeki Sagayama
Publications
- 2013
[p3]Tae Hun Kim, Satoru Fukayama, Takuya Nishimoto, Shigeki Sagayama:
Statistical Approach to Automatic Expressive Rendition of Polyphonic Piano Music. Guide to Computing for Expressive Music Performance 2013: 145-179- 2011
- [j24]Jun Wu, Emmanuel Vincent, Stanislaw Andrzej Raczynski, Takuya Nishimoto, Nobutaka Ono
, Shigeki Sagayama:
Polyphonic Pitch Estimation and Instrument Identification by Joint Modeling of Sustained and Attack Sounds. IEEE J. Sel. Top. Signal Process. 5(6): 1124-1132 (2011) - [c134]Jun Wu, Emmanuel Vincent, Stanislaw Andrzej Raczynski, Takuya Nishimoto, Nobutaka Ono, Shigeki Sagayama:
Multipitch estimation by joint modeling of harmonic and transient sounds. ICASSP 2011: 25-28 - [c131]Takuho Nakano, Akisato Kimura, Hirokazu Kameoka, Shigeki Miyabe, Shigeki Sagayama, Nobutaka Ono, Kunio Kashino, Takuya Nishimoto:
Automatic video annotation via Hierarchical Topic Trajectory Model considering cross-modal correlations. ICASSP 2011: 2380-2383 - [c130]Tomoyuki Hamamura, Bunpei Irie, Takuya Nishimoto, Nobutaka Ono, Shigeki Sagayama:
Concurrent Optimization of Context Clustering and GMM for Offline Handwritten Word Recognition Using HMM. ICDAR 2011: 523-527 - [c129]Miquel Espi, Shigeki Miyabe, Takuya Nishimoto, Nobutaka Ono, Shigeki Sagayama:
Using Spectral Fluctuation of Speech in Multi-Feature HMM-Based Voice Activity Detection. INTERSPEECH 2011: 2613-2616 - [c128]Tae Hun Kim, Satoru Fukayama, Takuya Nishimoto, Shigeki Sagayama:
Polyhymnia: An Automatic Piano Performance System with Statistical Modeling of Polyphonic Expression and Musical Symbol Interpretation. NIME 2011: 96-99 - 2010
- [c117]Yushi Ueda, Yuuki Uchiyama, Takuya Nishimoto, Nobutaka Ono, Shigeki Sagayama:
HMM-based approach for automatic chord detection using refined acoustic features. ICASSP 2010: 5518-5521 - [c116]Jun Wu, Yu Kitano, Stanislaw Andrzej Raczynski, Shigeki Miyabe, Takuya Nishimoto, Nobutaka Ono, Shigeki Sagayama:
Musical instrument identification based on harmonic temporal timbre features. SAPA@INTERSPEECH 2010: 7-12 - [c111]Jun Wu, Yu Kitano, Takuya Nishimoto, Nobutaka Ono, Shigeki Sagayama:
Flexible Harmonic Temporal Structure for Modeling Musical Instrument. ICEC 2010: 416-418 - [c110]Miquel Espi, Shigeki Miyabe, Takuya Nishimoto, Nobutaka Ono, Shigeki Sagayama:
Analysis on speech characteristics for robust voice activity detection. SLT 2010: 151-156 - [p2]Nobutaka Ono, Kenichi Miyamoto, Hirokazu Kameoka, Jonathan Le Roux, Yuuki Uchiyama, Emiru Tsunoo, Takuya Nishimoto, Shigeki Sagayama:
Harmonic and Percussive Sound Separation and Its Application to MIR-Related Tasks. Advances in Music Information Retrieval 2010: 213-236 - 2009
- [c104]Yosuke Izumi, Kenta Nishiki, Shinji Watanabe, Takuya Nishimoto, Nobutaka Ono, Shigeki Sagayama:
Stereo-input speech recognition using sparseness-based time-frequency masking in a reverberant environment. INTERSPEECH 2009: 1955-1958 - [c101]Satoru Fukayama, Kei Nakatsuma, Shinji Sako, Yuichiro Yonebayashi, Tae Hun Kim, Si Wei Qin, Takuho Nakano, Takuya Nishimoto, Shigeki Sagayama:
Orpheus: Automatic Composition System Considering Prosody of Japanese Lyrics. ICEC 2009: 309-310 - 2008
- [j18]Shoichiro Saito, Hirokazu Kameoka, Keigo Takahashi, Takuya Nishimoto, Shigeki Sagayama:
Specmurt Analysis of Polyphonic Music Signals. IEEE Trans. Speech Audio Process. 16(3): 639-650 (2008) - [c96]Kenichi Miyamoto, Hirokazu Kameoka, Takuya Nishimoto, Nobutaka Ono, Shigeki Sagayama:
Harmonic-Temporal-Timbral Clustering (HTTC) for the analysis of multi-instrument polyphonic music signals. ICASSP 2008: 113-116 - [c93]Ikumi Ota, Ryo Yamamoto, Takuya Nishimoto, Shigeki Sagayama:
On-line handwritten Kanji string recognition based on grammar description of character structures. ICPR 2008: 1-5 - 2007
- [j17]Hirokazu Kameoka, Takuya Nishimoto, Shigeki Sagayama:
A Multipitch Analyzer Based on Harmonic Temporal Structured Clustering. IEEE Trans. Speech Audio Process. 15(3): 982-994 (2007) - [c89]Kenichi Miyamoto, Hirokazu Kameoka, Haruto Takeda, Takuya Nishimoto, Shigeki Sagayama:
Probabilistic Approach to Automatic Music Transcription from Audio Signals. ICASSP (2) 2007: 697-700 - [c87]Haruto Takeda, Takuya Nishimoto, Shigeki Sagayama:
Rhythm and Tempo Analysis Toward Automatic Music Transcription. ICASSP (4) 2007: 1317-1320 - [c83]Nobutaka Ono, Souichiro Fukamachi, Takuya Nishimoto, Shigeki Sagayama:
Sound Source Localization by Asymmetrically Arrayed 2ch Microphones on a Sphere. MMSP 2007: 56-59 - 2006
- [c82]Takuya Nishimoto, Shinji Sako, Shigeki Sagayama, Kazue Ohshima, Koichi Oda, Takayuki Watanabe:
Effect of Learning on Listening to Ultra-Fast Synthesized Speech. EMBC 2006: 5691-5694 - [c81]Chandra Kant Raut, Takuya Nishimoto, Shigeki Sagayama:
Model Adaptation for Long Convolutional Distortion by Maximum Likelihood Based State Filtering Approach. ICASSP (1) 2006: 1133-1136 - 2005
- [c79]Hirokazu Kameoka, Takuya Nishimoto, Shigeki Sagayama:
Audio stream segregation of multi-pitch music signal based on time-space clustering using Gaussian kernel 2-dimensional model. ICASSP (3) 2005: 5-8 - [c78]Chandra Kant Raut, Takuya Nishimoto, Shigeki Sagayama:
Model adaptation by state splitting of HMM for long reverberation. INTERSPEECH 2005: 277-280 - [c77]Shoichiro Saito, Hirokazu Kameoka, Takuya Nishimoto, Shigeki Sagayama:
Specmurt Analysis of Multi-Pitch Music Signals with Adaptive Estimation of Common Harmonic Structure . ISMIR 2005: 84-91 - [c76]Hirokazu Kameoka, Takuya Nishimoto, Shigeki Sagayama:
Harmonic-Temporal Clustering via Deterministic Annealing EM Algorithm for Audio Feature Extraction. ISMIR 2005: 115-122 - 2004
- [c75]Hirokazu Kameoka, Takuya Nishimoto, Shigeki Sagayama:
Separation of harmonic structures based on tied Gaussian mixture model and information criterion for concurrent sounds. ICASSP (4) 2004: 297-300 - [c74]Shigeki Sagayama, Keigo Takahashi, Hirokazu Kameoka, Takuya Nishimoto:
Specmurt anasylis: a piano-roll-visualization of polyphonic music signal by deconvolution of log-frequency spectrum. SAPA@INTERSPEECH 2004: 128 - [c73]Shigeki Sagayama, Okajima Takashi, Yutaka Kamamoto, Takuya Nishimoto:
Complex spectrum circle centroid for microphone-array-based noisy speech recognition. INTERSPEECH 2004: 825-828 - [c72]Takuya Nishimoto, Shigeki Sagayama, Hirokazu Kameoka:
Multi-pitch trajectory estimation of concurrent speech based on harmonic GMM and nonlinear kalman filtering. INTERSPEECH 2004: 2433-2436 - [c71]Chandra Kant Raut, Takuya Nishimoto, Shigeki Sagayama:
Model composition by lagrange polynomial approximation for robust speech recognition in noisy environment. INTERSPEECH 2004: 2809-2812 - [c70]Haruto Takeda, Takuya Nishimoto, Shigeki Sagayama:
Rhythm and Tempo Recognition of Music Performance from a Probabilistic Approach. ISMIR 2004 - [p1]Shinichi Kawamoto, Hiroshi Shimodaira, Tsuneo Nitta, Takuya Nishimoto, Satoshi Nakamura, Katsunobu Itou, Shigeo Morishima, Tatsuo Yotsukura, Atsuhiko Kai, Akinobu Lee, Yoichi Yamashita, Takao Kobayashi, Keiichi Tokuda, Keikichi Hirose, Nobuaki Minematsu, Atsushi Yamada, Yasuharu Den, Takehito Utsuro, Shigeki Sagayama:
Galatea: Open-Source Software for Developing Anthropomorphic Spoken Dialog Agents. Life-like characters 2004: 187-212 - 2003
- [c67]Haruto Takeda, Takuya Nishimoto, Shigeki Sagayama:
Automatic rhythm transcription from multiphonic MIDI signals. ISMIR 2003
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