Please note: This is a beta version of the new dblp website.
You can find the classic dblp view of this page here.
You can find the classic dblp view of this page here.
Geraint A. Wiggins
2010 – today
- 2013
[c32]Jamie Forth, Thanasis Giannimaras, Geraint A. Wiggins, Robert Stewart, Diana Bental, Ruth Aylett, Deborah Maxwell, Hadi Mehrpouya, Jamie Shek, Mel Woods: SerenA: A Multi-site Pervasive Agent Environment That Supports Serendipitous Discovery in Research. PAAMS 2013: 85-96- [c31]Jamie Forth, Athanasios Giannimaras, Geraint A. Wiggins, Robert Stewart, Diana Bental, Ruth Aylett, Deborah Maxwell, Hadi Mehrpouya, Jamie Shek, Mel Woods: Demonstrating SerenA: Chance Encounters in the Space of Ideas. PAAMS 2013: 275-278
- 2012
- [j11]Geraint A. Wiggins: The Mind's Chorus: Creativity Before Consciousness. Cognitive Computation 4(3): 306-319 (2012)
- [j10]Sebastian Ewert, Meinard Müller, Verena Konz, Daniel Müllensiefen, Geraint A. Wiggins: Towards Cross-Version Harmonic Analysis of Music. IEEE Transactions on Multimedia 14(3-2): 770-782 (2012)
- [c30]
- [c29]
- [c28]Polina Proutskova, Christophe Rhodes, Geraint A. Wiggins, Tim Crawford: Breathy or Resonant - A Controlled and Curated Dataset for Phonation Mode Detection in Singing. ISMIR 2012: 589-594
- 2010
- [j9]Jamie Forth, Geraint A. Wiggins, Alex McLean: Unifying Conceptual Spaces: Concept Formation in Musical Creative Systems. Minds and Machines 20(4): 503-532 (2010)
- [j8]Marcus Pearce, María Herrojo Ruiz, Selina Kapasi, Geraint A. Wiggins, Joydeep Bhattacharya: Unsupervised statistical learning underpins computational, behavioural, and neural manifestations of musical expectation. NeuroImage 50(1): 302-313 (2010)
- [p2]Marcus Pearce, Daniel Müllensiefen, Geraint A. Wiggins: Melodic Grouping in Music Information Retrieval: New Methods and Applications. Advances in Music Information Retrieval 2010: 364-388
2000 – 2009
- 2009
- [j7]Amílcar Cardoso, Tony Veale, Geraint A. Wiggins: Converging on the Divergent: The History (and Future) of the International Joint Workshops in Computational Creativity. AI Magazine 30(3): 15-22 (2009)
- [c27]Sebastian Ewert, Meinard Müller, Daniel Müllensiefen, Michael Clausen, Geraint A. Wiggins: Case Study "Beatles Songs" - What can be Learned from Unreliable Music Alignments? Knowledge Representation for Intelligent Music Processing 2009
- [c26]Eleanor Selfridge-Field, Frans Wiering, Geraint A. Wiggins: 09051 Abstracts Collection - Knowledge representation for intelligent music processing. Knowledge Representation for Intelligent Music Processing 2009
- [c25]Geraint A. Wiggins: Semantic Gap?? Schemantic Schmap!! Methodological Considerations in the Scientific Study of Music. ISM 2009: 477-482
- [c24]Kjell Lemström, Geraint A. Wiggins: Formalizing Invariances for Content-based Music Retrieval. ISMIR 2009: 591-596
- [e2]Eleanor Selfridge-Field, Frans Wiering, Geraint A. Wiggins (Eds.): Knowledge Representation for Intelligent Music Processing, 25.01. - 30.01.2009. Dagstuhl Seminar Proceedings 09051, Schloss Dagstuhl - Leibniz-Zentrum fuer Informatik, Germany 2009
- 2008
- [j6]Geraint A. Wiggins: Computer Models of Musical Creativity: A Review of Computer Models of Musical Creativity by David Cope. LLC 23(1): 109-116 (2008)
- [c23]Marcus Pearce, Daniel Müllensiefen, Geraint A. Wiggins: A Comparison of Statistical and Rule-Based Models of Melodic Segmentation. ISMIR 2008: 89-94
- 2007
- [c22]Alastair J. D. Craft, Geraint A. Wiggins, Tim Crawford: How Many Beans Make Five? The Consensus Problem in Music-Genre Classification and a New Evaluation Method for Single-Genre Categorisation Systems. ISMIR 2007: 73-76
- [c21]Daniel Müllensiefen, David Lewis, Christophe Rhodes, Geraint A. Wiggins: Evaluating a Chord-Labelling Algorithm. ISMIR 2007: 317-318
- [c20]Hamish Allan, Daniel Müllensiefen, Geraint A. Wiggins: Methodological Considerations in Studies of Musical Similarity. ISMIR 2007: 473-478
- [c19]Alex McLean, Frederic F. Leymarie, Geraint A. Wiggins: Apollonius diagrams and the Representation of Sounds and Music. ISVD 2007: 276-281
- 2006
- [j5]Geraint A. Wiggins: A preliminary framework for description, analysis and comparison of creative systems. Knowl.-Based Syst. 19(7): 449-458 (2006)
- [j4]Geraint A. Wiggins: Searching for Computational Creativity. New Generation Comput. 24(3): 209-222 (2006)
- [c18]Raphaël Clifford, Manolis Christodoulakis, Tim Crawford, David Meredith, Geraint A. Wiggins: A Fast, Randomised, Maximal Subset Matching Algorithm for Document-Level Music Retrieval. ISMIR 2006: 150-155
- 2005
- [c17]Tim Crawford, Jeremy Pickens, Geraint A. Wiggins: Dimensionality Reduction in Harmonic Modeling for Music Information Retrieval. CMMR 2005: 233-248
- [c16]David Lewis, Tim Crawford, Geraint A. Wiggins, Michael Gale: Abstracting Musical Queries: Towards a Musicologist's Workbench. CMMR 2005: 249-258
- [c15]
- 2004
- [c14]Marcus Pearce, Darrell Conklin, Geraint A. Wiggins: Methods for Combining Statistical Models of Music. CMMR 2004: 295-312
- 2002
- [c13]Geraint A. Wiggins, Kjell Lemström, David Meredith: SIA(M)ESE: An Algorithm for Transposition Invariant, Polyphonic Content-Based Music Retrieval. ISMIR 2002
- 2001
- [j3]Geraint A. Wiggins: Preface: The AISB'99 Convention and the Focus Workshop. Computers and the Humanities 35(1): 1-2 (2001)
- 2000
- [c12]Ben Curry, Geraint A. Wiggins, Gillian Hayes: Representing Trees with Constraints. Computational Logic 2000: 315-325
- [c11]Geraint A. Wiggins, Shari Trewin: A System for Concerned Teaching of Musical Aural Skills. Intelligent Tutoring Systems 2000: 494-503
- [p1]Geraint A. Wiggins, Alan Smaill: Musical Knowledge: What can Artificial Intelligence Bring to the Musician? Readings in Music and Artificial Intelligence 2000: 29-46
1990 – 1999
- 1999
- [c10]Nigel Birch, James Plummer, Geraint A. Wiggins, Bronac Ferran, Robin Lyons: Nurturing creativity (panel session). Creativity & Cognition 1999: 30-35
- 1995
- [j2]Geraint A. Wiggins: M. Balaban, K. Ebcioglu and O. Laske, eds., Understanding Music with AI - Perspectives on Cognitive Musicology. Artif. Intell. 79(2): 373-385 (1995)
- [c9]Andrew J. Parkes, Geraint A. Wiggins: Logic Program Synthesis by Induction over Horn Clauses. LOPSTR 1995: 170
- 1994
- [c8]Bradley L. Richards, Ina Kraan, Alan Smaill, Geraint A. Wiggins: Mollusc: A General Proof-Development Shell for Sequent-Based Logics. CADE 1994: 826-830
- [c7]Kung-Kiu Lau, Geraint A. Wiggins: A Tutorial on Synthesis of Logic Programs from Specifications. ICLP 1994: 11-14
- [c6]Geraint A. Wiggins: Improving the Whelk System: A Type-Theoretic Reconstruction. LOPSTR 1994: 231-247
- [e1]Matt Smith, Alan Smaill, Geraint A. Wiggins (Eds.): Music Education: An Artificial Intelligence Approach, Proceedings of a Workshop held as part of AI-ED 93, World Conference on Artificial Intelligence in Education, Edinburgh, Scotland, UK, 25 August 1993. Workshops in Computing, Springer 1994, ISBN 3-540-19873-3
- 1993
- [j1]Alan Smaill, Geraint A. Wiggins, Mitch Harris: Hierarchical music representation for composition and analysis. Computers and the Humanities 27(1): 7-17 (1993)
- [c5]Alan Smaill, Geraint A. Wiggins, Eduardo Miranda: Music Representation - Between the Musician and the Computer. Music Education: An Artificial Intelligence Approach 1993: 108-119
- [c4]
- 1992
- [c3]Geraint A. Wiggins: Synthesis and Transformation of Logic Programs in the Whelk Proof Development System. JICSLP 1992: 351-365
- [c2]Geraint A. Wiggins: Negation and Control on Automatically Generated Logic Programs. META 1992: 250-264
- 1991
- [c1]Geraint A. Wiggins, Alan Bundy, Ina Kraan, Jane Hesketh: Synthesis and Transfomation of Logic Programs from Constructive, Inductive Proof. LOPSTR 1991: 27-45
Coauthor Index
data released under the ODC-BY 1.0 license. See also our legal information page
last updated on 2013-10-02 11:21 CEST by the dblp team