Volume 18, Numbers 1-2, 2012

• 
  Daniel Cunliffe, Douglas Tudhope: Editors' Introduction. 1

• 
  Frank Nack, Annika Waern: Mobile digital interactive storytelling - a winding path. 3-9
• 
  Vincenzo Lombardo, Rossana Damiano: Storytelling on mobile devices for cultural heritage. 11-35
• 
  Charles B. Callaway, Oliviero Stock, Elyon Dekoven, Kinneret Noy, Yael Citron, Yael Dobrin: Mobile drama in an instrumented museum: inducing group conversation via coordinated narratives. 37-61
• 
  Frank Allan Hansen, Karen Johanne Kortbek, Kaj Grønbæk: Mobile Urban Drama: interactive storytelling in real world environments. 63-89
• 
  Annie Gentes, Camille Jutant: The game mechanics of pervasive applications: visiting the uncanny. 91-108
• 
  Anders Sundnes Løvlie: You are the one thinking this: locative poetry as deictic writing. 109-127

Volume 18, Number 3, 2012

• 
  Leo Ferres: Introduction to the Special Issue on Web Accessibility. 129-130
• 
  Luz Rello, Ricardo A. Baeza-Yates: The presence of English and Spanish dyslexia in the Web. 131-158
• 
  Nádia Fernandes, Rui Lopes, Luís Carriço: Evaluating Web accessibility at different processing phases. 159-181
• 
  Jose Fuentes Sepúlveda, Leo Ferres: Improving accessibility to mathematical formulas: the Wikipedia Math Accessor. 183-204
• 
  Silvia Mirri, Paola Salomoni, Catia Prandi, Ludovico Antonio Muratori: GAPforAPE: an augmented browsing system to improve Web 2.0 accessibility. 205-229

Volume 18, Number 4, 2012

• 
  Jeremy Hunsinger, Adrienne Massanari: Editorial. 231-236
• 
  Burcu S. Bakioglu: Negotiating governance in virtual worlds: grief play, hacktivism, and LeakOps in Second Life®. 237-259
• 
  K. L. Gray: Deviant bodies, stigmatized identities, and racist acts: examining the experiences of African-American gamers in Xbox Live. 261-276
• 
  Jean-François Lucas, Tracy Cornish, Todd Margolis: To a cultural perspective of mixed reality events: a case study of event overflow in operas and concerts in mixed reality. 277-293
• 
  Michael 'Adrir' Scott: A monument to the player: preserving a landscape of socio-cultural capital in the transitional MMORPG. 295-320

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